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Lot 31

Giovanni Battista Piranesi (1720-1788) Veduta della Dogana di Terra a Piazza di Pietra, from: Vedute di Roma Etching, circa 1753, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Hind's third state (of six), with the artist's address and price, wide margins, two platemarks, both together approx. 445 x 595 mm. (17 1/2 x 23 1/2 in), sheet 550 x 780 mm. (21 3/4 x 30 7/8 in), unframed. Literature: Hind 32 iii/vi ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.

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Lot 86

Christopher Richard Wynne Nevinson (1889-1946) Sunday Evening (Black 112) Etching with aquatint, 1924-1927, on watermarked F. J. Head & Co. hand-made laid, signed and numbered from the edition of 75 in pencil, with margins, 252 x 352mm (10 x 13 3/4in)

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Lot 84

δ Henry Moore (1896-1986) Mother and Child XX (Cramer 690) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 234 x 182mm (9 1/4 x 7 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 27

Giovanni Antonio Canal, called Canaletto (1697-1768) Vedute altre prese da i luoghi altre ideate da Antonio Canal Etching, circa 1744, on cream laid paper without watermark, Bromberg's second state, a good evenly inked impression, platemark 290 x 425 mm. (11 1/2 x 16 3/4 in), sheet 330 x 455 mm. (13 x 17 7/8 in), unframed. Provenance: 'vg', a late 18th century collector's mark connected with Joseph Storck [Lugt 2319] Literature: Bromberg 1 ii ⁂ Title page to the series, with a large wall of a classical ruin and a figure seated at right pointing to the dedication.

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Lot 36

Lorenzo Baldissera Tiepolo (1736-1776) Rinaldo abandoning Armida, after Giovanni Domenico Tiepolo Etching, circa 1753, on laid paper with watermark of graduated triple crescents, with countermark of the letter 'W' below a trefoil-topped crown, a delicate impression of the second state (of two), with the number 13 upper right, platemark 206 x 284 mm. (8 1/8 x 11 1/4 in), sheet 282 x 360 mm. (11 1/8 x 14 1/4 in). Provenance: Unidentified collector's ink stamp verso [Not in Lugt] Literature: De Vesme 6 ii/ii

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Forum Auctions
Lot 199

δ David Hockney (b.1937) In an old book (MCA Tokyo 52) Etching, 1966, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook handmade paper, published by Editions Alecto, London, 1967, the full sheet, with a deckle edge on three sides, sheet 575 x 395 mm (22 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 69

** δ Henry Moore (1896-1986) Mother and Child (Cramer 703) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 256

** Mimmo Paladino (b.1948) Sans Titre (M. 366) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 74

** δ Henry Moore (1896-1986) Mother and Child (Cramer 703) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 32

Giovanni Battista Piranesi (1720-1788) Veduta del Tempio di Antonino e Faustina in Campo Vaccino, from: Vedute di Roma Etching, 1758, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'c', of 'f', with the artist's address and price, wide margins, platemark 405 x 540 mm. (16 x 21 1/4 in), sheet 555 x 790 mm. (21 3/4 x 31 1/8 in), unframed. Literature: Hind 49 iii/vi ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.

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Lot 276

δ Zao Wou-ki (1921-2013) Untitled (Riviere 197) Etching with aquatint printed in colours, 1968, signed, dated and numbered from the edition of 95 in pencil, on BFK Rives wove paper, printed by Arte, Paris, published Al Lubin, New York, with full margins, 535 x 680mm (21 x 26 3/4in) (I) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 102

δ Roger Bissiere (1886-1964) Untitled Etching with aquatint and embossing printed in colours, c.1953, signed and inscribed from the edition of 45 in pencil, on wove paper, with margins, sheet 262 x 215mm (10 1/4 x 8 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 148

δ Joan Miro (1893-1983) Ruthven Todd. A Poem For Joan Miro Plate III (Cramer Books 14) Engraving with etching printed in blue, 1947, a rare, possibly unique impression, signed, inscribed epreuve d'essai pour Todd New York and dated 2.5.47, the edition was only 6-10, printed and engraved at Atelier 17, New York, on stiff wove paper, with full margins, 282 x 173mm, (5.7 x 6 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 138

** δ Marino Marini (1901-1980) Ballerino (Gustalla A.177) Etching with aquatint printed in colours, 1974, signed and inscribed P.A. in pencil, an artist's proof aside from the edition of 75, on Magnani paper, printed by Il Cigno, Rome, published by Albra, Turin, with full margins, sheet 990 x 695mm (39 x 27 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 236

