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Informel Emil Schumacher (1912 Hagen/Westf. - 1999 Ibiza)Motiv 8/1967. 1967. Aquatintaradierung auf cremefarbenem Bütten. 27,8 x 23,5 cm (53,5 x 39,5 cm). Signiert und nummeriert sowie mit dem Ketter-Trockenstempel. Punktuell unter Passepartout montiert. In den Ecken u. an den Rändern teils leicht knickspurig. Eines von 65 Exemplaren. Aquatint etching on laid paper in cream color. Signed and numbered and with the Ketter dry stamp. Mounted in spots under passepartout. - In the corners and at the edges partly slightly creased. - One of 65 copies

Informel Set aus 13 Arbeiten im Stil der Abstrakten und Informellen Kunst. Verschiedene Techniken, u. A. Lithographie, Radierung. je auf Papier. Teils auf Unterlage punktuell montiert und unter Passepartout montiert. Im Druck signiert bzw. monogrammiert sowie teils druckdatiert. Teils verso mit typographischen Werksangaben. - Lediglich vereinzelt mit leichten Gebrauchsspuren. Guter Zustand. U. A. mit Arbeiten von: - Fred Thieler - Pierre Tal-Coat - Maria Helena Vieira da Silva - Giuseppe Santomaso - Fritz WInter - Emil Schumacher. - Mit 10 Arbeiten aus dem Epitaph. Set of 13 works in the style of abstract and informal art. Various techniques, among others lithography, etching. each on paper. Partly spot-mounted on backing and mounted under passepartout. Signed and monogrammed in the print and partly dated. Partly with typographical indications on verso. - Only a few minor traces of storage. Good condition. - With works of artists among others as listed above.

Eduardo Chillida. (1924 - 2002 San Sebastian). o.T. (Hand). Radierung und Prägedruck auf chamoisfarbenem, genarbten Bütten. 19,8 x 12 cm (32,3 x 25 cm). - Signiert und nummeriert. Punktuell unter Passepartout montiert und unter Glas gerahmt. - Vereinzelt kleine Braunflecken. Im Passepartoutausschnitt gebräunt. Gratiger Abzug. Eines von 50 Exemplaren. Etching and relief printing on buff, grained laid paper. - Signed and numbered. Mounted in spots under passepartout and framed under glass. - Isolated small brown spots. Browned in the mount. Nice impression. - One of 50 copies.

Konkrete Kunst Marie Thérèse Vacossin (1929 Paris)Set aus 3 Graphiken. 1971 - 1979. Zwei Farbserigraphien auf glattem, festem Papier. Eine Radierung auf Bütten. Blattgröße von 21 x 21 cm bis 33 x 25 cm (56 x 37,5 cm). Je signiert, datiert und nummeriert bzw. mit "e.a." versehen. Zwei betitelt "Gris Rose" u. "Grain de Sable". Eines mit Trockenstempel versehen. Zwei Graphiken je eins von 15 Exemplaren. - Vacossin studierte zw. 1947 u. 1949 an der École nationale supérieure des Arts Décoratifs und zw. 1948 u. 1950 zusätzlich an der École du Louvre in Paris. 1956 zog sie nach Basel und gründete dort 1966 mit Marcel Mazar das Atelier Éditions Fanal, wo sie Graphiken vieler KünstlerInnen wie Aurelie Nemours, Nelly Rudin o. Gottfried Honegger druckten. Als Künstlerin ist sie v.a. an Problemen der Farbwahrnehmung in geometrischen Abstraktionen interessiert, sodass sie auch der Op-Art zugeordnet wird. Set of 3 prints. 2 colour serigraphs on smooth, strong paper. One etching on laid paper. Each signed, dated and numbered or marked "e.a.". Two titled "Gris Rose" and "Grain de Sable". One with a dry stamp.

