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Lot 660

Herbert Thomas Dicksee RE (1862-1942)'Clouds have a silver lining, don’t forget; Just bide a wee, and dinna fret' - a young woman and her King Charles Spaniels sitting in a window seat, hoping the rain will soon stop. Location: the inside of Penshurst Place, Kent. original etching on vellum, signed artist’s proof with blindstamp, edition of 300, published by the Fine Art Society, London, 1907image 47 x 58.5cmProvenance: The Bryan Steele Collection.Condition report: Vellum quite strongly discoloured. Obvious cockling throughout. Some light brown speckled foxing visible in margins, and a little surface dirt. Image strong. Some stains on extreme lower edge. Not seen outside of frame.

Lot 654

Herbert Thomas Dicksee RE (1862-1942)A Christmas card ‘With Best Xmas Wishes from Mr & Mrs Herbert Dicksee’. original etching on paper: study of a recumbent Irish Wolfhoundimage 7.7 x 12.5cm.Provenance: From the artist’s grandson; the Bryan Steele Collection.Condition report: Paper lightly discoloured, and a little light dirt around the platemark. Some light creases scattered throughout. A couple of very tiny specks of foxing. Not seen outside of frame.

Lot 659

Herbert Thomas Dicksee RE (1862-1942)‘The Little Gipsy’, a girl sitting with her terrier dog in a woodland glade, both gazing at flames under a cooking potoriginal etching on vellum, signed artist’s proof, blindstamped, edition of 400, published by Frost & Reed, 1903image 48.5 x 60.4cmProvenance: The Bryan Steele Collection.Exhibited: The Royal Academy, London, 1904, number 1310.The sitter was a family friend, a young Gladys Cooper, before she became a famous actress.Condition report: Vellum has discoloured to a light orange colour. A little very light cockling, barely noticeable. Some light speckles of foxing. A couple of small drops of glue or varnish in the printed area. Not seen outside of frame.

Lot 662

Herbert Thomas Dicksee RE (1862-1942) ‘Airedale Pups’original etching on wove paper, signed artist’s proof, edition of 150, this ‘33/150’, no other state, published by Frost & Reed, 1930image 15.2 x 28cmProvenance: From artist’s grandson; the Bryan Steele Collection.Condition report: The paper has lightly discoloured. A light brown vertical line running down the paper approx one inch from right edge. Scattered throughout with light grey dots of foxing. Not seen outside of frame.

Lot 665

Herbert Thomas Dicksee RE (1862-1942)‘The King Watches’, a family of African lions, after the painting by Rosa Bonheur, 1887 original etching on vellum, signed artist’s proof, edition of 350, published jointly by L H Lefevre & Son, London and T McLean, London, 1910image 45.8 x 64.8cmProvenance: The Bryan Steele Collection.Condition report: The paper has discoloured slightly. A few very small specks of ink loss in the background area. Some very pale dots of discolouration just visible in margins. Not seen outside of frame.

Lot 666

Herbert Thomas Dicksee RE (1862-1942)‘Across the Desert’ - Lion, walking, gaze fixed on the horizonoriginal etching on paper, signed artist’s proof, edition of 150, published by Frost & Reed, 1930image 24.8 x 42.6cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: A very light wave to the paper. A few very light specks of foxing, only visible under close scrutiny. Otherwise good condition. Not seen outside of frame.

Lot 501

Giovanni Battista Piranesi (Italian, 1720-1778)'Vestigie delle Terme d'Antonino Caracalla (the Baths of Vespasian)'etching, signed within the print 'Piranesi fe' l.l.11.5 x 17cmLiterature: Focillon 104Provenance: Christopher Mendez, 51 Lexington Street, London, W1;The Estate of Virginia Chapman, late of Debden Manor, Debden, Essex.Condition report: The image is strong. The paper has very lightly discoloured and there are a couple of very light dots of foxing. A little light surface dirt. The paper has been trimmed very close to the edge of the image. Appears to be stuck down. Not seen outside of frame.

