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Click here to subscribeWassily Kandinsky (Russian/French, 1866-1944)Zweite Radierung für Editions Cahiers d'Art (Roethel 196) Etching, 1932, on wove paper, signed in pencil, from the edition of approximately 100, published by Éditions Cahiers d'Art, Paris, with wide margins, framedPlate 298 x 238mm (11 7/8 x 9 3/8in)Sheet 400 x 318mm (15 3/4 x 12 1/2in)For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)Cunnilingus Etching, 2013, on Somerset paper, signed, titled, dated and numbered 3/100 in pencil, published by Emin International, London, with full margins, framedSheet 355 x 370mm (14 x 14 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Georg Baselitz (German, born 1938)Untitled (Schwarze Rosen) Etching and aquatint, 1999, on wove paper, signed, dated and numbered 26/50 in pencil, the full sheet, framedPlate 430 x 330mm (16 7/8 x 13in)Sheet 668 x 501mm (26 1/4 x 19 3/4in)For further information on this lot please visit Bonhams.com
Janet Milner (British, born 1958)Slimmers Toffees; Too Sweet Aquatint and drypoint in blue, 2022, on Saunders Waterford wove paper, signed, titled, dated, and inscribed 'A/P' in pencil, one of two artist's proofs aside from the numbered edition of 15, printed and published by the artist, Rye, East Sussex, the full sheet, framed; together with 'Too Sweet', photopolymer etching with collagraph in colours, 2023, on Somerset Satin wove paper, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 30, printed and published by the artist, Rye, East Sussex, the full sheet, framedSheet 300 x 250mm (11 3/4 x 9 7/8in)Sheet 390 x 385mm (15 3/8 x 15 1/8in)(2)Footnotes:Janet Milner's works are playful and often text-based. Milner celebrates 'randomness' and is interested in both controlled and accidental mark making. The immediacy of printing and the results of accidental mistakes that occur from this practice suit her painterly style. The artist's work focuses on turning what might be perceived as banal and unremarkable into something special. Milner is fascinated with the commonality of clutter and drawn to the detail of mundane experiences that surround identity and everyday life.The edition 'Slimmers Toffees' was selected for the Royal Academy Summer Exhibition 2023.For further information on this lot please visit Bonhams.com
Julian Trevelyan R.A. (British, 1910-1988)Holy Ganges, from India Suite (Turner 205) Etching and aquatint in colours, 1968, on J. Green mould-made paper, signed, titled and numbered 1/75 in pencil (there were also 15 artist's proofs), printed and published by London Graphics, London, with their blindstamp, with full marginsPlate 472 x 350mm (18 5/8 x 13 3/4in)Sheet 782 x 584mm (30 3/4 x 23in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching with aquatint, 1971, on wove paper, signed, dated and numbered 115/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with margins, framedPlate 535 x 455mm (21 1/4 x 17 3/4in)Sheet 630 x 530mm (24 5/8 x 20 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Julian Trevelyan R.A. (British, 1910-1988)Fruit Bats, from Africa Suite (Turner 191) Etching and aquatint in colours, 1966-67, on handmade Crisbrook wove paper, signed, titled and numbered 79/125 in pencil (there were also 18 artist's proofs), printed by London Graphics, with their blindstamp, published by Editions Alecto, London, with full marginsPlate 350 x 475mm (13 3/4 x 18 3/4in)Sheet 570 x 795mm (22 x 31 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Elisabeth Frink R.A. (British, 1930-1993)Man (Wiseman 137) Etching and aquatint in brown, 1986, on Arches wove paper, signed and inscribed 'A/P' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Kelpra Studio, London, with their blindstamp, published by Harpvale Books, Salisbury, with full margins, framedPlate 211 x 197mm (8 1/4 x 7 3/4in)Sheet 297 x 275mm (11 5/8 x 10 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Elisabeth Frink R.A. (British, 1930-1993)Running man (Wiseman 134) Etching in grey, 1985, on Arches wove paper, signed and inscribed 'A/P' in pencil, one of ten artist's proofs aside from the numbered edition of 30, printed by Kelpra Studio, with their blindstamp, published by Waddington Graphics, London, with full margins, framedPlate 211 x 200mm (8 1/4 x 7 7/8in)Sheet 410 x 380mm (16 1/8 x 15in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Antoine Aubert (French, active c.1802-1812), after Pierre Alexandre Tardieu (French, 1756-1844)Napoléon Le Grand: Astre brillant, immense, il éclaire, il féconde et seul fait, à son gré, tous les destins du monde Etching and engraving, 1812, on wove paper, based on a design by Laurent Dabos (French, 1761-1835), published by Gérardy Éditeur, Paris, trimmed on or just inside the platemark, framedSheet 523 x 390mm (20 1/2 x 15 3/8in)For further information on this lot please visit Bonhams.com
