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Lot 100
Marc Chagall (Franco - Russian school, 1887-1985) - 'Et Sur La Terre' - a late 20th century signed limited edition etching print in black and white, depicting a person sat on a table. To verso with limitations certificate denoting this one of 25 printed on Japon paper and signed by the artist and the author of the work for which it was produced, Andre Malreux, who has dated the piece 30th June 1976. Framed and glazed. Measures approx. 33.5cm x 20cm, 60.5cm x 50cm to include frame.
Lot 234
Francisco Goya (Spanish. 1746 – 1828. Three etchings from Los Caprichos (The Caprices). Including 'Lo que puede un Sastre'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Lot 142
Six 20th century prints and paintings, to include: P. Fawell - Still life of vase of flowers (1980), oil on canvas, 45 x 34 cm; W. R. Hay - street scene with figures, etching; Marc Zimmerman - limited edition print, signed and numbered 155/200 in pencil; Hazel Burrows - floral silk painting, artist's label attached verso; After John D. Moore - 'Sydney Harbour', vintage print in birdseye maple veneered frame; together with After Henri Rousseau - 'Old Junier's Cart', print in colours framed in maple veneer frame with gilt slip, all framed (6)
Lot 147
Four framed engravings/etchings to include: Jacques Louis Copia (1764-1799) - two engravings titled: 'Cecini pasua, rura, duces' and ' Non equidem invideo, mirror magis: undique totis Usque adeo turbatur agris...', framed as a pair margin size: 29.3 x 19.3 cm; Jean Marot (1619-1679) - Triumphal arch built on a bridge, Porte St Antoine, Paris: 'Arc de pierre sur le pont dormant de la porte sainet Anthoine', etching, circa 1662, margin: 37 x 26 cm; together with another mounted engraving inscribed in print: 'Adnee esfoit remply de soucys et dallarmes...' sheet size 18 x 26 cm (4)
Lot 147A
Six framed watercolours, prints and a drawing, to include: 19th century English School - River scene with lady carrying water, initialled 'MJ', inscribed 'September 1863', 21.5 x 31.5 cm; 19th century watercolour - Mountain view with thatched stone house and figures, unsigned, 19 x 27 cm; 19th century pencil study of a castle and its grounds, unsigned, 18 x 30 cm; K. Meyer-Eberhardt - 'Fox Cub', copper plate etching, signed in pencil below; 'Vue du Port de Nice', hand-coloured 19th century lithograph, by de Villain; together with William Finden - 'Returning from Market' engraving, published 1845 by J. Hogarth (6)
Lot 155
Seven prints and paintings, to include: Julian Leathart (British, 20th Century) - Bridge over the River, watercolour sketch on paper, signed in pencil below, 21 x 26.5 cm, unframed; Brian Lemesle Adams (1923-2011) - 'La Scuola Vecchia dell Misericordia', watercolour on paper, signed below with Sally Hunter Fine Art label inscribed 'purchased by the Earl of Buchan, July 1986' verso, 17 x 25 cm; C. Russell - Town by the river, signed etching; another rural scene etching indistinctly signed below; an oval wall mirror with painted frame, 49 x 40 cm; together with two maritime themed print and one other (8)
Lot 158
A collection of paintings, drawings, photographs and prints to include: a framed photograph of the No. 2 Company Canadian Dental Corps, England Sept 1943; L O Adams (20th century) - Haystack, oil on canvas board, signed lower left; Jean-François Janinet after Le Clerc - Two head studies in profile, crayon engraving on laid paper; Early 20th century etching of a the profile of a horses head in high detail, initialled R.D. and signed in pencil indistinctly below; together with a red chalk sketch of a dog, inscribed 'watermark J. Rules 1804' in pencil verso, 20 x 16.5 cm, all framed; together with a quantity of 19th-20th century watercolours, sketches and others, to include: a wooden panel with Islamic script, 25 x 47 cm; F. Baseley - sketch of a boy, 1891; largest size: 48 x 63.5 cm
Lot 17
Six Abstract Artworks by Contemporary Artists: Jeff Powell - 'Bosigran III' (2005), mixed media, signed and dated in pencil below with artist's label verso, 25.4 x 31.7 cm; together with a limited edition etching, indistinctly signed, titled and numbered 5/30 in pencil below, 18.5 x 24.8 cm; Patricia Saddington (Contemporary) - Two Framed Works: 'Waters Edge', acrylic on board, artist's label verso, 22 x 24.5 cm; together with a limited edition linocut, signed and numbered 1/5 in pencil below, 11 x 18.5 cm; James Beale - 'Mediterranean #6', artist's proof etching and aquatint in colours, 21.5 x 16.5 cm, signed and titled in pencil below; Daphne Turner - 'Mine Plan' (2010), artist's proof collagraph in colours, signed, titled and dated in pencil below, 15.5 x 32 cm, all mounted, glazed and framed (8)
