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Lot 453

Two military silks of Royal Horse Guards and Horse Artillery by Cashs, together with a Hussars etching, and etching entitled 'Departure of the Grenadier Guards', all framed and glazed (4)

Lot 357

Graham Clarke (b.1941) coloured etching and aquatint, 'Crabbers Retreat', signed, titled and numbered in pencil to margin, no. 297/350, Christie's blindstamp, 27 cm x 34 cm, framed and glazed. ARR may apply to this lot.

Lot 348

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Llansannan', signed titled and numbered in pencil to margin, no. 4/150, Christie's blindstamp, 37 cm x 44 cm, framed and glazed. ARR may apply to this lot.

Lot 349

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Salt House', signed titled and numbered in pencil to margin, no. 50/350, Christie's blindstamp, 45 cm x 60 cm, framed and glazed. ARR may apply to this lot.

Lot 354

Graham Clarke (b.1941) coloured etching and aquatint, 'Gruntled', signed, titled and numbered in pencil to margin, no. 8/300, Christie's blindstamp, 34 cm x 54 cm, framed and glazed. ARR may apply to this lot.

Lot 353

Graham Clarke (b.1941) coloured etching and aquatint, 'The Snook Cocker', signed, titled and numbered in pencil to margin, no. 4/300, Christie's blindstamp, 34 cm x 54 cm, framed and glazed. ARR may apply to this lot.

Lot 489

Major General Foster Stalker 1798-1857, Commander of the North Indian Division against Persia in 1857, his Punjab medal with Mooltan clasp, together with Ghuznee medal and miniature, plus his gold miniature Order of the Dooranee Empire (5.2g), also in the lot a daguerrotype photograph of him in full uniform, a large etching with card negative, two ambrotype images of relatives, original ribbon, and official hand written correspondence (parcel)here is only naming on the Punjab medal, the dagguerro type is badly faded with discolouration to the edges, and is only visible from certain angles, please see additional images, would suggest viewing if possible

Lot 356

Graham Clarke (b.1941) coloured etching and aquatint, 'Vita's White Garden', signed, titled and numbered in pencil to margin, no. 179/350, Christie's blindstamp, 27 cm x 34 cm, framed and glazed. ARR may apply to this lot.

Lot 325

A miscellaneous group of prints, including Johannes Graadt van Roggen (1867-1959) etching 'Woman Sweeping a Courtyard', signed in pencil to margin, 22.5 cm x 17.5 cm; Jeremy Sancha (Contemporary) linocut, 'Interior of a Narrow Boat' signed and numbered in pencil to margin, 29/50, 22 cm x 15 cm; Christopher Hues (19th Century) 'Great Bedwyn Old Town Hall', 17 cm x 24 cm; a contemporary etching on metal after Jan Luyken (1649-1712) 'Schreyers Tower, Amsterdam', 21.5 cm x 28.5 cm, framed, together with three further prints and a 1904 photograph of Brightlingsea Hard, 1904, all framed and glazed (8)

Lot 350

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Stubble Burning', signed titled and numbered in pencil to margin, no. 64/150, 43.5 cm x 38 cm, framed and glazed. ARR may apply to this lot.

Lot 351

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Border Country', signed titled and numbered in pencil to margin, no. 55/150, Christie's blindstamp, 38 cm x 43.5 cm, framed and glazed. ARR may apply to this lot.

Lot 322

Francisco Goya (Spanish, 1746-1828)'SI RESUCITARA?'Etching, 1814-1815, plate 80 from the portfolio ‘The Disasters of War’ (Los Desastres de la Guerra), comprising 82 prints. Five editions were published between 1863 and 1937, with a total of over 1000 impressions of each printplate 17 x 22cm

Lot 347

Elizabeth Frink (1930-93) - Bull, etching, ltd ed 86/100, 1986, pencil signed to lower right margin, 29.5 x 27.5 cm paper size c/w receipt from Beaux Arts, Cork Street dated 1993ARR may be applicableGood condition, no tears, marks, frame in good condition also

Lot 513

Edouard Manet (1832-1883) - Etching - "Le Guitariste oder le Chanteur espagnol", 11.75ins x 9.5ins, plate signed "ED. Manet" to upper right, in ebonised frame and glazed Provenance: Robert Dunthorne & Son Ltd, the Rembrandt Gallery, 5 Vigo Street, London W1

Lot 516

Camille Pissarro (1830-1903) - Etching - "Paysage à Rouen (Côte Sainte-Catherine)", 5ins x 6.825ins, fourth state, signed to lower right and inscribed to lower left, in ebonised frame and glazed

Lot 532

Auguste Delatre (1822-1907) - Two etchings - Swineherd with pigs, 2.75ins x 2.5ins, signed in plate and numbered 62, and Landscape with cattle drinking at a tree lined pond, 2.5ins x 3.75ins , and 19th Century Continental school - Etching - Wood with rural pathway, 6ins x 9ins, all framed and glazed

Lot 514

Edouard Manet (1832-1883) - Drypoint etching - "Le Fumeur", 9.25ins x 6ins, in ebonised frame and glazed Provenance: Robert Dunthorne & Son Ltd, the Rembrandt Gallery, 5 Vigo Street, London W1

