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Lot 153

Two Tugs Pulling a Three Masted Sailing Vessel, etching after Harold Wyllie (British 1880-1973) signed in pencil 22cm x 28cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 140

A large signed Frank Brandwyn etching of Cannon street station exterior With plate destroyed label verso H68cm W71cm signed in pencil

Lot 325

After Herbert Dicksee (1862 -1942), "The Closed Door", etching, published by Frost & Reed, 1919, with blind stamp, signed in pencil, 34 x 54 cm, mahogany frame.

Lot 439

XVIII and XIX Century Prints and Etchings, including Terrifa - Gibraltar, a View of the Castle, Dover, Kent, W.H. Liveet etching. (7)

Lot 254

A FRAMED AND GLAZED ETCHING OF A STREET SCENE, SIGNED TO THE LOWER RIGHT

Lot 177

HUGH PATON - 'COLOUR ETCHING. A PRACTICAL TREATISE', Simpkin, Marshall, Hamilton, Kent & Co. Ltd. 1909, Large Paper Edition only 25 copies have been printed for sale, of which this is No. 7, two tipped in etchings Condition Report:Front and back endpapers browned otherwise very goodPlease note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

Lot 194

A COLLECTION OF BOOKS CONTAINING ENGRAVINGS together with loose engravings to include 'Claude's Liber Veritatis reproduced in autotype from selected etchings by Richard Earlom', 1872, L'Allegro by John Milton illustrated by The Etching Club, published for the Etching Club by Joseph Cundall, 1849, 'Etchings to The Illustrated Shakspere: designed by Kenny Meadows', published by WM. S. Orr & Co. c.1845 etc Condition Report:Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

Lot 123

JOHN BELLANY CBE (SCOTTISH 1942-2013)The Wanton Bride Pencil signed artist's proof etching, 30cm x 24.5cm. ARR. EPW Alfons Bytautas blindstamp

Lot 126

JOHN HOUSTON OBE RSA RSW RGI (1930-2008) Poppies Pencil signed and dated 1993 etching, edition 47 of 60, 23cm x 32cm. ARR.Scottish Gallery label verso

Lot 129

MARY NEWCOMBE (B.1922)Sheep with LambsPencil signed artist's proof etching, 48cm x 58cm. ARR.Edinburgh Printmakers Label verso CONDITION REPORT: No obvious damage.

Lot 133

ELIZABETH VIOLET BLACKADDER (b1931)CatsPencil signed etching, edition 25/7022cm x 30cm

Lot 124

JOHN BYRNE Harlequin with Guitar Pencil signed coloured etching, edition 11 of 30, 24cm x 19.5cm. ARR.

Lot 111

WILLIAM WALCOT (1874-1943) Ancient Rome Pencil signed etching, 44cm x 38cm. Open Eye Gallery label verso

Lot 117

SIR DAVID MUIRHEAD BONE (SCOTTISH, 1876-1953) Railway Shed - Marseilles Pencil signed etching, 25cm x 31cm Open Eye Gallery label verso

Lot 211

HENRY WRIGHT KERR (SCOTTISH, 1857-1936) Portrait of an elderly gentleman Pencil signed etching, 11cm x 14cm.

Lot 838

BRUCE ONOBRAKPEYA; a limited edition coloured etching, 'Life at Magidum I', signed, inscribed 'Lagos October 1977', no.22/40, 68 x 49.5cm, framed and glazed. CONDITION REPORT: There is foxing and staining throughout the print.

Lot 771

Two 19th century hand coloured zoological etchings depicting exotic animals, the larger 22 x 16.5cm, both framed and glazed, a late 18th century monochrome etching 'Variety of Common Hog 140. No.75' (probably a plate extracted from Thomas Pennant's British Zoology), 19 x 15cm, an etching a sheep, an autograph book, etc (6).

Lot 857

A quantity of loose pictures and prints to include an etching titled 'Evening Patterns' by Chas Chaplin, 1956, two watercolours titled 'Wigan Pier' and 'Great Underbank Stockport', a coloured signed print by Dorothy Bruce, etc.

Lot 770

A set of five coloured etchings 'The Royal College of Surgeons, Lincoln's Inn Fields' and 'Guy's Hospital and Statue of Thomas Guy, The Founder', and two larger prints, also a signed black and white etching by WA Donald, 20 x 26cm and two limited edition prints after John Western, all framed and glazed (10).

Lot 354

After Georg Ehrlich (1897-1966), child crouching with dog, drypoint etching, signed in pencil, mount printed with the artist's name and presented by the artist, 15.5cm by 11.7cm, unframed, together with an unframed etching of a fishing boat, after Briscoe, 12.5cm by 17.5cm

Lot 369

A Scottish Field Officer's Broadsword, to the King's Own Scottish Borderers, the part fullered blade, length 83 cm, with traces of etching, the plated, thistle-decorated, pierced and engraved hilt incorporating the regimental crest, with felt-covered leather liner, wire bound fishskin grip, chequered backstrap, the leather-covered field scabbard with Sam Browne frogSword blade has been very heavily rusted and corroded, subsequently cleaned, but with only traces of the etching remaining. Slight losses to plating on hilt. Slight moth damage to fabric on liner. Grip ill-fitting ti backstrap. Leather to scabbard stained near tip. Top plated mount reglued. Some vermin damage to Sam Browne frog.

