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Lot 260
Marc Chagall (French 1887-1985) - An original signed artist proof etching depicting a man eating in black & white. Signed by the artist to lower corner and notated épreuve d'artiste (artist proof). Framed and glazed with original gallery purchase letter attached to back and labelled Orange Street Uppingham Rutland. Measures approx; 16cm x 10cm frame approx; 45cm x 38cm.
Lot 223
Grimaldi (Joseph).- Anonymous (early 19th century) Mr. Grimaldi & Mr. Norman in the Epping Hunt from the popular pantomime The Red Dwarf, etching with hand-colouring, c. 247 x 344 mm (9 3/4 x 13 1/2 in), paper remains to top edge verso, [not in BM Satires], unframed, 1811; and 7 others similar, v.d., v.s.; together with Playbill for Robinson Crusoe, c.310 x 209mm., slightly trimmed at lower edge?, edges lightly creased and frayed, light spotting, once laid down on paper, remnants remaining along right edge and on verso, November 11th 1800 (9)⁂ Playbill featuring Joseph Grimaldi as Robinson Crusoe, "for the first time", performed at the Theatre Royal, Drury Lane. Another playbill features Grimaldi in the role of Friday, with "a young Carib attached to him", while a further 5 playbills feature him in more comic roles such as, as Granny Rose in Little Red Riding Hood, and afterwards in his famous character of "The Clown". The two prints in the lot depict Grimaldi in his clown attire, the second print also showing a scene from the Red Dwarf, this time facing a creature described as "the Nonedescript".
Lot 2078
A collection of mainly contemporary art to include: a large pastel, 50 x 67cm; a woodblock print of a farm scene, 36 x 38cm; a modern etching of a William Blake page - 'Behold now, Behemoth...'; two abstract lino prints, 25 x 42cm; trio of etchings by Christine Packenham, each 13 x 15cm; Persian painting, 14cm diameter; abstract gouache by Lucien Cooper, 25cm sq; framed montage of silk cigarette packet tokens.
Lot 12
Pablo Picasso (1881-1973)La Mère poule, from Histoire Naturelle (Eaux-fortes originales pour des textes de buffon), 1936 etching with sugarlift aquatint and drypoint, on China paper29.5 x 24.5cm (11 5/8 x 9 5/8in).This work is one of 35 proofs on this paper (the total book edition was 226), printed by Lacourière, published by Fabiani, Paris, 1942Footnotes:LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.345).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume III, 1935-1945, Berne, 1986 (B592.III.B)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (CR.37)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 4
Pablo Picasso (1881-1973)Femme assise et têtes barbues, from La Suite Vollard, 1934 signed in penciletching and aquatint on Montval laid paper with Vollard watermark33.9 x 44.4cm (13 3/8 x 17 1/2in).This work is from the edition of 260, printed by Lacourière, published by Vollard, Paris, 1939Footnotes:ProvenanceRedfern Gallery, London. Acquired from the above by Dr RR. Bomford.Thence by descent to the present owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.216).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1932-1934, Berne, 1992 (B.416).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 49
Pablo Picasso (1881-1973)Raphaël et la Fornarina. VIII, from Series 347, 1968 signed and numbered 22/50 in penciletching, on wove paper 28 x 34.8cm (11 x 13 11/16in).Printed by Atelier Crommelynck, published by Galerie Louise Leiris, Paris, 1969Footnotes:ProvenanceChristie's, Old Master, Modern and Contemporary Prints, London, 3 July 2001, lot 206. Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1966-1969, Berne, 1971 (Bl.1783). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume VI, 1966-1968, Berne, 1994 (B.1800.Bb1).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 50
Pablo Picasso (1881-1973)Femme couchée et deux visages, from Suite 156, 1970 with stamped signature (as issued) and numbered 36/50 in penciletching, on wove paper63.5 x 76.1cm (25 x 29 15/16in).Printed by Crommelynck, published by Galerie Louise Leiris, Paris, 1978Footnotes:ProvenanceRoger Passeron, Paris, 1920-2020.Drouot, Succession Roger Passeron Moderne, Paris, 17 December 2020, lot 513.Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume IV, 1970-1972, Berne, 1979 (Bl.1859). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume VII, 1969-1972, Berne, 1996 (B.1864).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 247
Two framed and glazed animal engravings - George Vernon Stokes (1873-1954) watercolour tinted limited edition, engraving of a cat and a dog, signed and numbered in pencil to lower margin, 6/75, 25cm x 34.5cm, and a Harry Wilkinson coloured dry-paint etching of two hunting dogs in a river landscape scene, signed and numbered in pencil to lower margin 119/180?, 27cm x 36cmLocation: RWM
Lot 485
LIONEL PERCY SMYTHE, R.A., R.W.S., R.I. (BRITISH 1839-1918) THE FIELD OF THE CLOTH OF GOLD: 'TWIXT Signed and inscribed 'Smythe L.P./ "The Field of Cloth of Gold"/...' verso, pencil and watercolour(62.5cm x 125.5cm (24.5in x 49.5in))Provenance: Sir George Findlay. Anonymous sale; Sotheby's Belgravia, 18 May 1976, lot 36, where purchased for the present collection. The Peter Rose and Albert Gallichan Collection Exhibited: London, New Watercolour Society, Summer Exhibition, 1883, no. 92. Chicago, World's Columbian Exhibition, 1893, no. 363. New Haven, Yale Center for British Art, Cleveland, Cleveland Museum of Art, and Birmingham, Birmingham Museum & Art Gallery, Victorian Landscape Watercolours, 1992-93, no. 102. LITERATURE R.M. Whitlaw and W.L. Wyllie, Lionel Percy Smythe, R.A., R.W.S., his life and work, London, 1923, p. 106. R.M. Whitlaw, 'Lionel Percy Smythe, R.A., R.W.S.', The Old Water-Colour Society's Club, London, 1924, I, pp. 64 and 72.Note: Smythe, born in London, lived in Normandy from 1879, although he had been visiting the area since he was a boy. He went to Guines on his honeymoon in 1869, where he first conceived of this picture, with its historical title alluding to the meeting between Henry VIII of England and Francois I of France which took place in Guines in 1520. Smyth also produced an oil of the subject, exhibited at the Royal Academy in 1884, and an etching. The present watercolour was exhibited at the New Watercolour Society in 1883, a year after Smythe's election to the membership, where Whitlaw and Wyllie (op.cit.) describe it as 'one of the note-worthy drawings of the exhibition'.
Lot 509
"Cherries" Limited edition printed etching, 1 of 12 signed by artist Simon Poppy 1995. Simon attended St Martins School of Art and Goldsmiths University London. His art practice is in etching, painting and lithography; exploring space and light in nature and architecture. 47cm x 47cm. Framed and glazed but with cracked at the top right corner. Buyer collects. Proceeds to the Maternity Bereavement Suite Charity at QE Hospital Kings Lynn.
Lot 163
Quantity of animal related pictures to include, framed and glazed pastel study of a Westie, in distressed carved wooden frame , 40 x 30; and a watercolour portrait of a terrier head, signed in pencil Scott, in a circular mount, framed and glaxed; and etching print after Westley of 3 dogs, framed and glazed, and a print of a reclying cat, all in used condition
Lot 179
Quantity of hunting and racing prints, and a pair of coloured etching prints of C18th rural scenes, originally By J R Smith, orig painted by Smith & Bigg, in gilt ebonised glazed frames ; oil of racehorse and jockey indistinctly signed, titled Romulous 1962; and a Lione Edwards print, out of frame. all as found, in used coniditon, some wear
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