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William Westley Manning (1868-1954), continental landscape. Etching. Signed in pencil to margin. Framed and glazed. Image size 29.5 x 33cm. With an etching of St. Peter's, Rome by Charles Murray, framed and glazed, 17 x 26cm. (2)

Richard George Mathews (1870-1955), portrait of Anna Pavlova. Etching in colours. Signed in pencil to margin. Framed and glazed. Image size 36.5 x 32cm.

Joseph Mallord William Turner, R.A. (British, 1775-1851), The Stork and the Aqueduct, from Turners Liber Studiorum, etching on Whatman paper, bearing inscription to reverse of frame,18 x 24 cm.Provenance: produced posthumously from a plate created by Turner in his lifetime.

William Monk (British, 1863-1937), 'The Horse Guards', etching, signed in pencil lower right, framed and glazed, bearing label and inscription to reverse of frame, 17.5 x 25cm.

Francis Unwin (1885 - 1925), etching, Italian street scene, signed in pencil, plate 24cm x 34cm, framedEven paper discolouration, 1 fox mark in the sky

Jean Cocteau, etching, Le Bal, from an edition of 240 copies, 1953, plate 21cm x 15cm, framedA few tiny fox marks hardly visible, generally good

Robert Greenhalf, watercolour landscape, 29cm x 23cm, and coloured etching by the same artist, framed (2)Watercolour is in good condition, etching has light foxing in the margin

Jean-Francois Liegme (1922 - 1977), coloured etching, abstract, signed in pencil, plate 28cm x 19cm, framedLight foxing and paper discolouration, mount foxed and discoloured

Graham Clarke, coloured etching, Venezia "It's A Doge's Life On Grand Canal", signed in pencil, no. 357/400, plate 54cm x 68cm, framedPrint is in good original condition, frame is scratched on the edges with minor veneer chip

Circa 1900 London engraving The City Gates as they appeared before they were pulled down, Moor Gate, Aldgate, Bishops Gate, Cripplegate, Ludgate, Newgate, Aldersgate, Bridgegate Together with an etching of St James Palace and part of the City of Westminster Each framed and glazed Each picture size 19.5 x 31cm and 21.6 x 33.2cm Each overall size 33.3 x 44cm

David Muirhead Bone (1876-1953). Self Portrait of the Artist. Drypoint Etching, signed and dated in the plate. Plate size 15.5 x 12.8cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

James Abbot McNeill Whistler (1834-1905). Annie. Portrait of a little girl, seated. Etching, signed and titled in the plate. Note the sitter is Annie Harriet Haden (1848-1937), Whistlers niece and frequent model. Plate size 12.7 x 9.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Leonard Baskin (American 1922-2000). Theseus. Portrait, head of a man. Etching 1964. Signed and dated in the plate, hand signed lower right, numbered lower left. Plate size 29.5 x 18.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

John Buckland Wright (1897-1954). The Sultan. Etching. 1964. Titled and signed in the lower margin. Sheet size 31 x 19cm, plate 21 x 12.5cm.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Marcel Jacque (French 1906-1981). View of The House of Theodore Rousseau. Etching. 23 x 34cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

After Adriaen van Ostade (Dutch, 1610-1685), 'The Card Players', etching, framed and glazed, 8 x 8cm.

Thomas Ryder A Boy of Glamorganshire after Richard Westall. Coloured stipple etching. Published by S. Watts Feb. 1788. 20 x 16.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Theodore Rousseau (French 1812-1867). Chenes de Roche, Oak among boulders. Etching, 1861. Published in Paris by Gazette des Beaux Arts. 12.5 x 17cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Jack Hewer (1889-?). Top Withens Wuthering Heights. Etching. Limited edition 19/75. Titled and signed lower margin. Plate size 15 x 25cm. Note Top Withens farmhouse near Haworth was said to be the inspiration for the Earnshaw family home in Emily Brontes Wuthering Heights'.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

James Abbot McNeill Whistler (1834-1903). Chelsea Bridge. Etching, monogrammed in the plate. 13 x 20.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Andrew Geddes (1783-1844). Halliford on Thames. Etching on laid paper. 10 x 15.5cm.Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Allart van Everdingen (Dutch 1621-1675). Two Peasants on a Hill. Etching, initialled in the plate lower right. Trimmed to the plate, loosely fixed to paper. 9.5 x 14.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Antonie Waterloo (Dutch 1609-1690). A Wooded Riverbank with Distant Church. Etching, trimmed to the plate. 12 x 14cm. With another the same, trimmed to the plate, corners pasted to a backing paper. 12.5 x 14cm. (2). Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

AMENDED DESCRIPTION - Samuel Palmer (British, 1805-1881). The Early Ploughman. Etching on wove paper. Sheet 17.5 x 25cm, image 13 x 19.8cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce. Condition Report: Foxing evident around the border of the image and throughout the reverse of the paper, no tears or creases evident. Good impression.

