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OROLOGIO DA TASCA VIENNESE CON CALENDARI E SMALTI, FIRMATO HEGEL, PERIODO 1820 Cassa ottagonale a due corpi in metallo, lunetta decorata a motivi floreali, smalti raffiguranti varie scene con figure femminili e putti lungo la carrure, sul retro incorniciato da festoni, medaglione centrale in smalto con a tema la vanità. Anello geometrico decorato a rilievo. Quadrante in smalto bianco e fasce blu, numeri romani per le ore e arabi per i quarti, carica frontale. Quadratini ausiliari dei secondi, delle fasi della luna, del mese e dei giorni del mese. Meccanica finemente incisa ad acquaforte raffigurante due putti, nuvole e tendaggi, firmato “S. Hegel in Wienn”, carica a conoide, scappamento a verga, coq traforata e incisa, colonnini circolari. Diametro Ø: 59 mm Note: funzionante. Lancette non pertinenti. WIEN KEY-WINDING ENAMELED POCKET WATCH WITH CALENDARS, SIGNED HEGEL, 1820 Octagonal two body metal case, band with various enamel scenes with female figures and putti, back enamel with vanity subject. White enamel dial with blue hours bands, roman numbers. Subsidiary dials for seconds, moon phases, month and day of the month. Movement richly etching decorated, signed “S. Hegel in Wienn”, fusée, verge escapement, pierced and engraved cock, cylindrical columns. Diameter Ø: 59 mm Note: working. Not original hands. € 1000
Victor Pasmore (1908-1998), The Cloud, initialled, dated '86 and numbered XII/XV in pencil in the margin, on Fabriano paper, with blindstamp, published by Marlborough Fine Art Ltd. and 2RC, Rome, etching and aquatint, plate size 48 x 56cm.; 19 x 22in, sheet size 70 x 99cm.; 27.5 x 39in. Artists' Resale Right (droit de suite) may apply to this lot.
•EDMUND BLAMPIED RBA, RE (British 1886 - 1966) HORSE DRAWN CARRIAGES BY NIGHT Drypoint etching, signed and numbered 23/100, 20 x 28cm (8 x 11"), ROWLAND ROY GILL ARE (British fl. 1910 - 1940) Woman Bathing, etching, signed, 22 x 19.5cm (8 1/2 x 7 3/4"), After WILLIAM ROTHENSTEIN NEA, RP (British 1872 - 1945), Portrait of a Man, print, 30.5 x 24cm (12 x 9 1/2") (3)
•ELYSE ASHE LORD RI (British 1900 - 1971) JOY RIDE, THE FLUTE PLAYER, STILL LIFE WITH VASE OF FLOWERS Drypoint etching in colours, signed and numbered 16/75, 2/75 and not numbered, respectively, 17.5 x 19cm (7 x 7 1/2"), 30 x 25cm (11 3/4 x 9 3/4"), 37 x 30cm (14 1/2 x 12") (3) Aitken Dott & Son label verso (Joy Ride)
William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) Fellucas on the Nile, signed in pencil, a black and white etching, together with two further examples by the same artist depicting warships at sea and beached rowing boats beside a pier, another example by Harold Wyllie of a clipper ship off the coast and an empty folio relating to Wyllie etchings (5) 16cm by 37.5cm, 16cm by 30cm & 52cm by 38cm respectively
Piers Browne (b.1949) ''The Oak is left that grew beside their door...'' Wordsworth, signed in pencil, inscribed and dated (19)91, etching, together with two further etchings by the artist ''Against the Mountain Blasts'', ''The ruined sheepford, from Michael by Wordsworth'', 15cm by 18cm, 14cm by 17.5cm and 13.5cm by 17cm respectively (3)
Herbert Dicksee RE (1862-1942) ''Disturbed'' signed in pencil, a black and white etching, together with a further example by the same artist of a West Highland terrier seated in a doorway, 28cm by 50cm & 45cm by 36cm respectively (2) ''Disturbed'' - Some discoloration and surface dirt Foxing throughout the image as a result of damp Not examined out of the frame, the mount has been cut to the plate mark (cannot see whether the sheet has been trimmed) Some surface rubbing particularly noticeable lewer left in the margin West Highland Terrier - Some surface dirt and discoloration Some foxing throughout the image as a result of damp Some surface dirt/rubbing, particularly noticeable in the margin Slight rubbing noticeable on the flags beneath the dog Not examined out of the frame, mount cut so the plate mark is just visible - cannot see if the sheet has been trimmed

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78388 item(s)/page