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Lot 859

Sir William Russell Flint, dry point etching ' Eve ', No. 37, signed, 7ins x 10.25ins, framedUnfortunately it does have foxing which is visible all over, could be cleaned.Image is slightly undulating under glass so has not been stuck down

Lot 860

Sir William Russell Flint, dry point etching, ' Bagno Della Marchesa ', No. 15, signed, 10.5ins x 7.5ins, framed

Lot 863

Percy Robertson ?, artist signed etching, figures and a team of horses gathering logs, 9ins x 14.5ins, framed, together with a Fred Slocombe signed etching, Rouen street scene

Lot 934

Herbert Dicksee, etching portrait of two dogs sleeping, monogrammed and dated 1930 within the plate, 6ins x 11ins

Lot 190

* ANGELA LEMAIRE (BRITISH CONTEMPORARY) TWO ACTORS BEFORE WINDOW linocut print, signed, titled, dated '77 and numbered 1/5 in pencil 31cm x 23cm Mounted, framed and under glass. Note: Angela Lemaire was born in Buckinghamshire and went to the Lyçée Français de Londres and Wispers School in Sussex, then to PLC Pymble in Sydney Australia. She returned to Britain in 1962 and went to Chelsea School of Art, London (1963) and Camberwell School of Arts and Crafts (1964-67, Dip. AD.), where she was taught relief printmaking by Michael Rothenstein. After this she went to Morley College, Lambeth, where she continued etching. The wood-engraver Frank Martin, who taught at Camberwell, gave her a box of wood-engraving tools which had belonged to a colleague of his who had died. With these tools she taught herself wood-engraving; it hadn’t been taught at art-school. She was by then already friends with the wood-engraver and letterer Michael Renton and had watched him at work. She decided she would work principally as a printmaker and with text and image. Angela lives and works in the Scottish Borders and has exhibited widely including numerous solo shows at prestigious galleries around the UK and beyond.

Lot 159

An early etching- the suspension bridge at Chelsea, before construction, published

Lot 202

PUMA, GERMANY A SCARCE CASED SPORTING-KNIFE, MODEL '6374 COUGAR', serial no. 83774, for 1977, the 7in. clip-point bolo blade with serrations for the first 1 3/8in, the back-edge with substantial gutting hook, the right hand side etched '6374 HAND ' over 'PUMA COUGAR' over 'GENUINE PUMASTER STEEL - GERMANY' above the patent number '1225073', the reverse with an etching of a recumbent puma, polished alloy finger-guard, shaped natural staghorn scales held by three washered rivets and bored through with a brass lined lanyard aperture, appearing unused with its leather scabbard, warranty tag and in its foam lined Puma pine box (lid lining perished and absent). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

Lot 193

A hand coloured etching by Charles Bird "The Church of St Mary, Bristol"

Lot 187B

JULIA MANNING (LATE 20TH CENTURY ENGLISH SCHOOL) 'Le Meutre Au Chateau Abandonne', etching, signed, inscribed, dated '95 and numbered 18/50 in pencil in the margin, 18cm x 24.5cm together with a 17th century style still life of flowers on a stone shelf, signed Botkin, oil on panel, 24cm x 18.5cm Condition: both generally in good condition with some slight marks to the frames

Lot 260

JEAN CARTON 'Nu Dans La Verdune', black and white etching, numbered 16/40, 18cm x 16cm Condition: good condition, some dirt and stains on the mount and frame

Lot 411

19TH CENTURY STREET SCENE watercolour, 29cm x 20cm; a continental lake scene, oil on canvas, 30cm x 38cm; 19th century etching depicting Parcheminier by R Nerici, 32cm x 20cm; Kemp 1989, watercolour 'Kneeling Nude', 18cm x 18cm (4) Condition: some surface marks, oil painting with cracking to the paint down one side

Lot 430

EARLY 20TH CENTURY ENGLISH SCHOOL 'The Fountain', indistinctly signed and titled in pencil in the margin, etching, 27cm x 38cm Condition: the etching seemingly in reasonable condition overall with some signs of foxing and staining, the mount and frame with marks overall

Lot 431

EARLY 20TH CENTURY SCHOOL 'Bruges', etching, signed in pencil dated '35 and numbered 16/50 in the margin, 22.5cm x 24cm together with three decorative Oriental pictures to include a print of Korenori by Fujiwara, two decorative watercolours (4) Condition: the etching with some minor foxing over the surface and with stain to the mount, within an oak frame; the Oriental pictures with marks to the mounts and frames, generally reasonable condition overall

