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'Vienna Graben', coloured etching signed by Robert Kasimir (Austrian 1914-2002) 13.5cm x 12cm and 'Le Sacre Coeur, de la Rue du Chevalier de la Barre', ltd.ed etching No.108/200 signed in pencil by Aimé Edmond Dallemagne (French 1831-1914) titled verso 44cm x 20cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
York interest - eleven pictures including York Minster, etchings signed by Edward W Sharland and Charles A Barker, 'Petergate' and 'The HSambles, pair etching signed by J. Beckett, 'Micklegate Bar', ethcing signed by A Simes, York Minster, 19th/20th century watercolour signed A Gibbs etc max 31cm x 46cm (11) Condition Report Click here for further images, condition, auction times & delivery costs
Damien Hirst (b 1965) - modern British, Limited edition etching, How to disappear completely (In a spin, the action of the world on things Vol 2'), Signed lower right, From an edition of 68, 110cm x 90cm, Framed and glazed. Provenance: Purchased Gallery 17 ShrewsburyThis lot will be subject to ARR - Artist Resale Rights.
Italy.- Rossi (Giacomo Giovanni) Patrimonto di S. Pietro, olim Tuscia Suburbicaria, regional map of Tuscany, with large decorative title cartouche upper left, etching and engraving on four sheets, unjoined, excellent clean impressions, each on laid paper with watermark of an encircled fleur-de-lis, each platemark approx. 440 x 570 mm. (17 3/8 x 22 1/2 in), sheets approx. 470 x 675 mm. (18 1/2 x 26 1/2 in), minor drying creases visible, light spotting and surface dirt, unframed, rolled, 1696; together with the four sheet map Il Lazio ..., etching and engravings, each on laid paper with watermark of an encircled fleur-de-lis, each platemark approx. 435 x 570 mm. (17 1/4 x 22 1/2 in), all with full margins, light spotting and surface dirt, unframed, rolled, 1693, (2 maps, 8 sheets).⁂ Excellent impressions of Rossi's scarce regional maps of Italy.
Voyages.- London to Tianjin.- Anonymous [Map detailing a voyage from London to Tianjin, China], Italian map showing from the British Isles to Japan, including Africa and part of America and Australia, with reference in the text to the conquests of The Qianlong Emperor, the sixth emperor of the Manchu-led Qing dynasty, etching, a good impression on laid paper with watermark of initials 'A.M.', platemark 245 x 330 mm. (9 5/8 x 13 in), sheet 305 x 380 mm. (12 x 15 in), minor handling creases and old folds, unframed, [18th century].
Collection of framed prints, comprising: Sara A Bird (20th Century), 'Woodland Path1', Artist's Proof, aquatint etching, signed l.r.; Sara A Bird (20th Century), 'Garrick House, Hampton', Working Proof, aquatint etching, signed and dated March 1976; an etching of Pulteney Bridge in Bath, indistinctly signed l.r.; stipple engraving of N. Poines Knight (court of Henry VIII), engraved by Francesco Bartolozzi after Hans Holbein, published November 22nd 1796 by I. Chamberlaine. (4)
Eleven original framed watercolours, mid to late 20th Century, various artists, landscapes and maritime and a study of birds and a watercolour, noted as original artwork used in the TV programme Jackanory (The Small Miracle), two mounted and unframed watercolours and a dry point etching of a dog (16)
Collection of ten framed pictures to include six 19th Century hand coloured sporting sprints (aqua tints and lithographs) an 18th Century engraving depicting a scene from Tristran Shandy, an original watercolour, comical shooting scene 'sporting characters' 19th Century and an early 20th Century etching of a beach (10)
Antiquarian Book And Natural History Interest, Parker & Others, Shooting By Moor, Field And Shore, Signed, Limited First Edition No. 169/360. Published by Seeley, Service & Co,London, 1929 For Lonsdale Library Signed by the author, tipped in etching facing title page by Winifred Austen, pencil signed to bottom left by her, this large paper edition printed on hand made paper. The boards of full Morocco, gilt decorated with the Lonsdale Library logo, spine faded, monochrome illustration plates intact. Heraldic book plate of Henry Kenyon Stephenson to inside cover. Please see accompanying image
