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Lot 172

William Lionel Wyllie (1851-1931) - Etching - Aberdeen, signed and titled in pencil, 16cm x 37.5cm

Lot 173

William Lionel Wyllie (1851-1931) - Etching - Sunshine On The Solent, signed in pencil, 16.5cm x 21.5cm

Lot 179

Arthur Briscoe (1873-1943) - Etching - Aloft, No.37/75, signed and numbered, unframed, 25cm x 40.5cm

Lot 180

Arthur Briscoe (1873-1943) - Etching - Bending The Foresail, No.23/75, signed and numbered, unframed, 17.5cm x 28.75cm

Lot 181

Arthur Briscoe (1873-1943) - Etching - The Binnacle, No.48/75, signed and numbered, unframed, 22.5cm x 40.5cm

Lot 184

Anthony Gross (1905-1984) - Etching - Angmering Park, signed, titled and dated 1924 in pencil, unframed, 16cm x 25cm

Lot 185

Frank Short (1857-1945) - Etching - A coastal road with headlights, signed, unframed, 15cm x 20cm

Lot 965

Mid Victorian Royal Engineers Sword By Wilkinson of London. This example is attributed to Colonel Herbert Paget Knocker who was commissioned into the Royal Engineers in 1863. The single edged slightly curved blade with etched decoration depicting a reverse entwined crowned VR cypher. The obverse with the regimental title, a family armourial crest and initials ‘H.P.K.’. The forte with the cutler’s details of Wilkinson and the blade is numbered ‘12958’ (1864). The hilt of the regimental pattern, with a honeysuckle guard and shagreen grip with twist wire binding. Housed in steel scabbard. Overall GC blade etching clear, scabbard with light pitting Colonel Herbert Paget Knocker was commissioned in June 1863, Captain 1877, Major 1883, Lt Col 1890, Brevet Colonel 1894 and retired 1895

Lot 335

Alfred James Munnings (1878-1959). Study of a Fox Hound. Artist signed etching, 6cm x 10.5cm.

Lot 294

Glynn Thomas, `Walberswick Ferry`, line etching and aquatint, artist`s proof, signed in pencil, 28cm x 41cm

Lot 84

An etching, indistinctly signed and entitled `Wild Duck`, 8 x 5.5 and an etching by JAMES MORGAN DENNIS of a terrier dog playfully pulling his lead, signed, 5.5 x 4

Lot 853

M C Robinson: an etching, London Bridge at low tide, and one other etching after Adrian Hill, Westgate Canterbury, in strip frames

Lot 749

An Elizabeth Vacker etching "St Magnus the Martyr London Bridge" 25 x 11 cm

Lot 794

A framed coloured etching 120/180 of French Partridges signed Henry Wilkinson along with three other bird prints

Lot 822

An etching of Westminster Bridge looking towards Big Ben signed to margin EDWARD J CHERRY 7 x 10 cm

Lot 404

GRANT EDWARDS, A COLOURED ETCHING OF THE HIGH, OXFORD, SIGNED IN PENCIL, TWO OTHERS SIMILAR AND TWO OTHER PRINTS

Lot 382

CHARLES BARTLETT (B.1921) `Calm Sea`, Artists Proof, signed, titled and inscribed `A/P` in pencil in the margin, coloured etching, 15 1/2" x 17 3/4" Provenance: Purchased from the Bohun Gallery, Henley on Thames

Lot 384

MONA RHYS `Olive Groves, Cyprus`, etching, pencil signed in the margin, No. 9/50 and titled, 11 3/4" x 16 1/2" and two further by the same hand to include View from the Thames path looking towards Binsey Meadows and Summer Shadows (3).

Lot 390

ERNEST HERBERT WHYDALE (1886-1952) Horse and cart with labourer in a field, etching, pencil signed in the margin, 11 1/2" x 9 3/4".

