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Lot 182
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 181
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Portrait of Mushanokoji Saneatsu, etching, signed within the plate, numbered 16/25 in pencil to margin, impression size H 11 x W 8.5 cm. Note: Mushanokoji Saneatsu (1885-1976) was the son of Viscount Musanokoji Sanezane. He was a novelist, playwright, artist & philosopher, & co-founder of the Shirakaba literary group. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 180
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 166
'Spring', watercolour signed by Albert Kinsley (British 1852-1945), titled verso, 'Harnham Bridge, Sailsbury', coloured etching by William Tatton Winter (British 1855-1928) signed in pencil, titled in the plate with Fine Art Trade Guild blindstamp, and Notre Dame, coloured etching by Victor Valery (French act.1889-1910) signed in pencil, max 26cm x 29cm (3)
Lot 231
Rural Landscapes, three watercolours signed by F. Marie Destelle, Mill Bridge Grasmere, watercolour signed by D M Smith, Boats in the Harbour, watercolour signed and dated '85 by Matt Jenkinson, Willie Rawson etching and one other watercolour max 30cm 47cm(7) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 446
EUGENE BEJOT (French, 1867-1931) "Longshoreman on the Docks, Paris", etching, etched signature to the plate, also signed in pencil lower left, together with AFTER COMPTON BENNETT "Mont Orgueil Castle, Jersey", etching signed in pencil lower right, titled lower left, together with two early 20th Century photographs
Lot 451
AFTER JOHANNES KIPP (1653-1722) "Hampton Court, Herefordshire, the Seat of the Right Honourable Thomas Lord Conningsby", black and white engraving, framed and glazed, together with C B PRESCOTT "Hampton Court", black and white etching, titled in pencil lower left, signed in pencil lower right
Lot 455
W. GLYN HEARD "Rural scene with bridge in foreground, church in background" oil on board, signed lower right together with AFTER JAMES DUNN "The Junior School" limited edition hand coloured etching No'd 6/100 signed and dated '89 lower right together with a collection of various prints and engravings, daguerreotypes and two Villeroy & Boch collectors plates. NOTE: The two daguerreotypes are in the cabinet
Lot 483
An 18th Century French multiple page deed framed and glazed circa 1742 together with another similar, two mounted but unframed musical scores from "Antifonal" published in Paris circa 1740, AFTER JOHN KAY "Lunardi in his balloon" black and white etching dated 1785 within the print together with two further prints and two framed and glazed 19th Century wax seals
Lot 6
ENGRAVING AFTER FILIPPO MORGHEN - 'ALL' ECCELLENTISS. COLLEGIO REALE DI MEDICINA DI EDINBURGH', together with a soft etching of a woodland scene by Jos. Farington 1790 and an engraving by J. Mason after T. Smith - 'A View in Newstead Park belonging to the Rt. Hon. The Lord Byron', laid down (3)
Lot 5208
A folio of 19th and 20th century prints, including Eric Gill ARA (1882-1940), by, Study of a Female Nude, initialled within the plate, [1938], wood engraving, 21.4cm x 12.4cm; Samuel Prout (1783-1852), after, Grampound, [Cornwall], only titled within the platemark, soft-ground etching, first-second half of the 19th century, 35cm x 26cm, collector's pencilled numbering to verso; others, various media, including aquatints, and sizes, [18]
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71082 item(s)/page