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Lot 104

DOMINIQUE VIVANT DENON (1747-1825) Portrait of an old maid wearing a cloth bonnet, printed signature and date 1782 within the plate, etching, 1,75" x 1.5" (trimmed). Provenance: Private collection, Somerset.

Lot 109

•HARRY ROUNTREE (1878-1950) A study of six sparrows on a branch, printed signature within the image, etching, 6.25" x 10.5" (plate)

Lot 110

•WILLIAM RUSSELL FLINT (1880-1969) "Acrobats at Lorca Fair", signed in ink to the margin, with further pencil annotations, title and date 22.1.35 "I think this was final trial ....", sepia etching, 7.75" x 13.5" (plate). See illustration. Provenance: Private collection, Somerset.

Lot 113

•FRANK BRANGWYN (1867-1956) Figures seated around a table with wine ewer and dog at their ankles, signed in pencil to the margin, etching, 3" x 3.75" (plate)

Lot 131

•FRANK AUERBACH (b.1931-) 'Bill (William Feaver)', signed, titled and numbered artist's proof 3/10 in pencil to the margin, etching, 7" x 5.75". This lot is accompanied by an original signed letter from the artist detailing this etching as a contribution to the fundraising for the Willow Tree Group, Blandford.

Lot 37

•ARTHUR BELL (1897-1995) "St. Alban's Street, Weymouth", etching, 6.5" x 4.25", and two similar works by the same artist "Trinity Street, Weymouth" and "Worbarrow Bay" (3)

Lot 38

•ARTHUR BELL (1897-1995) "The Cobb, Lyme Regis", etching, 4.75" x 6.75" and two similar works by the same artist "Weymouth College" and "A Medieval Hall Interior" (3)

Lot 92

•ELISABETH FRINK (1930-1993) "Viszla", signed in pencil to the margin and numbered 68/75, etching and aquatint in colour, 21.25" x 27". See illustration

Lot 489

An ebonised framed and glazed early 20th Century monochrome Etching "White Wing" signed in pencil lower left in the margin by the Artist W L (William Lionel) Wyllie RA, labels and other information verso including Arthur Ackermann & Son Limited, 19cm x 23cm, together with one further similar sized monochrome Etching (paper rippled) original gallery label verso, also signed bottom right in the pencil in the margin by a different Artist, 19cm x 30cm (2)

Lot 496

Dorsey Potter Tyson (American 1891-1969), a late 1920's gilt framed and glazed colour Limited Edition Orientalist Etching (12/100), seated lady with peacock plumage, signed in pencil in the margin by the Artist lower right, 28cm x 22.5cm, Joseph Wilson (South Molton Street, London W1 label verso)

Lot 2379

***AMENDED DESCRIPTION***C E Holloway, signed etching of Lynn Regis.

Lot 2150

Harold Thornton (British, 1892-1958) 'Kilchurn Castle' A tinted etching signed and titled, framed, 19x30cm.

Lot 2

Karl Schutz (1745-1800) Austrian. ‘View of The Schottenkirche, Vienna’, Hand Coloured Etching, overall 13.5” x 18.75”.

Lot 28

Paul Cesar Helleu (1859-1927) French. “La Lecon de Piano” (Hellen et sa grand-mere), Drypoint Etching, Signed in Pencil, overall 16.5” x 12.5”.

Lot 32

Louis Icart (1888-1950) French. “Smoke (Fumee)”, Coloured Etching, with Paris Blind Stamp, Signed in Pencil, overall 15” x 20”.

Lot 4

H… W… (20th Century) British. ‘Ovis Aries Dollia’, Study of a Sheep, Etching, Signed with Initials and Dated 3/7, overall 10” x 12.25”.

Lot 6

Sherwood (20th Century) American. A Busy Street Scene, Coloured Etching, Signed in Pencil, also with Stamp, overall 15.5” x 12.75”. Provenance; The Parker Gallery - Collection of Astaire.

Lot 471

Käthe Kollwitz, German 20th century: etching, Zertretene - Arme Familie, c. 1901, unsigned, 9½" x 8", framed and glazed

Lot 503

Damien Hirst (1965-), "My Way" from In a Spin, The Action of the World on Things, Volume I, 2002, from the edition of 68, signed in pencil in the margin, published by C. Booth-Clibborn and the Paragon Press, London, etching and aquatint in colours, plate size 60.5 x 40cm.; 23.75 x 15.75in, sheet size 91 x 70.5cm.; 35.75 x 27.75in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 522

Jean Cocteau (1889-1963), Head, signed and numbered 93/180 in pencil in the margin, etching, plate size 12 x 9cm.; 4.75 x 3.5in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 523

Roberto Matta (1911-2002), Abstract, signed and numbered 74/100 in pencil in the margin, etching, plate size 27.5 x 17.5cm.; 11 x 7in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 524

Man Ray (American, 1890-1976), "Donna" from La Ballade Des Dames Hors Du Temps, signed and inscribed E.A. in pencil in the margin, 1970, from an edition of 75, aquatint etching, plate size 38 x 49cm.; 15 x 19.25in.

