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Lot 191

JULIAN TREVELYAN (20TH CENTURY) `Activated Sludge`, etching with aquatint, pencil signed, titled and numbered 63/75 in the margin, 13 1/2" x 18 3/4".

Lot 220

GRAHAM CLARKE (b. 1941) - `Garlez Arkham` (exhibition proof), etching in colours, pencil, signed, titled and numbered 13/50, 21" x 27" and one further `Notte todaye` numbered 224/400, similarly mounted and framed, 21" x 27" (2) (see illustration).

Lot 221

GRAHAM CLARKE (b. 1941) - `Piece de resistance`, etching in colours, pencil signed, titled and numbered 245/400, 21" x 27"; and one further similar `Rue de Wakening`, pencil signed, titled and numbered 31/400, 21" x 27" (2) (see illustration).

Lot 817

A PABLO PICASSO "Goldfinch" etching & aquatint-for Buffon`s Histoire Naturelle 1942

Lot 406

JAMES MCBEY Tetuan, 1913 etching, signed on mount 12cm x 25cm

Lot 409

JAMES MCBEY The Ford, 1913 etching, signed 15.5cm x 25cm

Lot 487

AN ED BURROW ETCHING, The Old Archway Repton, and other pictures and prints (box)

Lot 90

A COLOURED ETCHING " PIGTAILS AND POWDER " BY FRANK DODD EXHIBITED AT THE ROYAL INSTITUTE OF PAINTERS

Lot 91

A COLOURED ETCHING BEHIND GLASS PUBLISHED 1804 BY JOHN P. THOMPSON, NEWPORT STREET

Lot 94

A FRAMED COLOURED ETCHING ENTITLED " THE LAST DITCH - DIFFICULTY, DANGER AND DOUBT " McQUEENS STEEPLE CHASINGS ENGRAVED BY W SUMMERS, PAINTED BY A W NEVITTE

Lot 118

A FRAMED COLOURED ETCHING ENTITLED " THE HEYTHROP HUNT" ENGRAVED BY JAMES SCOTT, PAINTED BY STEPHEN PEARCE

Lot 119

A FRAMED COLOURED ETCHING ENTITLED " OUR LEADING JOCKEYS OF THE DAY " - McQUEENS RACINGS - SIGNED BY THE JOCKEYS - ENGRAVED BY E G HESTER - PUBLISHED MAY 1st 1885 - 181 TOTTENHAM COURT ROAD

Lot 494

MARIUS BAUER Amiens Cathedral Etching, pencil, signed with initial

Lot 375

Hideo Furuta; Collection of 12 etchings including:- Christmas Pudding, Etching Cone, and Wing and Triangle

Lot 412

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Lot 413

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Lot 50

E.A. ABBEY, An Afternoon Bout At Tennis, hand-coloured etching, central crease mark, 19 x 24in. (48.2 x 62.2cm) overall, framed and glazed, FRENCH SCHOOL, Figure study of a tennis player, signed lower right, watercolour, 25 x 6.1/2in. (63.5 x 16.5cm); and thirteen modern tennis related prints, 37 x 22in. (94 x 55.8cm) overall and smaller, all framed and glazed (15)

Lot 1832

A group of assorted 20th century pictures and prints, including an ink nude study signed O.Beguel `64, a small etching of an embracing couple, a grey collage landscape, a composition signed V.Guiro, an aquatint of a still life with coffee pot indistinctly signed, and a head study of a girl. (5)

Lot 1839

Julian Crater (b.1959), Study I for Self Image II, etching with aquatint, signed, inscribed and numbered 8/20; together with `I will Rise II`, signed artists proof, mixed media print, and another work attributed to the same hand, various sizes. (3)

Lot 1850

Geoffrey Sparrow (early 20th century), `To the Crawley and Horsham Foot Followers`, etching with hand colouring, signed and extensively inscribed, together with another: `Conversation Piece - Tommy Grantham`s Stables, W.Grinstead`, by the same hand. (2)

Lot 1885

A group of four, including a watercolour lake scene signed Stedman, an unframed etching of Limehouse by W. Cooper, a watercolour garden scene, and a tinted print of a lake scene. (4)

Lot 1909

Raoul Dufy (1877-1953), Baigneuse au bord de la mer, etching with aquatint, numbered in pencil, 35cm x 52cm.

Lot 21

D. Smart - River View, possibly the Medway, with Trawlers and Sailing Craft, a Town and Industrial Buildings beyond, early 20th Century monochrome etching, signed.

Lot 25

After Frank Greenwood - 'Old Manchester Grammar School, Long Millgate', early 20th Century monochrome etching, inscribed and titled verso.

