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Lot 229

John Duffin, b 1925, etching - Shorebound 43/60 in an oak frame overall 59cm x 46cm, in good condition

Lot 230

M Leman, etching, Cornish Memories 111 26/40, frame size 43cm x 42cm, in good condition

Lot 1006

Tom McGuinness (1926-2006) "The A Team"Signed and dated (19)90, inscribed and numbered 12/50, etching, 22.5cm by 28cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 1007

John Kelly (b.1965) British/Irish/Australian"Head"Signed and dated (19)96-(19)98, watercolour over etching, 19cm by 24cmExhibited: The Piccadilly Gallery Ltd, LondonArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 1016

Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) ScottishTwo catsSigned and inscribed artist's proof, etching, 54cm by 70cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Float mounted. Extensive cockling to paper. The odd sporadic medium/large sized foxing spot mostly contained to the margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.

Lot 1020

Dame Paula Rego DBE, GCSE, GOSE, RA (b.1935) Portuguese/British“The Baker's Wife II”Signed and numbered 12/75, etching, 18cm by 22cmSee illustration Condition report: Very slight cockling to the paper. The tiniest brown spot upper right of right margin. Some very light surface dirt and debris trapped under the glass to mount. Otherwise in good overall condition. Not examined out of the frame.

Lot 1026

Sir Eduardo Paolozzi CBE, RA (1924-2005) Scottish"History of Nothing"Signed and dated 1986, inscribed A/P "for John", etching with aquatint, together with a screenprint by the same hand "Magic Flute", 57cm by 76cm and 65cm by 50cm (unframed) (2)Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 1820

FUCHS, ERNST (1930-2015) „Esthers Einkleidung“, Radierung, sig., unten betitelt und bezeichnet „Probedruck 4. Zustand“, HxB: 30,5/24,5 cm, HxB Blatt: 38/30 cm. Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) "Esther's clothing", Etching, signed, titled and inscribed below "Probedruck 4. Staat", HxW: 30.5/24.5 cm, HxW sheet: 38/30 cm. signs of age.Provenance: private collection of the painter Fritz Genkinger.

Lot 1819

FUCHS, ERNST (1930-2015) (7) Blätter auf dem Portfolio „Samson“, Radierung/Aquatinta, sig., HxB Blatt: 41,5/33,5 cm. Alterspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) (7) sheets on the "Samson" portfolio “Samson”Etching/aquatint, signed, HxW sheet: 41.5/33.5 cm. signs of age.Provenance: private collection of the painter Fritz Genkinger.

Lot 1818

FUCHS, ERNST (1930-2015) „Venus auf der Insel des Todes“, Radierung/Aquatinta, 194/250, sig., HxB: 59/44,5 cm, HxB Blatt: 80/60 cm. Leichte Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) "Venus on the island of death", etching / aquatint, 194/250, signed, HxW: 59 / 44.5 cm, HxW sheet: 80/60 cm. Slight signs of age.Provenance: private collection of the painter Fritz Genkinger.

Lot 1804

NÄGELE, REINHOLD (1884-1972), "Fuhrwerke (P. v. Maur) u. andere", 1932, Radierung/Papier, in der Platte monogrammiert und datiert 'RN 32', darunter mit Bleistift von Hand betitelt, datiert und signiert, HxB: Platte ca. 17,5x13 cm Blatt ca. 27x21 cm, Außenmaße Rahmen ca. 28,5x22 cm. Gebräunt und Lichtrand. Mit verglastem Rahmen. VERSO Etikett Kunsthaus Schaller, Stuttgart und Widmung von Agnes und Günther Maur, 1969.| NÄGELE, REINHOLD (1884-1972), "Horse-drawn carriages (P. v. Maur) and other", 1932, etching/paper, monogrammed and dated 'RN 32' in the plate, titled, dated and signed by hand below in pencil , HxW: plate approx. 17.5x13 cm sheet approx. 27x21 cm, outer dimensions of frame approx. 28.5x22 cm. Browned and light edge. With glazed frame. VERSO label Kunsthaus Schaller, Stuttgart and dedication by Agnes and Günther Maur, 1969.BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.

