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Lot 284

Caricatures.- Cruikshank (Isaac Robert) Blind-man's Buff, satire on suitability for marriage, the lady shown is Isabelle Forrester, who jilted both Lord Apsley and Mr Biddulph before marrying George Anson, etching and aquatint with hand-colouring, on wove paper with watermark date '1826', platemark 255 x 310 mm. (9 7/8 x 12 1/4 in), sheet 285 x 405 mm. (11 1/4 x 16 in), minor exposure lines and surface dirt, unframed, [c. 1820]; together with William Heath's 'The Virginia Fishing Smack, 1827 [BM Satires15410], John Phillips' 'The Nurse, Child, and Plaything', 1829 [BM Satires 15772], and W.H Isaacs' 'Revd. Mr Sambo's Sarmont', circa 1850 [not in BM Satires] (4)

Lot 251

Phil Greenwood (Contemporary), Cregennan Lake, Etching Signed, dated 79, inscribed, numbered 39/295 36 x 49cm (14 x 19¼ in.) And a colour aquatint by Rene Ligeron "Landscape", 45 by 63.5cms (2) Condition Report: First- slightly browned from sunlight (specks look to be dirt under glass) Second- slightly browned from sunlight Condition Report Disclaimer

Lot 43

λ Barry Flanagan (Welsh 1941-2009) Landscape, possibly from the Loch Ness series Drypoint etching Signed in pencil, dated 76 and inscribed AP 15.5 x 23cm (6 x 9 in.) Unframed Condition Report: Sunlight browned - paper discoloured Condition Report Disclaimer

Lot 183

Signed Salisbury lake scene watercolour and framed country house etching

Lot 201

Still life print in ebonised frame and small framed etching of "Skiddaw from Applethwaite"

Lot 363

A Victorian and Silver Cut Glass Claret Jug with shaped handle and with foliate etching. London 1892. 28cm tall

Lot 476

1831 Pattern Scottish Officer’s Broadsword 32 inch, double edged blade with two narrow fullers. Blade with traces of foliage etching. Forte with two wide fullers. Steel basket hilt with double ring quillons and heart and ball pierced hilt panels. Steel, fluted pommel. Shagreen covered grip with twist wire binding. Hilt with some repairs and pitting to hilt and blade.

Lot 486

Light Infantry Officer’s Sword 32 3/4 inch, dumb bell blade with central fuller. Traces of foliage etching. White metal guard with KC strung bugle cartouche. White metal, checkered backstrap. Shagreen covered grip with twist wire binding. Contained in its leather covered, field scabbard. Some damage to hilt, pommel nut replaced and tip of scabbard damaged.

Lot 497

Napoleonic Period British Infantry Officer’s Sword 28 1/2 inch, single edged blade with wide fuller running through the point. Traces of gilt, floral and stand of arms etching. Steel crossguard with downswept quillon, D shape knuckle bow. Steel ferrule and urn pommel. Ivorine ribbed, square section grip.

Lot 906

Boris O'Klein - Dirty Dogs of Paris - A La Queue. A 20th Century colour etching depicting dogs queuing for the loo. Framed and glazed.  Signed in pencil by the artist to the bottom right. Measures 58 cm x 29 cm.

Lot 10

Andrew Affleck (1869-1935) British, 'Courtyard Ducal Palace', etching, signed in pencil, 16"x12".

Lot 2

William Lee Hankey (1869-1952) British. Mother and Child, Etching, Signed in Pencil. 11" x 9".

Lot 24

Ernest Llewellyn Hampshire (1882-1944) British, 'Saint Paul's from the River', etching, signed and inscribed in pencil, 6" x 9".

Lot 40

A Cruckshank Etching 'the adventures of travel or a little learning is a dangerous thing', unframed 10" x 13".

Lot 42

A Cruckshank print, 'Ghost of the Village Doctor', hand coloured etching, 11" x 8", unframed.

Lot 45

John Fullwood (1854-1931) British, figures on a village road, Etching, 10" x 5".

Lot 52

Frank Payton. 'Royal and Ancient, St Andrews', an Etching of a Golf Scene, 8" x 10", and an Unframed Etching of a Golfer after Dendy Sadler (2).