André Masson (1896 Balagny - 1987 Paris)2 Arbeiten. Je 1974. Mit 1 Aquatintaradierung und 1 Radierung auf Velin. Blattmaße 57 x 45 cm bis 66 x 50 cm. Je signiert u. nummeriert. Verso mit Bleistiftannotation. - Im vollen weißen Rand teils etwas knick- bzw. druckspurig sowie schwach gebräunt. Enthält die Arbeiten: - Lunatiques - Femmes attaquées par des oiseaux. - Je eins von 50 Exemplaren. 2 works. 1 Aquatint etching and 1 etching on wove paper. Each signed and numbered. With pencil annotation at the back side. - At full white margin a little bit creased and a little bit brownish. - With works of the artist as listed above. - One of 50 copies.

A.R. Penck (eig. Ralf Winkler) (1939 Dresden - 2017 Zürich)Westerlebnisse. 1983. Aquatintaradierung auf Bütten. 29,6 x 49 cm (53,5 x 75,3 cm). Signiert und nummeriert. - Wohlerhalten, sauber und mit schönem Büttenrand. Eines von 35 Exemplaren. Etching and aquatint on laid paper. Signed and numbered. - Well preserved, clean and with beautiful deckle-edge. - One of 35 copies.

Joan Hernandez Pijuan (1931 - 2005 Barcelona)Set aus 3 Graphiken. 1985-89. Radierung und Aquatintaradierung auf Bütten (teils auf aufgewalztem China). Blattmaße von 28 x 38 cm bis 56,5 x 38 cm. Je signiert, datiert und nummeriert bzw. als "H.C." bezeichnet. Eins von 50 Exemplaren. Set of 3 prints. Etching and aquatint on handmade paper (partly on rolled-on China). Sheet sizes from 28 x 38 cm to 56,5 x 38 cm. Each signed, dated and numbered or inscribed as "H.C.". - One of 50 copies.

Russ. Avantgarde Michel Larionov (1881 Tiraspol - 1964 Fontenay-aux-Roses)o.T. (Profil). 1962. Radierung auf BFK Rives-Bütten. 14,7 x 11 cm (26 x 19 cm). Monogrammiert und nummeriert sowie in der Platte monogrammiert. - Punktuell unter Passepartout montiert. Eines von XXV Exemplaren der Vorzugsausgabe. Etching on laid paper. Monogrammed and numbered, also monogrammed in the plate. - Matted. - One of XXV copies of the special edition.

Set aus mehr als 15 Arbeiten. Inklusive 5 Originalen sowie Ausstellungskatalogen. 1986 - 1989. Verschiedene Techniken, u.a. Farblithographie, - radierung, Offsets sowie Kohlezeichnungen und Aquarell. Je auf Papier. Verschiedene Maße, von 20 x 13 cm bis 50 x 33 cm. Überwiegend signiert, teils datiert und nummeriert. - Teils mit leichten Lagerspuren oder wenigen Randläsuren. Insgesamt in ordentlichem Zustand. U.a. mit Arbeiten von: - Veit Hartmann - Klaus Zylla - Dagmar Ranft-Schinke - Steffen Vollmer - Klaus Hähner-Springmühl. Set of more than 15 works. Including 5 originals and exhibition catalogues. Various techniques, including colour lithography, etching, offsets, charcoal drawings and watercolours. Each on paper. Mostly signed, partly dated and numbered. - Partly with slight traces of storage or a few marginal tears. Overall in good condition. - With works of artists among others as listed above.

ZERO Otto Piene (1928 Laasphe/Westf. - 2014 Berlin)Sonne von Gelsenkirchen. 1964. Zinkätzung nach einer Gouache auf rötlichem Karton. 22 x 22 cm (40 x 48 cm). Signiert und datiert. Voll auf Unterlage aufgezogen. - Die Farbe gleichmäßig verblasst. Insgesamt in gutem Zustand. Rottloff, 2. - Unnummeriertes Exemplar einer Auflage von 100 Exemplaren. Zinc etching after a gouache on reddish cardboard. Signed and dated. Fully mounted on backing. - The colour evenly faded. Overall in good condition. - Unnumbered copie from a total edition of 100.