Julian Trevelyan R.A. (British, 1910-1988)Gravesend, from Thames Suite (Turner 221) Etching and aquatint in colours, 1969, on J. Green mould-made paper, signed, titled and numbered 9/75 in pencil (there were also 15 artist's proofs), printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, London, with full marginsPlate 350 x 472mm (13 3/4 x 18 5/8in)Sheet 578 x 780mm (23 1/4 x 30 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Bikaina XI (Koelen 87011) Etching, 1987, on wove paper, signed and inscribed 'P.A.' in pencil, one of two artist's proofs aside from the edition of 50 (there were also ten further artist's proofs in Roman numerals), printed by Taller Hatz, San Sebastian, published by Galerie Lelong, Zurich, the full sheet, framedPlate 110 x 85mm (4 3/8 x 3 3/8in)Sheet 530 x 375mm (20 7/8 x 14 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Paula Rego R.A. (British, 1935-2022)Mermaid Drowning Wendy, from Peter Pan (Rosenthal 86) Etching and aquatint in colours, 1992, on Somerset wove paper, signed and numbered 39/50 in pencil (there were also 14 artist's proofs), printed by Paul Coldwell at Culford Press, with their blindstamp, co-published by Marlborough Graphics and the artist, London, with full margins, framedPlate 278 x 201mm (11 x 7 7/8in)Sheet 615 x 505mm (24 1/4 x 19 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost, R.A. (British, 1915-2003)Lemon Green and Black (Kemp 230) Etching and aquatint in colours, 2002, on heavy wove paper, signed, dated and numbered 36/75 in pencil, printed by Hugh Stoneman at Stoneman Graphics, Cornwall, published by Linda Stoneman, Madron, with full margins, framedPlate 380 x 400mm (15 x 15 3/4in)Sheet 565 x 565mm (22 1/4 x 22 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Richard Hamilton (British, 1922-2011)Swingeing London 67 (Lullin 70) Etching and aquatint, with embossing, metallic foil die-stamping and collage, 1968, on mould-made etching paper, signed and numbered 1/70 in pencil, printed by the artist and Giorgio Upiglio at Grafica Uno, Milan, published by Petersburg Press, London, the full sheet, framedPlate 340 x 556mm (13 3/8 x 21 7/8in)Sheet 565 x 728mm (22 1/4 x 28 5/8in)Footnotes:ProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (Spanish, 1893-1983)Miró à l'Encre (Dupin 564; Cramer Books 161) Etching with aquatint in colours, 1972, on Arches wove paper, signed and numbered 59/70 in pencil, printed by Morsang, published by XXe Siècle Éditeur, Paris, the full sheet, framedImage 445 x 400mm (17 1/2 x 15 3/4in)Sheet 660 x 503mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Domenico Marchetti (Italian, 1780-1844), after Antonio Canova (Italian, 1757-1822)Perseo Trionfante (Pezzini Bernini & Fiornari XXX.S1.I) Etching and engraving, circa 1813, on wove paper, the first state (of two), based on the design by Giovanni Tognolli, Rome, with margins, framed Plate 635 x 455mm (25 x 18in)Sheet 645 x 529mm (25 3/8 x 20 7/8in)For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Plate VI, from E. M. Cioran: Ce maudit moi (Koellen 83013) Etching, 1983, on wove paper, signed and numbered 40/150 in pencil (there were also 20 artist's proofs in Roman numerals), printed by Taller Hatz, San Sebastian, published by Erker-Presse, St. Gallen, the full sheet, framedSheet 320 x 238mm (12 1/2 x 9 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Victor Pasmore (1908-1998)Metamorphosis (Linear Motifs), 1945/197641/55, signed with initials, dated, and numbered in pencil (in the margin)etching and aquatint published by Marlborough Graphics36 x 43cm. Print area appears in good condition. Tiny dent in margin 5cm to the left of initials. Some other very minor marks to margins. Framed and glazed.