Lot 661

Herbert Thomas Dicksee RE (1862-1942)Irish Wolfhound, lying downoriginal etching on paper, signed artist’s proof, circa 1918 (different detail and plate size to a limited edition of 125 of the same subject titled ‘Waiting’ published by Frost & Reed, 1918)plate 15 x 40cmProvenance: The Bryan Steele Collection.Condition report: The paper has discoloured to a light brown, more so on the left hand side, with some lighter dots. The paper is speckled throughout with dots of foxing. Not seen outside of frame.

Lot 658

Herbert Thomas Dicksee RE (1862-1942)‘Bonnie Prince Charlie’, a King Charles Spaniel, seated. original etching on satin (very rare, a rich, well-defined image), signed artist’s proof, published by the Fine Art Society, London, 1902 (on vellum paper only), plate 24.8 x 19.7cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: The satin is a light golden colour. Small scattered tiny flecks of black around the spaniel's head and in corners, possibly ink. Some pale grey scattered spots in right-hand background area and further small dots and flecks elsewhere. Not seen outside of frame.

Lot 1296

Graham Clarke, Limited Edition coloured etching titled ' Brimstone ', No. 114 of 250, with blindstamp, signed in pencil by the artist, 4ins x 6ins

Lot 1368

Norman Ackroyd, signed Limited Edition etching, entitled ' Westwert Water ', 16ins x 17ins, plate size

Lot 1382

Norman Ackroyd signed artists proof etching entitled ' Ballymaloe House, Cork ', 20ins x 15ins, plate size

Lot 1297

Graham Clarke, Limited Edition coloured etching, titled ' Phew ', No. 115 of 250, with blindstamp, signed in pencil, 4ins x 6ins

Lot 1283

Anthohy Gross CBE RA, 1956 etching ' The Plateau ', signed in pencil, numbered 49/50, 28.5ins x 23.5ins, framed

Lot 1452

Ken Longcake, two large acrylics, study of an owl and another, study of a wizard, gilt framed, together with a large acrylic on paper, Lake District scene and a signed etching of a pelican

Lot 1298

Victor Ambrus, artist proof etching, ' Cavalry ', signed in pencil, gilt framed, 8ins x 15ins

Lot 272

Prints, watercolours and oils including Henry Wilkinson signed etching - gun dogs, early 20th century oil on canvas figures by the shore

Lot 773

Domed top with criss-cross etching, 11,1g, size L

Lot 16

δ Barry Flanagan (1941-2009)Hare In The Dark (Cocteau)Etching printed in colours, 1994, signed and inscribed Artists Proof, numbered from the edition of 10 in pencil, on wove paper, with full margins, 370 x 450mm (14 1/2 x 17 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 119

δ David Hockney (b.1937)Mo Asleep (Tokyo 116)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 75, published by Petersburg Press, London, on J. Green wove paper, with full margins, sheet 892 x 705mm (35 1/8 x 27 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 151

δ Harland Miller (b.1964)In Shadows I Boogie (Blue)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 × 253 × 45mm (13 1/2 × 9 7/8 × 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 94

δ Antony Gormley (b.1950)FirmamentEtching, 2008, signed, titled, dated and numbered from the edition of 60 in pencil verso, on wove paper, with full margins, sheet 650 x 750mm (25 1/2 x 29 1/2 in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 25

δ Peter Howson (b.1958)Muslim WomanEtching, 1994, signed, titled, dated and numbered from the edition of 50 in pencil, on wove paper, the full sheet 520 x 430mm (20 1/2 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 14

δ Barry Flanagan (1941-2009)TransfixedEtching printed in colours, 1994, signed and inscribed Artists Proof, numbered from the edition of 10 in pencil, on wove paper, with full margins, 450 x 370mm (22 3/4 x 14 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 44

δ Henry Moore (1898-1986)Mother and Child 4 (Cramer 704)Etching 1983, signed inscribed PL4 and numbered from the edition of XV, an artist's proof aside from the edition of 50, printed by James Collyer and John Crossley, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, sheet 381 x 324mm (15 x 12 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 15

δ Barry Flanagan (1941-2009)MinniEtching, 2003, signed, dated and numbered from the edition of 15 in pencil, on wove paper, with full margins, 565 x 485mm (22 1/4 x 19 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 245

Framed 19th century Australian cricket players, etching on cloth

Lot 149

GEORGES BARBIER (1882-1932) THEATRE HAND-COLOURED ETCHING ON WOVE ca. 1912 ARTIST PROOF  APP.SIZE: 15cm x 20cm (24cm x 30cm) 

