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Lot 1

WILLIAM H NORTH (20th Century), "Summer Breeze", signed and dated 1987, watercolour, 7 1/4"x 10"; and an etching after Rembrandt and another work by William H North (3)

Lot 1

Charles Bartlett (b.1921) ‘Blue Foreshore’ Aquatint and colour etching Signed Titled to verso Limited edition 24/100 42cm x 51cm Jeremy King (born 1933) River scene Lithograph Signed 30cm x 63cm. (2) Bartlett - Painter and printmaker. Royal College of Art 1946-50. President of the RWS. Showed regularly at the RA. Examples of his work found at the V&A, National Gallery of South Australia and others. See Buckman, D. p.116. King - has exhibited widely throughout England, including the Royal Academy. His work can also be found in the Tate Gallery’s print collection.

Lot 1

Sir Alfred East, 1849-1913 - Figures in an ornamental garden; etching with aquatint, signed within the plate with monogram, 17 x 12.2cm

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Attributed to Egidius Sadeler, circa 1570-1629 - Figures in a mountain pass with cottages and woodland, after P. Stephens; etching, 16.5 x 26cm: together with a large collection of Old Master Prints, to include examples by or after: Esaias van de Velde, Michael van der Gucht, Bartelommeo Biscaino, Stefano Della Bella, Jacob Matham, Pietro Santi Bartoli, Robert Gaywood, Gabriel Perelle, Pieter van Laer, Salvator Rosa, Jan van Aken, and many others, (a lot), (unframed)

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Marcel Vertes, 1895-1961 - Erotic scene; etching, signed and inscribed ‘Epreuve d’artiste’ in pencil, 30.826.5cm., (unframed)

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After Georges Rouault, 1871-1958 - ‘Arabesques’ and ‘Nocturne’; wood engravings, (4), on two folded sheets, three signed and dated 1932 within the plate, 44 x 33cm., (half sheet size): together with six photogravures after Holman Hunt, an etching of a street scene signed with monogram HSD and dated 1911 within the plate, various sizes, (a lot), (unframed)

Lot 1

James Gillray, 1757-1815 - ‘Phaeton alarm’d! Now all the horrors of the heav’ns he spies, And monstrous shadows of prodigious size, That deck’d with stars, lie scatter’d o’er the skies...’, plate 340, publ. March 22 1808 by H. Humphrey, 27 St. James’s Street; hand-coloured etching, 34.5 x 37.7cm: together with five other prints by Gilray titled: ‘Disciples catching the Mantl!...’, ‘British Tars towing the Danish Fleet into Harbour...’, ‘Politiacl Mathematician’s, shakign the Broad bottom’d Hemispheres...’, ‘Making Decent; ie- Braod-bottomitesgetting into Grand Costume!’; ‘Delicious Dreams! Castles in the Air! Glorious Prospects!’, various publishing dates, (6)

Lot 1

EDOUARD MANET Le Chat et Les Fleurs Etching 8 x 5 3/4 inches plate size

Lot 1

ALEX ORSI A Siamese cat Etching Signed in the margin 6 x 3 inches

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TOM MAXWELL Campbelltown, Scotland Etching Signed in pencil 7 1/4 x 12 5/8 inches plate size

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Westminster from the south bank an etching Indistinctly signed 22 x 32 inches

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A James McBey etching 14" x 9" Isle of Ely" signed with a receit from GEORGE DAVIDSON, Glasgow

Lot 1

Edmund Blampied (1886-1966)-The Water Carrier dry point etching, signed in pencil to the margin, 25cm x 17cm

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Sir Frank Brangwyn (1867-1956)-The Venetian Procession etching, signed in pencil to the margin, titled to the mount, 18cm x 25cm; and a Continental etching depicting harbour scene, indistinctly signed in pencil to the margin (2) (Part Illus.).

Lot 1

Richard Dighton-Hand coloured etching His Friend Rothschild on the Change published by T McLean 1824, 21.5cm x 31cm.