Julian Trevelyan (1910-1988)Etruriaartist's proof, signed and titled in pencil (in the margin)etching and aquatint59 x 79cm, unframed. Red pen letters to reverse and now showing through to left margin and also red pen ‘3’ to reverse and showing through to upper margin. Slight scuff marks and small tear to edges.
‡ A COMPOSITE NORTH ITALIAN CORSELET WITH ETCHED DECORATION PARTLY BY THE 'MASTER OF THE CASTLE' OF MILAN, LATE 16TH CENTURY comprising morion in the ‘Spanish’ fashion, with one-piece almond-shaped crown rising at its apex to a vestigial backward-directed 'stalk' (pierced with a small later hole at its rear), and slightly down-turned narrow integral brim, its edge formed with a file-roped inward turn accompanied by a narrow groove with later rivets, the base of the crown encircled by fourteen later lining-rivets with brass rosette-washers; collar of a single deep plate front and rear; breastplate formed of a main plate of deep 'peascod' fashion, flanged outwards at its lower edge to receive a pair of associated pendent tassets each of four lames (altered to match and partly disarticulated); well-matched backplate flanged outwards at its base; two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (both partly disarticulated), two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (the uppermost two of each associated), a pair of fully articulated tubular vambraces, each fitted at its upper end with a turner of one lame, and at its elbow with a winged bracelet couter of three lames; and a pair of gauntlets each formed of a flared tubular pointed cuff (the right with small rust perforations), four metacarpal-plates (the third of the left cracked and patched at its inner end), a shaped knuckle-plate, and hinged thumb-plate (finger and thumb-scales missing); the main edges of the armour formed almost throughout with file-roped inward turns, the vambraces and gauntlets with file-roped secondary borders and its surfaces decorated with etching on a stippled and blackened ground, that of the morion consisting of eight radiating bands of trophies of arms framed by cabling within plain lines, and the brim with stylised acanthus foliage (areas of wear), and that of the remainder consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes on the fronts and rears of the pauldrons, busts and full-length figures of classical warriors, and involving at the neck-opening of the breastplate the device of a two-towered castle; on a wooden stand with base Provenance Joe Kindig Jr. (1898-1971), thence by descent The device of a castle etched at the neck-opening of the breastplate represents the signature of one of the most important Milanese armourers of the late 16th century, know to scholars today as the 'Master of the Castle'. It is possible that he, like his contemporary, Pompeo della Chiesa, was privileged to work in the Castello Sforzesco, residence of the Dukes of Milan. Other extant works bearing his signature include the fine garniture made for Wolf Dietrich von Raitenau, Prince Bishop of Salzburg, probably after 1587, and now divided between the Bayerisches Nationalmuseum, Munich, the Wallace Collection, London, and the Hermitage Museum, St Petersburg, as well as various armours preserved in the Museo Civico L. Marzoli, Brescia, the Real Armeria, Turin, the Real Armeria, Madrid, the Musée de l'Armée, Paris, and the Wallace Collection, London. See Beard 1924, pp. 11-12; Norman 1986, pp. 29, 32-3 & 36-7; and LaRocca 2000, pp. 181-97. A composite North Italian etched corselet with the same mark, formerly in the John Woodman Higgins Armoury Collection, Worcester Massachusetts, was sold in this room 7th May 2014, lot 138.