Lot 81

Michael Cummings - 'Red Sea and Gulf of Aqaba', mid-20th Century political cartoon referencing President Nasser and tensions in the Gulf of Aqaba, pen and ink with wash, signed and inscribed, together with three other cartoons and an etching.

Lot 106

After James McNeill Whistler - 'The Menpes Children', monochrome etching, circa 1904, approx 7.5cm x 11cm, within a gilt frame.

Lot 190

Joseph F. Perrin - 'The Old Market Hall Bull Ring' (View of the Market Place, Birmingham, with Figures shopping at various Food Stalls), early/mid-20th Century monochrome etching, signed, titled and editioned, together with a group of decorative pictures.

Lot 215

After O'Klein - 'Private Bar' (Humorous Study of Dogs seated at a Bar), mid-20th Century etching with aquatint, signed and titled recto, together with two other framed prints after the same hand.

Lot 216

After Otto Klein - 'Comme Nos Maitres' (Humorous Study of Dogs relieving themselves against a Wall), mid-20th Century etching with aquatint, signed and titled recto, together with two other framed works by the same hand.

Lot 24

W. WALCOT, London. Original etching, signed 5 x 4.75 ins.

Lot 177

P. J. Barker, 20th Century, San Gimignano, watercolour, signed, together with an etching and a signed watercolour of a South African landscape by other hands (3)

Lot 739

FREDERICK ARTHUR FARRELL (1882 - 1935) Scotland. Etching "Westminster", signed in pencil, 41.5cm x 17.5cm, framed; ANDREW AFFLECK. Etching, "Notre Dame from Place Maubet", signed in pencil, 39cm x 19cm. (2)

Lot 755

FRANK MARTIN (1921-2005). Coloured etching "Jean Harlow", titled, signed and dedicated artists proof in pencil "To John Kobal, affectionately March 1978", plate 40cm x 53cm, framed. ILLUSTRATED. John Kobal (1940- 1991), film historian and collector of Hollywood film photography. See Frank Martin "Hollywood-Continental" St Martins Press, 1988, illustrating the artist's works with articles by Victor Arwas and John Kobal.

Lot 756

FRANK MARTIN (1921-2005). Colour etching "Adriana", titled, signed and numbered 39/50 in pencil, plate 49cm x 33cm, framed.

Lot 757

FRANK MARTIN (1921-2005). Colour etching "Bacarolle", titled, signed and annotated "colour proof 3" in pencil, plate 30cm x 45cm, framed.

Lot 758

FRANK MARTIN (1921-2005). Colour etching "Eden Roc", titled, signed and numbered 19/50 in pencil, plate 30cm x 24cm, framed.

Lot 759

FRANK MARTIN (1921-2005). Colour etching "Virginia Bruce", head and shoulder portrait, titled, signed and marked API for artist's proof 1 in pencil, plate 39cm x 27cm, framed. Virginia Bruce (1910-1982). American actress and singer.

Lot 2723

Tanaka Ryohei (1933-?) etching, "Drink Coca Cola" Japanese thatched huts, signed and dated '73 in pencil in margin and limited to 64 of 100, 24x39.5cm (PL) and a polychrome etching of huts by a different hand (2)

Lot 332

* Oxford. Nicholson (William), Wadham College, Front Quad, pub. Stafford Gallery, c.1905, lithograph signed in ink in lower left margin, blind stamp in lower right margin, slight surface dirt 260 x 350 mm, mounted, together with Radclyffe (William), South East View of the Taylor Building & University Galleries, c.1840, hand col. eng., trimmed to image, 225 x 355 mm, framed and glazed, with a good etching of Brasenose College & Radcliffe Camera, titled, blind stamped and indistinctly signed in pencil, together with another eight etchings, prints and engravings of Oxford colleges and buildings, various sizes and condition, mostly framed and glazed. Not examined out of frames. (11)

Lot 406

Theatre. Three printed playbills, Theatre Royal, Birmingham, 1823, each advertising a number of forthcoming performances, incl. ‘Tom & Jerry; or Life in London’, ‘Monsieur Longuemare, the most renowned Performer in the known World on the Tight Rope’, ‘Oronoko; or, the Royal Slave’, and ‘Blood-Red Knight; or, the Fatal Bridge’, etc., each 610 x 180 mm (24 x 7 ins), each framed and glazed, together with a quantity of related ephemera, incl. a framed litho. port. of Lillie Langtry, an etching of Shylock by J. Mortimer, 1776, and a Vanity Fair print of George Bernard Shaw (creased and with closed tears) (a carton)

