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Kate McLauchlan (20th/21st Century British), 'White Horses', monoprint, 49cm x 54cm, purchased from her HND show in 2005, and Jackie Halder (20th/21st Century British), 'Bits and Pieces, Hastings Beach', colour etching, signed and titled to mount, 22cm x 30cm, purchased from the Bourne Hall exhibition in 2003. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Dawn Brooks (20th/21st Century British), 'Transient', etching, artist's proof, signed, titled and dated '09 to lower margin, 19.5cm x 16cm, framed and glazed, purchased from the Arts Forum auction in 2013. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Natasha Morland (20th/21st Century British), 'Kung-Fu Bandstand', etching, signed lower left, 48cm x 54cm, purchased from the City and Guilds London Art School Degree Show in 2007. www.natashamorland.com. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Heather Hookey (20th/21st Century British), 'From Stirling Castle', coloured etching, signed titled, numbered 6/50 and dated '88 to lower margin, 22.2cm x 30cm, framed and glazed. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Robert Wilson (20th/21st Century British), 'Shattered', coloured etching, artist's proof, signed, dated '99 and titled to lower margin, 22cm x 29.5cm, framed and glazed, purchased from the Stables Gallery in 2004, and another monochrome etching by the same artist 'Still Life', signed numbered 10/25, dated 2002 and titled to lower margin, purchased from the Arts Forum Gallery auction in 2009. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Kenneth Holmes - The Village on the Hill, Subiaco, Italy, etching, signed in pencil to the margin, 26x29.5cm

Bernard Rice (1900-1998) - Sacrifice of Christ, woodblock, signed and numbered 21/50 in pencil to the margin, 23 x 30cm, unframed; together with a contemporary etching entitled I've Got My Man, unframed (2)

Alfred Blundell (1883-1968) - Untitled, etching, 17.5 x 14cm; and William Hull (1820-1880) - Easedale, watercolour, signed lower centre, 28 x 20.5cm (2)

Judith Dobie, coloured etching of a cricketer, pencil signed artist proof dated 1982, 31cm x 33cm

B G Beattie, pencil signed limited edition etching of sheep, 15cm x 11cm

Michaela, pencil signed limited edition etching of a swan in front of trees, 17/50, 14cm x 11cm

20th Century school, indistinctly pencil signed etching "Black gate", 31/150, 44.5cm x 34cm

Leonard Russell Squirrell, "Castle Acre Priory, Norfolk" pencil signed etching, 25.5cm x 35.5cm

GRAHAM SUTHERLAND etching - semi-abstract / landscape, entitled verso on Mercury Gallery label 'Clegyr-Boia 1 (landscape in Wales) 1938', 21.5 x 16cms Provenance: private collection north Wales Comments: good clear impression without problems, framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)The etching is not signed or numberedThere is a Mercury Gallery label on verso.

BEN PRITCHARD limited edition (1/24) aquatint etching - four film-strips of figures, titled 'Which Way?', signed and dated 2004, 27 x 34cms Provenance: private collection Cardiff Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

JOHN PIPER limited edition (30/70) etching with aquatint - 'Gothic Folly, Stowe', signed in pencil, published by Marlborough Fine Art, 1985, signed in pencil, 38 x 47cms Provenance: private collection Cardiff Comments: framed and glazed, good condition, age discolouration to mount Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)There is foxing to the top section and the whole print is starting to yellow.There is a lot around the bottom mount line.

GEORGE CHAPMAN etching - scene at Merthyr Tydfil, entitled 'Graveyard and Monkey Puzzle Tree', circa 1962, signed fully in pencil, 67 x 46cms Provenance: by descent from the artist Comments: framed and glazed, in excellent condition Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire) 

GEORGE CHAPMAN working proof of an etching and aquatint - figure on steps in south Wales valleys town, entitled 'Maerdie' 32 x 26cms Provenance: by descent from artist Comments: produced on grid paper as a preliminary step to producing a print, framed and glazed, surface mark (possibly artist's paint) Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)Later Note: It’s one of a set of 6 etchings commissioned by Camberwell School of Art but after a change of staff at the college the project was not seen through. This proof has been squared up so that the artist could transfer the composition to a canvas to make a painted version.

