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Lot 48

Peter Partington (b.1941) signed artist proof etching - Chickens, 28cm x 21cm, in glazed frame

Lot 110

Alphonse Legros (1837-1911) etching on paper - Payson Breton, 22 x 12cm, framed and glazed

Lot 7

Roger Curtis (Contemporary) oil on board - boats in a harbour, signed, 30cm x 25cm, together with signed and numbered 4/60 colour etching of Blakeney Creek by David Green, (Contemporary) 14cm x 20cm, both framed (2)

Lot 159

James Gillray (1756-1815) etching - Doublûres of Characters -or -Striking Resemblances in Phisiognomy, 'If you would know men's hearts look in their faces -Lavater', pub London Nov. 1st 1798, J Wright Piccadilly for the Anti Jacobin Review, 26cm x 36cm mounted in glazed frame

Lot 23

Henry Moore RA, British, 1831-1895. Etching, Swiss haymakers in extensive landscape with a bay in the distance. Initialled within etching H.M. 9. Signed in graphite lower right. 23cm x 18cm, mounted and framed, 35cm x 30cm overall.

Lot 94

Winifred Austen (1876-1964) etching of a snipe, signed in pencil, image 25cm x 21cm, framed and glazed

Lot 54

Kathleen Cantin, b.1951. Contemporary American School. Artist Proof Coloured etching, “Over The Valley”. Inscribed and signed to margin, dated ’92. Mounted and framed, 50cm x 44cm overall.

Lot 140

James Abbott MacNeill Whistler (1834-1903), etching of Battersea Bridge, 13 x 20.5cm, in glazed frame

Lot 25

18th century fencing etching, “Duel Between Lord Hervey And The Hon. William Pultney”, “A Consequence Of The Motion”. 26cm x 17cm. Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743), William Pulteney, 1st Earl of Bath (1684-1764) and Sir Robert Walpole, 1st Earl of Orford, KG, MP (1676-1745). The duel between Pulteney and Lord Hervey (25 January 1731) shown in a courtyard with Walpole peering around an arch saying, "Let them cut one another's throats”. Published by T Kitchin (1719-1784), Holborn Hill, London. Mounted in Hogarth frame. Cf: For similar examples see National Trust Collection, Ickworth, Suffolk. British Museum, collection number: 1865,0114.385

Lot 373

An etching and an early 20th century watercolour of a water carrier in Continental landscape. The first after Christopher Hughes, 'Mildenhall Marlborough', 26.5cm x 20cm exc. frame, the watercolour 31.5cm x 23.5cm, framed

Lot 87

Etching titles 'Begrabnis' Dated 1936 Signed by Danish Painter and Illustrator Soren Hjorth Nielsem (1901-1983) - Framed 67.5cm x 57cm

Lot 1077

Damilola Oshilaja (b.1981) - Golden Boy, limited edition etching, 52 x 37cm; together with four other limited edition prints by the same hand, all in glazed box frames (5)

Lot 2089

A quantity of prints including a Hugh Gurney 'Twitchen Valley, Mortehoe', etching of Red Devon Bullocks, Horse and Foal, Truro, Cornwall, Moccas Park Herefordshire, a soldier, Hereford Bull, Madonna and Child etc.

Lot 2111

A David Woodford etching of a mountainous Welsh landscape.

Lot 2146

A framed and mounted charcoal drawing of two terriers 'Ben and Fizzie 1981', signed lower right Sue Kennedy together with a framed and mounted watercolour of a loch scene initialled lower right D.K and an etching of Llantrisant.

Lot 6611

After David Ogborne (British 1700-1768): 'The Dunmow Flitch', engraving laid onto canvas pub. c1752, 36cm x 55cm; Albany E Howarth (British 1872-1936): 'A Street in Toledo', etching signed, titled in the plate 39cm x 22cm (2)

Lot 6617

Francesco Bartolozzi (Italian 1727-1815) after Guercino (Giovanni Francesco Barbieri) (Italian 1591-1666): 'The Circumcision of Christ', etching and engraving 54cm x 34cm

Lot 111

Valerie Thornton (British 1931-1991), Limited edition coloured etching, numbered 24/50, signed and inscribed in pencil by the artist in the margin. Unframed.

