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Backhouse (James) A NARRATIVE OF A VISIT TO THE MAURITIUS AND SOUTH AFRICA 648 + lvi pages appendix, frontispiece View of Table Bay - an etching from a drawing by Thomas Bowler, 2 folding maps - 1 large folding at the end (465 x 890 mm) with the author`s travels marked in red, 16 etched plates and 28 woodcuts in the text, original blind stamped blue-grey cloth, gilt titling on the spine, a very good copy. Mendelssohn (Sydney) South African Bibliography, volume 1, page 62, `The book is in the form of a diary and the author seems to have traversed every part of South Africa where there was a mission station or a missionary. In this way he appears to have met every prominent man connected with mission work in South Africa at this time. From June 1838 to December 1840 the author was constantly travelling, visiting almost every inhabited town and district, carefully noting every point of interest in the country and its inhabitants. There is a good description of Kaffraria and of the Basutos, Griquas and Bechuana countries. There is also a narrative of a journey to Great Namaqualand`. Condition: Very Good Publisher Place: London Publisher: Hamilton Adams, and Co. Publication Date: 1844 Size: 8vo (230 x 150 mm) Reserve: $200 Click here to view further details and to bid
Salvador Dali, Spanish 1904-1989- "Procès en Diffamation, Plaidé devant la conférence du stage", (M&L 466), 1971, publ. by P Belfond, from the collection Cahiers du Regard, in collaboration with Ateliers Rigal and Bernard Duval, 33 from the edition of 150 on Arches, with title page, justification and text, includes one hand-coloured etching by Salvador Dali, signed and 33/150 in pencil and a further six etchings by Tim Mittleberg, each signed with initials in pencil, in red fabric mounted folio and slip case, 39x29cm., (sheet) (folio) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Femme à Genoux", from Vénus aux Fourrures, (M&L 361f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 95/145 in pencil, 31.5x23.5cm, (may be subject to Droit de Suite) Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895)
Salvador Dali, Spanish 1904-1989- "Femme à la Chaussure" from Vénus aux Fourrures, (M&L 360f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 95/145 in pencil, 31.5x23.5cm, (may be subject to Droit de Suite) Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895)
Salvador Dali, Spanish 1904-1989- "Femme à La Chaussure" from Vénus aux Fourrures (M&L 370f), 1969, publ. Graphik Europa Anstalt; hand coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 95/145 in pencil, 31.5x23.5cm, (may be subject to Droit de Suite) Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895)
Salvador Dali, Spanish 1904-1989- "Babaouo- C`est un Film Surréaliste!", (F 78-2b), publ for Centre Culturel de Paris, Dasa Ediciones, 1978, printed by Ateliers d`Art Jean Mathan, numbered Exemplaire d`Artiste XXXIII on Arches, with title page, justification and text, to include the 7 wood engravings and additional single etching printed in colours titled `Les l`Espoires`, (M&L 932) in moire silk mounted presentation box, 38.5x28cm., (sheet) (folio) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Homenaje al F C Barcelona" (Tribute to Barcelona Football Club) (M&L 734), publ. Baldas & Galdon, Barcelona Novembre de 1974; etching, signed and numbered 224/285 in pencil, 34.2x24.6cm (plate), contained within original portfolio executed to mark the 75th anniversary of the founding of Barcelona Football Club, with additional prints by Xavier Corbero, Joan Gardy-Artigas and Francesc Artigau, text sheets and frontispiece numbered 224, (folio), (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989, "Les Chants de Maldoror", (The