We found 71082 price guide item(s) matching your search
There are 71082 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71082 item(s)/page
Lot 515
MAXWELL DOIG (born 1966); 'Two Figures Climbing', a signed and dated limited edition etching, 1987, edition 1/4, 52 x 43.5cm, Hart Gallery label verso, framed and glazed. (D)Provenance: Purchased from the Hart Gallery, Nottinghamshire, 2012.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 30
Napoleon's exile.- Bellasis (George Hutchins), after. A View of the Island of St Helena, large landscape view taken from the sea with two further vignettes below either side of the title, etching and aquatint by J. Clark and J. Hamble, with full hand-colouring, on wove paper with Whatman watermark and date '1813', sheet 580 x 860 mm (22 3/4 x 33 3/4 in), backed on conservation support, several large repaired tears, mainly within the margins, old vertical fold with repaired splitting, minor surface dirt, unframed, published by Edward Orme, 1806.
Lot 31
Regency rosewood and mother of pearl sewing box, the gadrooned lid with mother of pearl inlaid roundels, the lid interior with black and white etching of Chiswick House Middlesex, the interior with removable tray, the tapering body with lion mask handles, raise don ball feet, 31cm wide, 17cm high, 24cm deep
Lot 147
Carl Clemens Moritz Rungius (German/American, 1869-1959). Etching and drypoint on paper titled "The Traveler," 1931, depicting a bull moose walking through a forest, mountains in the background. Pencil signed along the lower right.Sight; height: 9 in x width: 11 3/4 in. Framed; height: 16 3/4 in x width: 18 1/2 in.
Lot 154
Joseph Pennell (American, 1857-1926). Etching on laid paper titled "Pisa: Lung Arno Regio," depicting the city of Pisa, Italy, with the Arno River curving through the center of the composition. From Pennell's "The Italian Series." Pencil signed along the lower right; further signed, titled, and dated 1883 in the plate along the lower left.Sight; height: 8 in x width: 11 1/2 in. Framed; height: 14 1/4 in x width: 17 1/4 in.
Lot 162
Pierre Auguste Renoir (French, 1841-1919). Drypoint etching on laid paper titled "Sur la Plage, a Berneval," depicting Julie Manet, daughter of Berthe Morisot and Eugène Manet, and her cousin, Paulette Gobillard, gazing out to sea. Signed in the plate along the lower right.Literature: D. 5Sight; Height: 8 1/4 in x width: 6 1/2 in. Framed; Height: 20 1/2 in x width: 16 3/4 in.
Lot 163
Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669). "David at Prayer," etching and drypoint on paper, 1652. A strong, dark impression of this lovely print. Biorklund's third state (of 3); Usticke's third state (of 3); White and Boon's third state (of 3).Literature: Bartsch 41, Biorklund 52-C; Hollstein (White and Boon) 41.Provenance: Swann Galleries, New York, 2011; Private collection, Minnesota.Sight; Height: 5 3/4 in x width: 3 3/4 in. Framed; Height: 13 3/4 in x width: 11 in.
Lot 186
Albert Besnard (French, 1849-1934). Drypoint etching and aquatint on paper titled "La Robe de Soie," depicting a smiling woman in a long flowing robe seated in a large chair. Titled and dated 1887 in pencil along the lower edge of the mat.Unmatted; Height: 17 1/4 in x width: 11 1/2 in. Matted; Height: 22 in x width: 16 in.
Lot 55
Johnny Friedlaender (German/French, 1912-1992). Etching on paper depicting two abstract modernist horses underneath a blue moon. Pencil signed along the lower right; inscribed epreuve d'artiste along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 18 in x width: 23 1/2 in. Framed; Height: 25 in x width: 30 1/2 in.