Fluxus - - Dieter Roth. (1930 Hannover - 1998 Basel). Set aus 5 Arbeiten. 1979. Je Kaltnadelradierung auf Bütten. Blattmaße je 29,6 x 22 cm. Je signiert "Heinrich Schwarz". Je von fremder Hand in Graphit nummeriert. - Schöne, kräftige Abzüge. Selten leichte Anschmutzungen im weißen Rand oder verso. Enthält: Komposition I bis IV. - Überarbeitung der ersten, 1977 erschienenen Serie, in welcher der Künstler die Arbeit "Heinrich Schwarz nach Albrecht Dürer 1514" von Horst Janssen persiflierte und mit "Heinrich Schwarz" signierte. 1979 überarbeitet Roth dieselben Zinkplatten und schafft die zweite Druckfolge. Set of 5 works. Each etching on buff paper. Each signed "Heinrich Schwarz". Numbered by another hand in graphite on verso. - Nice, strong impressions. Rarely slight soiling in the white margin or on verso. - With works as listed above.

Florence E Balshaw, a set of nine etchings, each signed or initialled, largest pl.16 x 10cm, four unframed; together with another unsigned etching, also unframed. (10)

FRANS WESSELMAN (DUTCH, B. 1953) (4)Study of a duck I; Study of a duck IIa pair, each signed and numbered 'Frans Wesselman' (in lower margin)etchingeach 11.5 x 14.5cmtogether with Teddy bear in borrowed hat, an etching by the same hand and Autumn cat, mixed media on paper by Jan Harbon(4)

DAVID BEN-SHAUL (ISRAELI, B. 1932) (4)Jerusalem Landscapesigned and numbered 'David B. S. 15/100' (in lower margin)etching10.5 x 13.5cmtogether with an etching of bathers, An abstract artist's proof of a nude figure and a print of a dog by other hands(4)ARRNo cracks to the glass good overall condition no foxing to the paper, some losses to the gilt frame towards the bottom 

An early 19th Century hand coloured etching "The Mother's Girl, Plucking a Crow, or German Flesh and English Spirit", framed and glazed, 25cm x 34cm

Luke Taylor, After P.De Horck 'The Pantry', evgraving, signed, 30.5 x 27cm, McTan Carter 'Baptistery of Canterbury Cathedral', signed etching. B Buchanan South Downs from Firle, signed etching, David Marshall watercolour and colour print. (5).

Franz Wimmer, 1892 Wien-1974, Jugend, Radierung, handsigniert, betitelt, num. 10/75, ca. 26x24cm, u.Gl., R. ca. 42x36cmFranz Wimmer, 1892 Vienna-1974, youth, etching, handsigned, titled, num. 10/75 approx. 26x24cm, under glass, frame approx. 42x36cm

Jutta Votteler, geb. 1959 in Ludwigshafen am Rhein, Wundersame Fahrt, Farbradierung, betitelt, handsigniert bez. e.a., ca. 53x44cm, PP,framed under glass ca. 93x74cmJutta Votteler, born 1959 in Ludwigshafen am Rhein, wondrous journey, color etching, titled, hand-signed, inscribed e.a., approx. 53x44cm, PP, framed under glass approx. 93x74cm

Klaus Fussmann, geb. 1938 Velbert, große Landschaft, Radierung, sign., bez. e.a., unter Glas gerahmt, Platte ca. 39x49cm, gesamt ca. 74,5x96 cmKlaus Fussmann, born 1938 Velbert, large landscape, etching, signed, inscribed e.a., framed under glass, plate approx. 39x49cm, total approx. 74.5x96 cm

Klaus Fußmann, geb. 1938, Hella K. in Gelb, Farbaquatintaradierung von 1975, signiert und num. 36/90, 60 x 60 cm, unter Glas, Rahmen ca.79x69cm, dieser besch.Klaus Fussmann, born 1938, Hella K. in yellow,color aquatint etching from 1975, signed and num. 36/90, 60 x 60 cm, under glass, frame approx. 79x69cm, this damaged.