Lot 551

Christiane Kubrick, etching and aquatint 'Stanley in his caravan' signed in pencil, 3/30, 30 x 47cm

Lot 405

* ALFRED RICHARD BLUNDELL (BRITISH 1883 - 1968), VIEW TOWARDS A CHURCH etching, signed in pencil 22cm x 24cm Mounted, framed and under glass

Lot 416

CHARLES JOHN WATSON (BRITISH 1846-1922), ARCHITECTURAL STUDY WITH FIGURES etching, signed in pencil, further signed and dated 1908 in the plate 20cm x 15cm Mounted, framed and under glass

Lot 426

BERTRAM BUCHANAN (BRITISH/INDIAN b 1881), CHANCTONBURY RING etching, signed in pencil 13cm x 21cm Mounted, framed and under glass Label verso: Harold W Bromhead Ltd, 18 Cork Street, London. Inscribed with title verso.

Lot 471

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), A FRENCH CONVENT etching, signed and inscribed in pencil, further signed and dated 1913 in the plate 17cm x 17cm Mounted, framed and under glass Label verso: Ewan Mundy Fine Art, 211 West George Street, Glasgow

Lot 557

Judith Valentine (Local) etching 'Paola & Francesca' signed and titled in pencil, within card mount and gilt frame, under glass 19.5cm x 15cm together with an ink drawing of medieval saints, unframed, 15cm some yellowing and minor staining.

Lot 845

Marius Bauer (1867-1932), etching, Oriental Street Procession, 30cm x 46, No. 73, monogrammed in pencil to margin, silvered frame and glazed

Lot 292

Hedley Fitton (British, 1859-1929), Theatre of Marcellus, Rome, drypoint etching, signed in pencil, George Davidson Glasgow gallery label verso, framed. 38.75cm by 28.25cm

Lot 295

George Vernon Stokes (1873-1954), A Black Labrador with a Mallard Up, hand-coloured etching, signed in pencil, framed. Plate 20.5cm by 28cm

Lot 296

Frank Lewis Emanuel (British, 1865-1948), Escaping the Clutches of Father Time, etching, framed. Plate 8.5cm by 10.75cm

Lot 297

British School, early 20th century, "Blue Tit", an etching signed lower right (Alfred Pruitt?), framed. Plate 26 by 14.75cm

Lot 298

Archibald Gilchrist Paton (Scottish, 1863-1964), The Egyptian Hall, British Museum, signed in pencil, etching, framed. Plate 20.5cm square Note: Archie Gilchrist Paton was an architect and engraver who was articled to John Keppie of Honeyman, Keppie & Mackintosh in 1908, studying at the Glasgow School of Architecture until 1914 and, after the war, working as an architect throughout Scotland in various roles. He regularly exhibited his etchings, watercolours and drawings at the Royal Glasgow Institute throughout his life.

Lot 176

W.L. Wyllie RA Somerset House Drypoint etching limited to 150 Impressions only, signed in pencil, in glazed frame, 31 x 14.5cm

Lot 177

W.L. Wyllie RA London From Tower Bridge, Drypoint etching, signed Artist's Proof, framed without glass, signed in pencil, 34 x 13cm

Lot 490

Daphne Pepper, a framed signed woodland scene etching, titled 'Out of the Wood', numbered 25 or 30, 45 x 38cm

Lot 751

Signed Artist's Proof Etching titled ' The Winter ', 44cms x 30cms, framed and glazed

Lot 769

Joseph Webb (Etcher) Pencil Drawing of an Interior Scene signed and dated 1938, 30cms x 47cms together with a Robert Tavenor Signed Limited Edition Etching titled Glynde Sussex (No.1) no.10/20, 40cms x 59cms, both framed and glazed

Lot 772

Robert Cresswell Boak, A.R.C.A. Irish 1875-1947, signed etching, sunset at St Marys Pool, 15 x 35cm

Lot 524

Glynn Thomas, pencil signed etching, St. Catherine's dock, limited edition 51/150

Lot 525

Glynn Thomas, pencil signed etching, Norwich, limited edition 115/150

Lot 142

A collection of early 20th century books comprising 'The Ingoldsby Legend', by Thomas Ingoldsby, published by John Lane, 1903, illustrated by Herbert Cole, 'Winnie the Pooh', 1927 and Archibald Marshall, 'Simple Stories', published 1927, together with a limited edition etching of Primrose Hill by Jean Sturgis. (4)

Lot 243

Philip Pimlott (1871-1960) signed etching - Pump Court Middle Temple

Lot 2053

A Herbert Dicksee etching 'Memories', pencil signature for Herbert and Frank Dicksee

Lot 2129

William Brown: etching of Old Houses in Butter Row, Cirencester, signed in pencil, framed size 45 x 36 cms.

