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Lot 190
* ANGELA LEMAIRE (BRITISH CONTEMPORARY) TWO ACTORS BEFORE WINDOW linocut print, signed, titled, dated '77 and numbered 1/5 in pencil 31cm x 23cm Mounted, framed and under glass. Note: Angela Lemaire was born in Buckinghamshire and went to the Lyçée Français de Londres and Wispers School in Sussex, then to PLC Pymble in Sydney Australia. She returned to Britain in 1962 and went to Chelsea School of Art, London (1963) and Camberwell School of Arts and Crafts (1964-67, Dip. AD.), where she was taught relief printmaking by Michael Rothenstein. After this she went to Morley College, Lambeth, where she continued etching. The wood-engraver Frank Martin, who taught at Camberwell, gave her a box of wood-engraving tools which had belonged to a colleague of his who had died. With these tools she taught herself wood-engraving; it hadn’t been taught at art-school. She was by then already friends with the wood-engraver and letterer Michael Renton and had watched him at work. She decided she would work principally as a printmaker and with text and image. Angela lives and works in the Scottish Borders and has exhibited widely including numerous solo shows at prestigious galleries around the UK and beyond.
Lot 160
Pictures and prints - The Rev. Joseph Wilkinson 1764-1831, Elegant Travellers in the Lake District, pencil, pen and watercolour, 19 x 26.5cm, framed; an 18th century engraving of Chatsworth House 'engraved for The Modern Universal British Traveller', framed; another 'Tom And Jerry In Trouble After A Spree.' English Dandies, Tom And Jerry, Before A Judge. Etching By George Cruikshank for Pierce Egan's 'Life In London,' 182, framed; etc. (7)
Lot 107
‡ Ann Christopher RA (b.1947) Drawing no. 20 Signed and dated 1981 Pencil 37.8 x 60.6cm Together with Ann Christopher, Hill Line, Signed and numbered 8/35 in pencil to margin, and further signed and dated 1987 in the plate, Etching and aquatint, 42 x 74cm (sheet) (2) Provenance: Both gifted by the artist to Dame Elisabeth Frink and Alexander Csaky; By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet Ann Christopher's talent was spotted by Elisabeth Frink at an early age, and the two became life-long friends. Christopher's partner Ken Cook worked with Frink, casting many of her small sculptures over 30 years. We are grateful to Ann Christopher for her assistance cataloguing these works.
Lot 115
‡ Lin Jammet (1958-2017) Fighters Signed, dated 98 and numbered 9/30 in pencil, with blindstamp Etching with dry-point and aquatint, printed at Greshams 49.5 x 32.6cm (plate); 68.5 x 49cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet From a series of seven etchings.
Lot 118
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 147) Signed and inscribed A/P VII in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 56 x 37.5cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).
Lot 119
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Ganymede (Wiseman 146) Signed and numbered 21/70 in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 56 x 38.8.cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).
Lot 120
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Jason and the Golden Fleece (Wiseman 151) Signed and inscribed A/P IX in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint in brown on Velin Arches paper, part of the Children of the Gods series, 1988 53.5 x 37.2cm (plate); 73 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).
Lot 121
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hermes (Wiseman 145) Signed and numbered 70/70 in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown paper, part of the Children of the Gods series, 1988 56 x 37.5cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).
Lot 122
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 153) Signed and numbered A/P VIII in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown Velin Arches paper, part of the Children of the Gods series, 1988 53 x 37cm (plate); 73 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).
Lot 123
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Anthony and Cleopatra (Wiseman 128) Signed in pencil, inscribed and numbered A/P, 15/15, and with Waddington Graphics blindstamp Etching in colours on Velin Arches paper by Kelpra Studio, 1982, published by the Royal Shakespeare Company 75 x 56.7cm (plate); 87.5 x 66.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet The two actors depicted are Helen Mirren and Michael Gambon.