δ Howard Hodgkin (b.1932) David's Pool at Night (Heenk 54) Soft-ground etching with aquatint printed in black with hand colouring in black ink, 1979-1985, initialled, dated and numbered from the edition of 100 in pencil, printed by Atelier Crommelynck, Paris, published by Petersburg Press, New York, the full sheet printed to the edges, 640 x 790mm (25 1/8 x 31in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 255

** Mimmo Paladino (b.1948) Sans Titre (M. 365) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 254

** Mimmo Paladino (b.1948) Sans Titre (M. 363) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 10

Rembrandt van Rijn (1606-1669) Self Portrait Open-mouthed, as if Shouting Etching, 1630, on laid paper, without watermark, a very good impression of this scarce subject, New Hollstein's third state (of three), before the wear on the right side of his face, thread margins or trimmed to the platemark, sheet 72 x 61 mm. (2 3/4 x 2 7/16 in), unframed. Literature: Hind 31; New Hollstein 67 iii/iii

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Lot 210

δ Frank Auerbach (b.1931) Joe Tilson (Hartley 9) Etching, 1980, titled and inscribed 'proof to JYM from Frank 28.XI.84', also dated 1980, on wove paper, with full margins, 153 x 144mm (6 x 5 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 30

Giovanni Battista Piranesi (1720-1788) Veduta del Palazzo Odescalchi, from: Vedute di Roma Etching, 1753, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'c', of 'f', with the artist's address and price, wide margins, platemark 405 x 619 mm. (16 x 24 1/4 in), sheet 560 x 790 mm. (22 x 31 1/8 in), unframed. Literature: Hind 26 ii/v ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.

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Lot 16

Rembrandt van Rijn (1606-1669) Beggar man and beggar woman conversing Etching, circa 1630, on buff laid paper without watermark, second state (of three), a good impression with plate tone, showing the scratch between the couple, platemark 78 x 66 mm. (3 1/16 x 2 5/8 in), sheet 82 x 69 mm. (3 1/4 x 11 1/16 in), tipped at one edge onto cream wove paper with unidentified collector's number, '157 D', in brown ink, unframed. Literature: Hind 1923 7; New Hollstein 45 ii/iii

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Lot 253

** Mimmo Paladino (b.1948) Sans Titre (M. 364) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Lot 66

δ John Hoyland (1934-2011) King Etching with aquatint printed in colours, 1989, signed, dated and numbered from the edition of 50 in pencil, on wove paper, published by Alan Cristea Gallery, London, with full margins, sheet 901 x 699mm (35 1/2 x 27 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 220

δ Marcel Duchamp (1887-1968) (after) by Jacques Villon (1875-1963) La Mariee (Ginestet & Pouillon 672) Aquatint with etching printed in colours, 1934, signed by Duchamp and Villon in pencil, inscribed Essai, a proof before the addition of the engraved title, aside from the published edition of 200, on Arches paper, with full margins, 495 x 310mm (19 ¼ x 12.2 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 85

δ Henry Moore (1896-1986) Mother and Child XIX (Cramer 689) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 234 x 182mm (9 1/8 x 7 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 25

Stefano della Bella (1610-1664) The Medici Vase Etching and engraving, circa 1656, on ivory laid paper with watermark of an encircled head, the second state, a well inked impression, with 1-2 mm. margins, sheet 311 x 282 mm. (12 1/4 x 11 1/4 in), unframed. Literature: De Vesme 832 ii ⁂ "Generally considered the earliest and most beautiful of the numerous renditions of the famed Medici Vase." The young Cosimo III de' Medici, Stefano della Bella's pupil and the future Grand Duke of Tuscany, is shown drawing the Medici Vase; the monumental vase- executed in white marble and created in Athens in the first century A.D.- features a frieze of Iphigenia crouching beneath a statue of Diana flanked by warriors. One of many highly celebrated ancient artworks collected by the Medici family in the 16th century, and kept at their Roman villa.

