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Click here to subscribe*Graham Clarke (b.1941) 'Gdowya'; 'Howdy'; 'Tapas'; 'Saluto'; 'Weinbund', and 'Tinto Blanco' six hand-coloured etching with shaped tops framed as one, each signed 'Graham Clarke' and numbered 101/500 in pencil 13 x 14.5cm each, framed together, 29.5 x 144cm overall *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. All appear to be in good condition.
*Graham Clarke (b.1941) 'Visage de Cabillaud' hand-coloured etching with shaped top, signed 'Graham Clarke' and numbered 124/400 in pencil image 31 x 38cm *Artist's Resale Right may apply to this lot.Condition report: No glass in frame, work loose in mount so requires reframing. No obvious condition issues to print.
*Graham Clarke (b.1941) 'Fireworks', from the History of Britain series hand-coloured etching with shaped top, signed 'Graham Clarke' and numbered 21/200 in pencil, with History of Britain blind stamp image 49 x 38cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, appears to be in good condition.
*Karólína Lárusdóttir RWS (Icelandic, 1944-2019) 'Changing Sides' etching with aquatint printed in colours, signed, inscribed with title and numbered 50/75 in pencil, on wove paper, with margins image 24.8 x 49.2cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some light creasing especially to margins.
*After Pablo Picasso 'Fumeur de pipe et femme retroussant son jupon' (Pipe-Smoker and woman rolling up her petticoats) etching and aquatint, with stamped signature l.r., numbered 33/50 pl. 22 x 31.5cm, sheet 37 x 47cm with Nathan Daniel Isen, Philadelphia certificate of authenticity *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper looks to be attached to background, but not fully stuck down. Appears to be in good condition.
*Bill Jacklin RA (b.1943) Woman in a chair etching and aquatint, 1987, signed, inscribed with title and numbered 3/48 in pencil, on wove paper plate 17 x 13.5cm *Artist's Resale Right may apply to this lot.Condition report: A couple of tiny flecks of dirt in margins. Not seen outside of glazed frame.
Original vintage music advertising poster for a concert by Quicksilver Messenger Service at the Avalon Ballroom in 1967. Supporting acts featured The Other Half and Melvin Q. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Quicksilver Messenger Service (sometimes credited as simply Quicksilver) is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite an almost complete lack of success with their singles (apart from "Fresh Air", which reached number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most the style, attitude and sound of that era." Member Dino Valenti drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swing rhythms and twanging guitar sounds. After many years, the band has attempted to reform despite the deaths of several members. In 2009, original members Gary Duncan and David Freiberg toured as the Quicksilver Messenger Service, using various backing musicians. Psychedelic artwork of an etching with blue human figures and trees. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Jack Hatfield, size (cm): 51x35.5, year of printing: 1967
Original vintage advertising poster for a concert titled South Side Sound System, also the Phoenix and Freedom Highway, at the Avalon Ballroom, with a psychedelic cult etching artwork featuring spiritual healer figures, expelling yellow smoke and releasing the distorted lettering above in red. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Greg Irons, size (cm): 52x36, year of printing: 1967
VOGELER, HEINRICH (1872-1942, Maler und Graphiker in Worpswede), "Frühling", Darstellung einer jungen Frau am Rande eines Birkenwäldchens, mit Blick auf ein reetgedecktes Haus im Hintergrund, der Landschaftsausblick von Blumen umrahmt, Radierung/chamoisfarbenes Papier, u.re. in der Platte bez. 'H. Vogeler', darunter mit Bleistift von Hand betitelt u. sign., HxB: Plattenmaße ca. 34x24 cm, Blattmaße ca. 42x31 cm, Außenmaße Rahmen ca. 43,5x32,5 cm. Min. gebräunt, Beriebspuren u. Flecken an den Rändern. Mit verglastem Rahmen. Altersspuren. VOGELER, HEINRICH (1872-1942, painter and graphic artist in Worpswede), "Spring", depiction of a young woman on the edge of a birch grove, with a view of a thatched house in the background, the landscape view framed by flowers, etching / chamois-colored paper, in the plate designated 'H. Vogeler ', by hand in pencil signed, HxW: plate dimensions approx. 34x24 cm, sheet dimensions approx. 42x31 cm, outer dimensions frame approx. 43.5x32.5 cm. Min. browned, signs of wear and tear Spots on the edges. With a glazed frame. Signs of age.
