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Lot 208
AFTER GIOVANNI BATTISTA PIAZETTA (ITALIAN 1682-1754) ABBATI ANGELO MARIAE LABIA; COMMITI ANTONIO ABBATI CONTI - A PAIReach: etching by Joannes Cattirisome light staining both: 42 x 32cm; 16 1/2 x 12 1/2in49.5 x 39cm; 19 1/2 x 15 1/2in (framed)(2)Property of a European Collector ProvenanceChristopher Gibbs, London*offered for sale without reserve
Lot 134
Pierre Molinier (1900-1976)'Pierre Molinier', par Raymond Borde, texte d'André Breton Plaquette illustrée de 60 photographies dont 6 en couleur, 50 exemplaires sur Marais ornés d'une eau forte de Pierre Molinier, imprimée en 1964. Exemplaire personnel de Molinier, accompagné de 15 tirages argentiques d'époque, certains longuement annotés au dos, tampon encré 'Pierre Molinier' sur le colophon. Chaque tirage est monté sur onglet en regard du tableau correspondant. Reliure Bradel moderne. On joint : ouvrage 'Pierre Molinier', par Raymond Borde, texte d'André Breton, éditions Le Terrain Vague, 1964.Brochure illustrated with 60 photographs, 6 of which are in color, 50 copies on marshes decorated with an etching by Pierre Molinier, printed in 1964.Personal copy of Molinier, accompanied by 15 vintage silver prints, some long annotated on the back, stamp inked 'Pierre Molinier' on the colophon.Each print is mounted on a tab next to the corresponding table. Modern Bradel binding.26 x 17 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 143
HUGH CRONYN (BRITISH 1905-1996) INTERIORsigned, titled, inscribed and dated Artist's proof, Interior, Hugh Cronyn / '72 lower margin; stamped with the artist's name and Hammersmith address on the backboardetching47 x 35cm; 18 1/2 x 13 3/4in (plate) 78 x 57.5cm; 30 3/4 x 22 3/4in (framed)Using Julian Trevelyan’s press Cronyn investigated etching as a reprise of his pre-war wood engravings (see lots 141 & 142). The Cronyns kept connections with Suffolk by renting various cottages there. The subject of the present work is a view through the kitchen of one to the minute part of the River Stour that runs through the village of Nayland.ARR may apply
Lot 524
British George V 1897 Pattern Infantry Officers Sword, universal pattern sword with George V crowned cipher to the hilt, grip with wire binding intact. Housed in brown leather field service scabbard with damaged brown leather hanging frog attached. Standard blade with etching. Retailer stamp of ‘ALKIT LTD CAMBRIDGE CIRCUS W.C.2’. Blade 82cms, overall 103cms.
Lot 460
AFTER ALPHONSE LEGROS "Young girl seated with cow by trees" dry point etching No'd 2 to the margins 27.5 cm x 36 cm, bears label with info verso together with 19TH CENTURY CONTINENTAL SCHOOL "Farmyard scene with chickens in foreground" watercolour heightened with white, unsigned 34 cm x 25.5 cm and 20TH CENTURY ENGLISH SCHOOL "Study of fishermen and fishing boat" screen print, inscribed indistinctly lower right and dated '84 to margin 42.5 cm x 31 cm (3)
Lot 450
A large collection of decorative pictures and prints etc to include AFTER A.W. ETSO AURABULL "Sylvan Winter" etching titled and signed to the bottom 20 cm x 28.5 cm, EARLY 20TH CENTURY SCHOOL "Navidiar Bridge on Dar Lake canal", SRINAGAR-KASHMIR reverse print on glass, bears labels verso 8.5 cm x 14 cm (2 boxes plus 8 loose)
Lot 493
PRESILEY LUMLEY SAVILE "Self portrait study", oil on canvas, unsigned, 56 cm x 46 cm, together with another similar, 61 cm x 46 cm, 20TH CENTURY ENGLISH SCHOOL "Study of cow and cattlemen", oil on canvas, unsigned, 25.5cm x 36cm, AFTER GEORGE MORLAND "Young couple working", print, 26cm x 32cm and an etching of Lord Chancellor Maitland, plate size 19cm x 13.5cm (5)
Lot 297
* Gillray (James). The Three Mr Wiggins's, H. Humphrey, June 16th 1803, etching with aquatint and contemporary hand-colouring, one horizontal crease, 330 x 240 mm, together with A Bouquet of the Late Century, H. Humphrey, Feby. 1st 1802, etching with aquatint and contemporary hand-colouring, small areas of adhesion scaring to the verso, 255 x 200 mm, with Be gone dull Care, I prithee begone from Me!, H. Humphrey, June 16th 1801, etching with bright contemporary hand-colouring, trimmed to the neat line and window mounted, old folds and small areas of adhesion scaring to the verso, 225 x 280 mmQTY: (3)NOTE: BM Satires numbers, 10163A, 9907 & 9769.
