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Lot 108
Sir Terry Frost RA (1915-2003)"It is True" or "Lorca Sun" Signed, inscribed and dated (19)91, numbered 13/25, lithograph and etching, 76cm by 57cmThe work has been float mounted. The paper has a deckled edge. Slight cockling to the paper. Some light surface dirt and debris trapped under the glass. Handling crease right of centre of left edge of the plate (left of the sun). Tiny sporadic minor foxing spots in places, in particular within the pale yellow upper left corner. The sheet has been attached in the margins to the mount board and you can see four circular areas slightly protruding to the top margin and bottom margin. Not examined out of the frame. Wooden frame. See images.
Lot 198
William Holman Hunt, Abundance of Egypt, original etching in black ink, signed in the plate with artists name, only issued edition for the Art Union 1857, ex William Weston Gallery Royal Arcade Albermarle Street London, glazed oak frame, (excluding frame and mount : 20cm x 16.5cm) slight discolouration to top left side, paper label verso
Lot 645
Central Bank of Ceylon, a initial engravers workings on transparent acetate showing the outlines of plate designs for a proposed 2 Rupees, c.1980, outline of the portrait W. R. D. Bandaranaike, design similar to the 50 and 100 Rupees of 1970, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste Pick 77 for design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 903
Banque du Liban, an initial engravers working on transparent acetate showing the outline of a plate design for the reverse 500 Livres, 1988, showing the outline of the design as issued, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste TBB B510, Pick 68 for type £80-£120 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 108
AR * Tunnicliffe (Charles Frederick, 1901-1979). The Sitting Hare, 1926, etching on laid paper with partial watermark, printed with plate tone, from the published edition of 75 impressions, signed and numbered 39/75 in pencil, plate size 13.7 x 18.7 mm (5.4 x 7.3 ins), sheet size 17 x 21 cm (6 3/4 x 8 1/4 ins), the sheet untrimmed, hinge-mountedQTY: (1)NOTE:Provenance: From the Collection of Robert Gilmor (1936-2022).Meyrick & Heuser, Charles Tunnicliffe: Prints : A Catalogue Raisonne? (2017), 29.
Lot 117
* Austen (Winifred Marie Louise, 1876-1964). Shrewmouse, etching, signed in pencil lower right, titled lower left 12.5 x 15.5 cm mount aperture, framed and glazed, together with Leighton (Clare, 1898-1989). Blackbird fledgling, wood-engraving, signed lower right, numbered 2/30, 4.5 x 7.5 cm mount aperture, framed and glazedQTY: (2)
Lot 123
* Carreck (Libby, 20th century). Wild Poppies, colour etching, titled, signed and numbered '67/250', framed and glazed, together with 17 other engravings, etchings, and pencil drawings by artists including: M.J. Mott, G Brender à Brandis, D. Hackman, Roybooney, A. Swan, Boyd Hanna, Christopher Cunliffe, H.J. Jackson, Anne Haywad etc., sizes from 6 x 6 cm to 29 x 23.5 cmQTY: (18)
Lot 135
* McEwen (Rory, 1932-1982). Spring Wind, 1978, etching and aquatint on paper, signed in pencil and dated lower right, titled and numbered 44/150, mount stain, some light toning and few tiny spots, plate size 23 x 56.5 cm, mounted, framed and glazed (42.5 x 73 cm), with Christie's Certificate of Authentication (undated)QTY: (1)
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