Lot 534

A group of decorative tennis collectibles, comprising: a Victorian silver plated ashtray with tennis racquet decoration, the circular tray with raised centre surmounted by a model tennis ball and supporting cigarette rests modelled as Demon fishtail racquets, diameter 10cm., 4in; a silver plated cigarette case engraved as a prize M.A.C., TENNIS TOURNAMENT, 1ST. PRIZE SINGLES, 1913, WON BY, L.F. TURNBULL, the cover monogrammed, 10cm., 4in.; a late 19th century Continental spelter figure of boy playing tennis, the base bearing an indistinct signature, double toned bronze patina, height 32cm., 12 1/2in.; an American etching of Helen Wills at East Hampton, signed in pencil, dated 1924 in the plate, with legend reading HELEN WILLS AT EASTHAMPTON NO.1 (6 7/8" high, 4 7/8wide) PROOF IN POSSESSION OF MISS HELEN WILLS; an American colour lithograph of a lady playing tennis, published by Frederick A. Stokes Company, 1890, 27.5 by 21.5cm., 10 3/4 by 8 1/2in.; and a boxed Centenary Wimbledon Tennis Championships (1877-1977) porcelain plate by Spode, from a limited edition numbered 681 of 1,977, printed decoration incorporating details from the men's and ladies' trophies and hydrangeas, extensive gilding, diameter 27cm., 10 1/2in., complete with original box, certificate of authenticity and. sales booklet

Lot 624

After Henry Alken senior SKITTLES. etching, hand coloured, published by Thomas McLean in 1820, the plate 17.5 by 22.5cm., 7 by 9in.; sold together with a French coloured engraving after Teniers, engraved by Laurent and titled 'Le Jeu De Quilles', mounted, framed & glazed, the image 25.5 by 35.5cm, 10 by 14in. (2). Provenance: The Collection of Lord Aberdare (1919-2005)

Lot 653

Bernard Larjou, French 1908-1986- Head study; lithograph printed in colours, with full margins on wove paper, signed and numbered 14/35, 59x37cm: Raffi Kaiser, Israeli/French b.1931- "La Paix"; lithograph printed in colours, full sheet with margins, on Arches wove, signed and dated 1972, titled and dedicated in pencil, numbered EA, 55x76cm: together with one other lithograph by the same hand titled "A Hilda et Hilary"; etching, signed, dated 1979 and numbered HC in pencil, by the same hand: M F Crowther, late 20th century- "Petra", etching, signed, titled and numbered 2/10, (4) (unframed (may be subject to Droit de Suite)

Lot 659

Pauline Macey, Irish, late 20th century- "Mountain Garden"; etching with aquatint, signed, titled and dated 1999, anointed A/P, 41x62cm: together with five other lithographs and linocuts by different hands to include Bernard Cheese and Michael Waight, (6) (unframed) (may be subject to Droit de Suite)

Lot 660

Robert Batchelor, mid 20th century- "Lillies"; screen-print, full sheet printed to the edge, signed, titled and numbered 11/84, 50x58cm: together with five further etchings and lithographs by the same hand: Pip Carpenter, mid 20th Century- "Lillies"; etching printed with tone, signed, titled A/P in pencil, together with six other similar studies by the same hand, (13) (unframed) Note: Bob Batchelor was born and brought up in Georgetown, Guyana. He came to Scotland in 1946, aged 18, to study Drawing and Painting at Gray's School of Art, Aberdeen, he has lived in North East Scotland ever since. Until retiring in 1986, he was a dedicated and enthusiastic teacher, working as principal teacher of art at Harlaw Academy from 1966 to 1986.

Lot 661

Myrtle Farquharson, late 20th century- "The Forbidden City- Beijing"; screenprint, A/P, titled and signed, 42x66cm: together with four other similar screenprints by the same hand: Alison Neville, Late 20th century- "Janpur Courtyard"; etching with aquatint, A/P, signed and tiled in pencil, 41x65cm, together with four other studies by the same hand, (10) (unframed) (may be subject to Droit de Suite)

Lot 666

Kip Gresham, British, b.1951- "Gamma"; lithograph printed in colours, signed and dated 94, 52x58cm: together with further similar lithographs by the same hand: Ruth O'Donnell, Irish, b.1952- Still-life of pots; aquatint, A/P, signed, together with one other example by the same hand: Megan Fishpool, late 20th century- "Score Red Vonal KSZ"; etching with aquatint printed in colours, signed, (15) (unframed) (may be subject to Droit de Suite)

Lot 725

Rodolphe Bresdin, French 1822-1885- "Le Cours d'Eau"; etching, 1880, 13.5x21cm., (unframed)

