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Lot 20
1/6, numbered in pencil in the margin (lower right), etching on paper17.5cm x 25cm (6.9in x 9.8in)Footnote: Literature: Alan Cristea Gallery, Ben Nicholson: Prints 1928-1968, Alan Cristea Gallery London, 2007, cat. no. 17. (another example from the edition). Barns-Graham bought this etching in a series of instalments stating in a letter to Nicholson: 'Dear Ben, I have chosen the Drypoint titled "Terendine" - from those we took away on Sunday. I enclose £2 & will send another £2 next month if that really is alright with you. How grateful I am."
Lot 49
7/25, signed, dated and numbered in pencil in the margin (lower right), inscribed 'Descending Forms / etching / series of 25 / 4'2gns / Robert Adams' in pencil (to reverse), etching30cm x 10cm (11.75in x 4in)Footnote: Exhibited: Gimpel Fils, London, 1955, (another example from the edition). Literature:Grieve, Alastair, The Sculpture of Robert Adams, The Henry Moore Foundation & Lund Humpries, London, 1992 (described as an engraving), p.66. (another example from the edition).Grieve, Alastair, Robert Adams 1917-1984 A Sculptor’s Record, Tate Gallery, 1992 (described as an engraving), p.36. (another example from the edition).
Lot 21
6/20, signed, numbered and inscribed 'for Willy / Xmas 53' in pencil in the margin, drypoint etching on paper24.75cm x 19.5cm (9.75in x 7.5in)Provenance:In Barns-Graham's notes about her collection she states she was gifted three etchings and prints by Ben Nicholson: 'he gave me all'.Footnote: Exhibited: St Ives: Movements in Art and Life, 14 March - 19 September 2020, Royal West of England Academy, Bristol, (another example from the edition).Literature:Alan Cristea Gallery, Ben Nicholson: Prints 1928-1968, Alan Cristea Gallery London, 2007, cat. no. 19. (another example from the edition).Inscribed on backboard 'W. Barns-Graham or Lewis / 1 Barnaloft / St Ives / Cornwall / Ben Nicholson silver point / personal gift 1953 Xmas'
Lot 26
12/20, numbered in pencil (lower left), etching on paper42.5cm x 42.5cm (16.75in x 16.75in)Footnote: Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
Lot 128
'Ich Orpheus'Markus Lüpertz, 1995, Karlsruhe, Herausgeber Comatype n-house music, 89 SS., 21 Farboffsets nach Zeichnungen von Markus Lüpertz, 1 von 200 Vorzugausgaben, anbei Musik-CD, 'Orpheus mit Lyra', u.a. gesprochen von Markus Lüpertz, dazu eine handkolorierte Radierung, 30 cm x 30 cm Blattmaß, signiert'Ich Orpheus'Markus Lüpertz, 1995, Karlsruhe, Comatype n-house music, 89 pgs., 21 offset prints on colours after drawings by Markus Lüpertz, 1st edition, signed, includes music CD 'Orpheus mit Lyra', Markus Lüpertz, hand tinted etching, 30 cm x 30 cm sheet size, signed
Lot 1015
§ Gerald Leslie Brockhurst (British, 1890-1978). 'Anais', etching on wove paper. Signed in pencil to margin. Framed and glazed. Image size 14 x 11cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.
Lot 1043
Caroline King, 'Sleeping Tiger', linocut, signed, titled and dated '97 in pencil, numbered 4/60, sheet size 29 x 56cm, together with an etching by E Newman, 'Bluebell Sett Badgers', signed, titled, dated December 1995 in pencil, numbered 82/200, image size 12 x 16cm, and a lithograph by J Wasilewski, 'Quiet Summer Day', signed in pen to margin, numbered 22/400, with certificate of authenticity, unframed, rolled, images size 50.5 x 50.5cm (3)
Lot 1059
§ Julian Trevelyan RA (British, 1910-1988). 'Westminster', soft ground etching on wove paper, 1969. Signed, titled, and numbered 39/75 in pencil. One of the twelve Thames Suite images, printed by Geoffrey Beardsall and Dorothea Wight, London and published by London Graphics. Image size: 35 x 48cm. Sheet size: 59 x 77cm. Please note that Artists Resale Right maybe additionally payable on top of the sale price only where sold above the threshold, up to a maximum of 4% of the hammer price. Visit www.dacs.org for more information on ARR.