Lot 1

Richard Dighton-Hand coloured etching A View of Norfolk published by Dighton, February 1796, 25cm x 20cm; and one other A View of Yarmouth published by Dighton, 1818, 29.5cm x 22.5cm (2).

Lot 1

William Douglas MacLeod, Signed Black and White Etching "Approach to Chioggia" in black frame, 24.5cm x 36.5cm

Lot 1

WINSTON MEGORAM, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, ‘Down with the ebb’, 10” x 14”

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J LEWIS STANT, SIGNED IN PENCIL TO MARGIN, ARTIST’S PROOF ETCHING, ‘Buttermarket Square – Shrewsbury’, 6” x 9”

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ALFRED DE BREANSKI, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure with sheep in a country landscape, 11” x 17”

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IN THE MANNER OF SIR FRANK BRANGWYN, BLACK AND WHITE ETCHING, Wartime subject, 14” x 13”

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R T COWERN, SIGNED AND DATED 1939 TO MARGIN, BLACK AND WHITE ETCHING, ‘The Valley of the Piare, Nr Sartocasfello’, 7” x 9”

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CHARLES W CAIN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Wild dogs by riverside and buildings, 14” x 9” 335-45

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JOHN CROME, BLACK AND WHITE ETCHING, inscribed ‘At Trowse’ (see gallery label verso), 8” x 7”

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BENJAMIN WILLIAMS LEADER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Extensive woodland landscape, 21” x 16”

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HARRY BECKER, WORKING DRYPOINT ETCHING, Cattle in landscape, 7” x 9”

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LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Distant view of a castle, 4” x 8”

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AFTER F BARTOLOZZI, BLACK AND WHITE ETCHING, Figures fighting with swords; Together with a small collection of FIVE HAND COLOURED POLITICAL CARTOONS, unframed, (6)

Lot 1

JAMES PRIDDEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The Mill, Bibury’, 5” x 7” and INDISTINCTLY SIGNED, BLACK AND WHITE ETCHING, ‘The Grand Piazza, Venice’, 7” x 5”, (2)

Lot 1

MORTIMER MEMPIES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The Three Keys Inn’, 5” x 9”

Lot 1

WILLIAM DOUGLAS MACLEOD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Nomads in the Algerian desert, 8” x 14”

Lot 1

AFTER W L WYLLIE, BLACK AND WHITE ETCHING, ‘Trafalgar, 21st October 1805’, 15” x 25”

Lot 1

JEAN ANTOINE LINCK, ETCHING AND AQUATINT WITH APPLIED WATERCOLOUR, ‘A Glacier’, 13” x 19”

Lot 1

Henry Wilkinson Pheasants in a field, Signed etching, 68/150 24cm x 33cm After L Thackeray Lithograph ‘The Canon’ A Billiard Match 29cm x 40cm (damaged) (2)

Lot 1

Connett Eugene V [Editor] - Upland Game Bird Shooting in America introduction by Col. Lewis S. Thompson NY Derrydale Press 1930 1st edn deluxe end 45 of 75 copies with a signed etching by William Schaldach as frontispiece sm folio 249pp; illus by Lynn Bogue Hunt Edgar Burke Schaldach and others orig brown crushed full-morocco gilt panelled spine gilt with bird dog and gun vignettes and title between raised bands both boards lavishly decorated with gilt sporting scenes to each corner ills endpapers teg

Lot 1

A SIGNED WATERCOLOUR of a bridge beside a stream, 10 1/2" x 14 1/2", together with an etching of a Cheltenham scene, 7 1/2" x 10 1/2"

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AM ETCHING OF A STONE COURTYARD, published 1930, 12 1/2" x 9 1/2"

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William Lionel Wyllie (1851-1931). Black and white etching with drypoint. 'Aground on the Medway'. Signed in pencil. 29cm x 41.5cm

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Pierre Auguste Renoir (1841-1919). Black and white etching. 'Sur la plage à Berneval'. Signed in the plate. 15cm x 10.5cm

Lot 1

Pierre Bonnard (1867-1947). Black and white etching. 'Le Parc Monceau'. Signed in the plate. 35cm x 28cm

Lot 1

William Walcot 3 1/2in. x 5 1/2in. (9 x 14cm) 'The Central Station, Neville Street, Newcastle' Drypoint etching, signed in pencil; with original mount embossed date 1922.