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Lot 34

Giovanni Battista Piranesi (1720-1788) Veduta del Ponte Lugano su l'Anione, from: Vedute di Roma Etching, 1763, on cream laid paper without watermark, an excellent rich and detailed impression, Hind's first state four, with the artist's address and price, good margins, platemark 448 x 664 mm. (17 5/8 x 26 1/8 in), sheet 543 x 750 mm. (21 3/8 x 29 1/2 in), unframed. Literature: Hind 68 i/iv

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Lot 20

Rembrandt van Rijn (1606-1669) Bust of a man wearing a high cap (the artist's father?) Etching and drypoint, circa 1630 but later 18th century impression, on cream laid paper without watermark, fourth state (of six), a good impression with light plate tone, platemark 104 x 84 mm. (4 1/4 x 3 1/4 in), tipped at one edge onto buff wove paper with unidentified collector's number, '299 D', in brown ink, unframed. Literature: Hind 1923 22; New Hollstein 57 iv/vi

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Lot 33

Giovanni Battista Piranesi (1720-1788) Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta, from: Vedute di Roma Etching, circa 1760-1778, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'e', of 'g', with the artist's address and price, wide margins, platemark 409 x 619 mm. (16 x 24 1/4 in), sheet 560 x 790 mm. (22 x 31 1/8 in), unframed. Literature: Hind 22 ii/v ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.

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Lot 40

Elisha Kirkall (1682-1742) English sailing ships preparing to set sail, the crew rowing out, after Willem van de Velde the Younger (1633-1707) Mezzotint and etching, published by Thomas Burford, probably circa 1720-1740, printed in black on laid paper, with indistinct text-based watermark incorporating a bell, platemark 240 x 293 mm. (9 1/2 x 11 1/2 in), sheet 300 x 460 mm. (11 3/4 x 18 1/8 in), unframed. ⁂ Scarce.

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Lot 39

Johann Gottlieb Theophilus Amadeus Prestel (1739-1808) Truth Triumphing over Envy, after Jacopo Ligozzi (1547-1627) From the series Divers Cabinets, originally plate 24, etching and aquatint "au lavis" in brown ink and gold highlights, circa 1784, on laid paper without watermark, sheet 274 x 201 mm. (10 3/4 x 8 in). Literature: Nagler 16 (attributed to Maria Catharina Prestel); Schwaighofer 2003, 36 ⁂ Described by Nagler as very rare. An unusual and experimental printing method; the present impression is both bold and rich, with the gold ink pronounced and luminous. The original drawing by Ligozzi is now in the collection of the Albertina (Inv. no. 1658).

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Lot 12

Rembrandt van Rijn (1606-1669) Self Portrait with Saskia Etching, 1636, on laid paper, without watermark, a fine early impression of the New Hollstein's second state (of four), before any wear in the shadows beneath the hat and with the light horizontal scratches across Saskia's breast, fine thread margins, sheet 106 x 94 mm. (4 3/16 x 3 3/4 in), unframed. Provenance: Albert Aaron Feldmann (1920-1999) [Lugt 4812] Literature: Hind 144; New Hollstein 158 ii/iv

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Lot 198

δ David Hockney (b.1937) Rapunzel, Rapunzel, Let hair down (from Illustrations for Six Fairy Tales from the Brothers Grimm) (MCA Tokyo 83) Etching with aquatint, 1969, signed in pencil, inscribed for Rudolph verso in brown ink, a proof aside from the edition of 100, published by Petersburg Press, London, 1970, with full margins, 450 x 410mm (17 5/8 x 16 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 147

δ Joan Miro (1893-1983) La Bague D'Aurore (Dupin 139) Etching with aquatint printed in colours, a bright, fresh impression, signed and numbered from the edition of 60 in pencil, printed at Crommelynck et Dutrou, Paris, on Rives paper, with full margins, 140 x 115mm (5 ½ x 4 ½ in)(unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 137

** δ Marino Marini (1901-1980) Marino from Shakespeare II (Gustalla A.212) Drypoint, etching and aquatint printed in colours, 1978, signed and inscribed P.A. in pencil, an artist's proof aside from the edition of 75, printed by Labyrinth, Florence, published by ZWR, London, with full margins, sheet 760 x 565mm (30 x 22 1/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Holloway's
Lot 207

After Luigi Rossini 'Interno de Pronao' a black and white etching 45 x 57cm

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Holloway's
Lot 198

After Robert Walker MacBeth (Scottish 1848-1910) 'Too Late for The Ferry' an etching on vellum published by The Art Union of London 1892 36.5 x 55cm pencil signed and dedicated

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Holloway's
Lot 205

After George Cruikshank 'Landing the Treasures or results of the Polar Expedition !!!' a coloured etching, published Jan. 7 1818 by G. Humphrey bearing the inscription in ink 'Captain Ross 1819' 21 x 54cm Note: Captain John Ross, Captain of the controversial first North West Passage voyage of 1818

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Thomas N. Miller
Lot 469

Early 20th century school : A Rabbi reading, etching, indistinctly signed in pencil, 22 cm x 30 cm, framed.