Lot 403

GEOFFREY DAVID MARKOVICH (B.1946) `Canadian`, 10/35, signed, titled and numbered in the margin, etching, 6" x 7 3/4"

Lot 406

LARS BO (1924-1999) Blackbird in landscape, 217/220, coloured etching, signed and numbered in pencil in the margin, 16 1/2" x 13 1/2"

Lot 365

"AFTER CLAUDE GELLEE - called Claude Lorrain (1600-1682) "La Danse Sous Les Arbres", an Etching, c1637, 13.5cm x 19.5cm, in plain double mount and moulded gilt frame"

Lot 367

"AFTER FRANK LEWIS EMANUEL An etching of a crowing cockerel `with best wishes for 1924` having pencil annotation outside plate mark 8cm x 6cm, together with a shipping scene after Frank Henry Mason, initialled and signed in pencil outside plate mark," 6cm x 7cm, each in plain black-core mount and slender black frames

Lot 277

Early 20th Century maritime school, coloured etching, `Running Free`, yacht in full sail, indistinctly signed in pencil, artists proof, 24 x 35cm.

Lot 379

W S Bagdatopoulos? a signed limited edition etching, Maharaja departing, 38/95, in ebonised frame

Lot 413

J. Alphege Brewer, Rheims Cathedral, etching, signed in pencil

Lot 427

An etching, `The Pewter Collector, Dr A.V. Young`, by E. Fairhurst` trial proof

Lot 31

Ink and wash Julian Trevelyan (1910-1988) Roman-style stone baths in rustic building, looking out towards trees - "Le Lavoir", signed and dated 1930, 33 x 52cm NB Julian Trevelyan initially known for his surrealist prints in the 1930`s, joined S.W. Hayter`s print workshop in Paris in 1931 and during the 1930`s worked alongside influential artists of the day. In 1935 he arrived back in England and set up an etching studio in Hammersmith where he remained until his death. During this time Trevelyan became head of the etching department at the Royal College of Art and was himself a highly influential teacher of such students as David Hockney, etc

Lot 61

Etching Eileen A. Soper (1905-1990) Children swinging around a maypole, signed in pencil, 12 x 18cm Eileen Soper had her first exhibition at The Printmaker`s Society, California in 1921, the youngest artist to exhibit work at the Royal Academy and she moved primarily into illustrating in the 1940`s, including illustrating many of Enid Blyton`s books. She was later involved in the founding of the Society of Wildlife artists and she was also a member of the Royal Society of Miniature Painters.

Lot 297

JULIAN WILLIAMS (Contemporary) - Cockerel, etching, limited edition, signed artist`s proof, gallery label verso, 33cms x 29cms

Lot 298

JULIAN WILLIAMS (Contemporary) - Perdita Cat II, limited edition etching signed and numbered 34/100 by the artist, gallery label verso, 24cms x 26.5cms

Lot 288

Concorde memorabilia to include a copper etching of British Airways Concorde by G Kew dated 1976 being an etch master original numbered 103, in a wooden frame measuring 18½" by 12½". A small brass, desktop model of the aircraft. A set of Concorde cufflinks. Two neck ties, one blue showing Concorde and the Red Arrows; the other maroon showing just Concorde. All in excellent condition.

Lot 489

A 19th Century coloured etching `A water Party`.

Lot 458

Winifred Austen Out Forraging Etching signed in pencil, 18.5cm x 25cm

Lot 481

A comapnion pair of Rowlandson prints, Four O`clock in town, 31 x 40cm, three other Rowlandson prints (Dr Syntax, Hob, Satge Doctor -publ Davidson, alnwick) 16 x 24cm; five various antiquarian engravings depicting Continental scenes, including after Sedgwick, an etching Charing Cross (a Lot) (11)

Lot 514

Sir D.Y Cameron RA Paps of Glencoe Etching 9cm x 11cm

Lot 515

William Russell Flint, ARA Spanish Christening Etching 23cm x 30cm

Lot 415

Frank Henry Mason (1876-1965), Richmond Castle, Yorkshire, print, signed, 37cm x 45cm.; together with an etching `at Midhurst`, Arthur Evershed.(2)

Lot 418

Anthony Gross (1905-1984), Canal de Borgogne, etching, signed and inscribed in pencil, 21cm x 31cm.; together with a watercolour by the same hand.(2)

Lot 419

Meta Plückebaum (1876-1954), Puppies and kitten, etching, signed in pencil, 11.5cm x 24cm.

