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Lot 342
Broadside.- Cochin (Nicolas) The Map of the Kingdom of Heaven, or 'La carte du royaume des cieux, avec le chemin pour y aller', after Stefano della Bella (1610-1664), etching and engraving, published by Nicolas Jean Baptiste de Poilly, [circa 1650, but a later impression from circa 1740], on laid paper with watermark of large rosary encircling a Maltese cross, two plates printed on two sheets, total platemark (incl. lettered title above) approximately 875 x 570 mm. (34 1/2 x 22 1/2 in), total sheet 1150 x 745 mm. (45 1/4 x 29 3/8 in), unframed. Literature: De Vesme/Massar 1056 ⁂ Religious broadside after a programme devised by Hierosme Chastelain presenting the division between Heaven, Purgatory, and Hell. The walled celestial city of Jerusalem, presided over by the Holy Trinity from a mountain summit, is featured at the top; the souls of Purgatory are shown below outside the gates of Heaven; and finally, the fiery rivers of hell are at the bottom presided over by Lucifer.
Lot 466
London.- Hollar (Wenceslaus) The Prospect of London and Westminster, taken from Lambeth..., etching, later state with rebuilt St.Paul's Cathedral, on three sheets only (of 4, lacking left hand sheet), laid paper with armorial watermark containing fleur-de-lis above the initials 'CR', sheet c. 345 x 1180 mm. (13 1/2 x 46 1/2 in), linen-backed, folding onto central sheet mounted on card, foxing and light soiling, vertical creases from previous additional folds, [circa 1647, but a later impression after 1697]. Literature: Pennington 1013.II
![[§] GERALD LESLIE BROCKHURST (BRITISH 1890-1978) THE MIRROR etching, 1920, signed, edition of 55 proofs 14.5cm x 10cm (5.](https://cdn.globalauctionplatform.com/5f1f773c-ef64-4bf7-9701-a7e70109def3/36f67a1f-eaba-4f17-803a-4d6237ca3568/468x382.jpg)
Lot 900
•Matthew Hilton (b. 1948) - collection of fourteen limited edition black and white etchings, 'First', abstract figurative subject, signed and inscribed, dated '91 (1991), numbered 2/25, limited edition black and white etching, 7" x 8" (pl); together with fifteen further companions entitled 'Second', 'Third', 'Fourth', 'Fifth', 'Sixth', 'Seventh' etc, the final print entitled 'Last', all numbered and accompanied with a booklet entitled 'Matthew Hilton, Flagships for New Reaches - A Baltic Sea Journey an exhibition held at The Ferens Art Gallery, Hull between 13th June and 19th July 1992 (14) *The artist was born in London and attended Bournemouth College of Art, he has had solo exhibitions throughout the world, biographical details on his career can be found in the back of the catalogue
Lot 905
Italian School (19th century) - 'Porto di Como', Italian harbour scene with figures and boats by a quayside, gouache over a print base, possibly an etching, 6.25" x 8.75"; together with nine further examples, three which have been laid onto black painted paper and inscribed 'Anfitoutro Flavio il Colosreo' The Colosseum, 'Il Pantheon' and 'Tempio di Vesta', others depicting 'Lago Maggiore' and Italian Villas (slight variations in size) (10) *The "Porto di Como" example contained within an elaborately decorated gilt plaster gold leaf frame, with foliate scroll and flower ornamentation, contained within a velvet lined glazed case
Lot 18
A COLLECTION OF PICTURES TO INCLUDE A FRAMED AND GLAZED ETCHING OF A STREET SCENE SIGNED TO THE LOWER RIGHT, A FRAMED AND GLAZED PORTRAIT PRINT OF REV. W. FARISY JACKSONIAN, A SMALL WATERCOLOUR OF A WOODLAND SCENE TITLED 'THE SILVER GLENNY' SIGNED B PITTAR?, A FRAMED AND GLAZED AQUATINT OF YORK WATERGATE TOGETHER WITH A FRAMED WOOD CUT BY FRAN VON BLOEMEN DET HORIZONTI, AND ALSO A PAIR OF FRAMED ENGRAVINGS OF PORTRAITS OF GENTLEMEN TOGETHER WITH A FRAMED ENGRAVING OF DIANA. (8)
Lot 83
δ Henry Moore (1896-1986) Mother and Child XIV (Cramer 684) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 237 x 188mm (9 3/8 x 7 3/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 72
** δ Henry Moore (1896-1986) Mother and Child (Cramer 706) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 26
Claude Lorrain (1600-1682) Le Temps, Apollon et les Saisons (Time, Apollo and the Seasons) Etching, 1662, on cream laid paper without watermark, Mannocci's sixth state (of seven), an evenly inked impression, platemark 200 x 259 mm. (7 7/8 x 10 3/16 in), sheet unevenly trimmed but approx. 210 x 264 mm. (8 1/4 x 10 3/8 in), tipped onto paper support, unframed. Together with L'Apparition (The Vision), circa 1630 [M. 5 v/v], two variant states of La Fuite en Egypte (The Flight into Egypt), circa 1630-33 [M. 9 i/iv and iv/iv], and La Danse villageoise (The country dance, large plate), circa 1637 [M. 20 iv/iv], various sizes, all unframed; and with 12 etchings by Jean Georges Wille (1715-1808), (17).