Lot 284

A Victorian 1827 Pattern Naval Officer's Dress Sword, the 78 cm blade with traces of etching including Royal cypher, the gilt brass gothic hilt cast with fouled anchor, with folding guard, lion head pommel, wire-bound fishskin grip, part bullion knot, gilt brass-mounted leather scabbard with twin suspension ringsBlade with significant evidence of old pitting, possibly restored and now with only faint etching. Fishskin grip painted white. Bullion knot poor. Scabbard with some cracking and wear to leather. Nipple for folding guard looks strange - possibly later added to an associated scabbard? Rings also strange in appearance.

Lot 302

An Early 20th Century Royal Indian Marine Officer's Sword, the 80 cm blade with single part fuller, etched to obverse and reverse with crowned star above fouled anchor amongst foliate scrolls, also with maker's name, ''S.W. Silver & Co., Portsmouth & London'', the gilt brass gothic hilt with folding guard, cast with fouled anchor and initialled RM, lion's head pommel with extended mane, wire bound fishskin grip, gilt thread bullion knot, brass-mounted black leather scabbard with twin ring suspension, soft leather cloth case Blade heavily cleaned with residual patches of rust and pitting. Etching worn in places and almost erased in others. Bullion knot tatty. Scabbard heavily refurbished. Soft case worn.

Lot 342

A Victorian 1845 Pattern Infantry Officer's Sword, 79.5cm single edge steel blade faintly etched with the Royal cypher and foliage, by J Nicholl, London, the gilt brass gothic hilt pierced and cast with the Royal cypher, with hinged guard, wire bound fishskin grip and chromed steel scabbardQuite deep pitting and black patching to blade which is curved towards the tip. The etching is very faint

Lot 297

A Victorian 1827 Pattern Rifle Regiment Sword, the straight, single edge, fullered blade, length 82 cm, indistinctly bearing maker's name and with faint etching, the steel gothic hilt incorporating the regimental crest, wire bound fishskin grip, bullion thread dress knot, steel scabbard with twin ring suspensionsSword blade with heavy overall pitting obscuring much of etching. Hilt in similar condition. Wear to fishskin grip and some wire binding loose. Bullion knot tatty. Scabbard heavily pitted and with numerous bruises and small dents.

Lot 313

John Copley, 1875-1950: an etching, "On a Southern Shore", 3rd state, 18" x 18", in black frame

Lot 313

Louis Wain, after, Moonlight Trees, etching, 43 x 136mm

Lot 374

A Victorian etching, Silent Sympathy, framed

Lot 254

A drypoint etching, The British Fleet at Spithead , framed

Lot 271

Pictures and Prints - a John Dewar and Sons Ltd Distillers , framed etching, Tally Ho!; a Victorian framed etching , The Procession to the Christening; another The Blind Fiddler (3)

Lot 314

John Copley, 1875-1950: an etching, "Two Girls by a Stream", 11" x 12", signed in pencil, in black frame and mount

Lot 317

An etching, portrait of Lord Kitchenercondition report: condition appears to be fine

Lot 308

A hand-coloured etching, classical landscape with figures and ruins, pencil signed, 20" x 30", in oak frame

Lot 190

Rudolf Veit (1892-1979). Westminster Abbey, coloured etching, signed, 41cm x 31cm.

Lot 551

Will Henderson (Exh 1886-1914). Landscape, mezzotint, signed, 32.5cm x 42.5cm; T Hamilton Crawford (Exh 1891-1933), portrait of Ludwig Von Beethoven, mezzotint, signed, 25.5cm x 19.5cm; After Franz Hals, The Fool, etching by L Lowenstein, signed, 24cm x 17cm, (3).

Lot 373

After Georges Hanna Sabbagh (1887-1951), dry point etching of a nude, numbered 5/15 signed in pencil, 9.5cm x 13.5cm

Lot 102

B R Edward (20th century) Etching Wild flower meadow, signed and dated '73, titled and numbered 7/10 in pencil, 35cm x 24cm (unframed) Charles Flower (early 20th century)Etching "Old Market Hall, Chipping Camden", 13cm x 15cm Unattributed Two etchings "The Kiss After Goya" Unattributed Artist's proof"Wheel in Orbit", indistinctly signed "A Survey of Dun Boggs Farm in the Manor of Haversham in ye County of Hereford by Edward Laurence" (6)

Lot 67

Ann Askell (20th century) Colour print Country road scene with church in the middle ground, signed in pencil and dated in image 1981, 19cm x 26cm ??? Hoskins (20th century) Etching "Clematis", signed, titled and numbered 20/20 in pencil, 11.5cm x 11cm British school (20th century) Watercolour Mountain cottages, signed indistinctly lower left, 12cm x 14cm (3)

Lot 35

Brian Williams (b.1950) Etching Derelict building, signed, dated '86 and numbered 47/200 in pencil, 16.5cm x 17cm

Lot 55

Graham ClarkeLimited edition etching and aquatintMullion Cove, 181/350, 28cm x 40cm approx.

