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Click here to subscribeAlice G. C. Barnwell (British, fl. 1931-1940): 'The Mill Welford on Avon', limited edition coloured etching, signed in pencil lower margin, with blind stamp lower right for Rembrandt Guild Artist Proof, 38 by 29cm, unframed, together with A. Dupont: three framed coloured etchings, 'Abbeville', 'York', and a similar old English High Street, 30 by 20cm. (4)
After William Heath and Thomas Rowlandson (18th/19th century) - 'Morning, Noon and Night', inscribed, coloured etching, 9.25" x 13.75" (at fault); together with a further antique print after Thomas Rowlandson, 'The Manager's Last Kick, or a New Way to Pay Old Debts', inscribed, 10" x 15.5" (at fault) (2)
Charles Stanley Anderson CBE, RA, RE (1884-1966) - 'Place St Gervaise, Falaise', signed artist proof, black and white etching, also inscribed on a label verso, 11" x 8.5" (pl); together with three further prints after William Heaton Cooper, Farmyard, Rowland Langmaid, 'St Paul's' and an unsigned etching, Children playing on a tree in a village, various sizes (4)
Victorian Naval Officers Sword, regulation claymore blade with patent tang, 31.5” etched with crowned Royal Arms and fouled anchor amidst foliage, by Seagrove, outfitters Portsmouth (etching worn), the folding sideguard engraved ‘F G McKintry RN’, regulation gilt hilt, white fishskin covered grip, bullion dress knot, in its leather scabbard with gilt brass mounts (gilding worn) and signed locket. Good Condition. Frederick G McKintry, Lieut 27/10/77 HMS Calypso [corvette], Commander 31/12/90 HMS Nile [battleship], retired captain 23/04/02.
Isaac Cruikshank (1756-1811), after George Moutard (1760-1809), caricature, Shewing the Family Pictures (sic), Published by Allen & West [,] 15 Paternoster Row [, London], Augt 27th 1796, hand-coloured etching, 19cm x 24.5cm; Henry Thomas Alken (1784-1851), caricature, Give me another Horse - bind up my wounds - The lights burn blue - Vy - thatere's the Moon mix'd with Gash_light (sic), [Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket, London, 1823], soft-ground hand-coloured etching, 22cm x 27cm (2)
*A 19th Century satirical etching by James Gillray "Matrimonial Harmonics", published by H. Humphrey, London 1805, with hand colouring, 16 x 23cms; together with a similar satirical etching "Antisaccharrites, or John Bull and his family leaving off the use of sugar" published by H. Humphrey, London 1792, with hand colouring; in matching glazed softwood frames. (2)
OROLOGIO DA TASCA VIENNESE CON CALENDARI E SMALTI, FIRMATO HEGEL, PERIODO 1820 Cassa ottagonale a due corpi in metallo, lunetta decorata a motivi floreali, smalti raffiguranti varie scene con figure femminili e putti lungo la carrure, sul retro incorniciato da festoni, medaglione centrale in smalto con a tema la vanità. Anello geometrico decorato a rilievo. Quadrante in smalto bianco e fasce blu, numeri romani per le ore e arabi per i quarti, carica frontale. Quadratini ausiliari dei secondi, delle fasi della luna, del mese e dei giorni del mese. Meccanica finemente incisa ad acquaforte raffigurante due putti, nuvole e tendaggi, firmato “S. Hegel in Wienn”, carica a conoide, scappamento a verga, coq traforata e incisa, colonnini circolari. Diametro Ø: 59 mm Note: funzionante. Lancette non pertinenti. WIEN KEY-WINDING ENAMELED POCKET WATCH WITH CALENDARS, SIGNED HEGEL, 1820 Octagonal two body metal case, band with various enamel scenes with female figures and putti, back enamel with vanity subject. White enamel dial with blue hours bands, roman numbers. Subsidiary dials for seconds, moon phases, month and day of the month. Movement richly etching decorated, signed “S. Hegel in Wienn”, fusée, verge escapement, pierced and engraved cock, cylindrical columns. Diameter Ø: 59 mm Note: working. Not original hands. € 1000
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