Lot 113

Valerie Thornton (British 1931-1991), Limited edition coloured etching, numbered 8/50, signed and inscribed in pencil by the artist in the margin. Unframed.

Lot 114

Richard Beer (1928-2017) "All Souls", coloured etching, signed, numbered 73/100 and inscribed in pencil to lower margin, 60x45cm, unframed.

Lot 147

Valerie Thornton (British 1931-1991), Norwich Cathedral, limited edition etching, numbered 38/75, signed and inscribed in pencil by the artist in the margin.9x14ins

Lot 40

Claude Hamilton ROWBOTHAM (British 1864-1949) Cottages at Porthoustock, Etching in colours, Signed and titled to mount, 4" x 6" (10cm x 15cm)

Lot 41

Contemporary portrait of a woman titled 'Colette', etching, artist's proof, indistinctly signed in the margin, 8" x 10" (20cm x 25cm)

Lot 43

Hubert Andrew FREETH (British 1912-1986), Etching, Portrait of a seated man with children practising handstands in the background, inscribed and signed by the artist in the margin, 12.5" x 9.5" (33cm x 24cm)

Lot 99

Cosmas Shiridzinomwa (Zimbabwean, Contemporary), 'My Thoughts', limited edition drypoint etching, signed and inscribed in pencil by the artist

Lot 169

Ann Thornycroft - Signed limited edition etching number 2/20, titled "Wall" 1965. Together with a coloured wood block of Loch Leven by Marjorie Abbot. 1936.

Lot 677

A etching depicting Lapwing birds, Signed Winifred Austen.[45x55cm]

Lot 681

Original etching titled ''Worshippers''Artistes name on the back.[63x71cm]

Lot 270

Carriage Print FOUNTAIN'S ABBEY, YORKSHIRE by Frank H Mason R.I. from the LNER Original Etching Series of 1936. In an original style glazed frame, print measures 25in x 10in and is in excellent condition. A very rare mounted print.

Lot 271

Carriage Print WROXHAM, NORFOLK by William Lee-Hankey RWS from the LNER 2nd Etching Series (1937). In an original style glazed frame, print measures 20in x 10in and is in excellent condition. A very rare print. Excellent condition.

Lot 1030

After George Vernon Stokes (1873-1954)Siamese Cats Signed and numbered 70/75 in pencil, etching, 25.5cm by 30cm

Lot 1073

Helen Wakefield (20th Century), Hagar Qim I, III, IV, V, VIIIEach signed and titled, inscribed verso, etching & aquatint, together with various maps, prints and pictures (12)

Lot 488

COLLECTION OF VARIOUS SCOTTISH PICTURES including a watercolour by P MacGregor Wilson, a print by Sir William Russell Flint, a small etching, and others, primarily landscapesQty: 11

Lot 71

* ROSS RYAN MENDIING NETS coloured etching on paper, signed, titled and numbered artist's proof I mounted, framed and under glassimage size 51cm x 26cm, overall size 73cm x 47cm

Lot 590

GROUP OF PICTURES AND PRINTS including an etching of Prince Albertlargest 52cm x 45cmQty: 7

Lot 414

ANDREW F AFFLECK (BRITISH 1874 - 1935), EDINBURGH CASTLE etching on paper, signed in pencilmounted, framed and under glassimage size 28cm x 47cm, overall size 53cm x 69cm

Lot 168

After Fred W. Goolden (fl. 1908-1918)"The Reference Library"Signed in pencil, etching, a further group of prints to include four works after Westall, one after Allom, and one after Seymore Lucas (7) together with a small quantity of silver plated items including tea wares (one tray) Provenance: Goolden-Thomas Agnew & Sons

Lot 1

Alaïa (Azzedine) Alaïa, limited edition (unspecified number), original cloth, printed transparent dust-jacket, slip-case, Gottingen, 1998 § Mauriès (Patrick) Christian Lacroix: The Diary of a Collection, number 5 of 100 copies with an original signed etching by Lacroix, original cloth, slip-case, 1996 § Serge Lutens, original cloth, dust-jacket, slip-case, Paris, 1998 § Pickford (Susan, translator) Jacques Helleu & Chanel, original white glazed boards, slip-case, New York, 2005 § Babeth, original cloth, slip-case, Gottingen, 2008, illustrations, some colour; and 5 others on French fashion, 4to (10)