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Thomas N. Miller
Lot 463

Van Neste : An etching depicting a cathedral, signed in pencil, 16 cm x 25 cm, framed.

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Thomas N. Miller
Lot 466

An 18th century hand coloured etching depicting a continental battle scene, 26 cm x 46 cm, in a rosewood frame.

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Reeman Dansie
Lot 1183

*Richard Bawden (b. 1936), colour etching - 'Small dried plant', signed, inscribed as titled A / P, 17cm x 14cm, framed

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Reeman Dansie
Lot 1291

*Leonard Russell Squirrell (1893 - 1979), signed black and white etching - The Orwell at Ipswich, a view from the Ostrich, inscribed 'To Violet Xmas 1947', in ebonised frame, 12.5cm x 21.5cm

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Reeman Dansie
Lot 1352

After Sir Alfred Munnings (1878 - 1959), black and white etching - terrier and puppies, in glazed frame, 20cm x 18cm

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Reeman Dansie
Lot 1152

David Carr (1915 - 1968), Dock scene, 50cm x 65cm, unframed, together with a collage and mixed media landscape by Denise Broadley (1914 - 2007), a pen and ink landscape and a signed etching by John Norris Wood (1930 - 2015) (4)

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Gildings Auctioneers
Lot 333

Henry Wilkinson, 'Full Cry', signed limited edition, drypoint etching, 25cm x 35cm.

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Gildings Auctioneers
Lot 313

Thomas Chauvel, After Benjamin Williams Leader, river landscape, etching, published 1884, 34cm x 52cm.

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Gorringes
Lot 1076

Edgar Holloway (1914-2008)copper etching plateCapel-y-ffin (Church Gate and Yews) 1991, and a copy of the etching no.45/50,180 x 250mm

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Gorringes
Lot 1177

Paula Rego (b. 1938)artist's proof etching and aquatint'Sewing on the Shadow I'signed in pencil and inscribed to Jane Bown7.5 x 4.25in.

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Gorringes
Lot 1042

Edgar Holloway (1914-2008)three copper etching plates,Father Thomas Phelan (Informal Attire) 1972, M170, 242 x 180mm, Mrs Nancy Carey, M175, 235 x 178mm & Angela Petricca 1972, M179, 239 x 192mm.

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Gorringes
Lot 1045

Edgar Holloway (1914-2008)four copper etching platesCongregational Church, Williamstown, Mass. 1974, M193, 286 x 190mm. Observatory and Chapel, Williamstown, Mass. 1974, M194, 190x286mm. President's House M196, 153 x 212mm and Waterford Locks, N.Y, M199, 164 x 254mm.

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Gorringes
Lot 1038

Edgar Holloway (1914-2008)copper etching plateLlanthony Tertia, Capel-y-ffin, 1970, M161,228 x 151mm

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Gorringes
Lot 1062

Edgar Holloway (1914-2008)copper etching plateSelf Portrait No.19 (Summer '84) M247205 x 160mm

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Thomas Watson
Lot 436

WARREN B. DAVIS (AMERICAN 1865-1928), NAIAD, titled and numbered 60/150 in pencil in the margin, signed in the plate, etching, framed. Plate 19.5cm by 14.5cm

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Criterion Auctioneers
Lot 203

Giwa. A limited edition etching titled "The Duelists". Signed in pencil and numbered 48/75 with details to verso. 55x55cm.

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Criterion Auctioneers
Lot 137

John McLean (British, b.1939), an abstract study, etching with aquatint, edition of 2000, signed in pencil lower right. H.21cm W.27cm

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Criterion Auctioneers
Lot 46

Miguel Conde (Mexican, b.1939), a figural study, etching, signed in pencil lower right, numbered 28/30, gallery stamp to verso. H.39cm W.29cm

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Criterion Auctioneers
Lot 53

A miners lamp, manufacturer Thomas and Williams along with a 20th Century British school, 'Cwmaman', etching, No. 7/10 indistinctly signed lower right 21cm x 15cm

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Lyme Bay Auctions
Lot 250

Waterford crystal glass Elephant in original box with certificates. Signed etching to foot.

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Gorringes
Lot 315

Edgar HollowayetchingUnloading a barge, 24 x 16cm, and Leslie Brangwyn, etching, Under the tree,16 x 20cm

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