Lot 31
Giovanni Battista Piranesi (1720-1788) Veduta della Dogana di Terra a Piazza di Pietra, from: Vedute di Roma Etching, circa 1753, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Hind's third state (of six), with the artist's address and price, wide margins, two platemarks, both together approx. 445 x 595 mm. (17 1/2 x 23 1/2 in), sheet 550 x 780 mm. (21 3/4 x 30 7/8 in), unframed. Literature: Hind 32 iii/vi ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.
Lot 84
δ Henry Moore (1896-1986) Mother and Child XX (Cramer 690) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 234 x 182mm (9 1/4 x 7 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 27
Giovanni Antonio Canal, called Canaletto (1697-1768) Vedute altre prese da i luoghi altre ideate da Antonio Canal Etching, circa 1744, on cream laid paper without watermark, Bromberg's second state, a good evenly inked impression, platemark 290 x 425 mm. (11 1/2 x 16 3/4 in), sheet 330 x 455 mm. (13 x 17 7/8 in), unframed. Provenance: 'vg', a late 18th century collector's mark connected with Joseph Storck [Lugt 2319] Literature: Bromberg 1 ii ⁂ Title page to the series, with a large wall of a classical ruin and a figure seated at right pointing to the dedication.
Lot 36
Lorenzo Baldissera Tiepolo (1736-1776) Rinaldo abandoning Armida, after Giovanni Domenico Tiepolo Etching, circa 1753, on laid paper with watermark of graduated triple crescents, with countermark of the letter 'W' below a trefoil-topped crown, a delicate impression of the second state (of two), with the number 13 upper right, platemark 206 x 284 mm. (8 1/8 x 11 1/4 in), sheet 282 x 360 mm. (11 1/8 x 14 1/4 in). Provenance: Unidentified collector's ink stamp verso [Not in Lugt] Literature: De Vesme 6 ii/ii
Lot 199
δ David Hockney (b.1937) In an old book (MCA Tokyo 52) Etching, 1966, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook handmade paper, published by Editions Alecto, London, 1967, the full sheet, with a deckle edge on three sides, sheet 575 x 395 mm (22 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 69
** δ Henry Moore (1896-1986) Mother and Child (Cramer 703) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 256
** Mimmo Paladino (b.1948) Sans Titre (M. 366) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 74
** δ Henry Moore (1896-1986) Mother and Child (Cramer 703) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 32
Giovanni Battista Piranesi (1720-1788) Veduta del Tempio di Antonino e Faustina in Campo Vaccino, from: Vedute di Roma Etching, 1758, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'c', of 'f', with the artist's address and price, wide margins, platemark 405 x 540 mm. (16 x 21 1/4 in), sheet 555 x 790 mm. (21 3/4 x 31 1/8 in), unframed. Literature: Hind 49 iii/vi ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.
Lot 276
δ Zao Wou-ki (1921-2013) Untitled (Riviere 197) Etching with aquatint printed in colours, 1968, signed, dated and numbered from the edition of 95 in pencil, on BFK Rives wove paper, printed by Arte, Paris, published Al Lubin, New York, with full margins, 535 x 680mm (21 x 26 3/4in) (I) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 102
δ Roger Bissiere (1886-1964) Untitled Etching with aquatint and embossing printed in colours, c.1953, signed and inscribed from the edition of 45 in pencil, on wove paper, with margins, sheet 262 x 215mm (10 1/4 x 8 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 148
δ Joan Miro (1893-1983) Ruthven Todd. A Poem For Joan Miro Plate III (Cramer Books 14) Engraving with etching printed in blue, 1947, a rare, possibly unique impression, signed, inscribed epreuve d'essai pour Todd New York and dated 2.5.47, the edition was only 6-10, printed and engraved at Atelier 17, New York, on stiff wove paper, with full margins, 282 x 173mm, (5.7 x 6 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 138
** δ Marino Marini (1901-1980) Ballerino (Gustalla A.177) Etching with aquatint printed in colours, 1974, signed and inscribed P.A. in pencil, an artist's proof aside from the edition of 75, on Magnani paper, printed by Il Cigno, Rome, published by Albra, Turin, with full margins, sheet 990 x 695mm (39 x 27 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 236
δ Howard Hodgkin (b.1932) David's Pool at Night (Heenk 54) Soft-ground etching with aquatint printed in black with hand colouring in black ink, 1979-1985, initialled, dated and numbered from the edition of 100 in pencil, printed by Atelier Crommelynck, Paris, published by Petersburg Press, New York, the full sheet printed to the edges, 640 x 790mm (25 1/8 x 31in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 255
** Mimmo Paladino (b.1948) Sans Titre (M. 365) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 254
** Mimmo Paladino (b.1948) Sans Titre (M. 363) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 10
Rembrandt van Rijn (1606-1669) Self Portrait Open-mouthed, as if Shouting Etching, 1630, on laid paper, without watermark, a very good impression of this scarce subject, New Hollstein's third state (of three), before the wear on the right side of his face, thread margins or trimmed to the platemark, sheet 72 x 61 mm. (2 3/4 x 2 7/16 in), unframed. Literature: Hind 31; New Hollstein 67 iii/iii
Lot 210
δ Frank Auerbach (b.1931) Joe Tilson (Hartley 9) Etching, 1980, titled and inscribed 'proof to JYM from Frank 28.XI.84', also dated 1980, on wove paper, with full margins, 153 x 144mm (6 x 5 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 30
Giovanni Battista Piranesi (1720-1788) Veduta del Palazzo Odescalchi, from: Vedute di Roma Etching, 1753, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'c', of 'f', with the artist's address and price, wide margins, platemark 405 x 619 mm. (16 x 24 1/4 in), sheet 560 x 790 mm. (22 x 31 1/8 in), unframed. Literature: Hind 26 ii/v ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.