Lot 283
WILLIAM STRANG (1859-1921) 'THE FORTUNE TELLER', an etching depicting three figures standing on a country path, signed and dated (18)82 in the plate, approximate size 20.5cm x 17cm excluding margins, Condition Report: very light foxing toward the bottom of the print, mount burn evident to the margins, frame marked (PROVENANCE: The Arnold Fellows Collection)
Lot 289
JOHN LAVIERS WHEATLEY (1892-1955) 'OLD ROGERS', a dry point etching depicting a profile portrait of an old man, signed to lower margin, approximate size 28cm x 18.5cm including visible margins, Condition Report: good condition (artist resale rights apply) (Provenance: The Arnold Fellows Collection)
Lot 113
LISA KHO (CONTEMPORARY) - 'RUMAH SYED AL-ATTAS' 2001 Etching, titled, signed, numbered 15/20 and dated 2001 to the margin Plate size 19 x 14cm , the frame 51 x 44cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 149
Maggi Hambling (b.1945)"A hunchback wandered by the bare earth"Signed, inscribed and numbered 5/6, etching and aquatint, 26.5cm by 26cmPin hole to each of the top corners. Cockling to the paper. Some time staining in evidence, in particular to the margins. Areas of glue to the upper and lower margins where the work has been glued to the mount at some stage. See images. Some light surface dirt and debris trapped under the glass. Crease approximately 4cm to the lower right through the lower section of the tree.
Lot 121
Edward Bawden CBE, RA (1903-1989)"Redcliffe Road"Signed, inscribed and numbered 7/40, etching, 18cm by 12cmSlight time staining to the paper. The odd very small sporadic scattered foxing spot in evidence. Some light surface dirt and debris trapped under the glass with the odd thunder fly tapped to the mount. Not examined out of the frame.
Lot 137
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) Bareback rider Signed, etching, 26.5cm by 13.5cmSlight time staining to the paper. Very slight cockling to the paper. Some very light surface dirt and debris trapped under the glass. Appears in good overall condition. Not examined out of the frame.
Lot 1800
DALÍ, SALVADOR (1904 - 1989), "Le Christ de Saint-Jean-de-la-Croix" (Christus des Hl. Johannes von Kreuz), Radierung handkoloriert auf Japanpapier, im unteren Teil handsigniert und mit der Exemplarnummer versehen: „214/450“, darunter abgedruckt ein typografischer Text mit Datierung 1982 und Copyrightverweis auf die Glasgow Museums & Art Galleries, die Serie wurde zum 80. Geburtstag von Salvador Dalí aufgelegt und jedes Exemplar mit einem Modellrahmen mit Blattsilberauflage gerahmt. HxB: 64,5/40 cm (104/75 cm mit Rahmen). Sehr guter Zustand. Anbei eine Dokumentenmappe u. a. mit einer Echtheitsbescheinigung des Glasgow Museums & Art Galleries.| DALÍ, SALVADOR (1904 - 1989), "Le Christ de Saint-Jean-de-la-Croix" (Christ of St. John of the Cross), Etching hand-coloured on Japanese paper, signed by hand in the lower part and with the copy number: "214/450", below a typographical text dated 1982 and copyright reference to the Glasgow Museums & Art Galleries, the series was published on the occasion of Salvador Dalí's 80th birthday and each copy framed in a model frame with silver leaf. HxW: 64,5/40 cm (104/75 cm with frame). Very good condition. Enclosed is a document folder with, among other things, a certificate of authenticity from the Glasgow Museum & Art Galleries.
Lot 206
A rare antique Islamic 18th century Persian carved wood etching block. The block has Persian writing and has one crack due to age, that has since been restored.The dimensions are 20 by 11,5 cm.Provenance: This object is from a Long Island, New York Home. It was part of the collection of an American diplomat who spend some time in Iran.
Lot 129
Pogány (Willy).- Omar Khayyám. The Rubaiyat Of Omar Khayyam, one of 750 copies from an edition limited to 1250, illustrated by Pogány, with an original etching signed by the artist, 12 tipped-in colour plates, illustrations, ink ownership inscription to front endpaper, light spotting to half-title, otherwise a couple scattered, original crushed teal morocco, decoratively gilt, uncut, within original card box with paper title label to edge, one corner torn, 4to, 1930.