Samuel Palmer (1805-1881). Girl and Cowherd in a Mountainous Landscape at Dusk. Etching, an illustration to The Eclogues of Virgil, proof before letters. Sheet size 18.5 x 23.5cm, plate size 14.5 x 19cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Constance Anne Parker (1921-2016). Hill Top Farm, Malham, Yorks. Etching, 1957. Signed and dated lower right. 12 x 16cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Frank Brangwyn (1867-1956). Sisteron. Etching. Unsigned. 15 x 12cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Anders Zorn (Swedish 1860-1920). The Waltz. Lithograph after the original etching. With printed signature lower right. Sheet size 28 x 21.5cm. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

John Strickland Goodall (British, 1908-1996), domestic interior scene for the Radio Times, engraving, framed and glazed, bearing labels to reverse of frame, 10 x 8cm, with etching in colours depicting an eighteenth-century domestic scene with woman and a dog, framed and glazed, 9 x 6.5cm. (2)Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

Samuel Palmer (1805-1881). Autographed letter (S. Palmer) Furze Hill, Mead Vale, Red Hill, July 7th, 1879. Addressed to Dear Sir and is a response to a request for an etching for a forthcoming work but I am obliged, for no short time, to exchange the needle for the brush…this gives me more annoyance than it ought, for we must not, like spoiled children, expect to have everything our own way.. Sheet 23 x 18cm, folded in half. Catalogue notes; The collection of Ernest Pearce (1930-2012) a dedicated art collector and connoisseur of the bookplate.His files of letters reveal that he was in regular correspondence with many well-known artists and fellow collectors from the 1950s onwards, sharing with them his in-depth knowledge and often exchanging rare prints and other works of art. Of particular note is his collection of works by the Romanticist artist Samuel Palmer many of which were purchased from Carlos Peacock, author of 'Samuel Palmer, The Shoreham Years' who himself acquired a number from AH Palmer, Samuel's son. Also works by well-known 20thcentury artists, some, unusually, accompanied by personal notes or cards. Finally, of course, his extensive collection of bookplates including British and Continental artists and some illustrious libraries.Ewbank's is delighted to have this opportunity to bring Ernest Pearce's lifelong collection to the market. Provenance: The family of Ernest Pearce.

SUSAN ROBERTS (CONTEMPORARY) - 'Water Tower', aquatint, signed in pencil and dated 1999, numbered 4/30, framed, 61cm x 30cm, frame size 82cm x 48cm, also one other etching by Bernard van Lierop and an unframed lithograph. (3)

Ben Nicholson O.M. (British, 1894-1982)Involved Still Life signed and dated 'Nicholson/1968/-70' (lower right)pencil and wash over a printed base43.5 x 37.6 cm. (17 1/8 x 14 3/4 in.)Footnotes:ProvenanceWith Galerie Schlégl, Zurich, where acquired by the present ownerPrivate Collection, South AfricaThe pared-back simplicity yet ultimate sophistication and balance of Ben Nicholson's work is his supreme achievement. In the present work, where pencil and wash are layered over a printed base, the eye is led through and over a multiplicity of undulating lines, which weave together, intermingle and then depart again, swinging out and over the margins of the plate mark. For a 'still life', the composition is remarkably dynamic and encourages the viewer's gaze to rove around the image, never settling, always finding new rhythms to follow. Still life was a recurrent subject for Nicholson, one he returned to time and time again, and Involved Still Life is an example of the most refined realisation of his constant study of this subject, a synthesis of form and abstraction. The title is subtle yet says so much: it calls the viewer in to the subject, and we feel the movement that he has captured. Using the simple motif of two vessels, Nicholson nevertheless manages to create a composition which plays with space and creates an incredible depth.Cubism was an important influence for Nicholson and the multiplicity of lines that he has used here gives a sense of this all-over, all-at-once viewing. The use of several perspectives has the effect of recalling the experience and memory of the object, not just its image. As Nicholson commented: 'Cubism once discovered could not be undiscovered, and so far from being that 'passing phase' so longed for by reactionaries it (and all that its discovery implied) has been absorbed into human experience as we know it today' (Ben Nicholson, quoted in Ben Nicholson: A Retrospective Exhibition, exh. cat., Tate Gallery, London, 1955, n.p.). The result is a method of drawing which rises above the purely representational and becomes experiential.The base for the present work is an example of the etching 2 Sculptural Forms (1967) from the Twelve Etchings suite, a copy of which is in the Tate's collection.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