Lot 186

*ANDREW INGAMELLS (B. 1956) 'King's College, Cambridge' signed and numbered 71/225 in pencil to the margin, etching, the plate 50cm x 48cm; together with a set of four monochrome prints after Hogarth, 'Humours of an Election' (plates I-IV) (5)

Lot 738

William Lionel Wyllie R.A. (British, 1851-1931), Southwark Bridge, signed l.l., titled verso, etching with aquatint, 13 by 32cm, framed

Lot 739

After Sir Edward Coley Burne-Jones, Bt. A.R.A. (British, 1833-1898), Psyche's Wedding, etching on vellum by Felix Jasinski, signed l.r., bears PSA stamp, published by Arthur Tooth & Sons, 1900, 34 by 63cm, in a 19th Century rosewood cushion frame. Provenance: with The Maas Gallery, London

Lot 278

After Giovanni Battista PiranesiInterior of the Basilica di S. Pietro & the Basilica di S. Giovanni Laterano, from the Veduta di Roma seriesetching on paper, 20th century55 x 75cm

Lot 134

Etching and three watercolours, one by G H Pettitt

Lot 580

* French Revolution.The Fête de la Fédération, 14th July 1790, circa 1790, double-sided folding paper fan, the recto with hand-coloured etching depicting the fête of the French Federation, with a view of the altar in the Champ de Mars in the centre, flanked by numerous spectators and the National Guard, with the royal box on the left, and triumphal arch on the right, within a patterned border stencilled in blue and brown, verso with printed key to the illustration, lettered in centre 'le serment fait du Roi, le 14 Juillet 1790', some tiny splits to fold edges, and a little faint creasing, mounted on wooden sticks, 28 cm (11 ins) QTY: (1)NOTE:Not in Schreiber, and we have been unable to trace another such fan at auction.An extremely rare propaganda fan, in very good condition, commemorating the Fête de la Fédération which was held exactly a year after the Storming of the Bastille, as a symbol of peace and a celebration of the unity of the French nation. Bearing in mind what was to follow, it is hardly surprising that this is a very scarce fan indeed, since, with its rallying cry in favour of the king, it undoubtedly became a dangerous object to own.

Lot 584

* Malbrouk. The Celebrated French Marlborough Song, France, circa 1785, double-sided folding paper fan, the recto with hand-coloured etching of 3 vignettes: Malbrouk (the Duke of Marlborough) taking leave of his wife before going off to war, flanked by a mounted page bringing news of Malbrouk's death (on left), and Malbrouk's tomb (on right), verso with printed and ink musical notation, and 19 verses in French titled 'The Celebrated French Marlborough Song', toned and dusty, 1 or 2 discreet repairs, alternating pairs of bone and wooden sticks, horizontal break to upper guard stick with riveted metal splint on verso, 24.5 cm (9.75 ins)QTY: (1)NOTE:Schreiber Collection 38, p.71/2 (unmounted).

Lot 586

* Souvenir fan. The Crescent Buxton, circa 1790, folding paper fan, with oval engraving printed in black of a large neo-classical semi-circular building, titled to lower edge, and enclosed in a double border of silver spangles (a few missing), slightly dusty and toned, mounted on bone sticks, 24.5 cm (9.75 ins), together with:Neoclassical fan. A pictorial engraved fan, circa 1800, folding paper fan, the leaf engraved in pale blue with 3 oval depictions of Grecian urns, each within a border of spangles (some missing), on a hatched dotted line ground, hand-painted borders of laurel leaves and berries in gold and blue to upper and lower edges, both side edges with 1 or 2 folds adhered together (right-hand guard stick lying on top of next stick), occasional small holes and splits to folds (one with slight loss), verso with hand-painted laurel wreath in blue, and with 3 folds strengthened with paper, mounted on bone sticks, loss to mother-of-pearl rivet, 24 cm (9.5 ins)QTY: (2)NOTE:First item: rare commemorative fan celebrating Buxton Crescent, designed by John Carr of York, and built for the fifth Duke of Devonshire between 1780 and 1789, as the centrepiece of his Georgian Spa development at Buxton, Derbyshire.See Schreiber Collection, 108, p.82: a slightly different view to ours, etching with aquatint, printed in blue. The British Library holds an unmounted leaf with the same etching as the Schreiber fan, but printed in green (1891,0713.453), as does The Fan Museum.Second item also rare: we have not been able to trace another example of this fan.