Lot 525

Man Ray (1890-1976), L'A, signed and numbered 3/100 in pencil in the margin, 1971, etching and aquatint, plate size 39.5 x 49.5cm.; 15.5 x 19.5in.

Lot 571

Herbert Thomas Dicksee (1862-1942), Leopard, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, etching, plate size 15 x 22.5cm.; 6 x 9in.

Lot 572

William Walcot (British, 1874-1943), "Performance before the Emperor Hadrian", signed in pencil in the margin, 1919, etching, plate size 44.5 x 47cm.; 17.5 x 18.5in.

Lot 574

Herbert Thomas Dicksee (1862-1942), "Forgotten", with blind stamp, published by Frost & Reed, 1923, etching, plate size 29 x 40cm.; 11.5 x 15.75in.

Lot 785

†DAVID HOCKNEY, OM, CH, RA (1937-) COLD WATER ABOUT TO HIT THE PRINCE etching with aquatint, 1969 on Hodgkinson wove, full sheet, signed by the artist in pencil and extra to the numbered edition of 100, published by the Petersburg Press London, c45.5 x 31cm and Six Fairy Tales from the Brothers Grimm with Original Etchings by David Hockney, miniature trade edition, 1970 (2) ++Both items in apparently excellent condition, the print not examined out of the frame

Lot 788

HAROLD WYLIE (1880-1973) A STEAM YACHT AND OTHER VESSELS NEAR A HARBOUR etching with margins, signed by the artist in pencil and numbered CXLII, 14.5 x 24.5cm and an etching by A Brunet-Debraines after W L Wylie (2) ++Both in apparently fine condition, unexamined out of the frames

Lot 866

FLETCHER (HANSLIP) CHANGING LONDON folio, original etching of Cloth Fair signed by Fletcher, linen hinged maroon cloth covered boards, 1933 ++++

Lot 136

An unusual sapphire and diamond cluster ring, the oval cut sapphire between two diaper set princess cut diamonds, all collet set, the border being completed by ten vertically tension set round brilliant cut diamonds, in white precious metal stamped '585', and with laser etching stating the stone weights as - sapphire 2.21cts and total diamonds as 0.60cts ; size P

Lot 525

Herbert Dicksee (British, 1862-1942) Study of a lion drinking at a pool etching, circa 1890 19 x 27cm (7 x 11in)

Lot 527

D. Gerald Spencer Pryse, MC, Croix de Guerre (Welsh, 1882-1956) Derby Day signed lower right “Spencer Pryse” etching, in a grey, gold and black painted frame 79 x 55cm (31 x 21in)

Lot 223

Charles Hunt & Son (19th Century) - Blink Bonny Etching and aquatint, printed in colour and finished by hand Published by E. Gambart & Co., 1857 59 x 73 cm. (23 1/4 x 28 3/4 in) Together with a pair, Emilius , and Langar , engraved by Charles Hunt, after Herring, etching and aquatint, printed in colour and finished by hand with gum arabic, each c.33 x 40 cm. (13 x 15 3/4 in); (3)

Lot 339

Tom Whitehead 1886-1959 Etching Signed in pencil "Loading hay" 24 cm x 29 cm

Lot 318

Charles Prosper Sainton (British 1861-1914), study of two reclining nudes, silver point etching, signed in pencil lower right. H.25cm, W.38.5cm

Lot 342

A rare Caughley blue and white teabowl c.1780-85, printed with the Travellers pattern, a turbaned figure seated on the back of a donkey and smoking a pipe, a woman and child walking beside, the reverse with a further figure and child, S mark, 9cm dia. Cf. The Caughley Society, Caughley Blue and White Patterns, p.63 for a discussion of the pattern which is based on an etching by the artist Paul Sandby (1731-1809).

Lot 407

A large 19th century etching " The Waterloo heroes assembled at Apsley House" in its original maple frame, with a framed identification key

Lot 426

Christopher M Schiner: 'The Yarn Market, Dunster', etching and a quantity of pictures and prints

Lot 468

An 18th century etching and a collection of similar unframed period prints

Lot 251

Giovanni Battista Piranesi (Italian, 1720-1778)'VEDUTA DI PIAZZA DI SPAGNA', (W-E.21; H.18)Etching, from 'Vedute di Roma'plate size 41 x 60.7cm, sheet 42 x 74.5cm

Lot 252

Giovanni Battista Piranesi (Italian, 1720-1778)VEDUTA DEL PONTE E CASTELLO SANT'ANGELO, (W-E.23; H.29) Etching, from 'Vedute di Roma'plate size 38 x 59cm, sheet 52 x 75cm

Lot 253

Giovanni Battista Piranesi (Italian, 1720-1778)'VEDUTA DI PIAZZA NAVONA SOPRA LE ROVINE DEL CIRCO AGONALE', (W-E.10; H.16)Etching from 'Vedute di Roma'plate size 41 x 54.6cm, sheet 52 x 65cm

