There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAFTER MARCEL AUGIS (CIRCA 1912-15) "Village Belge pres de Pijser", coloured etching, signed and inscribed in pencil, together with three further coloured etchings by the same artist, and a collection of seven black and white engravings of local Gloucestershire buildings to include Cirencester Church, Badminton, Down Ampney, Tetbury, etc.
A group of six, including a drawing of a horse at cart at a castle gate, a sketch of the Brighton Hog boat, attributed to E.W. Cooke, a sepia watercolour of Holland Park, an etching of fisherfolk on the shore, a pencil drawing of a head study attributed to Johanna Baptiste Lampi, and a grey wash drawing of a Thames scene attributed to Thomas Creswick. (6)
Thomas Sutherland 1785- c.1820- "South Sea House, Dividend Hall" ; publ. R. Ackermann`s Repository of Arts, Feb. 1810. pl.102, hand-coloured etching with aquatint, after Rowlandson & Pugin, 22x28cm: together several further plates from the same suite to include Guildhall, Heralds College, The College of Physicians, Excise Office and Surrey Institution, in matching mounts and frames, (6)
* After John Sell Cotman 1782-1842- "Architectural remains, in the Counties of York, Cambridge, Suffolk, Lincoln, Essex and North Wales"; published by Henry G Bohn, Covent Garden, London, book, marbled boards, (A/F) 50x35cm: Seeley, Jackson & Halliday, Publishers, c.1875- "Examples of modern etching"; twelve plates, proofs, examples after A Legros, Samuel palmer, Edwin Edwards and others, 1875, loose as issued, (folio) (book) (2)
* Circle of Jan Verbeeck, act.1569-1619- Tavern Scene; mezzotint with extensive rocker work, initialed VB within the plate, trimmed, surface marks, stain mark to the centre, hinged mounted, 17x20cm: Circle of Gerrit Dow 1613-1675- A Philosopher in his Study; proof, etching, fairly good impression, bears later inscription verso, trimmed into the plate mark, various thin spots, minor scattered staining, and others, (3) (unframed)
Graham Clarke b.1941- "Cottage garden"; etching and aquatint printed with tone, signed, titled and numbered 21/100 in pencil, 34x54cm: together with three further etchings from the same suite to include "Industry; Spring Ploughboys and Beneath The Green Willow, each signed, titled and numbered 21/100, in matching frames, (4) Note: A recent major project, Graham Clarke`s Millennium window is to be seen in his own parish church of Boughton Monchelsea, Kent. It involves light and sound as well as the stained glass itself. During the year 2000 he produced a large composite wood carving `The Gloucester Nativity`. Gloucester Cathedral is its home but it is designed to travel and forms the centrepiece at Clarke`s retrospective exhibition held at The Royal Museum and Art Gallery, Canterbury in 2001. (may be subject to Droit de Suite)
* Stanley William Hayter 1901-1988- "Night and Day"; (B.M.203) Engraving, soft ground etching and embossing, 1953, signed and dated 1953, inscribed Etat VI, full margins on wove paper in generally good condition, light soiling and minor creasing in the margins, minor tear extreme bottom right, traces of printers ink in the margins, 70x54cm., (unframed)
Loading...