Lot 169

STANLEY WOOLLETT BILLET DOUX HAND-COLOURED ETCHING ON WOVE APP.SIZE: 15cm x 20cm (24cm x 30cm) 

Lot 114

GEORGES BARBIER (1882-1932) BALLETS RUSSES HAND-COLOURED ETCHING ON WOVE ca. 1912 ARTIST PROOF APP.SIZE: 15cm x 20cm (24cm x 30cm) 

Lot 159

ETHEL LARCOMBE (1876-1940) PIXIE HAND-COLOURED ETCHING ON WOVE APP.SIZE: 15cm x 20cm (24cm x 30cm) 

Lot 28

Early 20th century Austrian School, a view of Vienna, Etching, signed and titled 'Wien' in pencil, and numbered 30/125, 12" x 24".

Lot 9

Attributed to Jean Fautrier (1898-1964) 'Drunkards', a tavern scene of inebriated gentleman, etching, numbered 3/50, signed in pencil, 7.5" x 5.5". unframed.

Lot 21

George Edward Collins (1880-1968) British, a small bird warbling amidst branches, etching, signed in pencil, 7" x 9.5".

Lot 36

After Thomas Rowlandson (1756-1827) British, ' A Bonnet Shop', hand coloured etching, unframed, overall 12.75" x 9".

Lot 1027

A NEW AND UNUSED PRESENTATION WHISKY SET, with glass decanter and four matching glasses, with red deer etching. † Please note this item is subject to 20% VAT on the hammer price.

Lot 347

Herbert Dicksee - titled "His Royal Highness", etching of a Lion , approx. 18 x 24cm signed "HD" to lower right

Lot 471

EARLY 20TH CENTURY Wills Memorial Building Bristol encased in scaffolding, dry point etching, 32cm x 47cm, framed and glazed Condition: some creasing to the paper and possibly discolouration, 46cm x 62cm including the frame

Lot 535

Sir William Russell Flint (1880-1969) - 'Acrobats At Lorca Fair', signed to the margin, numbered LI, etching and dry point, 20 x 35 cm, framed

Lot 513

Norman Ackroyd (Born 1938, British) - 'Gentle Rainstorm', signed and dated 1974, limited 17/75 colour etching, 21 x 18cm, framed

Lot 1692

Hubert Andrew Freeth (1912-1986)etching,"Le Penseur",signed in pencil,32 x 24cmCONDITION: Good condition, under dirty glass.

Lot 528

A COLLECTION OF ANTIQUE ENGRAVING PRINTS ETC, to include Chaucers Canterbury Pilgrims by William Blake, Mrs Fitzherbert by Richard Cosway, the Judgement of Paris by Luca Giordano, Portrait of a Lady engraved by Valentine Green, Donna Plebia Di Piza by Jean-Baptiste Greuze, two others by the same hand, others assorted engravings and prints together with three modern Greek icons (two boxes and loose) Condition Report  There is an oak slip around the print, the slip appears to be glued to the print, visible image size including rebate is approximately 20cm x 57.5cm, it is a vintage etching

Lot 479

CERAMICS, METALWARES AND PICTURES, ETC, to include Henry Wilkinson signed etching of a setter, signed John Trickett limited edition print, D M Sedgwick oil on board of a butterfly and flowers, silver hallmarked spirit cup, porringer, Doulton Lambeth stoneware, as found, Noritake tea wares, Masons storage jar, as found, other pictures and sundries etc (box and loose)

Lot 494

TREVOR HODGKISON (1928-2013) 'Libation for Orpheus', a dry point etching 17/40, and 'Above Sorrento Harbour' dry point etching with colours 4/40-, both signed to lower margins, together with 'Sexton Burrow, Devon' by David Harban, monochrome etching 2/10, 'Soar Valley' by Sandra Harris, etching with colours, garden watercolour by Shirley Easton and coastal watercolour initialed DM, largest size 42cm x 46cm including frame