GEORGE CHAPMAN limited edition (4/25) etching and aquatint - south Wales valleys street scene with Trojan 200 bubble-car on the road, figures, railway signals, advertising for Guinness and a circus, circa 1963-64, signed, 52 x 52cms Provenance: by descent from the artist Comments: mounted not framed, excellent condition, clear edition Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire) Later Note: from a set of prints called "The Rhondda Suite” commissioned and published by Robert Erskine  of St George’s Gallery, London 3rd August 1960. Titled “The First Building” and shows the fist open air gents lavatory on entering the Rhondda Valley at Treherbert. A 1980s re-strike from the plate.

GEORGE CHAPMAN four prints - including rare etching proof of graveyard, etching of two head portraits, copy of a preliminary drawing with annotations and another, various sizes Provenance: by descent from the artist Comments: two framed, one mounted, one loose Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)Later Notes: [top left] Commissioned by Camberwell, see above 1980.  The print is called “Trehafod”. This is an annotated working proof.[top right] A good drawing made in situ as a study for a painting, about 1958.[lower left] This is a  very early and rare proof of an etching and aquatint, It is titled “Trehafod” and dates from about 1954. VERY few of these are in existence.[lower right] Title: “A Miner and his Wife”.  Etching. Megan and Llewelyn whom George befriended  in the valleys. He’d sit on the kerbside drawing and she’d come out with a tray of tea and Welsh cakes. 

SIR FRANK BRANGWYN RA etching - view of Dorsoduro, Venice with the house of Robert Browning, signed, 50 x 22cms Provenance: private collection, Vale of Glamorgan Comments: some foxing especially in lower margin, later framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

ISLWYN WATKINS artist's proof coloured etching and aquatint - abstract, entitled 'Where It's At', dated 1984, signed, 17 x 27cms Provenance: label verso for Brecknock Museum Exhibition, private collection, Powys Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

JOHN BRUNSDON artist's proof (8/15) colour etching - town panorama titled in pencil 'Swansea' with Swansea Bay and distant smoking industrial chimneys, signed, 31 x 47cms Provenance: private collection mid-Wales, Attic Gallery, Swansea label verso Comments: framed and glazed, paper aged as expected, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

PETER PRENDERGAST etching - title to margin 'View From Studio, 1984', signed, 19 x 19cms Provenance: private collection, Vale of Glamorgan Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

EDGAR HOLLOWAY etching - portrait, titled top right 'DMH Sewing at the Sychtre, 1943', signed in pencil and with dedication, 22 x 31cms Provenance: private collection mid-Wales Auctioneer's Note: DMH refers to the artist's wife, Daisy Monica Hawkins. She was Eric Gill's muse at Capel-y-Ffin in 1943. The Sychtre was the farmhouse on the mountain above the monastery that the newlyweds rented. Several drawings and watercolours that Holloway made at the Sychtre are now in the National Library of Waless, including 'DMH Ironing', the dedication is to Holloways' biographer Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

GEORGE CHAPMAN mixed media cut-out on to paper - south Wales valleys street scene with footbridge and figures, 42 x 54cms Provenance: by descent from the artist Comments: a studio preliminary, tear during construction and glue marks to paper back, mounted not framed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)Later Note: the framed bottom half of his 1962 etching and aquatint, The Bridge. The subject is at Pentre. It is hand coloured  with a wash.

GEORGE CHAPMAN group of six preliminary works on paper - including south Wales valleys scene with figures and distant colliery, 28 x 35cms Provenance: by descent from the artist Comments: one laid down, one mounted, three are loose Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)Later Notes:[top left]1956-1959 drawing[top right] Dates from about 1962 for one of his “peripheral vision” paintings[lower right] Rhondda People, torn sheet of studies — used for his 1960 etching of the same subject.[lower middle] Portrait, unknown, mid 1980s[lower left] Trehafod, 1980s

William Renison (1866 - 1930) An early 20th century etching of Orkney Castle. Signed by the artist to the corner. Framed and glazed. Measures 60cm x 42cm.

Herbert Moxon Cook (1844-1928), The River Arun Sunset, West of Arundale Castle, signed, inscribed, watercolour; another by the same hand "On the Arun"; a further work reputedly by the artist "Sunny afternoon at Alfeston, Sussex", watercolour; together with an etching of a city street scene, 26cm by 37cm and other sizes (4)

William Alister MacDonald (1861-1948)"Parliament"signed, watercolour; together with another depicting St Paul's; an etching from Los Caprichos, watercolour of Lindisfarne and another by Tom Clough (5)Condition report: Two small watercolours of Venice with some foxing. Tom Clough watercolour with mild foxing to the lower half and with some discolouration. Coastal watercolour appears in generally good condition.

