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Lot 120
Norman Ackroyd CBE RA (British b.1938) Etching and aquatint "Landscape" artist's proof, signed, titled and dated '70 in pencil within margin, framed and glazed, image size 54cm x 54.5cm Condition Report The picture appears to be in good condition with no apparent damage or fading. There is some wear to the frame.
Lot 132
Elisabeth Frink (1930-1993) Etching and aquatint in colours Rolling over horse, 1980, numbered 34/75, signed lower right in pencil, 59cm x 72cm Condition Report In good condition, the picture is in very good condition, the frame has some wear. There is a small indented line or crease near the tail of the horse, but this is not a tear and is visible only on close inspection.
Lot 124
Norman Ackroyd CBE RA, (British b.1938) Etching and aquatint "Dwarfie Stane" limited edition, signed, titled and numbered 62/75 dated 1976 in pencil within margin, framed and glazed, image size 42cm x 54.5cmCondition ReportThe picture is in good condition with no apparent damage or fading. The frame is in good condition.
Lot 42
An 18th Century Ketland of Birmingham made flintlock pistol. Rounded wooden butt with engraved brass pommel. Trigger guard with flower etching and acorn. Lock plate engraved Ketland. Wooden ramrod secured with brass mounts. Mechanism cocks, half cocks and dry fires. Measures approx 37cm. If this lot is required to be posted please see sale notes regarding age verification.
Lot 246
A WWI First World War interest hardback copy of Ellis Ashmead-Bartlett's book ' Some Of My Experiences In The Great War 'along with a copper etching depicting Winston Churchill's 1965 funeral (21x28cm). Ellis Ashmead-Bartlett CBE (11 February 1881 – 4 May 1931) was an English war correspondent during the First World War. Through his reporting of the Battle of Gallipoli, Ashmead-Bartlett was instrumental in the birth of the Anzac legend. Through his outspoken criticism of the conduct of the campaign, he was instrumental in bringing about the dismissal of the British commander-in-chief, Sir Ian Hamilton – an event that led to the evacuation of British forces from the Gallipoli peninsula.
Lot 273
A 20th Century vintage Japanese Samurai Katana sword. Brass pommel with Koi fish motif, celluloid rayskin style grip with rope binding and a pierced floral tsuba. The blade with mythical dragon etching housed in a leather wrapped scabbard. Measures approx 100cm. If this lot is required to be posted please see sale notes regarding age verification.
Lot 828
Royal Jennerian Society for the Extermination of the Smallpox, A Comparative View of the Effects on Individuals and Society, informative illustrated chart, published in 1814, engraving, 44cm x 54cmSome condition issues. General foxing to the sheet, consistent with age and use, with creasing and deckling around the edges. The etching has been stored folded and is evenly creased.
Lot 195
MURPHY, James.- Plans, elevations, sections and views of the church of Batalha, in the province of Estremadura in Portugal, with the history and description by Fr. Luis de Sousa; with remarks. To which is prefixed an introductory discourse on the principles of Gothic Architecture.- London: I. & J. Taylor, 1795.- [2], II, [2], 61, [1] p.: [27] gravuras; 53 cm.- E., Monumental work, especially appreciated for the magnificent copperplate prints (engraving and etching), of large dimensions, containing the architectural survey of the Batalha Monastery and some reconstructions. James Cavanah Murphy (1760-1814), Irish architect and traveler, born in Blackrock (Cork), was in Portugal during the years 1789 and 1790, in the service of William Burton Conyngham, with the mission of studying and designing the architecture of the Monastery of Batalha. The work includes the following typed texts: Preface (II p.); Introduction (p. 1 to 26); A history and description of the Royal Monastery of Batallha... / by Father Luis de Sousa ([2], p. 27 to 61, [1] p.); List of subscribers [2 p., at the end]. The 27 engravings include: an architectural title (page), the dedication to William Conyngham and 25 engravings, with the survey, five after the introduction and the rest at the end of the volume (two on double sheets). Complete copy, according to the bibliography and engraving index, with some handling and foxing. Heraldic (scaquistic) ex-libris by A. Ramel. Half-leather binding, contemporary, worn. Brunet, III, coll. 1954/1955. Duarte de Sousa, 510.
Lot 113
Lot of 7 different paintings: 1. Watercolour signed Alex Marcettes - Wondelgem 47 x 39 cm 2.Watercolour signed Marc Besch 51 x 40 cm, small damage due to humidity. 3. Oil on panel signed Barth 36,5 x 31,5 cm. 4. Oil on Canvas sunset signed eligible 44 x 35 cm. 5. etching signed eligible 25 x 17 cm. 6. Oil on panel signed Laplasse R. Still-Life 32,5 x 27 cm. 7.Oil on Panel signed Oosterlinck 44 x 34 cm.