Lot 1080
Mixed collection of prints, to include framed lithograph by Claude Hemeret (French, b.1929), 'Les Iris', colour lithograph E.A., signed lower right, label for The Mark Gallery, image size 55 x 71cm, framed etching of a Venice canal scene, indistinctly signed in pencil, numbered, image size 16.5 x 21.5cm, an etching by Anapia Antonini (Swiss, b.1942), 'L'air du Large', signed and titled in pencil, E/A II/XX, unframed, image size 29.5 x 24.5cm, a colour etching by Marie Arbaratez (French b.1942), 'l'Exploration de sa Maman', signed and titled in pencil, numbered 25/100, unframed, image size 46 x 58cm, and a lithograph by Francoise Deberdt (French, b.1934), Shepherd, unframed, image size 41 x 51cm (5)
Lot 182
NO RESERVE Jones (Shirley, Welsh artist and founder of Red Hen Press) Llangors from Llangasty, Etched in Autumn, mezzotint and etching, printed in colours on Somerset wove paper, signed, inscribed and numbered in pencil, from an edition of 70, platemark 305 x 240 mm (12 x 9 1/2 in), sheet 455 x 360 mm (17 7/8 x 14 1/4 in), full margins with deckle edge, unframed, 1997.
Lot 196
Derby.- Hutton (William) The History of Derby, first edition, folding engraved frontispiece 'East Prospect of Derby', folding engraved plan and 17 plates, errata/advertisement leaf, extra-illustrated with c.60 additional prints and drawings, mostly engraved but including a few watercolours, one or two folding, some portraits, some bound in, others trimmed and mounted on blank leaves, occasional spotting, contemporary sheep-backed boards, worn, broken and loose, 8vo, J.Nichols, 1791.⁂ The additional items include a folding engraved pictorial perspective map of Derbyshire north from London by G.Bickham, 1753, 3 watercolour views of a man and a donkey sliding down a rope from a church tower as described in the text (pp.245-250), an etching and a watercolour version of Patrick O'Brien the Irish Giant, and an engraving and a watercolour of Thomas Topham the Strong Man.
Lot 346
§ § Anthony Gross CBE, RA (British 1905-1984) Dryadssigned 'anthony gross' (lower right); numbered 11/50 (lower left)etching37.5 x 52cmCondition report: Not examined out of the frame. The surface with overall toning and discolouration, deeper in colour in the plate than in the margins. Some very light scattered foxing visible in the plate and margins, and some slight undulation of the surface, otherwise in good condition.
Lot 345
§ § Anthony Gross CBE, RA (British 1905-1984) The Old Royal Observatory, Greenwichsigned 'anthony gross' (lower right); numbered 22/75 (lower left)etching30 x 36.5cmCondition report: Not examined out of the frame. The plate appears slightly dirty, but this does not extend to the margins so appears to be part of the print itself. Overall in good condition.
Lot 514
§ § Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Standing Mansigned and dated 'Eduardo Paolozzi / 1987' (lower right); numbered 80/100 (lower left)etching24 x 13cmCondition report: Not examined out of the frame. Some very minor and isolated foxing spots, and some very light toning of the paper. Otherwise in good condition.
Lot 512
§ § Victor Pasmore CH, CBE (British 1908-1998) Am I the object which I see? Am I the eyes that look at me?signed and dated 'VP / 74' (lower right); numbered 24/60 (lower left)etching and aquatint41 x 40cm Footnote: Provenance: With Galerie Royale, Alberta, CanadaCondition report: Not examined out of the frame. With slight toning throughout, though this is even and uniform. The surface with very slight undulation. Otherwise in good, clean condition.
Lot 513
§ § Pablo Picasso (Spanish 1881-1973) Femme en Buste, Une Main au Visage. Souvenir de Dora Maardrypoint etching on wove Marais paper, from an edition of 275 etched at Golfe Juan, printed by the Atelier Lacourière, Paris, February 194838 x 28.5cm Provenance:With William Weston Gallery, LondonCondition report: The surface uniformly toned, with deeper discolouration at the outer edges of the sheet. Two very small blemishes to the right hand side of the figure's head and a further minute spot on her chest. Sheet appears to be mounted to the backboard at each corner and the surface with some very minor undulation.
Lot 393
Edgar Degas (French 1834-1917) Danseuse mettant son chausson, 1892etching 17 x 12cmCondition report: Plate measures 17.5 x 11cm, visible sheet size when framed is 20.5 x 14cm. The mount is a little foxed along the top and left hand edge and is slightly toned throughout. The surface of the image is lightly and uniformly toned, but in generally good, clean condition. Framed dimensions 33.5 x 26cm
Lot 509
§ § Victor Pasmore CH, CBE (British 1908-1998) 'Deep inside I looked / but of a soul / I could find no sign !'signed and dated 'VP / 74' (lower right); numbered 33/60 (lower left)etching and aquatint71.5 x 61cmCondition report: Would benefit from reframing as the left hand edge of the frame is missing. The print is bonded to the backboard at each corner. Where attached with tape to the backboard, each corner has a brown stain. The surface is slightly toned, bears some scattered foxing marks, and with some minor undulation. Otherwise in good condition. Comes via a private collection.