Lot 293
* Gillray (James). Fortune Hunting, H. Humphrey, November 20th, 1804, etching with contemporary hand colouring, trimmed to the neat line, slight marginal fraying and chipping, 255 x 380 mm, together with Palemon and Lavinia, H. Humphrey, Jany. 23rd 1805, etching with contemporary hand colouring, trimmed to the neat line, slight marginal fraying and chipping, some adhesion scaring to the verso, 260 x 360 mm, with The Keenest Sportsman in Broomswell Camp 1803..., etching with contemporary hand-colouring, slight mount staining, some adhesion scaring to the verso, 280 x 380 mmQTY: (3)NOTE:BM Satires. 10301, 10480 & 10167.
Lot 271
* Houston (Robert, 1891-1942). Ploughing, early 20th century, etching, signed in pencil lower right, image size 24.5 x 31cm, unframed together with a collection of etchings, mostly unframed including Wilfred Stephens, Corfe Castle, circa 1920s, signed in pencil lower right, 17.5 x 22.5cm, unframed, Frank Paton, "Gone Away", published by Leggatt Brothers 1897, 20 x 25.5cm, another by the same artist, "The Ordeal of Fire", Dorothy Burt Martin, The Market Place, Keswick, circa 1920s, titled in pencil lower left, signed lower right, image size 30 x 25cm, After Rembrandt 1641, 20th century etching showing a windmill, image size 13 x 19cm, After Adrian Van Ostade, Cornielle Le Bruyn, A Draught of the City of the City of Jerusalem, copper engraving published 1744, 20 x 28.5cm, 16th century woodblock showing an allegorical or religious scene, 14 x 21.5cm, James Priddey, Ploughing, Claude Rowbotham, Whitby, signed in pencil lower right, 14 x 22cm and others (two framed)QTY: (22)
Lot 294
* Gillray (James). Governor Wall's Ghost!, H. Humphrey, July 21st 1802, etching with aquatint, bright contemporary hand-colouring, some mount staining, small margins, 350 x 250 mm.QTY: (1)NOTE:BM Satires 9911. Joseph Wall was a career military man known for his brutal and sadistic behaviour. On his way out to Gorée, Wall had a soldier under his command flogged "so severely that his bowels protruded from his flesh." A few days before he was scheduled to leave the garrison Governor Wall ordered a series of floggings upon seven men. It was the death of one of these, Benjamin Armstrong, after the administration of 800 lashes that led to Wall's eventual apprehension and execution for murder nearly 20 years later. Gillray's print is based on a man who strongly resembled Governor Wall and who frequented the Cyder Cellar in Maiden Lane, seemingly spooking a startled fishwife who thought Wall had been resurrected.
Lot 289
* Gillray (James). Anacreontick's in Full Song, H. Humphrey December 1st 1801, etching with aquatint, with contemporary hand-colouring, trimmed to the neatline, some creasing, one repaired marginal closed tear, adhesion scaring to the verso, 240 x 31 mm, together with The Theatrical Bubble; being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello in the Art of Dramatic Puffing, H. Humphrey, Jany. 7th 1805, uncoloured etched caricature, repaired marginal closed tears, trimmed to the neatline and laid on later thick paper, 355 x 255 mm, with Farmer Giles & his Wife shewing off their Daughter Betty to their Neighbours on her return from School, H. Humphrey, January 1st, 1809, etching with bright contemporary hand-colouring, old folds, trimmed to the neatline, splits along old folds, laid on later card, 320 x 480 mmQTY: (3)NOTE:BM Satires numbers 9764, 10459 & 11444.