Lot 1

William Walcot 5 3/4in. x 13 1/2in. (14.5 x 34.5cm) A bullfight - drypoint etching, signed in pencil.

Lot 1

William Walcot 6in. x 6 7/8in. (15 x 17.4cm) A cathedral interior in Rome - drypoint etching, signed in pencil.

Lot 1

William Lee-Hankey 8 3/8in. x 6 1/2in. (21 x 16.5cm) 'Contemplation' Drypoint etching, signed proof.

Lot 1

Tom McGuinness 3 1/4in. x 4 7/8in. (8 x 12cm) 'Drillers' Colour etching, signed proof, 1977, unframed; together with a pen and ink drawing by Ian M. Hilliery 10 3/4in. x 8in. (27 x 20cm) A miner working with a pick Signed and dated 1984. (2)

Lot 1

James Alphege Brewer (early 20th century), 'St. Paul's from Bankside', coloured etching, signed and inscribed in pencil, 13 x 12cm (5 x 4 1/2in), together with 'Homewards', etching by Antoine Maunier after Anton Mauve, signed in pencil by the engraver, 18.5 x 22cm (7 1/4 x 8 1/2in), and 'Philip baptising the Eunuch', engraving by John Browne (1741-1801) after J. and A. Both (3)

Lot 1

Sir Francis Seymour Haden PRE (1818-1910), 'Egham Lock' and 'Henry Kelly's, Putney', two etchings, the latter with drypoint, both signed in the plate, 15 x 23cm (6 x 9in) and 11 x 18cm (4 1/2 x 7in) respectively, together with an etching of a family in a punt on a river, 13 x 39cm (5 x 15 1/2in) (3)

Lot 1

After Percy Robertson 1869-. Black and White Etching. Windsor Castle from across the river. Signed in Pencil on mount.

Lot 1

a hand-coloured etching by Gabriel Lory (1784-1846) depicting the Mikhailovsky Palace as seen from the garden signed in the plate in Latin G.Lory fec 1804 with further printed inscription in French plate size: 49 by 73cm. 19.25 by 28.75in.

Lot 1

A Good Victorian Brass Oil Lamp the Column Support on Square Plinth Base Carrying Opague Pink Glass Reservoir. Globe with Floriate Etching and Plain Glass Chimney

Lot 1

Louis Icart 'La biche apprivoise' (the tame doe), 1929, etching with colour, signed in pencil and numbered 18, 54 x 38.5 cm (excluding mount) in gilt frame

Lot 1

William Lionel Wyllie (1851-1931) etching Downstream from London Bridge signed in pencil 11 x 7.5 ins.

Lot 1

Douglas Ian Smart (1879-1970) three etchings Harbour scenes signed in pencil Largest 8 x 14 ins. and an etching by Grainger Smith.

Lot 1

Tom Graham etching Study of a cat signed in pencil 8.5 x 6.5 ins. and another etching of cats 5.5 x 7 ins.

Lot 1

Louis Thomson etching Vanishing Chelsea signed in pencil 9.5 x 5.5 ins. a Percy Lancaster etching and 3 other etchings.

Lot 1

H.L.Boyle etching Off Jutland 1916 signed in pencil 4 x 8.75 ins.

Lot 1

Herbert G. Hampton (Exh.1915-34) etching Peter Pan Kensington Gardens signed in pencil 10 x 6 ins.

Lot 1

Eileen A.Soper (1905-1990) etching Children sledging signed in pencil 8 x 6 ins.

Lot 1

Edward Hill Lacey two unframed etchings Spanish ladys signed in pencil Largest 10 x 6.5 ins. and a W.Strang etching of Toledo.

Lot 1

Victor Marnier etching Maison et studio de Th. Rousseau 5.5 x 8 ins.

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