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Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) ScottishTwo catsSigned and inscribed artist's proof, etching, 54cm by 70cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Float mounted. Extensive cockling to paper. The odd sporadic medium/large sized foxing spot mostly contained to the margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Dame Paula Rego DBE, GCSE, GOSE, RA (b.1935) Portuguese/British“The Baker's Wife II”Signed and numbered 12/75, etching, 18cm by 22cmSee illustration Condition report: Very slight cockling to the paper. The tiniest brown spot upper right of right margin. Some very light surface dirt and debris trapped under the glass to mount. Otherwise in good overall condition. Not examined out of the frame.
Sir Eduardo Paolozzi CBE, RA (1924-2005) Scottish"History of Nothing"Signed and dated 1986, inscribed A/P "for John", etching with aquatint, together with a screenprint by the same hand "Magic Flute", 57cm by 76cm and 65cm by 50cm (unframed) (2)Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
FUCHS, ERNST (1930-2015) „Esthers Einkleidung“, Radierung, sig., unten betitelt und bezeichnet „Probedruck 4. Zustand“, HxB: 30,5/24,5 cm, HxB Blatt: 38/30 cm. Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) "Esther's clothing", Etching, signed, titled and inscribed below "Probedruck 4. Staat", HxW: 30.5/24.5 cm, HxW sheet: 38/30 cm. signs of age.Provenance: private collection of the painter Fritz Genkinger.
FUCHS, ERNST (1930-2015) (7) Blätter auf dem Portfolio „Samson“, Radierung/Aquatinta, sig., HxB Blatt: 41,5/33,5 cm. Alterspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) (7) sheets on the "Samson" portfolio “Samson”Etching/aquatint, signed, HxW sheet: 41.5/33.5 cm. signs of age.Provenance: private collection of the painter Fritz Genkinger.
FUCHS, ERNST (1930-2015) „Venus auf der Insel des Todes“, Radierung/Aquatinta, 194/250, sig., HxB: 59/44,5 cm, HxB Blatt: 80/60 cm. Leichte Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) "Venus on the island of death", etching / aquatint, 194/250, signed, HxW: 59 / 44.5 cm, HxW sheet: 80/60 cm. Slight signs of age.Provenance: private collection of the painter Fritz Genkinger.
NÄGELE, REINHOLD (1884-1972), "Fuhrwerke (P. v. Maur) u. andere", 1932, Radierung/Papier, in der Platte monogrammiert und datiert 'RN 32', darunter mit Bleistift von Hand betitelt, datiert und signiert, HxB: Platte ca. 17,5x13 cm Blatt ca. 27x21 cm, Außenmaße Rahmen ca. 28,5x22 cm. Gebräunt und Lichtrand. Mit verglastem Rahmen. VERSO Etikett Kunsthaus Schaller, Stuttgart und Widmung von Agnes und Günther Maur, 1969.| NÄGELE, REINHOLD (1884-1972), "Horse-drawn carriages (P. v. Maur) and other", 1932, etching/paper, monogrammed and dated 'RN 32' in the plate, titled, dated and signed by hand below in pencil , HxW: plate approx. 17.5x13 cm sheet approx. 27x21 cm, outer dimensions of frame approx. 28.5x22 cm. Browned and light edge. With glazed frame. VERSO label Kunsthaus Schaller, Stuttgart and dedication by Agnes and Günther Maur, 1969.BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
FUCHS, ERNST (1930-2015) „Daphne in Eva Mystica“ 1969, Radierung/Aquatinta, 100/100, sig., dat., HxB: 39,5/29,5 cm, HxB Blatt: 54,5/42 cm. Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.FUCHS, ERNST (1930-2015) "Daphne in Eva Mystica" 1969,Etching, 100/100, signed, dated, HxW: 39.5/29.5 cm, HxW sheet: 54.5/42 cm. signs of age.