Songs of Maldoror) (M&L 11-54a/F 34-2), by Comte de Lautréamont, publ by Albert Skira, 1934, signed and numbered 36 from the edition of 40 tirage de tête, with the 42 heliogravures reworked in drypoint on Arches, comprising 30 full-page plates and 12 vignettes, with the additional 44 suite of heliogravures with remarques on Arches to the full-page plates, mounted in a black, beige and brown leather binding and stained wood slipcase, 32.8x25cm., (sheet) (book) List of plates: Chant Premier : 34-02-01 : vignette (page 5) 19.5x12cm (M&L 53) 34-02-02 : gravure (8/9) (M&L 19) 32-02-03 : gravure (16/17) (M&L 33) 32-02-04 : gravure (22/23) (M&L 20) 32-02-05 : gravure (28/29) (M&L 39) 32-02-06 : vignette (page 36) 5.5x7cm (M&L 49) Deuxième Chant : 32-02-07 : vignette (page 37) 18x14cm (M&L 45) 32-02-08 : gravure (40/41) (M&L 24) 32-02-09 : gravure (46/47) (M&L 41) 32-02-10 : gravure (52/53) (M&L 14) 32-02-11 : gravure (58/59) (M&L 38) 32-02-12 : gravure (64/65) (M&L 23) 32-02-13 : gravure (70/71) (M&L 34) 32-02-14 : gravure (76/77) (M&L 27) 32-02-15 : gravure (82/83) (M&L 36) 32-02-16 : vignette (page 86) 7.5x55cm (M&L 47) Troisième Chant : 32-02-17 : vignette (page 87) 4x14.7cm (M&L 51) 32-02-18 : gravure (92/93) (M&L 31) 32-02-19 : gravure (96/97) (M&L 30) 32-02-20 : gravure (102/103) (M&L 37) 32-02-21 : gravure (106/107) (M&L 15) 32-02-22 : gravure (108/109) (M&L 21) 32-02-23 : vignette (page 112) 7.3x9.5cm (M&L 42) Quatrième Chant : 32-02-24 : vignette (page 113) 10.5x17.5cm (M&L 43) 32-02-25 : gravure (116/117) (M&L 22) 32-02-26 : gravure (122/123) (M&L 26) 32-02-27 : gravure (126/127) (M&L 13) 32-02-28 : gravure (132/133) (M&L 29) 32-02-29 : gravure (138/139) premier état de la gravure 30-02-32 (M&L 16) 32-02-30 : vignette (page 142) 9.3x9.8cm (M&L 44) Cinquième Chant : 32-02-31 : vignette (page 143) 7x10cm (M&L 54) 32-02-32 : gravure (146/147)- deuxième état de la gravure 30-02-29 (M&L 11) 30-02-33 : gravure (152/153) (M&L 18) 32-02-34 : gravure (158/159) (M&L 32) 32-02-35 : gravure (164/165) (M&L 40) 32-02-36 : vignette (page 173) 11x8cm (M&L 48) Sixième Chant : 32-02-37 : vignette (page 175) 11.5x16.5cm (M&L 52) 32-02-38 : gravure (178/179) (M&L 35) 32-02-39 : gravure (184/185) (M&L 12) 32-02-40 : gravure (190/191) (M&L 25) 32-02-41 : gravure (196/197) (M&L 28) 32-02-42 : vignette (page 207) 8x9.5cm (M&L 46) The additional suite of 44 contains the aforemention 42 etchings with remarques together with the two additional plates listed below: 32-02-43e etching exists only in the suite of etchings with remarques; this example is the third state of the etching 30-02-29 (M&L 17) 32-02-44 : the etching exists only in the suite of etchings with remarques (M&L 50) Note: Included with this copy and mounted therein are a letter signed by Dali, a post card from Dali to the publisher Albert Skira, an invitation to a private view of an exhibition of Salvador Dali at The Zwemmer Gallery, Wednesday October 24, 1934 and a further private view invitation to the exhibition of Drawings and Etchings to Illustrate Lautremont`s Chants de Maldoror by Dali, at The Julien Levy Gallery, New York. There are three Ex Libris in this book, Julien Bogousslavsky, Henri Paricaud and Serge Goldenberg. Dali was originally commissioned by the publisher Skira in 1934 to produce forty-four heliogravures reworked in drypoint to illustrate Lautreamont`s 1868 Chants de Maldoror text. When published the book contained 42 etchings and due to financial difficulties, Skira only printed 100 copies. This rare example includes the two etchings originally intended to be included with the book but were dropped at a later date. These two etchings are part of the 44 plates en suite included with this example, the total number of plates and vignettes being eighty-six.