Raoul Dufy (French, 1877-1953). Etching on laid paper titled "Two Antillean Women," depicting a reclining woman and the bust of another woman, ca. 1930. Published by Ambroise Vollard. This print was commissioned by Vollard for a portfolio which was never editioned and only a limited number of proofs were printed.Provenance: Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Sight; Height: 15 1/4 in x width: 21 1/4 in. Framed; Height: 22 in x width: 28 in.

Henry Jackson Simpson (Scottish 1893 1963): 'Kings College', etching signed and titled together with English School (19th century): 'Near St Petersburg', pastel signed with monogram 'SL' dated 1880 perkin watercolour, monogram sl 1880 and another watercolour max 20cm x 17cm (3)

Stanley Roy Badmin (British 1906-1989): 'Shepton Mallet Somerset 1930', etching on cream laid paper signed titled and numbered 5/50 published by Twenty One Gallery 14cm x 7cm

Jacob Kramer (British 1892-1962): Reclining Nude Man, etching signed 10cm x 15cm

Heath (William) March of Intellect, satire on technological innovations and modern architecture, with numerous steam-powered inventions, etching with full hand-colouring, on wove paper without watermark, sheet 284 x 402 mm (11 1/8 x 15 7/8 in), trimmed to border, edges reinforced verso, minor scattered surface dirt, spotting and browning, handling creases, unframed, Thomas McLean, 1829Literature:BM Satires 15779⁂ Lord how this world improves as we grow older"

Gillray (James) The Three Mr. Wiggins's, etching and aquatint printed in brownish-black coloured ink with original hand-colouring, on wove paper without watermark, sheet 340 x 250 mm (13 1/4 x 9 7/8 in), some scattered surface dirt, minor handling creases, unframed, Hannah Humphrey's, 1803Literature:BM Satires 10163⁂ The three men depicted are the Matthew brothers, and were noted fashionables and frequenters of 'the Bond Street Lounge'.

Freedom of the press.- Catholic emancipation .- Heath (William) The Man Wots Got the Whip Hand of 'Em All, etching with hand-colouring, platemark 350 x 250 mm (13 3/4 x 9 3/4 in), sheet 420 x 290 mm (16 1/2 x 11 1/2 in), marginal nicks and tears, surface dirt and handling creases, unframed, Thomas McLean, 1829Literature:Not in BM Satires

Jackson (S.) The Shaftsbury Election or the Humours of Punch, satire showing the malpractices at the Shaftesbury election of 1774 which became notorious owing to the petition of the defeated candidate, the subsequent proceedings in the House of Commons, and actions at law 1775-6, mezzotint with etching, a good richly inked impression on laid paper with indistinct armorial watermark, platemark 292 x 465 mm (11 1/2 x 18 1/4 in), sheet 315 x 480 mm (12 3/8 x 18 7/8 in), faint central vertical fold, tape stain to lower part of fold, marginal nicks and tears, particularly to the lower left, small perforation within the image at the upper left corner, minor damp-stains to upper corners, other minor spotting and surface dirt, printers' creases, unframed, 1775.Literature:BM Satires 5341

Curtis, Sir William.- Cruikshank (Isaac) Pan-i-c in the City, or Soup_Sovereigns_and Security, etching with original hand-colouring, platemark 245 x 350 mm (9 5/8 x 13 3/4 in), sheet 265 x 420 mm (10 1/2 x 16 1/2 in), minor handling creases, some surface dirt, unframed, J. Fairburn, 1826; together with a good group of 7 further satirical printed featuring Curtis, including Cruikshank's 'The Grand Duke of Middleburg or the late Ld C-t-m & Commdore Cur-t's paying thier respects on thier return from the Glorious Expedition' [BM 11369], 'The city sheep shearing' [BM 11309], 'William's return!!!' [BM 11361], George Cruikshank's 'An affecting scene in the downs' [BM 11357], 'William, armed cap-a-pie, soliciting the honor to accompany the grand expedition' [not in BM], 'Who's affraid!! Or great & glorious news for old England!!!' [BM 11353], with Charles William's 'Returned from a Northern Visit' [BM 14392.A], etchings, all with hand-colouring, various sizes, some trimmed irregularly, with other nicks and tears, surface dirt and browning, all unframed, early 19th century (8)

