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Five pictures to include Lisa Dalton (20th century): the Bay of Biscay, oil on board; John Mooney (b. 1948): 'Scottish seascape', Limited Edition engraving; Lucinda Mackay (b. 1941) 'Swimbourne House', pencil drawing; Lucinda Mackay (b. 1941) 'St Anne's Limehouse', etching, signed in pencil; and a watercolour, 'Sleeping Family', by Jim Gilbert (1933-1995). Provenance: Shane Hugh Maryon Gough, 5th Viscount Gough (b. 1941) descendant of British army officer Hugh Gough, 1st Viscount Gough (1779 - 1869)
Stanley William Hayter (1901-1988) (ARR), "Onde Verte", signed, titled, dated 65 and numbered E1/5 in pencil, etching and aquatint, 59 x 50cm (pl.) together with Henry Cliffe (1919-1983) (ARR), Hera, signed, dated 58 and numbered 34/50 in pencil, lithograph, 57 x 80cm (sheet), both unframed. (2)
•AUGUSTUS JOHN, OM, RA (1878-1961) MOTHER AND CHILD SEATED, GIRL STANDING (CD 95) Etching, 1906, signed in pencil 6 x 8.5cm.; with an unrelated ALS from John, to Mr Teltsch (?), acknowledging the recipient's cheque and approval of a work entitled `Sara`, dated June 21 1957 [the year indistinct], on Fryern Court headed paper, 17 x 13cm (2) ++ Etching good; letter with a few creases
SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) THE STEPS (R.31) Etching, 1892, signed in pencil 25 x 7.5cm. Exhibited: As the property of Andrew McIntosh Patrick: The Scottish Arts Council, `With an Eye to the East`; London, The Barbican Art Gallery, no.295; London, The Fine Art Society, `The Andrew McIntosh Patrick Collection`, 2007, no.31 (labels verso) ++ Generally good; slight time toning
ENGLISH SCHOOL, 18th CENTURY PUTNEY - BRIDGE & CHURCH Aquatint with etching, printed in sepia, no credits 11 x 16cm.; with twelve further small prints, principally steel engravings, to comprise views of London, Conway, Liverpool, Southport, Whitehaven, Broughton and Jesus College, Cambridge, various sizes (13) ++ Generally satisfactory/good
•HENRY MOORE, OM, CH (1898-1986) TIGER (Cramer 643) Etching, 1982, from `Animals at the Zoo` portfolio, published by the Henry Moore Foundation, signed by the artist, with number Pl X 17/65 Image 19 x 23.5cm; sheet 45 x 53cm.; with the prospectus for `Henry Moore Sketchbook 1926`; and the hardback book `Henry Moore Animals` by W. J. Strachan, London 1983 (3) ++ Each in good condition
•ETHEL GABAIN (1883-1950) LE LEVER DE L'OUVRIERE Lithograph, c.1912, signed in pencil within the image Image 42 x 31cm.; with eight further prints in various media, to include two mezzotints of `The Foundryman I and 3` by S. Howard, 1989; two etchings of shadows on a roof by S. Yomura, 1996; an etching of donkeys and poultry in a barn by Lawrence Josset; an etching of Dancers by Jessica Gwynne; and two further prints, all but one signed and/or inscribed, all unframed, various sizes (9) ++ Gabain with time toning; others good
•MELVYN PETTERSON (b.1947) KEW RAILWAY BRIDGE, NO.2 Etching, 1989, signed, dated, inscribed with title and A/P (artist's proof) 43.5 x 58cm. with `Richmond` (1985), `Bridge, Newcastle` (1985) `Petersham, late afternoon` (1988) and `Cat Study` (1995), also by Petterson, signed, 12 x 11cm., 11 x 17cm., 19.5 x 25cm. and 10.5 x 15cm.; and two signed etchings by Olwen Jones of `Santa Fosca's Torcello` and `Venetian House`, each 40.5 x 29.5cm. (6) ++ Good condition
William Lionel Wylie RA (1851-1931), H.M.S Victory firing a salute in Portsmouth Harbour with battleship and other craft, signed in pencil, etching on paper, 10cm x 35cm, mounted glazed and framed, together with another Wylie print of barges near a shoreline, 8x16cm, and an etching R.A Thomas, sailing boat passing Tower House and the Round Tower, 13x20cm, (3)
George Cruikshank (1792-1878), by and after, Drawing - for the Militia_!, Published by George Cruikshank, [London 1834], hand-coloured etching, 18cm x 25cm; Thomas Rowlandson (1756-1827), by and after, Doctor Syntax Drawing After Nature, Published by R. Ackermann, London 1812, hand-coloured aquatint, 12.5cm x 20cm; English School (early 19th century), caricature, Police Inteligence, "There is no appeel (sic), [Sir Robert Peel], [London, c.1829?] hand-coloured etching, 9.9cm x 8.5cm; Punch's Pocket-Book For 1851, four-fold panorama, Preparatory School for Young Ladies, hand-coloured line engraving, 30.5cm x 12.3cm [4]
A. E. Grace, framed and glazed etching titled 'Parish Church & Old Houses Hitchin', dated 1/1/47 and signed in pencil l.r., note to the bck of the frame reads 'Grace A.E. (Mr) Trees, 34 Kingsnorth Gdns, Folkestone, Kent - Etching: 'Parish Church and Old Houses, Hitchin' No.1', some discolouration. Picture size: H.35cm x W.24cm.
A. E. Grace, framed and glazed etching looking out over Winchester, titled 'Winchester' and dated 1945, signed l.r. in pencil, edition 1/80, note to the back of the frame gives the artists name and address 'Mr A. E. Grace 34, Kingsnorth Gardens, Folkestone' while one label states the framers as 'James Bourlet & Sons Ltd., Fine Art Packers, Frame Makers, J14352, 17 & 18, Nassau Street, Mortimer Street, W', while another reads 'Royal Academy Exhibition Tour 1956' with the same James Bourlet & Sons address, some discolouration. Picture size: H.19.5cm x W.36cm.

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78408 item(s)/page