Lot 124
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Franklin's Tale (Wiseman 74) Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 58cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet
Lot 125
‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Squire's Tale (Wiseman 73) Titled in pencil to verso Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 57.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet
Lot 74
‡ Julian Trevelyan RA (1910-1988) Self portrait with cat; Two cats Two, the former signed and inscribed Lis & Alex from Julian & Mary with love in pencil to the margin, the latter signed and inscribed Alex & Lis from Julian & Mary with love in pencil to margin The former aquatint and coloured etching, the latter coloured etching 12.2 x 9.8cm; 9.8 x 14.2cm (plates) (2) Provenance: Each Dame Elisabeth Frink and Alexander Csaky (Frink estate stamps to both backing boards); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
Lot 75
‡ Julian Trevelyan RA (1910-1988) Me and Tom Signed, titled, and numbered 8/25 in pencil to margin Etching and aquatint in colours, 1976 34.9 x 47.3cm (plate) Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
Lot 76
‡ Julian Trevelyan RA (1910-1988) Game Park Signed, titled and numbered 2/125 in pencil to margin Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
Lot 77
‡ Julian Trevelyan RA (1910-1988) Sahara Signed, titled, and inscribed artists proof in pencil to margin Etching and aquatint in colours, 1973 35.2 x 47.6cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
Lot 88
‡ Nicola Hicks MBE (b.1960) Chickens Signed and dated 92 Coloured chalks on brown paper 94.4 x 63cm Unframed Together with Nicola Hicks, Rooster, Signed, dated '93, and inscribed AP in pencil to margin, Drypoint etching, 10.8 x 9.2cm (plate), Unframed (2) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Elisabeth Frink was a mentor to the young Nicola Hicks, and in 1985 selected her for a solo exhibition The Artist of the Day, at the Flowers Gallery, London. Frink described Hicks as 'one of our most talented young sculptors, and also a most wonderful draughtsman'.
Lot 93
Wassily Kandinsky (Russian 1866-1944) Radierung für den Kreis der Freunde des Bauhauses (Etching for Circle of Friends of the Bauhaus) Signed in pencil to margin Drypoint, 1932 From the unnumbered edition of 100, published Kreis der Freunde des Bauhauses 19.7 x 23.5cm (plate) Provenance: Dame Elisabeth Frink (Frink estate stamp to backing board); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet
Lot 643
James Gillray (1757-1815) - 'Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Hero cleansing ye Mouth of ye Nile'. A framed and glazed hand coloured etching picture by James Gillray, published 1798 by H. Humphrey. Set within an oak frame. Measures 61cm x 68cm.
Lot 2272
James Gillray (British 1756-1815) - The Introduction, monochrome caricature etching published by H Humphrey 1791, 25 x 35.5cm approx visible sheet size, together with a further late 18th century monochrome caricature etching - Give Me The Sweet Delight Of Love - A Catch, inscribed Agnes I-N, published by H Humphrey 1781, 22 x 28.5cm approx visible sheet size, both framed (2)
Lot 2300
George Ernest Howman (Early 19th century British School) - Study of Loch Awe, pencil on paper, unsigned but with label verso, 22 x 30cm, together with a quantity of decorative early 19th century and later prints and engravings, including a signed humorous monochrome etching after Alexander Brantingham Simpson - The Duchess and The Wasp, 22 x 14cm approx, a small needlework sampler by Eliza Catharine Stone dated 1842, 18cm square approx, etc, various sizes all framed (19)
Lot 1689
A Victorian silver mounted etched glass classical revival claret jug, by Henry Bourne, Birmingham 1875, etched with 'Night' and 'Day' after Thorvaldsen, 28cmCONDITION: Tarnish to the silver otherwise good condition. Handle is springy but there is no evidence a girdle mount is missing as it would have covered up the etching.
Lot 393
A COLLECTION OF PRINTS to include five Michael Blaker open edition prints, Daniel Giraud Elliot prints of cats, some fading, prints of Anne Curtis drawings for the Royal Shakespeare Theatre, Charles Crmmbie golf prints, metal etching prints of sailing ships by Ralph S.Coventry, Renoir print 'Dance at le Moulin De La Galette' etc, all framed, largest approximate size 70cm x 88cm including frame (27)
Lot 15
William Lippincott (New York, 1849 - 1920) "An Idyl" oil on canvas painting. Signed lower right. With old labels verso. Housed in a gilt frame. Provenance: Important New York City private collection. Lippincott taught at the National Academy of Design and also attended the Pennsylvania Academy of Fine Arts. He exhibited in the Paris Salons until 1882 and then returned to the United States where he set up a studio in New York City. He exhibited regularly for more than 40 years at the National Academy of Design, elected an associate member in 1884 and a full academician in 1897. In addition to the National Academy, Lippincott was a member of the New York Etching Club, Philadelphia Sketch Club, and American Watercolor Society. Sight Size: 10.5 x 14 in. Overall Framed Size: 19 x 25 in.
Lot 200
Raoul Dufy (French, 1875-1953) Etching. Pencil signed lower right, numbered (36/100) lower left. L'Art D'Aujourd'hui #5. Deluxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Limited in 100 copies with an original eau-forte by Raul Dufy signed and numbered by the artist. Image Size: 7.5 x 5.5 in. Overall Framed Size: 15.75 x 14 in. Framed behind glass.
Lot 201
Jean-Francois Millet (French, 1814 - 1875) "Le Retour des Champs" Etching. Signed in plate lower right. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet. Image Size: 4.75 x 7 in. Overall Framed Size: 15 x 21 in. Framed behind glass.
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71082 item(s)/page