Wolfgang Zelmer, geb. 1948 München, Studium an der Hampstead-School of Arts in London u. an der Academie Julian in Paris, hier: 'Musicatre', Instrumenten-Stillleben aus Klarinette, Trommel und Horn, symbolische Aufladung, subtile Farbigkeit, hintergründige Konstruktionszeichnungen, signiert u. bez., Ed. 41/95, Farbradierung, unter Glas gerahmt, 70x83 cmWolfgang Zelmer, born in Munich in 1948, studied at the Hampstead School of Arts in London and at the Academie Julian in Paris, here: #'Musica tre#', instrument still life ofclarinet, drum and horn, symbolic charge, subtle Colourfulness, background construction drawings, signed and inscribed, Ed . 41/95, color etching, framed under glass, 70x83 cm

Willi Kissmer, 1951-2018, Radierung, Rückenakt mit Tüchern, Rechts unten mit Stempelsignatur, verso mit Nachlass- Stempel von Willi Kissmer, Platte ca. 35x18,5 cm, gesamt ca. 50,5x32 cmWilli Kissmer, 1951-2018, etching, nude with towels, stamped signature lower right, verso with estate stamp of Willi Kissmer, plate approx. 35x18.5 cm, total approx. 50.5x32 cm

Salvador Dali, 1904-1989, Radierung, handsign., num. 78/250, unter Glas gerahmt gesamt ca. 52x43 cmSalvador Dali, 1904-1989, etching, signed by hand, num. 78/250, framed under glass, total approx. 52x43 cm

Shoichi Hasegawa, geb. 1929, 'cité imperiale', Farbradierung, 49/110, signiert, 33 x 27 cm, Verleger Gal. Edition RaphaelShoichi Hasegawa, born 1929, #'cité imperiale #', color etching, 49/110, signed, 33 x 27 cm,publisher Gal. Edition Raphael

Joan Miro, 1893 Barcelona- 1983 Palma, Aquatinta Radierung, 'Homme au balancier', handsigniert, Auflage 75 Exp., hier h.C, bezeichnet und handsigniert, altersbedingt stockfleckig bzw. Verfärbung, ca. 67.5 x 49.5 cm, unter Glas, RahmenJoan Miro, 1893 Barcelona- 1983 Palma, aquatint etching, #'Homme au balancier#', autographed, edition of 75 copies, here h.C, inscribed and autographed, age-related foxing or discoloration, approx. 67.5 x 49.5 cm, under glass, frame

British School (20th century) "Girl in a Mirror"Indistinctly signed, titled and numbered 13/50 in pencil, etching, 41cm by 23.5cm, together with K* R* Armand? (20th century)"Austrian Maize", Indistinctly signed and inscribed, 15.5cm by 9.5cm (2)

John Duffin (b.1965)"Ghosts of Fleet Street"Signed, inscribed and dated 2003, numbered 8/90, etching, together with two further etchings by the artist "Thames Bridges" and "Lost in the City" and a beach scene by Victoria White (4) (all unframed)

[s and 1970s] Willem de Kooning, Marc Chagall and others Multiple in an edition of 250 published on the occasion of the 300th anniversary of the Royal Academy of Art in the Hague, 1982. Three board boxes, each 12.5 x 18 x 3.5 cm, numbered A - 194, B - 914, C - 194, containing: 3 title leaves and 9 prints in various techniques by various artists, all sheets approx. 15 x 10 cm, all signed and numbered.Comprising: Marc Chagall (1887-1985) silkscreen; Willem de Kooning (1904-1997) lithograph; Pat Andrea (1942-) etching; Herbert Bayer (1900-1985) silkscreen; Kees van Bohemen (1928-1985) collaged silkscreen, Bob Bonies (1937-) silkscreen printed in blue and red on board; Herman Gordijn, (1932-2017) woodcut; W. Nobbe (1941-2005) lithograph; Richard Rogers (1933-2021) silkscreen. A rarely seen complete set in mint condition, all works protected by tissue paper.

William Westley Manning (1868-1954), continental landscape. Etching. Signed in pencil to margin. Framed and glazed. Image size 29.5 x 33cm. With an etching of St. Peter's, Rome by Charles Murray, framed and glazed, 17 x 26cm. (2)

Richard George Mathews (1870-1955), portrait of Anna Pavlova. Etching in colours. Signed in pencil to margin. Framed and glazed. Image size 36.5 x 32cm.