Lot 254

Giovanni Battista Piranesi (Italian, 1720-1778)'VEDUTA DELLE DUE CHIESE, L'UNA DETTA DELLA MADONNA DI LORETO L'ALTRA DEL NOME DI MARIA PRESSO LA COLONNA TRAJANA', (W-E.66; H.66)Etching from 'Vedute di Roma' plate size 43 x 69cm, sheet 52 x 75.5cm

Lot 34

Leonard Robert Brightwell (1889-1983) "HIGH LIFE" signed and inscribed in pencil etching 22.5 x 36.5cms; 9 x 14 1/4in. (plate size)

Lot 37

William Walker (1878-1961) "BRIGHTON BEACH" signed in pencil; with inscription on label verso etching 9 x 14.4cms; 3 1/2 x 5 5/8in.

Lot 38

Augustus Edwin John, RA, NEA, RP (1878-1961) "THE IMBECILE" signed in pencil, numbered 15/25, published 1902/03 etching 14 x 9.3cms; 5 1/2 x 3 5/8in. (plate size). See illustration

Lot 39

Augustus Edwin John, RA, NEA, RP (1878-1961) "ROMANI CHAI" signed in plate and signed in pencil, numbered 24/25, published 1906 etching, drypoint and mezzotint 10 x 8.2cms; 4 x 3 1/4in. (plate size). See illustration

Lot 40

Rudolph Stu*** (19th century) A FARM BOY WITH HORSE AND CART initialed on the plate, signed in pencil etching 16 x 12cms; 6 1/4 x 4 3/4in. (plate size); Early 20th Century British School LANDSCAPE WITH TREES AND A LAKE etching 16.5 x 23cms; 6 1/2 x 9in. (plate size); and Late 19th Century Continental School GOING TO MARKET etching 16.5 x 23cms; 6 1/2 x 9in. (plate size). (3)

Lot 846

*AR JULES DE BRUYCKER (1870-1945) Belgian Place Pharailde Gand Limited edition etching Signed and dated 1906 within the plate, also signed and titled in pencil to margin 36.5 x 21 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.

Lot 851

*AR FRANK CONNELLY (born 1948) Proust Printer's proof etching Signed, titled and dated 1972 29.5 x 22 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, unexamined out of frame.

Lot 852

PIERRE-AUGUSTE RENOIR (1841-1919) French Le Chapeau Epingle (La Fille de Berthe Morisot et sa Cousine) Final state first edition etching, circa 1894, signed within the plate Published by Dentu, Paris on laid paper The plate 8.5 x 12 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining to paper, some foxing, cellotape shadow to paper.

Lot 855

JOHN BOWLES (1701-1779) British, After GIOVANNI ANTONIO CANAL, known as CANALETTO (1697-1768) Italian A View of Northumberland House, Charing Cross & C. Etching laid on canvas Originally published 1753, re-published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London 40 x 26.5 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining, slight losses to frame.

Lot 876

*AR MAGDA SIOMKOURL (20th century) British Olive Trees II Limited edition etching Signed in pencil, dated 87 and numbered 4/30 58 x 40 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, old label to verso.

Lot 881

*AR LEONARD RUSSELL SQUIRREL (1893-1979) British Westminster Abbey at the Time of 1953 Coronation, showing Edward Bedford's Temporary Annexe and James Woodford's Queens Beasts Limited edition etching, titled in pencil 25 x 17 cm, framed and glazed Note: Originally produced for the Calendarium or Monk's Calendar. CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/fading.

Lot 884

NATHANIEL PARR (18th century) British, After JEAN RIGAUD (1700-1754) French Veue du Parc de St Jaques/A Prospect of St. James's Park Hand coloured etching Published by F. West, 83 Fleet Street, London 40.5 x 24 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight fading.

Lot 258

PRINT: F.S. JUKER. Duck shooting. An etching by F.S. Juker, signed & numbered 21/60. 31 x 25cm.

Lot 133

Bartolozzi: Framed and glazed sepia etching: Classical Male Figure together with another.

Lot 713

Marc Chagall (French/Russian, 1887-1985) - 'Aaron before the seven-branded golden candlestick' Pencil signed limited edition etching with hand colouring, signed with initials and no. 46/100, bears label verso for the Durban Picture Framing Company & Orient Art Gallery, 109 Field Street, Durban, approx 29x23cm, framed. (illustrated) CONDITION REPORT: no damage or repairs visible no tears or folds visible is behind non-reflective glass and not been out of frame, colouring looks to be hand coloured - please see further images

Lot 727

Sir Frank Brangwyn RA (British, 1867-1956) - 'Albi' Pencil signed etching, inscribed 'Albi' verso, approx 35x55cm, framed.

Lot 734

Henry Moore OM CH (British, 1898-1986) - 'Woman in chair' Pencil signed limited edition etching, no 11/XX, image approx 18x16cm, paper approx 68x48cm, framed. (illustrated) CONDITION REPORT: Lot 734: No damage, no restoration, paper slightly discoloured in areas. No provenance, consigned from private client. See further images.

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