Lot 482
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include J. Kingman (20th century) a gundog flushing game birds, signed bottom right, oil on canvas, approximate size 40cm x 50cm, small spot of paint loss towards the middle, an Asian needlework picture depicting a water buffalo pulling a cart, signed Trevor Boult Barn Owl print, Pietro Annigioni 'Christine' print, a limited edition etching of a ballet dancer signed Itasei?, Thomas Francis Dicksee print, a racehorse print by S.L Crawford etc
Lot 529
A SELECTION OF DECORATIVE PRINTS ETC, to include an unframed Glyn Thomas etching 'King's Gateway' 23/200, approximate size 31cm x 22cm including margins, four unframe indistinctly signed etching of Venetian scenes including the Ducal Palazzo approximate size 50cm x 36cm, a 1720 map of the Parish of St Martins, indistinctly signed etchings of Prague, eight framed prints of wading birds, topographical prints, mirror etc. (Qty)
Lot 99
John Brunsdon (1933-2014) limited edition etching and aquatint - St Catherine's Chapel and Chesil Beach, signed titled and numbered 41/150, in glazed frame. Certificate of Authentication CGA Galleries.Generally good condition throughout apart from a few scuffs and scratches to the frame. The colours are good.
Lot 206
Francis Seymour Haden (1818-1910) etching - Thomas Haden 1864, 35cm x 24cm, in glazed frameWe can not state why there is no edition number for this work but it is definitely an etching. It has not been removed from the frame and therefore we are unable to state if it has been stuck down or not. The condition is good. Various marks to the frame.
![ALLEN, Frederick E. [fl. 1915-1937], landscape, etching, signed F.E Allen in pencil lower right margin, 19cm x 26cm, f&g.](https://cdn.globalauctionplatform.com/5593fb41-7002-4b0e-8ecd-b12a01116e9b/e4ecae2f-c6d1-411f-9b0b-b13001151cfc/468x382.jpg)
![FERDINAND LEFTMAN [fl.1873-1890] after Rembrandt - Man reading a book,:-etching, image 15.5 x 10cm.](https://cdn.globalauctionplatform.com/5593fb41-7002-4b0e-8ecd-b12a01116e9b/e4a7da9e-f5b4-4514-8e92-b1300114e1d9/468x382.jpg)
Lot 273
Ian STRANG (1886-1952) Buildings and Windmill Etching Signed in the plate and further signed in graphite to the margin, dated 1926 Plate size 30cm x 21cm Postage is available on this lot from £32.50 to a UK address. Together with Andrew Fairbairn AFFLECK (1874/75-1935/36) Durham Cathedral Etching Signed Plate size 34cm x 49cm
Lot 152
Gerhard WINDISCH (1895-1961) Ballet Dancer Etching Signed 11.5cm x 9cm, Together with a portrait study etching by the same artist, 24.5cm x 18cm and a further signed limited-edition etching of 100 by Ernst BUSCH (act.1920), 27cm x 12cm Postage is available on this lot from £25.22 to a UK address.
Lot 253
Andrew Fairbairn AFFLECK (1874/75-1935/36) Cathedral View Etching Signed Plate size 20cm x 32.5cm, 41cm x 56.5cm with the frame. Together with two J.C Douglas lithographs of St Ives, each signed, image size 38cm x 28.5cm and an etching of Guy's Hospital, 11/75, signed Tom Dowley, plate size 14cm x 17cm. Postage is available on this lot from £32.50 to a UK address.
Lot 304
George BAXTER The Revd. R Moffat Missions in South Africa Print 27cm x 21cm Fernand GUIGNIER (1902-1980) Print Signed and indistinct title in pencil 21cm x 29cm Clement DE PORRE (1874-1947) Religious Street Sellers Etching 24.5cm x 24.5cm And 'In the Anxious Hours of Waiting', a G. M. Langley print with handwritten text, 44.5cm x 25.5cm Together with English School, circa 1840 A Man Standing Outside the City Gate Watercolour 15.5cm x 20.5cm Postage is available on this lot from £32.50 to a UK address.
Lot 275
John FULLWOOD (1854-1931) Loch Achway etching and one other by a different hand Loch achway Signed and titled in graphite Plate size 28.5cm x 23.5cm Together with a William RENISON (1866-c.1940) etching of a Tudor-style street view, signed in graphite, plate 43cm x 29.5cm Postage is available on this lot from £32.50 to a UK address.
Lot 231
PONKLE (1934-2012) The Sunflowers In Spain Watercolour Signed Titled to the verso 14cm x 14cm Together with a pastel work of a cat by a different hand signed S. Frost(?) and a signed etching of a sailboat, edition 1/75, 11.5cm x 9.5cm Postage is available on this lot from £25.22 to a UK address.
Lot 265
Pat JOHNSTONE (1944-2023) Ten works, including coloured etchings and woodblock prints. Fiery Angel Coloured etching Artist's proof Signed and dated 2009 to the mount Plate size 25cm x 18cm Together with four others in the 'Angel' series and other etchings, with six individually signed. Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture. Postage is available on this lot from £25.22 to a UK address.
Lot 190
Five works by different hands Including two floral still-lifes Clifford WALKER (XX) Lake view Oil on board Signed 15cm x 19cm Each still life, oil on board and indistinctly signed, 25cm x 35cm and 24.5cm x 29cm A watercolour of a village street with 'Jones, Draper & Hoster' signage, mongrammed and dated 1880, 13cm x 9cm And an Ian Laurie etching, signed and numbered, 6.5cm x 17.5cm (5) Postage is available on this lot from £32.50 to a UK address.
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73306 item(s)/page