Lot 448

LEONARD BREWER ARTIST SIGNED ORIGINAL ETCHING 'Through the Portico of the Whitworth Art Gallery' Signed and titled in pencil 11 1/2" x 6" (29.5cm x 15.5cm) and G.E. MARSDEN ORIGINAL ETCHING 'Country Inn' Signed in pencil 6 1/4" x 7 3/4" (15.9cm x 19.7cm)

Lot 400

HEATHER POWER (TWENTIETH/ TWENTY FIRST CENTURY) LIMITED EDITION ARTIST SIGNED ETCHING 'Oddington Crossing', silhouette of a bare tree,(1/50) 18 ½" x 13 ½" (47cm x 34.3cm)

Lot 11

Hedley Fitton (British, 1857-1929), 'Rue St Romaine - Rouen', etching, signed and titled in pencil to lower margin, framed and glazed, 31 x 33.5cm

Lot 35

Hedley Fitton (British, 1857-1929), Interior scene of Notre-Dame, Paris, etching, signed in pencil to lower margin, framed and glazed, 61 x 40cm

Lot 6

Hedley Fitton (British, 1857-1929), Architectural study, etching, signed to lower margin, 54 x 36cm

Lot 623

An etching after Anthony Gross, rustic path, signed and dated 1924, 10 x 7.5inCONDITION REPORT - FRAMED

Lot 601

An etching, William Walcott, The House of Sallust, 8 x 7.5in

Lot 618

An etching, after Percy Lancaster, River Lune, signed, 4 x 5in and a similar etching, castle, 4 x 5in

Lot 110

Joyce Ntobe AKA Beezy Bailey (South African 1962-) I DREAMED I FLEW AWAY WITH THE AMERICANS IN THEIR CADILLAC signed, dated '15, editioned A/P and inscribed with the title in pencil in the margin softground, hardground and aquatint etching with hand-embellished blind embossing In 1992 the South African National Gallery acquired three works on paper by a little known “township artist Joyce Ntobe” who had been overlooked by the selection panel of the Cape Town Triennale. When the institution wanted to pay the artist a furor erupted as it was revealed that Joyce Ntobe in fact did not exist. Joyce Ntobe was in reality, the constructed personae of artist Beezey Bailey, grandson of Randlord Sir Abe Bailey and heir to a prestigious collection of 18th century British Art on Permanent Loan to the National Gallery. With cheque in hand, Bailey held a press conference and arrived dressed in housekeeper’s uniform, half his face painted white and the other black. In a playful dig at the collecting policies of the South African National Gallery at the time of post-democratic inclusivity in 1991, Bailey produced works under cover of his ”alter-ego”. After the ploy was exposed, the works remained attributed to Joyce Ntobe because once accepted by the Acquisitions Committee, works of art in the national collection are inviolate and protected ad infinitum by an act of parliament. Building on this success, Bailey created many new works and a website that tracks Joyce’s development. Here is a unique opportunity to acquire a striking work by the now well-known Joyce Ntobe who is celebrated both locally and abroad … and is included in the National Collection! sheet size: 124 by 59cm

Lot 71

HENRY JAMES STUART BROWN (Scottish, 1871-1941) 'View in Cambridgeshire', etching, signed, 19cm x 29cm, bearing 'T.& R.Annan & Sons, Glasgow' label to verso

Lot 456

NORMAN ACKROYD 'Clearbury Ring from Old Sarum', 1999, etching, signed, dated, titled and numbered 10/90, 23cm x 28cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Lot 2164

A framed Etching of Hereford Cathedral drawn by the late S. Read

Lot 2139

A Rembrandt etching of 'The Three Trees' in a gilt frame.

Lot 2131

A Gerard Trignac pencil signed Etching of a fantasy illustration; 'Le Sanctuaire'.

Lot 100

Four Mogul School paintings on cloth etc, an etching of a castle and an oriental 3D relief picture in a boxed frame (6)

Lot 161

Henry Wilkinson, coloured etching, signed in pencil and numbered 99/100, in a glazed frame, 47 x 28cm

Lot 163

Henry Wilkinson, coloured etching, signed in pencil and numbers 20/150, in a glazed frame, 36 x 28cm

Lot 164

Henry Wilkinson, coloured etching, signed in pencil and numbers 56/150, 32 x 27cm

Lot 514

After Eduard Manet - original etching on wove paper - Gazette Des Beaux Arts 1884, etching by H Guerard after the painting by Manet - Un Bar Aux Folies Bergere - Ref Beraldi, limited edition 1500 - framed size 38cm x 42cm - image size 16cm x 20cm - in good condition with new mount and frame

Lot 21

Paul Daxhelet (Belgian 1905 - 1993), industrial docks, etching, 28 x 34cms and an etching of an old woman

Lot 1053

Assorted pictures and prints to include Charles Harris - etching, Latin map of South East England, watercolours etc

Lot 1057

Fred Bottomley - St Michael's Mount, etching, signed and titled in pencil to the margin, 17.5x25cm

Lot 517

PABLO PICASSO (1881-1973) - 'Raphael and the Fornarina XIX', plate 134 from series 347 Suite (Bloch 1794), etching, dated '5.9.68.I' in the plate, signed in pencil and numbered 17/50 in pencil, framed, 14.5cm x 20.5cm.Published by Galerie Louise Leiris (Paris), 1968.