Lot 503
§ § Paula Rego DBE, RA (Portuguese/British 1935-) Woman lying downsigned 'Paula Rego' (lower right); numbered 10/17 (lower left)etching and aquatint36.5 x 46.5cmCondition report: Not examined out of the frame. Appears in good, clean condition, free from any foxing or discolouration. From a private collection.
Lot 391
Berthe Morisot (French 1841-1895) Young Girl with a Cat, after a portrait of Julie Manet by Renoirdrypoint etching, cancelled plate12.5 x 10.5cmCondition report: The work is unsigned and unframed, but hinge mounted with tape along the top edge. The surface is typically toned and with some light undulation, one small foxing mark at the top edge of the image.
Lot 501
§ § Norman Ackroyd CBE, RA (British 1938-) Snowstorm at Cartmel Fell signed 'Norman Ackroyd' (lower right); titled and numbered 68/90 (lower centre)etching and aquatint 85 x 63cmCondition report: Float mounted at each corner in the frame. Slight undulation of the surface, could be remedied by remounting. Each side with deckled edging. In good overall condition.
Lot 527
§ § John Bellany CBE, RA, HRSA (Scottish 1942-2013) The Frightsigned 'John Bellany' (lower right); numbered 11/50 (lower left)etching and aqautint108 x 79cmCondition report: Not examined out of the frame. Appears to be bonded yo the backboard at each corner. Some minor handling creases visible at the edges and with some undulation of the surface. Otherwise in good condition.
Lot 526
§ § John Bellany CBE, RA, HRSA (Scottish 1942-2013) Perdusigned 'John Bellany' (lower right); numbered 1/50 (lower left)etching and aquatint119 x 79cmCondition report: Not examined out of the frame. Appears to be bonded to the backboard at each corner, the left hand edge with a small handling crease around half way up the margin. Some undulation to the surface. Otherwise in good condition.
Lot 347
§ § Anthony Gross CBE, RA (British 1905-1984) Rounded Hills (Les Mamelons)signed 'anthony gross' (lower right); numbered 14/50 (lower left)etching40.5 x 52cmCondition report: Not examined out of the frame. The surface with overall toning and discolouration, lightening in colour around the margins. Some creases visible to the lower edge and upper right hand section of sky, together with some lighter handling creases visible under raking light. Some light scattered foxing, but overall a good image.
Lot 1117
Théodore ROUSSEL (1847-1926)Chelsea Palaces (Scarab, Grecian Key and Fly Pattern Mount)Coloured etching and aquatint on hand-coloured mount26 x 29cmWorks from the same series are held by The V&A, London and The Met, New York. 'This print belongs to a set of colour prints made by painter and etcher Theodore Roussel in the 1890s. Each print was the result of considerable experimentation and is printed in colours ground and mixed by the artist. Each is mounted on one of two etched mounts also designed by the artist and printed in a range of colours selected especially for the image. Roussel was born in Britanny and educated in Paris. In 1874 he moved to England. It was at Whistler's suggestion that he took up etching, developing the master's highly personal and private vision into public decorative works intended for the domestic interior. His approach to colour printing was revolutionary and fundamental to printing in colours in the twentieth century. In 1910 he became the first President of the Society of Graver Printers in Colour. This set, issued at the end of the nineteenth century, has a key place in the development of the print from the private 'portfolio' works to public pieces with a decorative role akin to painting.' - The V&A
Lot 144
Anthony BENJAMIN (1931-2002)White StarEtching in coloursSigned, inscribed and dated '84Numbered 21/35Paper size 56 x 48cmIn the mid-1950's Anthony Benjamin moved to St Ives to live in a small cottage that had previously belonged to Sven Berlin. He quickly became associated with fellow artists such as Peter Lanyon, Patrick Heron, Bryan Wynter and Terry Frost, and became a member of the Newlyn Society of Artists in 1958. Condition report: This etching is in good condition. Of course, as is common with handmade paper - the paper is very slightly cockled. There is a light brown stain to the right-hand side of the paper, perhaps minor foxing.
Lot 930
Pablo Picasso Etching *Minotaure caressant une Femme", from "La Suite Vollard", 1933etching on laid paper, unframed, 29.2 x 36.2 cm (plate size), 34.4 x 44.3 cm (sheet size)handwritten signature on the lower right: Picassoinscribed and dated on the lower right in the plate (mirror-inverted): Paris 18 Mai XXXIIIPicasso watermark on the leftedition of 260 pieces, published by Ambroise Vollard, Paris, 1939 (watermark lower left edge)
Lot 933
Pablo Picasso (1881-1973) Le Repos de Sculpteur IV (from the Vollard Suite) (Bloch 174)Etching 1933, signed in pencil, the edition was 250, on Montval laid paper, from the Vollard Suite, with the Vollard watermark, published by Ambroise Vollard, Paris, with full margins, 193 x 267mm (7 5/8 x 10 1/2in) (unframed)
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78411 item(s)/page