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KURT MEYER EBERHARDT (GERMAN 1895-1977) aquatint etching of a young fawn, signed bottom right, framed, approximate image size 20cm x 17cm, together with a religious themed needlework picture, unframed, approximate size 56cm x 44cm, together with an early 20th Century, still life of a marrow and fruit, indistinctly signed bottom left, oil on canvas, relined, unframed, approximate size 31cm x 42cm, titled and attributed to J.D. Ferguson verso in ball point pen, together with a late 20th century modernist study of a female bather at the beach, unsigned, oil on canvas and, a pair of abstract watercolours on paper, initialled M.D.L titled purple splash verso, mounted, framed and glazed, approximate image size 15cm x 11cm
KEN FLEMING (BRITISH 1944) 'CONSERVATORY' an artists proof print 2/10, signed to lower margin, framed size approximately 70cm x 55cm, together with Richard Wade 'Farmyard' limited edition aquatint etching 33/50, framed, size 24cm x 50cm and other assorted framed prints (12) Condition Report The glass is cracked to the print. The frames are all intact but do have small marks on them
Samuel Palmer (1805-1881)etchingThe Herdsman's Cottage, 1850 Lister 3, 2nd state, CoA from William Weston Gallery9.5 x 7.5cmCONDITION: Etching on paper which is a little discoloured running from light to mid brownish tone and showing some slight damp speckling around the margin, undulating so not laid down, plain card mount and slim wood frame with COA verso, sold here Lot 2371, 13th March 1997.
Exquisite etching of a female figure, framed to museum quality standards. A contemporary of Picasso, Dali and Matisse, Joan Miro combined abstract art with Surrealist fantasy. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Overall size: 14 1/2 x 12 in. Sight size: 9 x 6 in. Please note that all sales are final. No refunds will be given under any circumstances.
"Undertow 1977" #9 in an edition of 20. Pencil signed. Roberta Weir is also known for her influence on the art of Jerry Garcia of the Grateful Dead.Roberta Weir assisted Jerry in every aspect of his visual art, from drawing sessions to etching instruction, creating editions and designing his exhibits. Roberta is an acknowledged expert in his work and his signature. Sight Size: 22 x 15 in. Unframed. Please note that all sales are final. No refunds will be given under any circumstances.
Framed etching by Otto Ferdinand Probst, signed in pencil in the lower right. Street scene in Rothenburg with a horse and buggy and view of the town. Probst was a German graphic artist and architect. He studied at the art school in Breslau and later at the art academy (1902) and the technical college in Munich . In 1900 he worked as a senior teacher at the Royal Building Trade School in Wroclaw. He published a book with views of Augsburg and around 1900 a collection of his drawings from the years 1898 to 1899 Wroclaw's picturesque architectures, in which architecturally interesting buildings from Wroclaw are depicted with pencil and pen and photographs. He mainly produced etchings , especially cityscapes (including Lindau, Munich, Nuremberg, Rothenburg ob der Tauber) as well as several landscape views of the Giant Mountains. Overall size: 21 1/4 x 25 1/2 in. Sight size: 15 3/4 x 20 in. Please note that all sales are final. No refunds will be given under any circumstances.
Four framed pictures to include oil on board depicting church in rural setting, F. Robson etching of Ely Cathedral, watercolour depicting game of golf and pen and ink depicting street scene.IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mail Boxes Etc couriers ONLY.
*George Cruikshank (1792-1878) after James Gillray (1756-1815) - A pinch of Cephalic, etching, hand-coloured, published January 1822 by George Humphrey, St James St, London, 27 x 20cmCondition report: Provenance: Consigned from a local deceased estate, being descendants of Robert Heath (of Robert Heath & Sons, founders of the Biddulph Valley Colliery and Iron Works) who resided at Biddulph Grange between 1871-1922, and direct descendants of the Earls of Denbigh of Newnham Paddox.
*Modern British School - Scottish black-face, etching, indistinctly signed, titled, and numbered 23/120 in pencil to the lower margin, visible sheet dimensions 9 x 20cmCondition report: Provenance: Consigned from a local deceased estate, being descendants of Robert Heath (of Robert Heath & Sons, founders of the Biddulph Valley Colliery and Iron Works) who resided at Biddulph Grange between 1871-1922, and direct descendants of the Earls of Denbigh of Newnham Paddox.
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71174 item(s)/page