Lot 16
Rembrandt van Rijn (1606-1669) Beggar man and beggar woman conversing Etching, circa 1630, on buff laid paper without watermark, second state (of three), a good impression with plate tone, showing the scratch between the couple, platemark 78 x 66 mm. (3 1/16 x 2 5/8 in), sheet 82 x 69 mm. (3 1/4 x 11 1/16 in), tipped at one edge onto cream wove paper with unidentified collector's number, '157 D', in brown ink, unframed. Literature: Hind 1923 7; New Hollstein 45 ii/iii
Lot 253
** Mimmo Paladino (b.1948) Sans Titre (M. 364) Etching with aquatint, screenprint and gold-leaf printed in four colours, 2001, signed and numbered from the edition of 100 in pencil, on Sicars Graphia paper, printed by Arte 3, Milan, published by Art of This Century, New York/Paris, with full margins, sheet 293 x 233mm (11 1/2 x 9 1/8in) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 66
δ John Hoyland (1934-2011) King Etching with aquatint printed in colours, 1989, signed, dated and numbered from the edition of 50 in pencil, on wove paper, published by Alan Cristea Gallery, London, with full margins, sheet 901 x 699mm (35 1/2 x 27 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 220
δ Marcel Duchamp (1887-1968) (after) by Jacques Villon (1875-1963) La Mariee (Ginestet & Pouillon 672) Aquatint with etching printed in colours, 1934, signed by Duchamp and Villon in pencil, inscribed Essai, a proof before the addition of the engraved title, aside from the published edition of 200, on Arches paper, with full margins, 495 x 310mm (19 ¼ x 12.2 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 85
δ Henry Moore (1896-1986) Mother and Child XIX (Cramer 689) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 234 x 182mm (9 1/8 x 7 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 25
Stefano della Bella (1610-1664) The Medici Vase Etching and engraving, circa 1656, on ivory laid paper with watermark of an encircled head, the second state, a well inked impression, with 1-2 mm. margins, sheet 311 x 282 mm. (12 1/4 x 11 1/4 in), unframed. Literature: De Vesme 832 ii ⁂ "Generally considered the earliest and most beautiful of the numerous renditions of the famed Medici Vase." The young Cosimo III de' Medici, Stefano della Bella's pupil and the future Grand Duke of Tuscany, is shown drawing the Medici Vase; the monumental vase- executed in white marble and created in Athens in the first century A.D.- features a frieze of Iphigenia crouching beneath a statue of Diana flanked by warriors. One of many highly celebrated ancient artworks collected by the Medici family in the 16th century, and kept at their Roman villa.
Lot 34
Giovanni Battista Piranesi (1720-1788) Veduta del Ponte Lugano su l'Anione, from: Vedute di Roma Etching, 1763, on cream laid paper without watermark, an excellent rich and detailed impression, Hind's first state four, with the artist's address and price, good margins, platemark 448 x 664 mm. (17 5/8 x 26 1/8 in), sheet 543 x 750 mm. (21 3/8 x 29 1/2 in), unframed. Literature: Hind 68 i/iv
Lot 20
Rembrandt van Rijn (1606-1669) Bust of a man wearing a high cap (the artist's father?) Etching and drypoint, circa 1630 but later 18th century impression, on cream laid paper without watermark, fourth state (of six), a good impression with light plate tone, platemark 104 x 84 mm. (4 1/4 x 3 1/4 in), tipped at one edge onto buff wove paper with unidentified collector's number, '299 D', in brown ink, unframed. Literature: Hind 1923 22; New Hollstein 57 iv/vi
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