Lot 453

A group of assorted prints and maps, including a colour etching `Old Ironsides in chase` signed Harold Wyllie, an etching by Walter W. Burgess, four 19th century county maps, and others.(qty)

Lot 499

A group of of assorted prints and engravings, including an old master engraving of Jupiter and Sylvas, an etching by William Strang `The Ancient Mariner`, an aquatint by Joseph Farington `View of London from Greenwich Park`, a pair of prints of Highgate, a reproduction print of a portrait, and a photograph of Dalston Lane 1986 by Dennis Connoly.(6)

Lot 1245

Assorted prints and an etching

Lot 472

HENRY RUSHBURY. Bow Bells, 1943, pencil signed, etching, Pl.11 x 8 1/2 in

Lot 138

Edgar Holloway - `Fountains Abbey`, monochrome drypoint etching, signed and editioned 9/75 in pencil, together with another etching by Holloway.

Lot 162

After Luigi Rossini - `Veduta di Ponte Fabrizio, Roma`, monochrome etching, titled and dated 1822, within an ebonized frame, together with an 18th Century engraving.

Lot 171

Chas H. Clark - A View of Harrow School, with the Town beyond, sepia etching, signed and editioned 57/200 in pencil, together with another print of Harrow School and a watercolour.

Lot 102

F. Haagensen - `Water Falls`, ltd ed etching, 3/75, pencil signed to margin, 32.5 x 23 cm

Lot 127

After Terence Cuneo - `Duchess of Hamilton`, ltd ed 361/850 print, pencil signed to margin, 56 x 77 cm to/w after Walter Kershaw, ltd ed 18/750 print `The Conversion of Bury`, pencil signed and dated 1991, 54 x 74 cm, and Eggil A. Eggebaken etching `Somernatt` pencil signed to margin, ltd ed 141/188, 12.5 x 17 cm (3)

Lot 523

A framed etching of St Pauls and the Thames, signed in pencil View on staceyauction.com

Lot 1353

A good etching after Rembrandt of the Old Man with beard , fur cap and velvet cloak. A strong but possibly late impression of the final state on warm cream asiatic (Japan) wove paper. Provenance: The Beer family Vienna.

Lot 2133

An etching Proof, The Fall to Pandemonium series 6, c 1980 by Terry Shave

Lot 200

18th century etching Giovanni Battista Piranesi "Verduta del Tempio de Bacco...", 42 x 62cm

Lot 202

Etching Norman Wilkinson Salmon jumping out of river in hilly landscape, entitled on verso, "Berrifched Pool on the Orchy", signed in pencil, 24 x 30cm

Lot 203

Etching Norman Wilkinson Men fishing in river, inscribed on reverse "The Island Pool, River Orchy", signed in pencil

Lot 232

Quantity of prints and pictures including:- etching after Monk (4)

Lot 272

Four Various Napoleonic Prints consisting black and white etching of Napoleon on his charger. Red seal to front with pencil signature. The rear with Limited Proof label 1 of 150. Framed ... Black and white print of Napoleonic Officers in a winter landscape. Signed to the base. Framed with retailer’s rear label ... Coloured print `Decisive Charge of the Life Guards at Waterloo`. Modern framing ... Coloured print `The 23rd Royal Welsh Fusiliers.` Modern framing. 4 items.

Lot 537

Victorian Naval Officer’s Sword single edged blade with large central fuller. Floral etching with Victorian crowned anchor. Cast brass guard with Victorian Naval cartouche. Folding back guard flap absent. Lion mask backstrap pommel. Shagreen covered grip wit twist wire binding. Contained in its brass mounted leather scabbard. Minor pitting to blade.

Lot 539

Wilkinson 1912 Officer Pattern Cavalry Sword long straight single edged blade with central fuller. Foliage and KC GRV cypher etching. The forte with Wilkinson maker’s details and number `536699`. Chrome plated bowl guard with heavy foliage etching. Heavy pommel. Shagreen covered grip with twist wire binding. Some service wear with minor plating absent.

Lot 544

Late 19th Century Cavalry Officer’s Sword single edged blade with central fuller. Traces of floral and panel etching. Chrome plated honeysuckle hilt. Checkered backstrap with plain pommel. Shagreen covered grip with twist wire binding. Contained in its leather covered field scabbard complete with Sam Browne sword frog. Brown leather sword knot. Minor rusting to blade.

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