Hamerton (Philip Gilbert) The Graphic Arts, first edition, 1882; Etching & Etchers, third edition, 1880; Landscape, 1885, plates, including some original etchings, bookplate of Sir William Eden, Bart., each in contemporary half morocco, gilt, by Hatchards (the first brown, the others green), spines of the last 2 slightly faded, 4to (3)

A finely etched sentoku (brass alloy) cabinet modelled as a miniature nijunoto (two-storey pagoda)By Fujii Yoshitoyo (Biho, born 1868) of Kyoto, Meiji era (1868-1912), late 19th/early 20th centuryWorked predominantly in his renowned etching technique with strands of gold and silver overlaid on the sentoku with extensive chased details, constructed on two storeys raised on an integral stepped base, each storey beneath a sloping roof, the upper roof fitted with one removable drawer, the lower roof with two drawers, all with chrysanthemum bud handles, the upper roof decorated with ho-o birds, dragons, a temple complex and a bird among peonies surmounted by a tall stupa with a tama-shaped knop from which chains lead down to the roof's corners, the lower roof similarly decorated, the sides around the base with repeated foliate and geometric patterns, stamped on the base with the Mount Fuji mark of Fujii Yoshitoyo; on its original, detachable, stepped wood stand. The pagoda: 18.5cm (7¼in) high. (2).Footnotes:Fujii Yoshitoyo, founder of the Fujii Damascene Company, was most famous for his 1/50 scale model of the Kinkakuji in Kyoto, sent to the Japan-British Exhibition in 1910, which is said to have taken him four years to complete, see Mochizuki Kotaro, Japan To-Day: A Souvenir of the Anglo-Japanese Exhibition Held in London 1910, (Special Number of the Japan Financial and Economic Monthly), p.587.For further information on this lot please visit Bonhams.com

David Rathman (American, b. 1958). Etching and aquatint on paper titled "Montana's Killing Me." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Signed along the top edge of the print. From a suite of five prints. Sold by order of the Trustees of a major Midwest museum Unmatted; Height: 17 1/4 in x width: 15 in. Matted; Height: 28 in x width: 22 in.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "Thatís as Fair as I Know How to Make It." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Titled along the top edge of the print. Sold by order of the Trustees of a major Midwest museum Unmatted; Height: 17 1/4 in x width: 15 in. Matted; Height: 28 in x width: 22 in.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "I Forgot It Was Sunday." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Titled along the top edge of the print. From a suite of five prints. Sold by order of the Trustees of a major Midwest museum Unmatted; Height: 17 1/4 in x width: 15 in. Matted; Height: 28 in x width: 22 in.

Louisa Chase (American, 1951-2016). Abstract etching on paper titled "Untitled (Fire)" number one from a set of two etchings with a theme of fire and water. Pencil signed and dated 1984 along the lower right; numbered 2/30 along the lower left. Provenance: Distinguished corporate collection, Minnesota. Unframed; Height: 18 1/2 in x width: 20 in. Framed; Height: 24 1/2 in x width: 24 3/4 in.

Sarah Brayer (American, b. 1957). Aquatint and etching on paper depicting a fisherman in a boat. The artwork is pencil signed and dated 1983 along the lower right, and titled and numbered 56/100 along the lower left. Sight; Height: 6 1/4 in x width: 4 1/2 in. Framed; Height: 11 1/4 in x width: 9 1/4 in.

Amelia Coats (American, 1877-1967). Etching on paper depicting a Hawaiian beach with three palm trees and a mountainous island in the distance. Pencil signed and dated 1928 along the lower right. Sight; Height: 5 1/4 in x width: 2 1/2 in. Framed; Height: 11 1/4 in x width: 7 1/2 in.

W. Herbert (Buck) Dunton (1878-1936). Etching on paper titled "Petra, Saint Domingo Pueblo" depicting a portrait of a young girl. The etching is titled along the lower left and signed along the lower right. Sight; height: 9 1/2 in x width: 7 1/2 in. Framed; height: 17 1/2 in x width: 14 1/2 in.