Joseph Mallord William Turner, R.A. (British, 1775-1851), The Stork and the Aqueduct, from Turners Liber Studiorum, etching on Whatman paper, bearing inscription to reverse of frame,18 x 24 cm.Provenance: produced posthumously from a plate created by Turner in his lifetime.

William Monk (British, 1863-1937), 'The Horse Guards', etching, signed in pencil lower right, framed and glazed, bearing label and inscription to reverse of frame, 17.5 x 25cm.

Francis Unwin (1885 - 1925), etching, Italian street scene, signed in pencil, plate 24cm x 34cm, framedEven paper discolouration, 1 fox mark in the sky

Jean Cocteau, etching, Le Bal, from an edition of 240 copies, 1953, plate 21cm x 15cm, framedA few tiny fox marks hardly visible, generally good

Robert Greenhalf, watercolour landscape, 29cm x 23cm, and coloured etching by the same artist, framed (2)Watercolour is in good condition, etching has light foxing in the margin

Jean-Francois Liegme (1922 - 1977), coloured etching, abstract, signed in pencil, plate 28cm x 19cm, framedLight foxing and paper discolouration, mount foxed and discoloured

Graham Clarke, coloured etching, Venezia "It's A Doge's Life On Grand Canal", signed in pencil, no. 357/400, plate 54cm x 68cm, framedPrint is in good original condition, frame is scratched on the edges with minor veneer chip

Circa 1900 London engraving The City Gates as they appeared before they were pulled down, Moor Gate, Aldgate, Bishops Gate, Cripplegate, Ludgate, Newgate, Aldersgate, Bridgegate Together with an etching of St James Palace and part of the City of Westminster Each framed and glazed Each picture size 19.5 x 31cm and 21.6 x 33.2cm Each overall size 33.3 x 44cm

David Muirhead Bone (1876-1953). Self Portrait of the Artist. Drypoint Etching, signed and dated in the plate. Plate size 15.5 x 12.8cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

James Abbot McNeill Whistler (1834-1905). Annie. Portrait of a little girl, seated. Etching, signed and titled in the plate. Note the sitter is Annie Harriet Haden (1848-1937), Whistlers niece and frequent model. Plate size 12.7 x 9.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Leonard Baskin (American 1922-2000). Theseus. Portrait, head of a man. Etching 1964. Signed and dated in the plate, hand signed lower right, numbered lower left. Plate size 29.5 x 18.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

John Buckland Wright (1897-1954). The Sultan. Etching. 1964. Titled and signed in the lower margin. Sheet size 31 x 19cm, plate 21 x 12.5cm.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Marcel Jacque (French 1906-1981). View of The House of Theodore Rousseau. Etching. 23 x 34cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

After Adriaen van Ostade (Dutch, 1610-1685), 'The Card Players', etching, framed and glazed, 8 x 8cm.

Thomas Ryder A Boy of Glamorganshire after Richard Westall. Coloured stipple etching. Published by S. Watts Feb. 1788. 20 x 16.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Theodore Rousseau (French 1812-1867). Chenes de Roche, Oak among boulders. Etching, 1861. Published in Paris by Gazette des Beaux Arts. 12.5 x 17cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Jack Hewer (1889-?). Top Withens Wuthering Heights. Etching. Limited edition 19/75. Titled and signed lower margin. Plate size 15 x 25cm. Note Top Withens farmhouse near Haworth was said to be the inspiration for the Earnshaw family home in Emily Brontes Wuthering Heights'.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

James Abbot McNeill Whistler (1834-1903). Chelsea Bridge. Etching, monogrammed in the plate. 13 x 20.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Andrew Geddes (1783-1844). Halliford on Thames. Etching on laid paper. 10 x 15.5cm.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Allart van Everdingen (Dutch 1621-1675). Two Peasants on a Hill. Etching, initialled in the plate lower right. Trimmed to the plate, loosely fixed to paper. 9.5 x 14.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Antonie Waterloo (Dutch 1609-1690). A Wooded Riverbank with Distant Church. Etching, trimmed to the plate. 12 x 14cm. With another the same, trimmed to the plate, corners pasted to a backing paper. 12.5 x 14cm. (2). Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

AMENDED DESCRIPTION - Samuel Palmer (British, 1805-1881). The Early Ploughman. Etching on wove paper. Sheet 17.5 x 25cm, image 13 x 19.8cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce. Condition Report: Foxing evident around the border of the image and throughout the reverse of the paper, no tears or creases evident. Good impression.