Lot 53

Henry Rayner - 'The Old Lombard Caf Cheyne Walk, Chelsea', Etching, Signed & Inscribed in Pencil. 3.75" x 4.75".

Lot 54

Alfred R. Blundell. 'A Breckland Road', Etching, Signed in Pencil, Unframed, 7" x 10.5". And an Unframed Etching of a Cathedral by Hester Frood.

Lot 8

Andrew Affleck (1869-1935) British, Gondola on a Venetian Canal, etching, signed in pencil, 22"x14".

Lot 33

A cased near pair of Victorian fish servers, by Mappin Brothers and Henry John Lias & James Wakely, one Sheffield 1864, the other London 1880, both designed with pierced foliate scrolls with further etching floral decorations, in a fitted velvet and silk lined box

Lot 406

After James Alphege Brewer (British, 1909-1938); coloured etching, 'St Mark's, Venice', signed and titled to the margin, 58 x 44cm, framed and glazed. CONDITION REPORT Some discolouring.

Lot 414

Frans Wesselman; a signed limited edition etching, 'Quartet', 9/100, 30 x 30cm, framed and glazed.

Lot 597

PSP MORTAR; etching 'City of New York', signed and titled in margin, 19.5 x 27.5cm and one other etching after JMW Turner 'Original Sketch of a Picture for W Leader Esq', 21 x 29cm (2).

Lot 231

SIGNED ETCHING ELY CATHEDRAL BY GOWLAND AND FOLLY BRIDGE, OXFORD BY GOWLAND 20 X 17CM APPROX AND 27 X 19CM APPROX

Lot 33

William Lionel Wyllie (British 1851-1931), Etching of Sail Boats, signed bottom left, measurements 20.5 x 25.5 cm (PL), frame 40 x 45 cm Label verso for Frank H Emdin, Regent St

Lot 4

Collection of Prints, to include: a post-Impressionist print titled Afternoon by the river, framed measurements 45 x 53 cm, a reproduction framed print of a Venetian flower girl, framed measurements 52 x 42 cm and a photographic print of a Victorian lady in an oval frame, framed measurements 67 x 50 cm, a large reproduction print of a dancer, framed measurements 114 x 85, a Lionel Smythe ARA etching of a young lady wearing a cap, signed bottom left, label for Dunthorne and Brown of the Rembrandt Gallery Liverpool verso (5)

Lot 18

Alexis de Leeuw (Belgian 1822-1900), The Timber Wagon, chromolithograph on canvas, signed bottom right, framed 62 x 92cm, frame 87 x 117 cm 19th-early 20th century French School, coloured etching of Windmill, Georges Pettit blind stamp bottom left, signed 'Fienne Frisus' bottom right, 37 x 46 cm (PL), frame 55 x 65 cm Ralph Duck (Irish 20th Century), The Old Cedar Tree, watercolour, signed bottom right, mounted and framed. Measurements 34 x 27 cm (i), frame 55 x 47.5 cm. Previous auction label verso.There is a record for Ralph Duck as a member of the Dublin Sketching Club with whom he exhibited with in 1967. Together with: John Purser (British School), Leaving Harbour at Whitby, watercolour, signed bottom right. Measurements 25 x 34.5 cm and Geoff Marsters, The Weaver Bend, limited edition print, signed and dated 1989 bottom right, numbered 250/300, measurements 21cm x 31 cm (PL), frame 38 x 45 cm (3)

Lot 137

Naum Slutzky (1894-1965), a group of copper etching plates One depicting Russian fighters, with rifles, 20.5cm x 30.5cm, signed; together with another depicting a man playing a harmonica, standing before a peasant farmstead, 33.3cm x 20.5cm; also three smaller etched sketches on copper plates, loose in a wooden box (5) Provenance: From the studio of Naum Slutzky 1966, thence by decent and then to the present owner. Purchased: Roseberys, Fine Art Auction, 6th September 2016, Lot 276Please refer to department for condition report