Lot 86
NO RESERVE Detmold (Edward Julius) Monkey stealing a feather from a cockatoo, etching, drypoint, aquatint, signed and inscribed 'Early state' in pencil within the margin, platemark 205 x 335 mm (8 1/8 x 13 1/4 in), sheet 245 x 370 mm (9 5/8 x 14 1/2 in), under glass, framed, [mid-20th century]
Lot 519
JAMES JACQUES JOSEPH TISSOT (FRENCH 1836-1906) LE FOYER DE LA COMÉDIE-FRANÇAISE PENDANT LA SIEGE DE PARIS (WENTWORTH 27) Etching, 1877, from the edition of circa 100 Sheet 38 x 28cm (15 x 11in.)Provenance: Christie's, Australia, The Contents of Bronte House, Sydney, 9 December 2003, lot 210, where purchased by Robert KimeExhibited: Lucien Henry Exhibition
Lot 585
λ DAVID HOCKNEY (BRITISH B. 1937) THE FRENCH SHOP (SCOTTISH ARTS COUNCIL 122, TOYKO 112) Etching with aquatint, 1971 Signed, dated and numbered XXVIII/LX A/P (aside from the edtion of 500), printed by Shirley Clement at the Print Shop, Amsterdam, published by the Observer, London, on wove paper Plate: 53.5 x 45cm (21 x 17½ in.) Condition Report: Executed on white wove paper. Hinged to the mount at two point along the upper edge. A few light handling creases to the margins and a couple of light handling marks one to the lower left margin just outside the image and another to the margin, upper right. A small loss to the sheet in the upper most left hand edge at the corner. Glazed and framed. Image in otherwise good original condition. Sheet size: 75.5 x 64cm, please note the sheet appears to be trimmed. Condition Report Disclaimer
Lot 586
λ DAVID HOCKNEY (BRITISH B. 1937) RUE DE SEINE (SCOTTISH ARTS COUNCIL 121, TOKYO 111) Etching with aquatint, 1971-72 Signed and dated in pencil, numbered 23/150, published by Petersburg Press, London, on J. Green mould-made paper, with full margins Plate: 53 x 43cm (20¾ x 16¾ in.) This work was published in May 1972 and was one of three original editions donated by the artists, Jim Dine, Richard Hamilton and David Hockney in aid of the National Council for Civil Liberties and Release. Condition Report: On white wove paper with deckled edges. Hinged at two points along the upper edge. A few light foxmarks to the margins. Some discolouration to the sheet along extreme edges. The verso with some light staining notable to the lower right edge not visible recto. Glazed and frame. Image appears to be in good original condition. Sheet size: 89 x 70.5cm Condition Report Disclaimer
Lot 637
λ DAVID JONES (BRITISH 1895-1974) HORSES GRAZING; TWO FAWNS SITTING; SLEEPING FAWN; BIG CAT; CAT RESTING Etching Each signed (lower right) and numbered 15/20; Ed 20; 1/20; 4/20; 3/20 respectively (lower left) Born on 1st March 1896 in Brockley, Kent, David Jones navigated the realms of painting, illustration, poetry, and engraving with equal brilliance. He was a true polymath, integrating his various artistic pursuits into a singular and distinctive style that defied categorisation. In 1909, at the age of fourteen, Jones entered the Camberwell School of Art, however at the outbreak of the First World War he enlisted in the London Welsh Battalion of the Royal Welch Fusiliers and spent 1915 to 1918 fighting at the front in France and seeing action at Ypres in the Battle of Passchendaele. The horrors and traumas of war profoundly influenced his work, and themes of sacrifice, mortality, and spirituality became central to his artistic expression. His deep Catholic faith, nurtured from an early age, also played a significant role in shaping his artistic vision. In January 1921, Jones joined the Ditchling Guild of St Joseph and St Dominic, founded in 1919 by Hilary Pepler and Eric Gill as a religious fraternity for craftsmen. It was here that he learnt wood engraving and during the winter of 1924 he spent Christmas with Gill at the monastery at Capel-y-ffin, Abergavenny. Rediscovering his Welsh roots, Jones spent most of the next three years painting the rugged landscape of the Black Mountains. Dr Paul Hills comments on his work of this period: "The move from the relaxed, ample curves of the Sussex Downs...to the irregular inflexions of the Welsh hills and coast, effected a release from the borrowed idiom in which he had been working. In an autobiographical talk he told how he discovered, between 1924 and 1926, a fruitful direction for his work, particularly under `the impact of the strong hill-rhythms and the bright counter-rhythms of the "afonydd dyfroedd" (water-brooks)'. (Exhibition catalogue, David Jones, Tate Gallery, London, 1981, p.24) As a painter, Jones excelled in capturing the essence of landscapes, often infusing them with a sense of mystical beauty and symbolism. His works exhibited a meticulous attention to detail and a mastery of techniques, blending elements of traditionalism with modernist influences. Whether depicting natural scenes, religious imagery, or historical events, his paintings possessed an ethereal quality that is as relevant and contemporary today as it was when painted. Condition Report: All n overall good original condition. Some light undulation to the sheets and some light foxing to the lower margin of 'Cat Resting'. Under glass and unexamined out of frames.Condition Report Disclaimer
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71174 item(s)/page