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Lot 1
Ramsay (mid 19th century) Portrait of a lady, half length, believed to by Jane Donkin (1802-1862), of Houghton Castle, Northumberland Oil on canvas Indistinctly signed and dated 1845 lower right 76cm x 63cm Unframed Jane Donkin of Sandoe, later Mrs William Smith of Houghton Castle, Humshaugh, Northumberland. Included with the lot is a canvas sampler dated 1814, worked by Jane Donkin, and a hand coloured etching of Houghton Castle. Houghton Castle is situated on the banks of the North Tyne, close to the village of Barrasford. The castle, dating back to the 14th century, is inhabited and partially modernised.
Lot 1
* John B Maltby (1936-). "Norwich Market". Signed, black and white etching, 11cm by 16cm;. and Another, depicting figures and zebras, unsigned, black and white, etching, 10.5cm by 14.5cm (2). John B Maltby. Born 1936, Cleethorpes, Lincolnshire. Training Leicester College of Art, sculpture, 1956-9. Goldsmiths' College, teacher training with etching and pottery, 1959-60.
Lot 1
fRANK AUERBACH (B. 1931) jULIA, 2001 signed and numbered in pencil, etching, edition of 150, number 41/150 11cm x 14.5cm (plate size) Sold as part of a limited edition catalogue to the Royal Academy of Art'S exhibition: Frank Auerbach: Paintings & Drawings 1954-2001, 14th September-12th December 2001
Lot 1
lUCIAN FREUD (1922) tHE HEAD OF ALI, 1999 signed and numbered in pencil, etching, printed on white Somerset textured paper, edition of 46, number 33/46. Proofed and printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York. Hartley 59 58.5cm x 41.5cm (plate size)
Lot 1
lUCIAN FREUD (1922) hEAD AND SHOULDERS, 1982 signed and numbered in pencil, etching, printed on white Somerset textured paper, edition of 20, number 1/20, final state, printed on wove paper. Proofed and printed by Terry Wilson of Palm Tree Studios, with their blindstamp. Hartley 21 24cm x 29cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD II, 1983 signed and numbered in pencil, etching and aquatint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 16cm x 22cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD V , 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 27.5cm x 21cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD VII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 25cm x 30cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD IX , 1983 signed and numbered in pencil, etching, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 21.5cm x 21.5cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD XIII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 32cn x 25.5cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER & CHILD XIV , 1983 signed and numbered in pencil, etching and aquatint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 24cm x 18.8cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER & CHILD XVI, 1983 signed and numbered in pencil, etching and aquatint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 34.5cm x 36.5cm
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD XVIII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 35cm x 27cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER & CHILD XXIX, 1983 signed and numbered in pencil, etching and aquatint and drypoint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 21cm X 27cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER AND CHILD XXII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 22cm x 17.5cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER & CHILD XXVI, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 22.5cm x 15.5cm (plate size)
Lot 1
hENRY MOORE (1898-1986) mOTHER & CHILD XXVIII, 1983 signed and numbered in pencil, etching and aquatint and drypoint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 35cm x 27cm (plate size)
Lot 1
HUBERT HERKOMER, INITIALLED TO THE PLATE, ETCHING AND DRYPOINT, ‘Our Messenger’, 5” x 7”; JANET S C SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The road to Bruges’, 7” x 10” and UNSIGNED, (POSSIBLY NORWICH SCHOOL), BLACK AND WHITE ETCHING, cottages in landscape, 6” x 5”, (3)
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71174 item(s)/page