[ZOPPIO (MELCHIORE)]La montagna circea torneamento nel passaggio della Sereniss. Duchessa Donna Margherita Aldobrandina sposa del Sereniss. Ranuccio Farnese Duca di Parma, e Piacenza, FIRST EDITION, title within 2-line fillet border, text leaves within 1-line border, one folding woodcut plate, the central stage cut out as issued allowing for three woodcuts mounted on sheets tipped on to the verso to change the scenes, etching of a rhinoceros on N2v, title with some losses to upper margin and lower-fore-edge (repaired with 4 letters of text and small area of line border supplied in neat ink facsimile), twentieth century blue pasteboards [Cicognara 1407], small 4to (195 x 142mm.), Bologna, heirs of Giovanni Rossi, 1600Footnotes:RARE FESTIVAL BOOK, ILLUSTRATED WITH A PLATE WITH MOVEABLE PARTS, commemorating the entry into Bologna of Margherita Aldobrandini (1588-1646), niece of Pope Clement VIII, shortly after her marriage to Ranuccio I Farnese, Duke of Parma and Piacenza. The large woodcut depicts the set of a play performed for the occasion, the central panel cut out to allow the reader to change the scenery, using one of the three smaller woodcuts tipped to the verso of the sheet.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Samuel Palmer (British, 1805-1881) Opening the Fold, or Early Morning, from Virgil's Ecloques (Lister 13)A 'Trio' impression published by the Cotswold Gallery in 1926initialled in pencil by Frank Short, F. L. Griggs and Martin Hardie 'FS FLG MH' (lower left)etching on antique laid paper12 x 17.5cm (image)In 1924, F L Griggs contacted Samuel Palmer's son, A. H. Palmer, who supplied him with eight of his father's uncancelled plates for printing. In consultation with Frank Short, Professor of Engraving at the Royal College of Art and Martin Hardie, Keeper of Prints & Drawings at the Victoria & Albert Museum, he oversaw the printing of editions of 50 to 75 impressions from five of the plates. Each impression had an engraved triangle together with the Trio's (as A.H. Palmer called them) pencil initials in the lower margin. These were published by the Cotswold Gallery, London, to coincide with Hardie's ground-breaking exhibition Drawings, Etchings and Woodcuts by Samuel Palmer and Other Disciples of Blake at the Victoria & Albert Museum in 1926.33.5 x 37.5cm (framed) Not examined out of frame.

Samuel Palmer (British, 1805-1881) The Weary Ploughman, or The Herdsman (Lister 8)inscribed in pencil 'Trial Proof Touched' (lower left)etching on paper13 x 20cm (image)34.5 x 40cm framed

A SMALL COLLECTION OF FRAMED PRINTS TO INCLUDE AN ETCHING OF "GROPE LANE SHREWSBURY 1886" ETC

Egyptian Gold limited edition etching and aquatint printed on to gold leaf 10/10, Ian Kent, Jan '86. Frame size approx 16.5cm x 20cm, aperture size approx 10cm x 12cm.

The Golden Mr Punch limited edition etching and aquatint printed on to gold leaf 1/10, Ian Kent. Frame size approx 31cm x 36cm, aperture size approx 18.5cm x 25.5cm.

RAIDERS OF THE LOST ARK - Ralph McQuarrie-Etched "The Ark of the Covenant" Bible Page Copper EtchingA copper etching of a Bible page depicting "The Ark of the Covenant" etched by Ralph McQuarrie for Steven Spielberg's action-adventure film Raiders of the Lost Ark. Indiana Jones (Harrison Ford) and Brody (Denholm Elliott) used a Bible page to demonstrate the immense power of the Ark of the Covenant.This copper plate was personally etched by McQuarrie and used by him to print the famous Bible page illustration depicting the Ark of the Covenant with faux latin text on the bottom. According to McQuarrie in The Art of Ralph McQuarrie: Archives, the figures in the etching were based on Industrial Light & Magic (ILM) crew members, and took multiple designs to render correctly. The final etching was then printed onto rice paper, which was in turn colored and mounted into the Bible prop.The plate is numbered "10B743" with McQuarrie's initials etched - in reverse, for printing purposes - in the bottom left corner. It exhibits some discoloration from exposure and oxidation. Dimensions: 14" x 9.5" x 0.5" (35.75 cm x 24.25 cm x 1.5 cm) Estimate: $20,000 - 30,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