Lot 494

LINDA SUTTON (B.1947) - 'The Fox', etching, signed and titled in pencil, numbered 9/50, framed, 59cm x 43cm.

Lot 1460

Marion Rhodes, 'Frankfurt', signed and titled, etching, pl.23 x 30cm; together with a further pair of pencil signed lithographs, by Frank Short after J M W Turner.   

Lot 1039

Victorian Album of Scraps, 1970's and later Private Eye magazines, three piece carving set (cased), c. 1920's postcard sets including WWI themed 'En Argonne', two Victorian etching:- One Box

Lot 161

Four antique Welsh related prints including a coloured etching dedicated to Sir Charles Morgan of Castle of Brecon, another etching of Brecknock Castle & a monogram map ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 282

A St Donats etching, a Taff river etching & another, print of Aberdaron ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 283

A coloured etching AFTER RICHARD WILSON entitled 'The Great Bridge Over the Taaffe' Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 287

WILLIAM WALCOT etching - architectural study with figures, titled to mount 'The Atrium', signed fully in pencil, 51 x 57cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 288

WILLIAM WALCOT etching - architectural study with figures, titled to mount 'The Frigidarium', signed in pencil, 51 x 62cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 667

WILLIAM LIONEL WYLLIE View of the River Thames Etching Signed 9cm x 35cm

Lot 1042

Arthur Baylis Allen (b.1889) ''The Transmitter, Brookmans Park'', signed, inscribed and dated 1930, etching, together with five further prints, including; Reginald Goodfellow ''Saturday Afternoon, Brentford'', Norman James, two studies of boats, Jolan Williams (1908-1988), ''Still Life'' and ''Studio Window'' (6) Provenance: Abbott and Holder Ltd., London

Lot 1084

Walter Horsnell, River landscape, watercolour, signed lower left; Henry Wilkinson, a pair of Labradors, coloured etching; and a quantity of assorted prints and further pictures

Lot 1040

Marcel Frischmann (1900-1951) Builders resting, signed, etching, together with five further prints, including, Viola Paterson (1899-1981) ''At Slumber Time'' and works by Hilda Ainscough, Wilfred Appleby, Cliff Wyndham, etc (6)

Lot 253

HARDY, THOMASSOUVENIR PROGRAMME. THOMAS HARDY'S WESSEX SCENES FROM "THE DYNASTS" Performances at the Corn Exchange, Dorchester, on December 6th and 7th, 1916. 4to, (285 x 225mm.), original printed salmon wrappers; Hardy, Mrs Florence Autograph letter signed to James Fairweather Milne regarding "photograph of the map of Wessex drawn by my late husband", 13 June 1936, with envelope; Hardy, Mrs Florence Autograph letter signed regarding the reproductions "of the map of Wessex drawn by my husband", 21 October, [1936], with envelope (3)Note: Loosely inserted is an etching of Stinsford Church & Grave of Thos. Hardy by R.C. Bean, 75 x 104mm.

Lot 857

Karl WESCHKE (1925-2005)Woman and Dog Etching Signed and dated and dated 1971Edition 11/25Plate size 65 x 49.5cm

Lot 202

John BRUNSDON (1933-2014) St Michael's Mount Etching/aquatint Signed, inscribed and numbered #58/75 (2nd version) Together with two Mary STORK prints and one other print

Lot 622

Denis MITCHELL (1912-1993)An exhibition catalogue Marjorie Parr Galleries, London, 1969.Together with a copper etching plate used in the catalogue.

Lot 401

Alixe Jean Shearer ARMSTRONG (1894-1984)Two linocuts, each titled 'The Star', one signed and inscribed.Together with a woodcut titled 'This Year of Grace', signed and inscribed, an etching of a cockerel, monogrammed and various exhibition flyers and newspaper articles.Provenance:From the David Wilkinson Collection. David Wilkinson was a seriously multi-talented Architect, Researcher, Sculptor, Musician, Author and more. When he came to St Ives in 1993 it was a breath of fresh, innovative air. What's more he was instantly accepted and liked. This sale touches on the breadth of his knowledge and his interests.

Lot 225

William Lionel WYLLIE (1851-1931)Sailing Barges and other Shipping on the Thames Etching Published Dunthorne, 1924Signed Plate size 16 x 37.2cm Condition report: Some minor foxing. Yellow edge from acid mount.

Lot 334

Alfred HARTLEY (1855-1933) Godrevy from Lelant Etching Signed 30 x 37.5cm

Lot 721

Vincent WILSON (1933) Near Hexworthy, Dartmoor Etching aquatint Artist's Proof Signed, inscribed and dated 1991 Plate size 40 x 46cm Together with two other contemporary works

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