Lot 79

A FRAMED AND GLAZED COLOURED ETCHING OF AN EASTERN STREET SCENE SIGNED EDGAR L PATTERSON IN PENCIL LOWER RIGHT

Lot 87

A FRAMED AND GLAZED COLOURED ETCHING DEPICTING SEAGULLS IN FLIGHT SIGNED HANS FIGURA

Lot 88

A FRAMED AND GLAZED COLOURED ETCHING DEPICTING RICHMOND ON THAMES SIGNED HANS FIGURA

Lot 89

A FRAMED AND GLAZED COLOURED ETCHING DEPICTING A WINDMILL SIGNED HANS FIGURA

Lot 326

Frank Paton Signed Dog Etchings, three examples entitled 'They Won't Be Happy Till They Get Em' labelled on reverse artists proof etching T Richardson & Co Piccadilly, Not At Home' and 'Every Dog Has His Day' all in original frames and signed in pencil, G, Frames F, (3)

Lot 87

FRAMED AND GLAZED COLOURED ETCHING OF A MAN

Lot 359

ETCHING OF COUNTRY SCENE WITH WATERMILL SIGNED IN PENCIL ALFRED R BLUNDELL, FRAMED AND GLAZED

Lot 606

ETCHING TITLED WIND IN THE WILLOWS, SIGNED ALFRED R BLUNDELL, AND OTHER PICTURE AND PRINTS

Lot 116

Collection of pictures circa 1920-1930 from Birmingham Municipal School of Art, provenance from the family of Ormond Edwin Gollins, assistant principal of Birmingham Municipal School of Art 1920-1930 Black and white woodblock printSnowshill Station, possibly by Elizabeth Field, signed in pencil to reverse of mount, 19cm x 27cmAttributed to Margaret Noble2 Colour woodblock printsViews of possibly St Martin's Church, Birmingham, 12cm x 13.8cmUnattributedLimited edition Colour woodblock print Industrial canal scene with figure, probably Birmingham, 6/10, 16cm x 16.5cm Margaret G Marshall Etching"Old Market House ...", signed in pencil, 12.5cm x 15cm A Thorne(?) Black and white print, possibly linocutCattle in stable x 2, one signed in pencil, 10cm x 14cm, all mounted and five other prints, all in folder (12)

Lot 573

A collection of miscellaneous prints and engravings, including James Gillray, 'A Fundamental Error in the Art of Skaiting', 23 x 33cm, and Crispijn van de Passe the Younger, figure 10 from `L `Instruction de Roy en l`Excercise de Monter a Cheval` by Antoine de Pluviel (both framed), with various unframed prints including, Kenneth Steel, signed etching with drypoint, Shewsbury School from the River, Hogenberg after Hoefnagel, 'Palatium Regium in Angliæ Regno apellatum Nonciutz', Emblem after Allom, 'The Post Office, St Paul's Cathedral and Bull & Mouth Inn, London in 1829' and 'A View of the Bridge over the River at Hampton Court' etc.

Lot 582

Salvador Dali (1904-1989), lithograph with etching, The Cycles of Life, Reflections, c.1979, monogrammed and numbered no.128/150, overall 37 x 54cm

Lot 594

Adriaen van Ostade (Dutch 1610-1685), The Peasant Settling His Debt, etching [1646 and later] and three other small prints, comprising two etchings after Stefano della Bella (1610-1664) from 'Varii Capricci Militari' [plates 1 and 5] and an engraving of a 17th century falconer releasing his game birds (4, two in one frame), 10 x 8.5cm to 13 x 16cm

Lot 655

Graham Clarke (b. 1941), signed limited edition coloured etching, 'Quite Cricket', No. 113/400, 37 x 56cm

Lot 656

Graham Clarke (b. 1941), signed limited edition coloured etching, 'Johnny Garlic Sausage', No. 286/400, 38 x 57cm

Lot 592

AFTER PIERRE-AUGUST RENOIR 'SUR LA PLAGE A BERNEVAL', a drypoint etching produced after Renoir's death, signed within the plate, laid paper, image size 13.5cm x 9cm, paper size 20.2cm x 14.9cm, framed

Lot 524

*Malcolm Osborne (1880-1963) Portrait of Sydney Jones, seated, sketching etching, signed in pencil l.r. 34.5 x 26cm Provenance: The Estate of Virginia Chapman, late of Debden Manor. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.