Salvador Dali, Spanish 1904-1984- "Les Diners de Gala", (Gala`s Dinners) (M&L 1333-1344a/F 77-5), 1973, publ by Lithographies Jean Lavigne, Boulogne sur-Seine, printed by Atelier Bellini, the complete suite numbered 57 from the edition of 195 on Rives, this example from the de luxe edition with the 12 photolithographs printed in colours, each signed and numbered AP 20/50 in pencil, each with additional etching titled Cuillère Molle, (M&L, 509) in the lower margin, with title page, justification and text, the justification numbered 57/195, with additional copper etching plate, mounted in presentation box, 56x75cm., (sheet) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Pécher Pénitent" (Penitent Peach Tree) (M&L 348), from the suite `Flordali`, 1969-70, publ. WUCUA, printer Ateliers Rigal; lithograph printed in colours with drypoint etching on Auvergne, signed and numbered CXLVI/CL in pencil, 56.5x37cm (plate): together with another from the same series, "Cérises Pierrot" (Pierrot Cherries) (M&L 350), signed and numbered CIV/CL in pencil, 56.5x37cm (plate), (2) (unframed), (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Le Vieil Hippie", (The Old Hippy) (M&L 384b), from the suite `Hippies`, publ P Argillet, printer Robbe; hand-coloured drypoint etching on Japanese paper, signed and numbered LXIII/C in pencil, 39.5x31.5cm., (plate) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Don Quichotte et les Moulins à Vent", (Don Quixote and the Winidmills", (M&L 336a), publ by WUCUA, printed by Ateliers Rigal, Fontenay-aux-Roses, France; etching with drypoint printed in colours, signed and numbered 146/200, 15.5x21.5cm., (mounted) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Paysage Surréaliste", (Surrealist Landscape) (M&L. 703) publ 1974, by Filipacchi, printed by Ateliers Rigal, Fontenay-aux-Roses, France; etching coloured with stencil on Rives, signed and numbered XX/LXXV 54x76cm., (plate) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Le Petit Chevalier", (The Little Knight), (M&L. 335), publ by WUCUA, printed by Ateliers Rigal, Fontenay-aux Roses, France; drypint etching printed in colours on Japan Macré, signed and inscribed `EA` in pencil, 211.5x15.3cm.,(plate) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "L`Intellect Jaillissant", (The Ebullient Intellect/Portrait of Jules Verne), (M&L. 147a), publ 1966 by Broutaa, printed by Lacourière-Frélaut; etching on Arches, signed and dated 5/80 in pencil, 32x24.5cm., (plate) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "La Chouette Bleue", (The Blue Owl), (M&L. 247a), publ by WUCUA, Basel, printed by Ateliers Rigal, Fontenay-aux-Roses, France; drypoint etching printed in colours on Rives, signed and numbered 159/200 in pencil, 40x26cm., (plate) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Déposition de Croix", (Deposition from The Cross), (M&L 82b), publ 1960 by Foret, printed by Lacouriere-Frelaut; etching printed in sanguine on Rives, signed and numbered 1/6 in pencil, 41.8x33.5cm., (plate) 65x50cm., (sheet) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "A D Hommage à Dürer", (Tribute to Dürer) (M&L 508a), publ 1971 by Editions Graphiques Internationales, printed by Ateliers Rigal, Fontenay-aux-Roses; drypoint etching with stencil colouring on Rives, signed and numbered 8/100 in pencil, 29x38.5cm., (plate), 50.5x65.5cm., (sheet) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Salut à Méphisto", (Greetings to Mephistopheles), (M&L 319b/F 69-1), from the suite Faust, publ and printed by Pierre Argillet; hand-coloured etching with aquatint on Japanese paper, signed and numbered LXV/C in pencil, 24x32cm., (plate) 51x66cm., (sheet) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Transfiguration", (M&L 566e), publ 1972 by Perceval, printed by Ateliers Rigal, Fontenay-aux-Roses; drypoint etching with aquatint printed in colours on Rives, signed and inscribed `E.A` in pencil, 57.5x36.5cm., (plate), 75x56.5cm., (sheet) (unframed) (may be subject to Droit de Suite)