Lot 1821

FUCHS, ERNST (1930-2015) „Daphne in Eva Mystica“ 1969, Radierung/Aquatinta, 100/100, sig., dat., HxB: 39,5/29,5 cm, HxB Blatt: 54,5/42 cm. Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.FUCHS, ERNST (1930-2015) "Daphne in Eva Mystica" 1969,Etching, 100/100, signed, dated, HxW: 39.5/29.5 cm, HxW sheet: 54.5/42 cm. signs of age.

Lot 6604

After James Gillray (British 1756-1815): 'Britannia Victorious - Design for the Naval Pillar', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm; 'Fashionable Contrasts - 100 Caricatures by James Gillray' by Draper Hill (2)

Lot 6611

After James Gillray (British 1756-1815): 'The Death of Admiral-Lord-Nelson - in the Moment of Victory!', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 38cm x 27cm

Lot 6606

After James Gillray (British 1756-1815): 'Dido in Despair!' Depicting Emma Lady Hamilton, etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 6609

After James Gillray (British 1756-1815): 'The Hero of the Nile' Portrait of Horatio Nelson with Heraldic Crest, etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 34cm x 23cm

Lot 6608

After James Gillray (British 1756-1815): 'Death of the Corsican Fox - Scene the Last of the Royal Hunt', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 6595

Leonard Howells (British 19th/20th century): 'The Belfry Bruges' and 'Bruges', pair etching signed and titled together with Frederick Marriott (British 1860-1941): 'The Chateau at Dieppe', coloured etching signed and titled pub. 1918, max 21cm x 28cm (3)

Lot 6592

Sir Francis Seymour Haden (British 1818-1910): 'Egham Lock', etching signed in pencil, titled on the mount 15cm x 23cm

Lot 6596

Ernest Stephen Lumsden (British 1883-1948): 'The Palace at Jodhpur', etching signed in the plate, titled in pencil 26cm x 20cm

Lot 6610

After James Gillray (British 1756-1815): 'Buonaparte Hearing of Nelson's Victory Swears by his Sword to Extirpate the English from off the Earth.', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 38cm x 27cm

Lot 6605

After James Gillray (British 1756-1815): 'A Cognocenti Contemplating Ye Beauties of Ye Antique', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 6607

After James Gillray (British 1756-1815): 'John Bull taking a Luncheon: -or- British Cooks Sramming Old Grumble-Gizzard with Bonne-Chére', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 202

Benedicto Cabrera (Filipino b.1942) Sabel Etching Signed in pencil, inscribed, titled and dedicated 24.5 x 24.5cm (9½ x 9½ in.) Unframed Provenance: Acquired directly from the artist Thence by descent to the present owner

Lot 207

λ Berenice Sydney (British 1944-1983) Untitled (Orange & Green) Etching and aquatint printed in colours, 1972 Signed in pencil, dated 7'72 and inscribed AP Plate 50 x 40cm (19½ x 15½ in.) Together with two smaller etchings by Berenice Sydney and two works on paper by another hand, various sizes, the largest 76 x 46cm (5) Condition Report: Berenice Sydney (orange & green) - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Berenice Sydney, both etchings - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Other two works - Unexamined out of glazed frame. Appear to be in good original condition. Condition Report Disclaimer

Lot 224

λ Pablo Picasso (Spanish 1881-1973) Vieux Modele (Bloch 1404) Etching and aquatint, 1966 Stamped with signature and numbered 14/50 Plate: 22 x 32cm (8½ x 12½ in.) Provenance: Connaught Brown, London

Lot 53

Coloured etching in diorama frame of Seaton Hole, 3/125, by Roger St. Barbe, local artist

Lot 23

Vinyl - Led Zeppelin 2 LP's to include One (K 40051) green and orange Atlantic label, small sticker to top right rear of sleeve, and Three (2401002) red and purple Atlantic label, catalogue number, Jimmy Page & Peter Grant credits to top of label. Etching in dead wax. Sleeves & Vinyl Vg+