Lot 600

A BOX AND LOOSE PRINTS etc to include Rolf Harris 'Self Portrait 2 - A La Van Gogh' 270/295 signed to lower margin, frame size approximately 29cm x 22cm, J Lewis Stant 'The Harbour Staithes 1948' etching, Neil Cawthorne print of Red Rum, signed by Donald Ginger McCain, Hilary Scoffield landscape print etc together with photo frames

Lot 390

PAINTINGS AND PRINTS, etc, to include a Robert King limited edition print 6/300, abstract oil on canvas by Suzan Hobday, Naomi Tydeman limited edition print, Shirley Trevena limited edition, indistinctly signed etching of a female figure 3/35, watercolour of a Geisha indistinctly signed TAM?, paintings by Michael Haswell, together with assorted paintings and prints by a variety of artists and an art folder (26)

Lot 762

A pair of prints after W Russell Flint, cloisters, 23 x 33cm, framed and glazed, a similar print 30 x 40cm, framed and glazed, and an etching, after West, Early Morning, attributed, 15 x 15cm

Lot 770

An etching after B Eyre Walker, October Snow Windermere, signed, 20 x 30cm, framed and glazed, and a print after Hilary Moore, Fairfield Mill, Sedbergh, numbered 4/200, 23 x 30cm, framed and glazed

Lot 737

An etching, after W M, The Wave Clipper, indistinctly signed, 24 x 34cm, framed and glazed

Lot 473

VALERIUS DE SAEDELEER (Belgian, 1876 - 1946) limited edition (125/250) etching with aquatint - snowy Oostvlaams landscape, titled on printed label verso 'Grandes Arbres', signed in the print and signed in pencil Hebbelinck, circa 1930s, 55 x 59cms Provenance: private collection, west Wales. Auctioneers Note: Saedeleer is among Belgium's most acclaimed 20th Century landscape painters. In 1914, he was among dozens of Belgian refugee artists who relocated to Wales under the patronage of the Llandinam sisters, Gwendoline and Margaret Davies. Saedeleer and his family lived in Aberystwyth for 6 years before returning to Belgium. At the height of the global economic recession, he collaborated with highly-skilled printmakers like Robert Hebberlinck, to make limited-edition colour etchings inspired by some of his most popular canvases Presentation & Condition: framed and glazed. Paper with slight yellow discolouration, frame with superficial paint spots

Lot 2734

Johann Carl August Richter Johann Carl August Richter (1785 Dresden - 1853 ebenda) "Berg-Palais des verst. Lord Findlater von der Seite der Elbe". Originaltitel Altkolorierte Umrissradierung/Papier, um 1820-1825. Blattränder beschnitten. Darstellung 8,5 cm x 12,5 cm. Dargestellt ist das 1811 fertig gestellte Palais des James Ogilvy, 7. Earl of Findlater (1750 - 1811) in Dresden-Loschwitz; 1821-1850 war es ein beliebtes Ausflugslokal, bis dort 1861 die drei "Elbschlösser" erbaut wurden. Hand-coloured etching on paper, ca. 1820-1825. Trimmed to the platemarks.

Lot 2726

Anton Graff Anton Graff (1736 Winterthur - 1813 Dresden) nach Porträt von Salomon Gessner Kupferstich und Radierung/Papier, 1784. Grafik von Matthias Gottfried Eichler (1748 - 1821) nach dem 1781/82 entstandenen Gemälde Anton Graffs (heute im Deutschen Historischen Museum, Berlin). Im breiten Blattrand ger. fleckig. Plattenmaß ca. 30,5 cm x 22,5 cm. Copper engraving and etching on paper, 1784, by M. G. Eichler after the painting by Anton Graff. Minor stains to the wide margins.

Lot 2739

Friedrich Besemann Friedrich Besemann (1796 Göttingen - 1854 ebenda) attr.; "Göttingen vom Hagen ab". Originaltitel Altkolorierte Radierung. Monogr.; Um 1820-1830. Plattenmaß ca. 16 cm x 20,5 cm. Rahmen. Attributed to Friedrich Besemann (1796 - 1854). Hand-coloured etching with a view of Göttingen. Monogrammed in the plate.