Lot 40

Graham Clarke (b.1941) Etching in colour "Vita's White Garden", titled, signed and numbered 7/350 in pencil, with blindstamp, 27cm x 34cm

Lot 37

Harold Sayer (20th century) Etching "The Rotunda, Cheltenham", signed, titled, dated 1952 and numbered 37/150 in pencil, 22.5cm x 26cm Jack Bevier (1923-1996) Watercolour "Blueberries", signed lower left, 12cm x 17cm (2)

Lot 94

After Yukio Katsuda (Japanese, b.1941) Etching Wall with trees in foreground, signed and dated '79, numbered 29/100 and titled 'No.129' in pencil, 40cm x 56cm

Lot 50

Sue Lewington (b.1956) Coloured etching "Seaside Cottages", signed, titled and numbered 18/100 in pencil, 37cm x 56cm

Lot 48

Graham Clarke (b 1941)Etching and aquatint in colours"Thomas Hardy's cottage" signed in pencil and numbered 199/350, 28cm x 41cm

Lot 34

T Ryahie(?) (Japanese 20th century) Etching Thatched building with trees in foreground, signed, dated '78 and numbered 52/120 in pencil, 25.5cm x 36cm and two further limited edition etchings by the same artist, each 11.5cm x 14cm Wig???ki(?) (Japanese 20th century) Coloured print "Collection - A", triptych of a ceramic pot, signed, titled, dated '77 and numbered 78/205 in pencil, 14cm x 41cm (4)

Lot 41

Howard Phipps (b.1954) Woodcut "Salisbury from Alderbury", titled, signed, dated 1981 and numbered 28/50 in pencil, 11.5cm x 14cm Sam(?) (20th century) Woodcut "Dawn Badger", signed, titled and numbered 7/100 in pencil, 16cm x 21.5cm M P Bocrsiowski(?) (20th century) Coloured etching Two wild boar in front of a forest, signed and numbered 6/250 in pencil, 15cm x 11cm (3)

Lot 68

Harold Sayer (20th century) Etching "Lane through the Village", signed, titled, dated 1982 and numbered 100/200 in pencil, 25cm x 29cm G Holt (20th century) Woodblock The carpenter's bench, signed in pencil, 8cm x 10.5cm and five further smaller woodblocks and prints by various artists (all unframed) (7)

Lot 217

Alphege Brewer (20th century) The Hotel de Ville, Arras Colour etching Signed and titled in pencil Image: 55.5 x 41cm (21 3/4 x 16 1/4in.) Together with a print by another hand of a cathedral (2)

Lot 169

William Lionel Wyllie (British 1851-1931) Shipping on the river Etching Signed in pencil, lower left Plate: 30 x 45cm (11 3/4 x 17 3/4in.)

Lot 225

Jean-Francois Millet (1814-1875) Le depart pour le travail Etching Plate: 38 x 30cm (15 11 7/8in.) Provenance: with Leicester Square Galleries, London (label affixed, verso)

Lot 219

Johann Barthold Jongkind (1819-1891) Sortie du port de Harfleur, 1864 Etching Image: 23.5 x 30cm (9 1/4 x 11 3/4in.)

Lot 178

Walter Richard Sickert (1860-1942) Regent's Park, 20 Etching Image: 18 x 20.5cm (7 1/8 x 8in.)

Lot 160

Five woodblock prints, an etching of a church, Les Sculptures Du Parthenon print, and a Da Vinci folio, various sizes, largest 40.5 x 31cm (16 x 12 1/4in.) (Qty)

Lot 230

Johann Barthold Jongkind (1819-1891) Moulins en Hollande, 1867 Etching Plate: 14.5 x 20cm (5 3/4 x 7 7/8in.)

Lot 250

Francis H Dodd (1874 - 1949) Soho Square Drypoint etching Signed and titled in pencil, to lower margin Plate: 31 x 23cm (11 1/4 x 9in.) Provenance: P & D Colnaghi Co, London IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 249

William Lionel Wyllie (British 1851-1931) St. Paul's Cathedral Etching Signed in pencil, lower left Plate: 34 x 24cm (13 3/8 x 9 1/2in.)

Lot 218

Jean-Francois Millet (1814-1875) La Cardeuse Etching Plate: 26 x 17cm (10 1/4 x 6 3/4in.) Provenance: with Craddock & Barnard, London (label affixed, verso)

Lot 442

Aiden Kirkpatrick, signed and dated 2004 in pencil to margin, limited edition (11/150), black and white etching, "The Yare at Buckenham", 5 1/2 x 14 1/2 ins

Lot 422

John Trickett, signed in pencil to margin, limited edition (675/850) coloured print, Black Labrador in winter landscape, 12 1/2 x 10ins, together with After Leon Danchin, coloured etching, Spaniel with woodcock and a further picture by Mike Sibley (3)

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