FRIEDLÄNDER, JOHNNY (1912-1992), "Un petit herbier", schwarz, Farbaquatintaradierung/brauntoniges Papier, u.re. mit weißer Kreide von Hand signiert, u.li. mit weißer Kreide num. 86/100, HxB: Blatt ca. 14x9,5 cm, Außenmaße Rahmen ca. 36x31 cm. Mit Passepartout hinter Glas gerahmt. Altersspuren. FRIEDLÄNDER, JOHNNY (1912-1992), "Un petit herbier", black, color aquatint etching / brown-toned paper, signed by hand with white chalk, lower left with white chalk num. 86/100, HxW: sheet approx. 14x9.5 cm, external dimensions frame approx. 36x31 cm. Framed behind glass with a passepartout. Signs of age.
FRIEDLÄNDER, JOHNNY (1912-1992), "Un petit herbier", grün, Farbaquatintaradierung/brauntoniges Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num 87/100, HxB: Blatt ca. 14x9,5 cm, Außenmaße Rahmen ca.30,5x26 cm. Mit Passepartout hinter Glas gerahmt. Altersspuren. FRIEDLÄNDER, JOHNNY (1912-1992), "Un petit herbier", green, Color aquatint etching / brown-toned paper, signed by hand in pencil, with pencil num 87/100, HxW: sheet approx. 14x9.5 cm, external dimensions frame approx. 30.5x26 cm. Framed behind glass with a passepartout. Signs of age.
DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", aus der Folge "Faust", Kaltnadelradierung mit Goldauflage/Papier, u.re. mit Trockenstempel und mit Bleistift signiert, u.li. mit Bleistift num. LXXI/C, HxB: Platte ca. 32x23,5 cm, Blatt ca. 37x29 cm. Gebräunt und Altersspuren. PROVENIENZ: Ketterer Kunst 2013, dort als eines von 100 Exemplaren außerhalb der im Werkverzeichnis genannten Auflagen, vgl. Michler/Löpsinger WVZ-Nr. 303. DALI, SALVADOR, ATTR. (1904-1989), "Der alte Faust - Vieux Faust", of the series "Faust", Drypoint etching with gold plating / paper, lower right with blind stamp and signed in pencil, lower left with pencil num. LXXI / C, HxW: plate approx. 32x23.5 cm, sheet approx. 37x29 cm. Browned and signs of age. PROVENANCE: Ketterer Kunst 2013, there as one of 100 copies outside the editions specified in the catalog raisonné Michler / Löpsinger VMS No. 303.
DAHMEN, KARL FRED (1917-1981), "Tage, Wochen, Jahre", Aquatintaradierung/Papier, darunter mit Bleistift von Hand bezeichnet 'epreuve d'artiste', datiert 1976, betitelt und signiert, HxB: Platte ca. 70x54 cm, Passepartoutausschnitt ca. 73x57 cm, Außenmaße Rahmen ca. 95x77 cm. Leicht gebräunt. Im Passepartout hinter Glas gerahmt. Altersspuren. DAHMEN, KARL FRED (1917-1981), "Days, Weeks, Years", Aquatint etching / paper, by hand with pencil belongs 'epreuve d'artiste', dated 1976, titled and signed, HxW: plate approx. 70x54 cm, passepartout cutout approx. 73x57 cm, external dimensions of frame approx. 95 x 77 cm. Lightly tanned. Framed behind glass in a passepartout. Signs of age.
WASSERKRUG GLASMANUFAKTUR MOSER KARLSBAD, 2. Hälfte 20. Jh., facettierter, konischer Korpus, im oberen Bereich umlaufendes Band in Ätztechnik und Vergoldung, unter dem Stand bezeichnet „Moser“. H: 31 cm. Minimale Altersspuren. WATER JUG GLASS MANUFACTORY MOSER KARLSBAD, 2nd half of the 20th century, faceted, conical body, in the upper area a circumferential band in etching technique and gilding, inscribed "Moser" under the stand. H: 31 cm. Minimal signs of age.
A commemorative 18th Century etching of Harry Rowe, in moulded oak frame, glazed, Harry Rowe was born in 1726 and was trumpeter in the Duke of Kingstons Light Horse at the Battle of Culloden in 1746 and 45 years trumpeter to the High Sherriff of Yorkshire 1797 he was also an itinerant puppet showman travelling in Scotland and the North of England and operated a summer theatre in York, image size 14cm x 10cm
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