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Click here to subscribeWILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), R.S.A. EDINBURGH, QUEEN MARY LEAVING HOLYROOD and PALLADIO ROTONDA (3) each etching, each signed in pencil 9cm x 11cm, 9.5cm x 14cm and 10cm x 10cm Each mounted, framed and under glass Labels verso: James Connell & Sons, Glasgow, James Connell & Sons, Glasgow and W. B. Simpson, Glasgow
After REMBRANDT; a black and white etching "The Burgomaster Six", inscribed on label verso "Facsimile reproduction (both of size and state) of the 2nd state of Rembrandt's etching 'The Burgomaster Six', bought by Messrs. Colnaghi in the sixth sale, Amsterdam, October 1928 for £8,200 (a record)", 25 x 19.5cm, framed and glazed.
After Randolph Caldecott, Hunting prints and two postcards, after Henry Alken, aquatint by Duncan of 'To the Crack Riders of England', a small Albert Buckle etching of York Minster, circa 1880, a reproduction map of the Railways of Norfolk and a coloured engraving for The Complete English Traveller entitled 'View of the remarkable Cataract on the River Teese which divides the Counties of York and Durham' and other topographical prints (all framed & glazed)
Daniel Graves, American b.1949- Door knocker design; etching, signed and dated 81, and numbered 107/200 in pencil, blind stamp, 7x5.5cm: Kate Dicker, British b.1953- "A Midsummer Night's Dream" to include "Pyramus and Thisbe", "Bottom & Titania", "Puck" and one other untitled; woodcuts, all signed, titled, dated '83 and A/P in pencil, one numbered 6/75, 24.5x18cm max, (5): European School, 20th Century- "Demon- Notre Dame"; etching, signed indistinctly, titled and Artist Proof in pencil, 15.5x18cm: together with an artist's sketch for a label design in pen, 25x15cm, (8) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: All items unframed all prints in good condtion expect the last two - the demon print has some staining round the edge and yellowing on the edges, but otherwise in good conditon and the label design is slightly creased.
Joseph-Paul Busuttil, British b.1936- "Portobello"; etching with aquatint printed in colours, signed, titled and numbered 31/200 in pencil, 42.5x61.5cm: Stephen Whittle, British b.1953- "The Old Canal", "Scots Pine", "A Somerset Lane", "At the Edge of the Wood"; etchings with aquatint printed in colours, four, ea. signed, titled and numbered from an edition of 150 in pencil, ea. arched approx. 12.2x13.7cm: together with three other modern prints depicting harbour scenes and daffodils, by other hands, (7) (may be subject to Droit de Suite)
Etienne Ret, French 1900-1906- Reclining female nude holding a book; etching in printed in blue, 38x48cm (may be subject to Droit de Suite) CONDITION REPORT: In gilt and glazed frame with wide fabric and gold edged mount unexamined out of frame printed signatute in plate In very good condition
Andrew Ingamells, British b.1956- "London"; etching with hand-colouring, signed and numbered 10/125 in pencil, 34.5x121cm (may be subject to Droit de Suite) CONDITION REPORT: In a wooden and perspex frame with wide white mount unexamined out of frame perspex has a few minor scuff marks wooden frame needs cleaning otherwise in very good condition.
Brian Wall, British b.1931- Untitled; etching, signed and dated 67, A/P and inscribed 'for Monica with best regards' in pencil, 50x50cm (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed. Sheet size is 79x57cm signed, dated and inscribed in pencil there are some waterdrop marks on the image - quite visible, which have left milky mark. the paper has tonal discolouration on it/yelllowing. there are handling marks staining round the edges of the paper crease marks round the edges of the paper brown water mark verso.
Nicolas de Launay 1739-1792- "L'Heureux Moment' after Nicolas Lavreince; etching and engraving, 25x19cm: together with five other etching/engravings by the same or other hands- to include courting and bedchamber scenes; etching and engravings, 25x19cm ea., (6) (in matching frames) CONDITION REPORT: In matching gilt, and glazed framed with green mounts All prints have suffered from staining (to varying degrees) - mainly as a result of colour transfer from backing behind the print Some losses to edges of frames otherwise in good general condition 'Sanderson & Sons Ltd, 52 Berners Street, London label attached to verso of each print.
Oliver Robinson, British 1908-1996- "Jazz Tennis"; digital print, signed and numbered 27/250 in pencil, 38x59cm: European School, 20th/21st Century- "Graces III"; etching in colours, embossed, signed indistinctly, titled and numbered 220/275, 38x30cm: together with one other abstract digital print, 76x50.5cm, (3) (may be subject to Droit de Suite)
Thomas Rawlandson, British 1756-1827- "The Curious Wanton"; etching with hand-colouring, 20.5x13.5cm: together with one other by the same artist- "New Feats of Horsemanship"; etching with hand-colouring, 20.5x13.5cm (2) (in matching frames) CONDITION REPORT: In matching chrome, glazed frames with brown mounts both unexamined out of frame first print slightly ruckled unknown if stuck down on mount but othewise in good condtrion second print has a small pinhole top right hand edge and looks a little time-faded otherwise in good condition
A GROUP OF PICTURES, to include tinted etching portrait of a jockey, signed tablet F. Archer, mixed media needlepoint and printed scrap 'Home Sweet Home', rural landscape with cattle and church, unattributed and an exhibition poster for pre-Raphaelite photography at Manchester Art Gallery (4)
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