Amadis Aldano Maldo, known as Maldonado (Italian, fl. 1759-1800s) Trompe l'oeil, circa 1798-1811 signed lower left "Le Major d'Aldana Maldonado d' et f:t" watercolour, pen and ink on paper, in a maple frame 38.50 x 59cm (15 x 23in) Other Notes: Amadis Maldonado was a painter and etcher active in Florence in the second half of the eighteenth century. He was Captain of the Corps of Engineers in the service of the Grand Duke Peter Leopold of Lorraine and in 1777, he was promoted to the office of Major. The painted engraving of Admiral Nelson right of the centre is taken from an etching known to have been executed in 1798 by Carlo Lasinio (Italian,1759–1838) from a painting by Daniel Orme (British, 1766–1832). This, therefore, places the present work after this date. The dedication, "M.sa M.ra Settimmia Strozzi / Vedova Ferroni / Montughi" on the painted etching on the right, is to the Marquise Maria Settimia Strozzi (1745-1811). This provides a 'terminus ante quem' for the work as 1811, since the Marquise Strozzi continued to live in the Villa di Montughi after her husband's death until circa 1811. Some scattered foxing. Chipping to the paper close to lower left corner.
An Edward VIII 1897 Pattern Infantry Officer's Sword, the 83cm single edge fullered steel blade etched with Royal cypher, by Wm. Anderson & Sons, Edinburgh, the steel hilt pierced with Royal cypher, with wire bound fishskin grip, leather sword knot and scabbard; a Victorian 1822 Pattern Infantry Officer's Sword, the 78cm pipe back steel blade faintly etched, the brass gothic hilt pierced with Royal cypher, with wire bound fishskin grip, lacks hinged guard, with steel scabbard (2-af)1 - Blade and hilt has orange rust pitting 2 - Etching is very faint on the blade, the hinged guard has broken off and is missing. Some damage to grip under pommel
A Victorian 1827 Pattern Naval Officer's Sword, the 76cm quill back steel blade faintly etched with crowned fouled anchor and indistinct maker's name, the gilt brass gothic hilt with hinged guard, cast with a fouled anchor below a Queen's crown, wire bound fish skin grip and lion head pommel, with brass mounted leather scabbard and bullion sword knotBlade pitted, etching very faint. Gilding to hilt is worn. Leather of the scabbard could be replacement, mounts original
An Edwardian 1896 Pattern Cavalry Officer's Sword to the 17th (Duke of Cambridge's Own) Lancers by Henry Wilkinson, the 89cm single edge fullered steel blade crisply etched with the Royal cypher over owner's initials H.S.N., with maker's name, Regimental badge and gold Proved poincon, the back edge stamped 39727, the steel bowl hilt pierced and engraved with honeysuckle, with wire bound chequered black composition grip and chequered back strap, with associated leather service scabbard, 106cmBlack patching to parts of the blade, etching crisp. Light pitting to hilt. Leather scabbard associated.
A George III Spadroon by Thomas Gill, Birmingham, the 85.5cm single edge fullered steel blade faintly etched and engraved with GR cypher, martial trophies, one side inscribed Thos.Gill, Warranted Never to Fail at the ricasso, the opposing side dated 1798, the gilt brass stirrup hilt with D shape guard, facetted ferrule and back strap and ribbed ivory grip, the leather scabbard with gilt brass mounts and hanging straps with lion head buckles, Black patching and pitting to blade, engraving and etching very faint. Some wear to gilding on hilt and scabbard, but generally good. Tiny edge splits to ivory grip at ferrule and pommel. Surface of leather scabbard is flaking and worn, dent to one side of chape.

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78408 item(s)/page