AFTER WINIFRED AUSTEN "Flycatchers", drypoint etching, signed in pencil to margin lower right, titled lower left, image size 14 cm x 18.5 cm, sheet size 20 cm x 26 cm CONDITION REPORTS There is a small dent in the on the right hand side lower corner. There is some small creases above the head of the right hand bird's head and another to the left of the left hand birds wing. Two edges are cut straight the other two are more rough. General wear and tear conducive to age and use. See images for more details.
Napoleonic Interest - A large Coalport mug, circa 1813printed and hand coloured with a Cossack and a French Soldier duelling on horseback, titled 'Cossack Mode of Attack' in blue to the base, 14cm high and 11.2cm diameterProvenance: Ivor Southorn Collection.Notes: This print is inspired by a satirical etching by Samuel Knight, published in January 1813.Condition:Good condition with no damages or repairs. Slight firing crack to the upper portion of the handle and some gilt wear to the rim.
ZAO WOU-KI (1920-2013)Sans titre, 1992 (Agerup, 360)Eau forte et aquatinte sur Chine appliquée sur Arches Signée, datée et numérotée 74/75Editée et imprimée par l'atelier Lacourière et Frélaut, Paris 80 x 68 cmEtching and aquatint on China paper applied to Arches paper, signed, dated and numbered 74/75Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PIERRE AUGUSTE RENOIR (1841-1919)La danse à la campagne, 2e planche, circa 1890 (Delteil/Stella, 2)Eau-forte en noir sur vélin Porte le cachet de la signature Editée par Ambroise Vollard, Paris 33 x 24,5 cm - grandes margesBlack etching on wave paper, estamped and signed Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com
PIERRE AUGUSTE RENOIR (1841-1919)Le chapeau épinglé II (La fille de Berthe Morisot et sa cousine), 2ème état, Circa 1894 (Delteil/Stella, 7 II)Eau-forte et pointe sèche sur noir sur vélin Porte le cachet de la signature Editée par Ambroise Vollard, Paris 32,5 x 25 cm Etching and drypoint on black on wove paper, with the signature stampFootnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Minotaure endormi contemplé par une femme, 1933 (Bloch, 193 ; Baer, 352)Planche 86 de la suite VollardEau-forte sur vergé de Montval filigrané 'Picasso'Tirage à 260 épreuves à petites margesPorte le timbre sec : H. Petiet éditeur Paris (Lugt 2021a)34 x 45 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PIERRE AUGUSTE RENOIR (1841-1919)Baigneuse assise, circa 1897 (Delteil/Stella, 11)Planche extraite de « La Vie et l'œuvre de Pierre-Auguste Renoir » Eau forte en noir sur vélin Porte le cachet de la signature Edition totale à 1 000 exemplaires Editée par Ambroise Vollard, Paris 32,1 x 24,7 cmBlack etching on wove paper, with the signature stamp, edition of 1 000Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceFor further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Femme nue, la jambe pliée, 1931 (Bloch, 141 ; Baer, 208 B d)Planche 8 de la suite VollardEau-forte en noir sur vergé de Montval filigrané « Picasso »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small marginsFootnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Sueño y Mentira de Franco (Planche I), 1937 (Bloch, 297; Baer, 615)Eau forte et aquatinte sur vélin de MontvalEdition à 850 exemplairesDimensions de la plaque: 31,7 x 42 cmEtching and aquatint on Montval laid paper, from the edition of 850This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
FRANÇOIS-XAVIER LALANNE (1927-2008)Le chien, 2004 Eau forte et linogravure réhaussée de mine de plomb sur vélin de Rives Monogrammée en bas à droiteEdition à 75 exemplaires (celui-ci n°32)Edité par Serendip, Paris38 x 28 cm Etching and linocut on Rives wove paper, monogrammedEdition of 75, this one being n°32 This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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