Samuel Palmer (1805-1881). Girl and Cowherd in a Mountainous Landscape at Dusk. Etching, an illustration to The Eclogues of Virgil, proof before letters. Sheet size 18.5 x 23.5cm, plate size 14.5 x 19cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Constance Anne Parker (1921-2016). Hill Top Farm, Malham, Yorks. Etching, 1957. Signed and dated lower right. 12 x 16cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Frank Brangwyn (1867-1956). Sisteron. Etching. Unsigned. 15 x 12cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Anders Zorn (Swedish 1860-1920). The Waltz. Lithograph after the original etching. With printed signature lower right. Sheet size 28 x 21.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

John Strickland Goodall (British, 1908-1996), domestic interior scene for the Radio Times, engraving, framed and glazed, bearing labels to reverse of frame, 10 x 8cm, with etching in colours depicting an eighteenth-century domestic scene with woman and a dog, framed and glazed, 9 x 6.5cm. (2)Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Samuel Palmer (1805-1881). Autographed letter (S. Palmer) Furze Hill, Mead Vale, Red Hill, July 7th, 1879. Addressed to Dear Sir and is a response to a request for an etching for a forthcoming work but I am obliged, for no short time, to exchange the needle for the brush…this gives me more annoyance than it ought, for we must not, like spoiled children, expect to have everything our own way.. Sheet 23 x 18cm, folded in half. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

SUSAN ROBERTS (CONTEMPORARY) - 'Water Tower', aquatint, signed in pencil and dated 1999, numbered 4/30, framed, 61cm x 30cm, frame size 82cm x 48cm, also one other etching by Bernard van Lierop and an unframed lithograph. (3)

Ben Nicholson O.M. (British, 1894-1982)Involved Still Life signed and dated 'Nicholson/1968/-70' (lower right)pencil and wash over a printed base43.5 x 37.6 cm. (17 1/8 x 14 3/4 in.)Footnotes:ProvenanceWith Galerie Schlégl, Zurich, where acquired by the present ownerPrivate Collection, South AfricaThe pared-back simplicity yet ultimate sophistication and balance of Ben Nicholson's work is his supreme achievement. In the present work, where pencil and wash are layered over a printed base, the eye is led through and over a multiplicity of undulating lines, which weave together, intermingle and then depart again, swinging out and over the margins of the plate mark. For a 'still life', the composition is remarkably dynamic and encourages the viewer's gaze to rove around the image, never settling, always finding new rhythms to follow. Still life was a recurrent subject for Nicholson, one he returned to time and time again, and Involved Still Life is an example of the most refined realisation of his constant study of this subject, a synthesis of form and abstraction. The title is subtle yet says so much: it calls the viewer in to the subject, and we feel the movement that he has captured. Using the simple motif of two vessels, Nicholson nevertheless manages to create a composition which plays with space and creates an incredible depth.Cubism was an important influence for Nicholson and the multiplicity of lines that he has used here gives a sense of this all-over, all-at-once viewing. The use of several perspectives has the effect of recalling the experience and memory of the object, not just its image. As Nicholson commented: 'Cubism once discovered could not be undiscovered, and so far from being that 'passing phase' so longed for by reactionaries it (and all that its discovery implied) has been absorbed into human experience as we know it today' (Ben Nicholson, quoted in Ben Nicholson: A Retrospective Exhibition, exh. cat., Tate Gallery, London, 1955, n.p.). The result is a method of drawing which rises above the purely representational and becomes experiential.The base for the present work is an example of the etching 2 Sculptural Forms (1967) from the Twelve Etchings suite, a copy of which is in the Tate's collection.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com