Lot 167

Mid-20th century etching, surrealist composition, unsigned, plate 17cm x 15cm, framed

Lot 182

Hubert Von Herkomer, portrait of a lady, etching, signed in pencil, image 21" x 16.5", published 1888, framed

Lot 189

Mary Fedden, hand coloured etching, still life, signed in pencil, no. 8/100, plate 17cm x 12.5cm, framed

Lot 1013

Mathilde de Cordoba (1875-1942) AmericanPortrait of a young girl wearing a pale blue dress and seated on a sofaSigned in pencil, coloured etching, together with a further coloured etching of a young child, a further signed coloured etching of young child standing in a landscape and two further monochromatic renditions depicting a crawling baby and a head and shoulders portrait of a young girl in profile, 38.5cm by 26.5cm, 42.5cm by 30cm, 14cm by 18.5cm & 14.5cm by 19cm respectively (4)

Lot 1024

Samuel Cousins after Sir Edwin Landseer (1802-1873)Return from HawkingBlack and white engraving, together with an etching after Heywood Hardy (1842-1933) "A Real Good Story", signed in pencil, 64cm by 90cm and 82cm by 59cm respectively (2)

Lot 181

TOM MAXWELLIONAEtching with drypoint, signed in pencil, 17cm x 25cm, framed and under glass, along with a group of other etchings and various pictures

Lot 65

C. LENNOX,ARCHITECTURAL STUDY,watercolour on paper, signed, mounted, framed and under glass, along with two loose coloured etchings signed in pencil by E.H Barlow, and a coloured etching signed M. C Whishaw (4)

Lot 104

Grass (Günter) Drawings and Words 1954-1977, number B.52 of 100 from an edition of 250, with an original signed etching inserted in pocket at front, artist's ink signature to front free endpaper, illustrations, many full-page, original cloth, fractional bumping to spine extremities, dust-jacket, fractional creasing to edges, folio, 1982.

Lot 139

Property of a Gentleman.  Landscape with Fishermen. William Alfred Delamotte (1775-1863). Oil on canvas. In gilded frame. William Alfred Delamotte (Weymouth 1775-1863 Oxford) was an English painter and engraver. Delamotte was the son of a French refugee. His remarkable drawing skills were apparent from an early age and he enjoyed the royal patronage of King George III. After having exhibited at the Royal Academy in 1793, he enrolled at the Royal Academy Schools the following year, becoming a student of Benjamin West, another of the King's protégés and the President of the Royal Academy. Even during these years of study, Delamotte chose to turn his attention to architectural and landscape work. From the Academy he moved to Oxford, depicting its buildings in numerous sketches. In 1803 he accepted the post of Drawing-Master at the newly established Royal Military College, Sandhurst, a position he held for forty years. Besides producing watercolours and a few oils, he turned to printmaking by way of etching, lithography and soft-ground etching. Provenance:Swan Gallery, Sherborne Dimensions: (Frame) 23 in (H) x 30 in (W)(Canvas) 16.5 in (H) x 23.5 in (W)

Lot 523

WILLIAM LIONEL WYLLIE (1851-1931) 'Eel boats off the Tower' Thames scene, signed in pencil to the margin, drypoint etching, the image 20cm x 25cm

Lot 224

A signed Charles Bird etching, together with a study of Mr Wm Bruce Clark, attributed to Margot and other prints

Lot 282

J H Wiley, black and white etching, The Tower, London, 4.5ins x 9ins

Lot 289

John Fullwood, two drypoint etchings, view across water with windmills, and gathering the harvest, 9.25ins x 16ins, together with D Smart, two drypoint etchings, 1st Slate time proof, industrial scene with barges, 8.5ins x 12.5ins and dry moored boats, 8ins x 10.5ins, another black and white etching, Fishing Boats of Whitby, 9ins x 11.5ins

Lot 296

An etching, Leicester Hospital & Capel, Warwick, 12.5ins x 18ins, together with two fashion prints and two other prints