Lot 13

JAMES McINTYRE (b.1926). Irish school, 'Auld Beig O'Ayre', signed in pencil lower right, etching on paper, framed and glazed, 18 x 25 cm

Lot 239

A gilt framed coloured print on silk portrait of Angelica Kauffman, a carved gilt framed hand coloured engraving of Spencer Percival and a etching of Victorian figures, signed Margaret Hamilton. H.34 W.46cm (largest) Angelica Kauffman one is on silk

Lot 304

Sam FRANCIS (1923-1994)SFE-080 RC, 1992 Eau-forte et aquatinte en couleurs sur FabrianoSignée et numérotée XVIII/XXIVPorte le timbre sec de l'éditeur2RC Edizione d'Arte, éditeur, Rome70,6 × 95,1 cmEtching and aquatint in color ; signed an numberedFor further information on this lot please visit Bonhams.com

Lot 103

F Bartolozzi after GuercinoA family at prayer, sepia etching, 30 x 41.5cm; in gilt frame with egg and dart moulded border

Lot 104

Gebr Mann (pubs)'Prolog I', a portfolio of contemporary German drawings and prints selected by a group of American and German Residents of Berlin, containing twenty five various prints and engravings together with content booklet, 44 x 31cm; and an engraved view of Pembroke College after Michael Burghers, unframed (2)Portfolio tatty with spine detached and missing. The prints themselves mainly good. Seated nude – time stained to image. The mounts all with time staining and slight further time staining to edges of further prints include. The fox etching with strange red dotty line to centre of image.

Lot 16

Nelson Dawson (1859-1941)'HMS Severn with Mail Passes the French Fishing Fleet', etching, signed with initials in the plate, 28.5 x 17cm A WWI etching stamped verso 'Passed by the Chief Censor Admiralty 26th June 1918'

Lot 16a

Winifred Austen (1876-1964)Winter landscape with snipe, etching, pencil signed in the margin, 15 x 19.5cm; and one further - 'The Pheasant Brood', 17 x 25.5cm (2)Snipe – good conditionPheasant Brood – The sheet is of a greyish colour and condition good.

Lot 18

After Archibald ThorburnCoastal scene with snipe, monochrome print pub c. 1903 by Baird-Carter, pencil signed in the margin, 35 x 50cm; and Turner after Sillett - 'Red Grouse, etching with aquatint, hand-coloured, 35 x 44cm (2)

Lot 22

William Lionel Wyllie (1851-1931)The Kings Yacht at Cowes, etching, pencil signed in the margin, 9.5 x 34.5cm With Richard Martin, Gosport, 2006

Lot 23

William Lionel Wyllie (1851-1931)'London Bridge', etching, pencil signed and titled in the margin, 16 x 37cm

Lot 24

William Lionel Wyllie (1851-1931)St Paul's from The Thames, etching, pencil signed in the margin, 22.5 x 37cm

Lot 33

Margo Veillon (1907-2003)Drover with mule, etching with aquatint, pencil signed in the margin and inscribed 'For Mariana', 17.5 x 20cm; and Sarah Young - 'Hanuman Langurs', linocut, pencil signed in the margin, titled and numbered 4/150, 27 x 28cm (2)

Lot 4

Graham Clarke (b. 1941)'Notte Todaye', etching with hand-colouring, pencil signed in the margin, titled and numbered 24/400, 54 x 69cm

Lot 6

Joseph Winkelman (b. 1941)'Henrys', etching, pencil signed in the margin, titled, numbered 21/100 and dated 1988, 27 x 18.5cm

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