ROBIN HOOD PRINCE OF THIEVES - Azeem's (Morgan Freeman) Scimitar SwordAzeem's (Morgan Freeman) scimitar sword from Kevin Reynolds historical adventure Robin Hood: Prince of Thieves. Azeem carried his scimitar throughout the film while aiding his friend, Robin Hood (Kevin Costner), as they fought the villainous Sheriff of Nottingham (Alan Rickman).Made primarily of metal, this scimitar features a long curved blade with simple decorative etching. Both sides of the blade are textured with stage blood by production, indicating that this sword was used in combat sequences. The blade connects to the hilt with a rounded, studded guard. The hilt is wrapped in leather strips and connects to the pommel, which production modified to have one side shaved down, making it easier and more comfortable to handle. Included is a curved brown leather sheath with metal accents. It exhibits paint chipping through the blade, some breaks on the grip's leather strips and rust and discoloration on the sheath's metal accents. Dimensions: 41" x 10" x 4.5" (104.25 cm x 25.5 cm x 11.5 cm) Estimate: $5,000 - 7,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

BLADE RUNNER - Set of Five Tyrell Pyramid Pattern Etching MastersA set of five Tyrell Pyramid pattern etching masters from Ridley Scott's sci-fi classic Blade Runner. Rick Deckard (Harrison Ford) visited Eldon Tyrell's (Joe Turkel) pyramid, where his corporation produced humanoid replicants.Designed by Douglas Trumbull, the Pyramid was visualized with ornately patterned model miniatures created by chief model maker Mark Stetson's Entertainment Effects Group (EEG). This lot consists of three pairs of clear plastic sheets with printed black designs, one singular plastic sheet with printed black designs, and one illustration board with adhered multi-color designs. Two masters are labeled "Stetson Visual Services," an offshoot of EEG, and one is hand-marked "Photo Pair #7." Adhesive elements exhibit yellowing and several adhered details are missing or exhibit looseness due to age.The lot should be handled with caution. Dimensions (each): 24.25" x 12" (61.5 cm x 30.5 cm) Estimate: $6,000 - 8,000This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.

A large collection of various artwork, including watercolour landscapes, prints, etching by Vernon Stokes, etc. 

LAWRENCE JOSSET (BRITISH, 1910-1995) (7)Companionssigned in pencil 'Lawrence Josset' (in lower margin)etching8 x 11cmtogether with six other etchings, including Victor Ambrus, Blacksmith, 9 x 14.5cm; David Wicks, The Dragonfly, 12.5 x 13.5cm; Roger Withington, Hill Farm, 10 x 10cm; an etching of Norwich Cathedral, 23 x 17cm; an etching of Bruges, 9 x 14cml and an etching of a window in colours, 15.5 x 13cm(7)

PETER BEESON (XX/XXI) A framed and glazed etching of a Barn Owl. Pencil signed and No. 2/40. Plate size 19cm x 14cm

GRAHAM EVERNDEN (b.1947) A framed and glazed limited edition etching with aquatint, 'Tea Party Field'. Pencil signed and No.86/200. Image size 39.5cm x 29cm

PHIL GREENWOOD (b.1943) A framed and glazed artists proof etching with aquatint, 'Winter Ridge'. Pencil signed. Image size 42cm x 50cm

NORMAN STEVENS RA (1937-1988) A framed and glazed 1974 etching with aquatint, 'Stonehenge'. Pencil signed and No. 47/83. Image size 43cm x 46cm

Juliet De Gaye : The Cock Fight, etching with aquatint, printed in colours, an artist's proof, signed in pencil, dated '80, on wove paper, with full margins, 22 cm x 22 cm, framed.

John Crome (British, 1768-1821)"At Bawburgh"black and white etching, third state14 x 18cm mountedQty: 1

John Crome (British, 1768-1821) "At Cringleford"black and white etching, circa 185022 x 17cm mountedQty: 1

John Crome (British, 1768-1821) "At Bawburgh"black and white etching, circa 1850, third state, trimmed14 x 17cm mountedQty: 1

John Crome (British, 1768-1821) "Near Hingham"black and white etching, circa 1850, fifth state 16 x 16cm mountedQty: 1

John Crome (British, 1768-1821) A Study of Treessoft ground etching circa 185021 x 16cm mountedQty: 1

John Crome (British, 1768-1821) "At Trowse"black and white etching, circa 1850, fourth state21 x 17.5cmQty: 1

John Crome (British, 1768-1821) "Back of the Mills"black and white etching, third state, poor impresson23 x 17cm mountedQty: 1

After John Joseph Cotman, "St Benet's Abbey"black and white etching circa 181324 x 37cmQty: 1

John Crome (British, 1768-1821) "At Hackford"black and white etching, circa 1850, fifth state17 x 22cm mountedQty: 1

After Julian Trevelyan (1910-1988) - 'Marlborough College', artist proof etching, pencil signed to lower right margin, 47 x 35 cm  ARR applicable

After Frank Brangwyn (1867-1956) - 'A Street in Puy', etching, pencil signed to lower right margin, 40 x 30 cm

After Frank Brangwyn (1867-1956) - Continental street scene with seated men, etching, signed lower right, 35 x 26 cm