Salvador Dali, Spanish 1904-1989- "Dalinean Prophecy", (Auto-Portrait), (M&L 832c), publ 1975/76 by Merrill Chase Publishing Association, printed by Ateliers Rigal, Fontenay-aux-Roses; drypoint etching coloured with stencil on Japanese paper, signed in inscribed `E.A.` in pencil, 40.5x59.5cm., (plate), 56x77cm., (unframed) (may be subject to Droit de Suite)
Tzara, Tristan,"Grains et Issues, Rêve Expérimental", (Grain and Chaff, Experimental Dream), publ. by Les Editions Denoël et Steele, 19 rue Amelie 19, Paris, 1935, printed by Charles Bulens, 75 Terre-Neuve, Bruxelles, 20 February 1935, signed in black pen by the author and numbered 3 from the edition of 15 on Japon Ancien, with drypoint etching frontispiece by Salvador Dali titled Dynamiques Fines Omlettes, (M&L 55), signed in pencil, dedicated in black pen à Louis Broder, les oeufs ces poëles ces silences et l`amitié, de Tristan Tzara Dec 49, (To Louis Broder, these eggs, these pans, these silences and friendship of Tristan Tzara), bears Ex Libris for Serge Goldenberg, 19x14cm., (sheet)
Salvador Dali, Spanish 1904-1989, "Les Métamorphoses Érotiques", (M&L 342/F 69-15), 1969, publ. by Edita- A l`Érotitiade, Lausanne, printed by Ateliers Rigal, Fontenay-aux-Roses, with the drypoint etching frontispiece "La Chimère" (The Chimera), tondo, signed and inscribed `H.C.` in pencil, dia. 12.5cm (plate), 32x25cm., (sheet), with the Justification signed in pencil and numbered 165 from the edition of 300 on Rives, to include the 18 book plates and the suite of plates I-X, in red cloth boards, slipcase, (folio) (may be subject to Droit de Suite)
Breton, André, "Cours Naturel", (Natural Progression), publ 1938 by Éditions Sagittaire, 56 rue Rodier, Paris, printed by Henri Jourde, numbered 7 from the edition of 6-15 on Hollande paper, signed by the author and inscribed à Louis Broder, qui aime les livres encore plus que moi in black pen, with the frontispiece etching by Salvador Dali (M&L 58), signed within the plate, bears Ex Libris for Serge Goldenberg, black leather and inlaid binding and slip case by Thérèse Moncey, 19.5x14cm., (sheet) (book)
James Jacques Joseph Tissot (French 1836-1902), 'THE HAMMOCK' (Wentworth 46) Etching and drypoint, signed and dated 1880 in the plate, from an edition of approximately 100 plate 260 x 183mm The etching shows Kathleen Newton, the artist's model and mistress, reading in a hammock in his garden in St. John's Wood. A contemporary critic wrote 'this year (Tissot) tries our patience somewhat hardly, for these ladies in hammocks, showing a very unnecessary amount of petticoats and stocking, and remarkable for little save luxurious indolence and insolence, are hardly fit subjects for such elaborate painting'. Exhibited: The Leicester Galleries, ' Engravings by J J Tissot', 1972, no 15. CONDITION REPORT: Acid staining on paper around from edge. Few spots of foxing. Not viewed out of frame.
*Christopher Richard Wynne Nevinson ARA (1889-1946), 'THE WILLOWS (A SCENE IN SUFFOLK)' (Guichard 81) Etching, signed in pencil image 17 x 13.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Slight browning to paper and area of staining to right of willows. Not viewed out of frame.
James Jacques Joseph Tissot (French 1836-1902), 'PORTRAIT OF M.N.' - or 'LA FRILEUSE' (Wentworth 26) Etching with drypoint, signed and dated 1876 in the plate with the artist's monogram stamp in red 26 x 16.3cm CONDITION REPORT: Not viewed out of frame. Time staining. 2cm line of slightly lighter than rest of print t.l.
*William Roberts RA (1895-1980), SELF PORTRAIT Etching, c.1925, first state, inscribed 'First State' in margin 12.4 x 9.8cm Provenance: with Gillian Jason Gallery, London. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Diagonal mark to right, above head, difficult to ascertain whether in original plate or not. No obvious major faults, not viewed out of frame.

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78408 item(s)/page