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Lot 1
Leonard Griffith Brammer R.E. (b.1906 - ), View of the Wedgwood Estate, signed in pencil in the margin, mezzotint, 18 x 28cm.; 7 x 11in.; together with, Wedgwood Factory at Etruria, Saggar Mill, signed in pencil in the margin, etching, 20. 5 x 16cm.; 8 x 6. 25in (2). * Born in Burslem, Staffordshire, he was a pupil of M. Osborne and R.S. Austin at the Royal College of Art. Returning to Staffordshire he concentrated on producing atmospheric views of The Potteries.
Lot 1
Julian Trevelyan (1910 - 1988), "The White Nile", signed and titled in pencil; inscribed "artist's proof", colour etching and aquatint, 35 x 47. 5cm.; 13. 75 x 18. 75in. * He was a tutor at Chelsea School of Art, 1950 - 60 and engraving tutor at the Royal College of Art, 1955 - 63. Made Honorary Senior Royal Academician in 1986. Tate Gallery holds his work.
Lot 1
William Crozier A.R.S.A. (1897 - 1930), "Edinburgh from Salisbury Crags", signed and inscribed in pencil in the margin, etching, 20 x 25cm.; 8 x 9. 75in. * Studied Edinburgh College of Art and Royal Scottish Academy School. Exhibited Royal Scottish Academy, Royal Scottish Society of Painters in Watercolours, Glasgow Institute of the Fine Arts. Represented in Scottish National Gallery of Modern Art, Glasgow Art Gallery, City of Edinburgh collection, Perth Art Gallery.
Lot 1
After James Gillray (1756 - 1815), "Loyal Souls:_or_ a peep into the Mess-Room at St. James's", the original plate published 14th November 1797 by Hannah Humphrey, London, later impression with later hand colouring, etching, 26. 5 x 37cm.; 10. 5 x 14. 5in; together with another, "A Decent Story", the original plate published 9th November 1795 by Hannah Humphrey, London, later impression with later hand colouring, etching, 24. 5 x 34. 5cm.; 9. 75 x 13. 5in (2).
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71082 item(s)/page