Lot 527

*Malte Sartorius (German, 1933-2017) 'Fruit Korb' etching, signed and inscribed in pencil 57 x 66cm Provenance: The Estate of Virginia Chapman, late of Debden Manor. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.

Lot 547

*Augustus John OM RA (1878-1961) Percy Wyndham Lewis: large plate, circa 1903 etching and drypoint, signed in pencil l.r. 19.5 x 15.5cm Provenance: with Fine Art Society, London. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Spots of foxing and staining to margin.

Lot 256

Elyse Ashe Lord RI (1900-1971) FIGURES IN BOAT, drypoint etching with woodblock colouring, framed and mounted, 47/75, signed in the lower margin, 17 x 18 cm, light foxing to paper and mount

Lot 461

For your consideration is this 1885 first edition copy of Volume 1 Personal Memoirs of U.S. Grant. Showering the reader with his personal thoughts and excerpts from his life, the volume includes an amazing look into an honorable man. Showing plain leather covers with bold gold stamped lettering along the spine. Of all the memoirs written by former U.S. presidents, those of U.S. Grant are often considered to be the best: being well written and the most readable; full of interesting detail and insight. For example, there is a fascinating fold-out of the terms of surrender given to Robert E. Lee. Volume I shows an excellent etching of Grant as a young soldier. The volume was published by Grant's friend, Samuel Clemmons (Mark Twain) under the alias of his nephew, Charles L. Webster. The condition of this book is fair with wear marks to the spine and cover due to age and use. The measurements of this book are 9 1/2" x 6 1/2".

Lot 115

•Katharine (Kate) Cameron R.S.W., R.E. (Scottish, 1874-1965), The Kingdom of Fife, etching, signed in pencil lower left, Calton Gallery Edinburgh exhibition label verso, dated December 1983, framed. Plate 10cm by 22.5cm NOTE: this lot may be subject to Artist's Resale Right

Lot 116

John Clerk of Eldin (Scottish, 1728-1812), "The hill of Arthur's Seat and Town of Edinburgh from Loch End", etching, monogrammed and dated 1774 in the plate, framed. Plate 146mm by 380mm. Note: Clerk was a prominent Scottish Enlightenment amateur artist. He was the brother-in-law of Robert Adam and his wealth afforded him the opportunity to travel around Scotland drawing and was successfully encouraged to take up etching by Paul Sandby. Another example of the subject etching was used as the cover illustration for Bertram, Geoffrey, "The Etchings of John Clerk of Eldin" pub. 2012

Lot 119

John Clerk of Eldin (Scottish, 1728-1812), "Leith from the West", etching c. 1775, framed. Plate c. 85mm by 255mm

Lot 323A

A Large Caithness art glass vase with etching of a golfer to the front. Signed A J Webster 2001 to the base. [27cm height]

Lot 532D

A Small etching of a church [Possibly Dunfermline Abbey] signed R. Eadie and dated 1913. Fitted with an arts and crafts wooden frame.

Lot 681

Black and White Etching titled ' No. 2 ' signed T Alexandra Morton ?, dated 1973, image 31cms x 31cms, framed and glazed

Lot 693

Norman Ackroyd (b.1938) Windrush Moonlight, etching, signed, dated and titled, no. 69/90, 18cms x 24cms

Lot 339

Robert Henry Smith (British exh.1906-1920): 'A Glimpse of the Harbour, Polperro Cornwall', etching signed in pencil, titled verso 18cm x 24cm - Condition Report

Lot 355

Day after Radclyffe, pair of lithographs of Blenheim Palace, 28cm x 37cm and an artist signed etching after Meissonier - Condition Report

Lot 395

William Walcot (British 1874-1943): 'Chelsea Old Church', etching signed in pencil 9cm x 13cm - Condition Report

Lot 401

David Law after Gustave Dore, artist signed etching 'night scene in east London', 24cm x 18cm and David Young Cameron, artist signed etching of Venice, 19cm x 14cm, both unframed - Condition Report

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