Lot 737

Attributed to Violet M Baber Mimpriss exh 1914-1930- View of a village with a church in the distance; oil on board, 25.5x30cm: Violet M Baber Mimpriss exh 1914-1930- "Bosham Quay, Low Tide"; etching, signed, titled, numbered 1/50 and dated 1929 in pencil, 19x22cm: together with one other similar etching by the same hand, titled 'Mill, Bosham', signed, titled, numbered 10/50 and dated 1929 in pencil, 13.5x13cm: together with a portrait study in oils on canvas of a cleric, head and shoulders, signed with monogram and dated 16, 41x30.5cm., (4)

Lot 789

Michael J Mounsey, late 20th century- "Simon"; drypoint etching, signed, titled, dated 1997 and numbered 1/10, 43x33cm: with one other example by the same hand, depicting a still life, signed and numbered 1/10: together with other 20th century etchings to include Cornelius McCarthy, Irish b.1935 Torso; artist's proof, signed and dated 92: Mark Clarke, late 20th Century- Nude female study; drypoint etching, signed, dated 99 and numbered 11/120:T D Pryce, Late 20th Century- "Room With a View"; etching, signed, numbered 2/50 and dated 96, (5) (may be subject to Droit de Suite)

Lot 794

André Derain 1880-1954- Portrait of young woman; lithograph on Japon paper, full sheet, signed and numbered 10/25 in pencil, 57x40cm: Fernand Simeon 1884-1928- "First Communion...Paris"; drypoint etching, signed in pencil: Valdimir Silovsky 1891-1974-"St Vitus..."; etching, signed in pencil, (3) (unframed)

Lot 811

* Eugenio Carmi, Italian b.1920- "Crunch"; screenprint in colours, signed, numbered 37/50 and dated '67 in pencil, 66x48cm: together with five other similar and related colour screen prints by the same hand, all signed, numbered and dated 67, 66x48cm., ea: Dolf Rieser, South African 1898-1983- "Flight Picture"; etching printed in colours, signed, titled, numbered 7=45 in pencil, 40x60: together with three other colour etching by the same hand, one depicting a bird and a flower, signed and numbered 10=50 in pencil; "Men/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil; "Plants/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil: Pauline Knight, mid-late 20th century- "Square Three Series Four"; aquatint printed in colours, signed, titled, numbered 2/3 and dated 1967, 53x38.5cm: Shirley Robinson 1925-1988- Town's Arms; linocut printed in colours, signed and dated 58 in pencil, 49x65cm: Ernest G Dunn, mid-late 20th century- "MacBeth"; lithograph in colours, signed, titled and numbered 43/50 in pencil, 36x48cm., (a lot, (unframed) (may be subject to Droit de Suite)

Lot 845

* Richard Lacroix b.1939- "Cascades"; etching with aquatint printed colours, signed, titled, numbered 19/50 and dated 1962 in pencil, 42x39cm: Charles Bartlett b.1921- "Iron Bridge"; etching printed in colours, signed, titled and inscribed 'A/P' in pencil, 32x39cm: Frank Martin b.- "Promenade"; etching printed in colours, signed, titled and inscribed 'AP VII', 34x54cm., (3) (may be subject to Droit de Suite)

Lot 10

NORMAN C. JAQUES (b.1922) ARTIST SIGNED ETCHING 3/50 Evening sky along Barlow Moor Road, Manchester 12" x 9" (30cm x 23cm)

Lot 16

NORMAN C. JAQUES (b.1922) ARTIST SIGNED ETCHING 3/50 Albion Street and gas holders Manchester, England 15 3/4" x 21" (40cm x 53cm)

Lot 19

EDGAR ROWLEY SMART ARTIST SIGNED ETCHING Mt Zeda 7 1/2" x 8 3/4" (19cm x 22cm)

Lot 441

James Braid & Harry Vardon photograph 1912 - an interesting later copper golf etching taken from the original photograph of both players teeing off at the opening of the extended course at North Worcestershire G.C. on 1st May 1912 - overall 19.5 x 23".

Lot 73

'Cycling home in the rain' acrylic by Tony Richens 1993 and 'Victorian posy' signed limited edition etching by Kathleen Caddick

Lot 20

AFTER JOHN COLLET, COLOURED MEZZOTINT AND ETCHING, PUBLISHED 1778, "The Pretty Bar Maid"; and LATE 18TH CENTURY HAND-COLOURED MEZZOTINT, PUBLISHED 1786, "Spring", 12" x 10" (2)

Lot 51

AFTER THE OLD MASTER, 16TH CENTURY BLACK AND WHITE ETCHING, (laid down), "David and Goliath", 10" x 15"

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