λ Berenice Sydney (British 1944-1983) Untitled (Orange & Green) Etching and aquatint printed in colours, 1972 Signed in pencil, dated 7'72 and inscribed AP Plate 50 x 40cm (19½ x 15½ in.) Together with two smaller etchings by Berenice Sydney and two works on paper by another hand, various sizes, the largest 76 x 46cm (5) Condition Report: Berenice Sydney (orange & green) - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Berenice Sydney, both etchings - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Other two works - Unexamined out of glazed frame. Appear to be in good original condition. Condition Report Disclaimer
Mathilde de Cordoba (1875-1942) AmericanPortrait of a young girl wearing a pale blue dress and seated on a sofaSigned in pencil, coloured etching, together with a further coloured etching of a young child, a further signed coloured etching of young child standing in a landscape and two further monochromatic renditions depicting a crawling baby and a head and shoulders portrait of a young girl in profile, 38.5cm by 26.5cm, 42.5cm by 30cm, 14cm by 18.5cm & 14.5cm by 19cm respectively (4)
Grass (Günter) Drawings and Words 1954-1977, number B.52 of 100 from an edition of 250, with an original signed etching inserted in pocket at front, artist's ink signature to front free endpaper, illustrations, many full-page, original cloth, fractional bumping to spine extremities, dust-jacket, fractional creasing to edges, folio, 1982.
Property of a Gentleman. Landscape with Fishermen. William Alfred Delamotte (1775-1863). Oil on canvas. In gilded frame. William Alfred Delamotte (Weymouth 1775-1863 Oxford) was an English painter and engraver. Delamotte was the son of a French refugee. His remarkable drawing skills were apparent from an early age and he enjoyed the royal patronage of King George III. After having exhibited at the Royal Academy in 1793, he enrolled at the Royal Academy Schools the following year, becoming a student of Benjamin West, another of the King's protégés and the President of the Royal Academy. Even during these years of study, Delamotte chose to turn his attention to architectural and landscape work. From the Academy he moved to Oxford, depicting its buildings in numerous sketches. In 1803 he accepted the post of Drawing-Master at the newly established Royal Military College, Sandhurst, a position he held for forty years. Besides producing watercolours and a few oils, he turned to printmaking by way of etching, lithography and soft-ground etching. Provenance:Swan Gallery, Sherborne Dimensions: (Frame) 23 in (H) x 30 in (W)(Canvas) 16.5 in (H) x 23.5 in (W)
John Fullwood, two drypoint etchings, view across water with windmills, and gathering the harvest, 9.25ins x 16ins, together with D Smart, two drypoint etchings, 1st Slate time proof, industrial scene with barges, 8.5ins x 12.5ins and dry moored boats, 8ins x 10.5ins, another black and white etching, Fishing Boats of Whitby, 9ins x 11.5ins
§ Anthony Gross CBE, RA (British 1905-1984) Harvesterssigned 'anthony gross' (lower right); from an edition of 50etching28 x 41.5cm Provenance:With Whitechapel Gallery, London, 'Pictures For Schools', 1960where acquired by Hertfordshire County CouncilSale; Cheffins,'The Curated Eye' - The Hertfordshire Collection, March 2019, lot 108, where acquired by the present owner
§ Anthony Gross CBE, RA (British 1905-1984) Children and Fencessigned 'anty gross' (lower right); numbered 19/40etching21 x 26cmCondition report: On laid paper. The surface is slightly undulating and toned throughout. The toning is mostly uniform, though there is a paler strip, around 2cm wide, running the breadth of the image along the top edge. There is a deepening of toning along the perimeter where the mount is touching the surface. Otherwise the image is clean and free of foxing. The mount is uniformly toned throughout.
§ Anthony Gross CBE, RA (British 1905-1984) The Wine Shopsigned and dated 'anthonygross27' (lower right)etching27 x 34cmCondition report: The mount foxed and toned, with a deepening of the discolouration towards the outer perimeteres. The sheet perhaps very slightly toned, but overall in good order. Perhaps some very minor undulation of the surface on the right hand edge, but in otherwise good, clean condition.
§ Dame Elizabeth Blackadder DBE, RA, RSA (British 1931-2021) Kikko on a Rugsigned 'Elizabeth Blackadder' (lower right); artist's proofetching and aquatint50 x 53.5cmCondition report: Not examined out of the frame. Appears to be stuck down to the board. Some debris caught beneath the glass, but otherwise in good, clean condition.
§ Stanley William Hayter CBE (British 1901-1988) Mooringsigned and dated 'SWHayter 70' (lower right); numbered 54/100etching and engraving61 x 48cmCondition report: Not examined out of the frame, edges obscured by the mount. Perhaps a little fading, and some light foxing, mostly located to the margins, but one spot present in the plate. The sheet appears to have slipped very slightly in the frame, making the lower margin slant down towards the right. Otherwise in good order.

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78391 item(s)/page