Salvador Dali (Spanish, 1904-1989). Drypoint with etching and pochoir on Japon paper titled "Elijah and the Chariot," 1975, from the "Our Historical Heritage" suite. Pencil signed along the lower right and numbered 65/250 along the lower left. Literature: Field 75-4 J Sight; Height: 16 in x width: 22 in. Framed; Height: 28 1/2 in x width: 36 1/2 in.

Mary Esch (American, 21st c.). Portfolio of 12 soft ground etchings titled "Three Questions." Each signed, titled "Three Questions" I-XII, editioned 2/12, and dated 2003 in pencil along the bottom edge of each etching. Sold by order of the Trustees of a major Midwest museum Each; Height: 24 in x width: 22 1/2 in.

Giambattista Tiepolo (Giovanni Battista Tiepolo) (Italian, 1696-1770). Etching on paper titled "Young Man Seated, Leaning Against an Urn," from the series Vari Capricci (Various Caprices). Likely a posthumous printing. Sight: 5 3/4 in x width: 7 1/4 in. Framed; Height: 12 in x width: 13 in.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "It's Just my Rough Habits, I Guess." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Titled along the top edge of the print. Sold by order of the Trustees of a major Midwest museum Unmatted; Height: 17 1/4 in x width: 15 in. Matted; Height: 28 in x width: 22 in.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "Butterfly Mornings, Wildflower Afternoons." Pencil signed and dated 2002 along the bottom edge. Editioned 10/18 along the bottom right edge. Titled along the top edge of the print. Sold by order of the Trustees of a major Midwest museum Unmatted; Height: 17 1/4 in x width: 15 in. Matted; Height: 28 in x width: 22 in.

Enzo Cucchi (Italian, b. 1949). Etching on paper titled "La Mano di Pietra," 1982. Pencil signed along the lower right and numbered 49/50 along the lower left. A label from Pace Editions Inc., New York, New York is adhered along the verso. Provenance: Distinguished corporate collection, Minnesota. Unframed; Height: 33 in x width: 23 1/2 in. Framed; Height: 36 in x width: 26 in.

Group of two prints by Jacques de Gheyn III (Netherlandish, ca. 1596-1641). Etching titled "Vreedsamich Paer" (The Pious Old Couple) depicting two people seated next to each other with the holy spirit, in the form of a ray of light and a dove, hovering above them. Engraving of the personification of Wealth. Plate 2 of 9 from the series Virtues and Vices. Engraved by Zacharias Dolendo (Netherlandish, 1561-ca.1604). Provenance: Galerie Gerda Bassenge, Berlin, June 15, 1998; Private Minnesotan Collection. (Vreedsamich Paer) Sight; Height: 8 in x width: 6 in. Framed; Height: 16 1/2 in x width: 12 in. (Wealth) Sight; Height: 8 in x width: 6 1/4 in. Framed; Height: 13 1/2 in x width: 11 1/2 in.

Louisa Chase (American, 1951-2016). Abstract etching on paper titled "Untitled (Water)" number two from a set of two etchings with a theme of fire and water. Pencil signed and dated 1984 along the lower right; numbered 2/30 along the lower left. Provenance: Distinguished corporate collection, Minnesota. Unframed; Height: 19 in x width: 15 in. Framed; Height: 25 3/4 in x width: 24 1/4 in.

* JAMES MCBEY (SCOTTISH 1883 - 1959),RICHBOROUGH CASTLEetching on paper, signed and inscribed VIIimage size 18cm x 30cm, overall size 41cm x 51cmMounted and unframed. Provenance: Martin Hardie Dealer label verso.

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931),THE BASS ROCKetching on paper, signed, titled label versoimage size 21cm x 49cm, overall size 44cm x 70cm Mounted, framed and under glass. Label verso: W R Howell & Co., London.

* JAMES MCBEY (SCOTTISH 1883 - 1959),EBBESFLEET, SANDWICHetching on paper, signed, numbered XX, titled and dated 1912 in the plateimage size 18cm x 30cm, overall size 41cm x 51cmMounted and unframed. Provenance: Martin Hardie Dealer label verso.

* JAMES MCBEY (SCOTTISH 1883 - 1959),TETUANetching on paper, signed and inscribed XXXIVimage size 12cm x 25cm, overall size 41cm x 51cmMounted and unframed. Provenance: Martin Hardie Dealer label verso.