Lot 2727

Giovanni Battista Piranesi Giovanni Battista Piranesi (1720 Mogliano - 1778 Rom) Ansicht der Hadriansvilla in Tivoli Radierung, 1770. In der Darstellung betitelt "Veduta degli avanzi del castro pretorio nella Villa Adriana a Tivoli". Piranesi war selbst an Ausgrabungen in der Villa Hadrian in Tivoli beteiligt. U. l. bez. "Cavalier Piranesi delin. ed inc.". Breiter Papierrand, geglätteter Mittelfalz. Plattenrand 37,5 cm x 65,8 cm. Rahmen. Provenienz: Kunsthandlung Boisserée, Köln. Wvz. Hind 94 I (von IV). Etching. Titled and inscribed.

Lot 2724

Jean-Honore Fragonard Jean-Honore Fragonard (1732 Grasse - 1802 Paris) nach "Die Schaukel". Originaltitel. Handkolorierter Kupferstich/Papier, 1792. Grafik von Nicolas de Launay nach dem 1767 entstandenen Gemälde von Jean-Honore Fragonard (1732-1806) in der Wallace Collection, London. Darstellung ca. 42 cm x 58 cm. Rahmen. Copper engraving and etching on paper, 1792, by Nicolas de Launay after the painting by Jean-Honore Fragonard.

Lot 2714

Georg Daniel Heumann Georg Daniel Heumann (1691 Nürnberg - 1759 ebenda. 1740-1753 Hofkupferstecher in Göttingen) "Ritterspiel das in Sr. Königlichen Majestät Georg I. Gegenwart auf der Göttingenschen Universität den 1. August 1748 gehalten worden ist". Originaltitel Kupferstich (u. Radierung?)/Papier, 1748. Einblattdruck mit vielfiguriger szenischer Darstellung. Unterhalb-deutsch-lateinische Legende mit Sign.; 22 cm x 42 cm (Passepartoutausschnitt). Rahmen. Weitere Exemplare befinden sich im Germanischen Nationalmuseum in Nürnberg und in der Royal Collection in England. Copper engraving (and etching?) depticing the tournament for George II King of Great Britain held at the University of Göttingen, August 1748.

Lot 400

Weinglas mit umlaufenem Ätzschliff, Biedermeier, H.12cm, Scheibenfuß mit abgeschlagenem Abriss, Schaft mit Scheibennodus, Kuppa mit floralen ÄtzschliffWine glass with surrounding etching cut, Biedermeier, H.12cm, stem with disc mode, Kuppa with floral etching cut

Lot 725

A. Grell, "Der Markt in Halle", Radierung, 1837, unten in der Platte signiert, betitelt und datiert, Plattenmaß H*B 10*12,5cm, Blatt unten rechts mit jüngerer Widmung (Bleistift)A. Grell, "Der Markt in Halle", etching, 1837, signed, titled and dated at the bottom of the plate, plate size H*W 10*12,5cm, sheet lower right with recent dedication (pencil)

Lot 727

Moritz Bernhard Pretzsch (1885-1945), "Abendstille", Farbradierung, u.l. in der Platte monogrammiert, u.r. handsigniert, unten links betitelt, Plattenmaß H*B ca. 11*11cm, außerhalb des Motives partiell stockfleckig, verglast gerahmt (Altersspuren, Leiste neu zu leimen), Gesamt-H*B 24,5*19,5cmMoritz Bernhard Pretzsch (1885-1945), "Evening silence (Abendstille)", color etching, monogrammed on the plate, signed by hand on the lower left, titled on the lower left, plate size H*W approx. 11*11cm, outside of the motif partially foxed, framed glass (signs of age, strip to be glued again), total H*W 24.5*19.5cm

Lot 729

Max Slevogt (1868, Landshut - 1932, Neukastel), "Gottesdienst der Georgiritter", um 1920, Radierung/Papier, unten rechts handsigniert, Motivmaß H*B 23*17cm, Blatt gebräunt, leichte Altersspuren, verglast gerahmt, rückseitig mit Etikett "Original-Radierung von Max Slevogt", Gesamt-H*B 35,5*29cmMax Slevogt (1868, Landshut - 1932, Neukastel), "Divine Service of the Georgiritter", c. 1920, etching/paper, signed by hand at lower right, motif size H*W 23*17cm, leaf browned, slight signs of age, framed by glass, reverse with label "Original etching by Max Slevogt", total H*W 35.5*29cm

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