Lot 234

§ Anthony Gross CBE, RA (British 1905-1984) Harvesterssigned 'anthony gross' (lower right); from an edition of 50etching28 x 41.5cm Provenance:With Whitechapel Gallery, London, 'Pictures For Schools', 1960where acquired by Hertfordshire County CouncilSale; Cheffins,'The Curated Eye' - The Hertfordshire Collection, March 2019, lot 108, where acquired by the present owner

Lot 235

§ Anthony Gross CBE, RA (British 1905-1984) Miranda de Ebrosigned and dated 'anthony gross 1925' (lower right)etching21 x 28.5cm;French Streetsigned and dated 'anthony gross / 1923' (lower right); titled indistinctly (lower left)etching22 x 28cm

Lot 236

§ Anthony Gross CBE, RA (British 1905-1984) Children and Fencessigned 'anty gross' (lower right); numbered 19/40etching21 x 26cmCondition report: On laid paper. The surface is slightly undulating and toned throughout. The toning is mostly uniform, though there is a paler strip, around 2cm wide, running the breadth of the image along the top edge. There is a deepening of toning along the perimeter where the mount is touching the surface. Otherwise the image is clean and free of foxing. The mount is uniformly toned throughout.

Lot 237

§ Anthony Gross CBE, RA (British 1905-1984) The Wine Shopsigned and dated 'anthonygross27' (lower right)etching27 x 34cmCondition report: The mount foxed and toned, with a deepening of the discolouration towards the outer perimeteres. The sheet perhaps very slightly toned, but overall in good order. Perhaps some very minor undulation of the surface on the right hand edge, but in otherwise good, clean condition.

Lot 267

§ Dame Elizabeth Blackadder DBE, RA, RSA (British 1931-2021) Kikko on a Rugsigned 'Elizabeth Blackadder' (lower right); artist's proofetching and aquatint50 x 53.5cmCondition report: Not examined out of the frame. Appears to be stuck down to the board. Some debris caught beneath the glass, but otherwise in good, clean condition.

Lot 381

§ Marc Chagall (French/Russian 1887-1985) The Wolf, The Mother, and Her Child; from La Fontaine's Fables, 1952from an unnumbered edition of 85hand coloured etching32 x 25.5cmProvenance:With Goldmark Galleries, Uppingham

Lot 411

§ Stanley William Hayter CBE (British 1901-1988) Mooringsigned and dated 'SWHayter 70' (lower right); numbered 54/100etching and engraving61 x 48cmCondition report: Not examined out of the frame, edges obscured by the mount. Perhaps a little fading, and some light foxing, mostly located to the margins, but one spot present in the plate. The sheet appears to have slipped very slightly in the frame, making the lower margin slant down towards the right. Otherwise in good order.

Lot 298

An unframed etching of figures in an interior, titled 'The Waiting' signed and dated in pencil '96. H.58 W.76cm

Lot 1002

Cecil Aldin (1870-1935). Irish Wolfhound, artist signed and numbered etching 27/100, 23cm x 31cm Label verso The Horner Galleries Sheffield.

Lot 1003

Herbert Thomas Dicksee (1862-1942). Scottish Deerhound, artist signed etching, 17.5cm x 24cm Label verso The Horner Galleries Sheffield.

Lot 1006

Winifred Marie Louise Austen (1876-1964). Budgerigars, artist signed and titled coloured etching, 22cm x 27.5cm.

Lot 1012

Cecil Aldin (1870-1935). Susan the Pekingese, artist signed and numbered etching, 27/100, 21cm x 30cm. Label verso, The Horner Galleries.

Lot 1013

Cecil Aldin (1870-1935). Inseparable, artist signed and numbered etching, 59/100, 22cm x 30cm. Two labels verso, one The Horner Galleries, Sheffield.

Lot 1014

Cecil Aldin (1870-1935). Flop, artist signed and numbered etching, 24/150, 17cm x 25cm. Label verso.

Lot 1015

Cecil Aldin (1870-1935). Dalmation puppy, artist signed and numbered etching, 10/50, 15cm x 10cm.

Lot 1019

Percival Gaskell (1868-1934). Twilight scene, trees before lake and mountains, artist signed etching, 17cm x 24cm.

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