Lot 139
JAUME PLENSA (Barcelona, 1955).Untitled, 1987.Aquatint etching on copper plate, copy 4/50.Signed and justified in pencil.Size: 18 x 18 cm (print); 50 x 37,5 cm (paper).Jaume Plensa studied at the Llotja School and the Sant Jordi School of Fine Arts, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and was recently awarded an honorary doctorate by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mould iron using the casting technique, and developed a sculptural concept based on zoomorphic elements. His work gradually evolved, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work in both material and formal terms, and began to use different materials such as metal scraps, polyester and resins. During these years he produced series of walls, doors and architectural constructions, seeking to give space an absolute protagonist role. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting four classical operas by Falla, Debussy, Berlioz and Mozart with "La Fura dels Baus", and alone in a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has held solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he unveiled his work "Breathing", a memorial to journalists killed in the line of duty, at the BBC headquarters in London. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, and the National Prize for Plastic Arts in 1997, awarded by the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MoMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA and the Museo Reina Sofía in Madrid.
Lot 1033
§ Julian Trevelyan (1910-1988), 'Marlborough College' (1963). Etching. Signed, titled and numbered 37/75 in pencil to margin. Image size 47 x 35cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information.
Lot 1061
Heidi Konig (British, b. 1964), 'Train to Konya', etching in colours, signed and numbered 42/150 in pencil to margin, framed and glazed, 34 x 40cm, with another etching in colours by the same artist, 'Emili Valley', signed and numbered 61/150 in pencil to margin, framed and glazed, 34 x 40cm. (2)
Lot 76
° ° Jasper John (1930-) Illustrator - Stevens, Wallace (1879-1955) - Poems, with introduction by Helen Vendler, number 30 of 300 illustrated with an original etching with aquatint frontispiece, signed in pencil by Jasper Johns, the etching was printed by ULAE and titled ‘’Summer’’. This print predates the paintings and prints in his series ‘’The Seasons’’ by almost two years. This is therefore the first appearance of any of the four renowned works from this series. Small folio, half blue morocco over blue and white linen, by Schubert Bookbindery, Arion Press, San Francisco, 1985
Lot 79
° ° Menpes, Dorothy & Mortimer - 5 works - Venice, one of 500 signed by the artist, the front fly leaf with an original watercolour vignette of St Marks Basilica, signed, 1904; Whistler As I Knew Him, one of 500 signed by the artist, bound with an original etching of the Menpes children, 1904; Japan. A Record in Colour, one of 600 signed by the artist, 1901; World’s Children, one of 500 signed by the artist, 1903 and Brittany, one of 350 signed by the artist, the front fly leaf with an original watercolour of a Brittany peasant woman, signed, 1905, all 4to, original cloth gilt, Adam and Charles Black, London
Lot 912
British Victorian 1827 Pattern Royal Navy Officers Sword, being a early example with pipe back blade. Regulation pattern with sharkskin grip retaining wire binding. Plain folding rear guard and loop fitting. Guard with crowned fouled anchor. Large lion head top pommel. Housed in leather and brass mounted scabbard with a hanging frog fitting attached to the top mount. Early piped back blade with just remains of the original etching visible. Blade 73 ½ cms, overall 99 cms. PLEASE SEE AUCTION INFORMATION IN RELATION TO THE SHIPPING OF SWORDS AND BAYONETS
Lot 1190
WW2 German Kriegsmarine Officers Dress Dagger by F W Holler Solingen, fine example with white celluloid grip having wire binding. Gilt eagle pommel with swastika to the centre. Standard cross guard with button release to the reverse. Housed in its original scabbard with two hanging rings. Double edged blade with foliage, anchor and sailing ship etching. F W Holler Solingen makers trade mark to the base of the blade. Some surface staining to the blade. The blade measures 25cms, overall 41 ½ cms.
Lot 845
Joan Miro (Spanish, 1893-1983), 'Cantic del Sol', etching with aquatint, 1975, one of thirty five etchings, edition of 273, in conservation frame Provenance: published in 1975 to illustrate the poem “El cantico de las creatures” by Saint Francis of Assisi. Purchased from Wiseman Originals in 1993, together with copied proof of purchase, signed by Caroline Wiseman, 36 x 50 cmArtist's Resale Rights: Please note, the buyer will be subject to pay an additional 4% on top of the hammer price if this lot exceeds €1,000. For more information on Artist Resale Rights please visit: https://www.gov.uk/guidance/artists-resale-right
Loading...-
71082 item(s)/page