Lot 258

MATHEW HENDERSON, BUSY HARBOUR SCENE etching, signed in pencil, further signed in the plate 10cm x 14cm Mounted, framed and under glass

Lot 100

•Charles Henry Baskett (1872-1953), "The Road to the Uplands", black and white etching, signed and inscribed with title in pencil to lower margin, 20 x 34cm

Lot 101

•Joseph Webb (1908-1962), "Mind Cross Dress", black and white etching, signed, inscribed 100 acres, 1st state - Mind Cross Dress in pencil to lower margin, 15 x 13cm

Lot 105

•Robert Sargent Austin (1895-1973), "Man with a crucifix 1924", black and white etching, signed lower centre, 13.5 x 11.5cm

Lot 106

•Robert Sargent Austin (1895-1973), "Women in church", black and white etching, signed in pencil to lower centre margin, 14 x 12cm

Lot 107

•Robert Sargent Austin (1895-1973), "Wherefore plough", black and white etching, signed in pencil to lower right, further inscribed with title and "This proof for Painters etchers exhibition", 23 x 19cm

Lot 108

•Rachel Anne Le Bas (born 1923), "Bathtime in Venice", coloured etching, signed, numbered 4/75 and inscribed with title in pencil to lower margin, 26 x 37cm

Lot 110

•Henryk Glicenstein (1870-1942), Figure study, black and white etching, signed in pencil to lower right margin, 15 x 20cm, together with a further signed etching by the same artist (2)

Lot 111

•Alice Ellis (20th century), A Pony, dry-point etching, signed in pencil to lower right, 15 x 20cm

Lot 114

•Cyril Henry Barraud (1877-1965), Wartime scene, black and white etching, signed in pencil to lower right margin, 24 x 18cm, together with a further etching by the same artist, both unframed (2)

Lot 115

•Cyril Henry Barraud (1877-1965), Landscape, black and white etching, signed in pencil to lower right margin, 18 x 29cm together with two further etchings by the same artist, all unframed (3)

Lot 116

•Robert Clitheroe (20th century), "The Pond", black and white etching, signed, dated 1965, numbered 6/6 and inscribed with title in pencil to lower margin, 20 x 25cm, together with four further works by the same artist, one unframed (5)

Lot 117

•Ralph S Thompson (1913-2009), "Town Hall Lads", black and white etching, signed, dated 1932 and inscribed with title in pencil to lower margin, 20 x 11cm, together with two further etchings by different artists, all unframed (3)

Lot 119

•20th century School, "Newburgh, Orange County, NY (Hudson River)", black and white etching, inscribed with title to lower margin, 15 x 35cm

Lot 120

•Graham Cliverd (1883-1959), "Near Dartmoor" and "Dartmoor", pair of coloured etchings, both signed and inscribed with titles in pencil to lower margin, 25 x 33cm, together with a further signed etching by the same artist, all unframed (3)

Lot 121

•Henry Rayner (1902-1957), Ballet scene, coloured etching, signed in pencil to margin, 9 x 13cm, together with three further etchings by the same artist, all unframed (4)

Lot 124

•Frederick Carter (1885-1967), Mythological figure, black and white etching, signed in pencil to lower image, overall paper size 40 x 26cm, unframed

Lot 14

•Margaret Kroch Frishman (1897-1972), Botanical study, coloured etching, initialled, dated 65 and numbered 40/100 in pencil to lower margin, 45 x 40cm, unframed

Lot 16

•Margaret Kroch Frishman (1897-1972), Venice, coloured etching, initialled and dated 65 and numbered 84/100 in pencil to lower margin, 39 x 40cm, unframed

Lot 18

•Modern British School (20th century), "Movement II", etching and aquatint, indistinctly signed numbered 27/30 and inscribed with title in pencil to lower margin, 44 x 23cm, unframed

Lot 19

•Paul Hawdon (born 1953), Balcony, black and white etching, signed and number 22/40 in pencil to lower margin, 49 x 69cm, unframed

Lot 23

•Jennifer Dickson, CM, RA (born 1936), "Etrange Noirceur", black and white etching, signed, dated 64, numbered 7/30 and inscribed with title in pencil to lower margin, 39 x 34cm, unframed

Lot 24

•Jennifer Dickson, CM, RA (born 1936), "Moon in equilibrium", black and white etching and aquatint, signed, dated 63, numbered 15/15 and inscribed with title in pencil to lower margin, 35 x 35cm, unframed

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