Lot 288
* Gillray (James). A View of the Hustings in Covent Garden. H. Humphrey, Dec. 15th 1806, etching with contemporary hand-colouring, toned overall, narrow margins, 250 x 350 mm, together with Flemish Characters, G. Humphrey, Jany. 1st 1822, hand-coloured etched caricature, additional horizontal fold, 230 x 360 mmQTY: (2)NOTE:BM Satires numbers 10619 & 8383. The second described print shows a Dutch market square. In the foreground on the right are a milkmaid and a town crier and on the left a peddler with a spinning game, based on the 'wheel of fortune'. British troops drill in the background. The print was originally etched on a single untitled plate, proofs from which can be found at the British Museum and the Morgan Library. However, it appears that Gillray thought (or was persuaded to think) that he could cut this unusually sized plate (310 x 365 mm) in two and then append some additional copper to make two prints of a more standard size (230 x 365 mm). It didn't work; the "finished" print reveals a clearly visible line across the upper third of the design where the new copper has been joined to the old. Given the amount of time and effort Gillray had devoted to the project, he must have been severely disappointed with the result. This may explain why the prints were never published during Gillray's lifetime. It was not until 1822 that Hannah Humphrey's nephew George published this print and its pair known as Flemish Characters.
Lot 418
Horne (Herbert P.). Alessandro Filipepi, commonly called Sandro Botticelli, painter of Florence, London: George Bell & Sons, 1908, monochrome plates, ex-libris bookplate to front pastedown, library stamps to the foot of the half-title, verso of the title page & rear endpaper, gutters cracked, some minor marginal toning, original cloth spine to blue paper boards, slightly toned & marked, folio, limited edition 154/240, includes prospectus, together with:Binyon (Laurence), The Art of Botticelli, an essay in pictorial criticism, London: Macmillan and Co., 1913, frontispiece etching signed by Muirhead Bone, 23 tipped-in colour plates, some light toning & offsetting, original quarter vellum, boards & spine rubbed & marked with some small loss, folio, un-numbered limited edition of 250 copies, plusWare (William Rotch), Renaissance Doorways, Italian 1 [Topical Architecture...], 1st edition, Boston: American Architect and Building News Company, 1901, 104 monochrome plates, some light toning throughout, top edge gilt, original red cloth, boards & spine slightly rubbed, folio, and other Italian & European art reference & related, some leather bindings, many original cloth, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves )
Lot 339
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Self Portrait with Saskia (B.19) etching 11 x 10cmCondition ReportThe sheet has been adhered by the upper edge to the mount with two bits of tape. Very light discolouration to the upper margin, otherwise good, overall condition; margins very thin. Under glass and held in a modern frame in fair condition.
Lot 343
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Beggar with a Wooden Leg (B.179) etching 11.5 x 6.5cm together with three other Rembrandt etchings; The Tribute Money (B.68), 7.5 x 10cm; Old Beggar Woman with a Gourd (B.168), 10.5 x 5cm; The Rest on the Flight into Egypt, A Night Piece (B.57), 9 x 6cm (4 framed as one)Condition ReportBeggar With Wooden Leg - The sheet has been adhered by the upper edge to the mountboard by two bits of tape, margins have not been trimmed leaving the sheet folded and housed within the frame. Good overall condition.The Tribute Money - The sheet has been adhered by the upper edge to the mountboard by two bits of tape, margins have not been trimmed leaving the sheet folded and housed within the frame. Good overall condition.Old Beggar Woman - The sheet has been adhered by the upper edge to the mountboard by two bits of tape, margins have not been trimmed leaving the sheet folded and housed within the frame. Some staining to the margin in lower left corner.Rest on Flight to Egypt - The sheet has been adhered by the upper edge to the mountboard by two bits of tape, margins have not been trimmed leaving the sheet folded and housed within the frame. Good overall condition.
Lot 344
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Jan Uytenbogaert, The Gold Weigher (B.281) etching 25.5 x 22cmCondition ReportThe sheet is sound with broad margins and deckled lower edge, not adhered to mount board. Good clean condition overall. Under glass and held in a modern frame in fair condition.
Lot 348
AFTER JOSEPH MALLORD WILLIAM TURNER (QTY)A large quantity of engravings, including; Kidwelly Castle; Blenheim; Powis Castle; Keswick Lake; Worcester; Warwick Castle; Durham Cathedral; Whitehaven; Kenilworth Castle and Arundel Castle of various sizes contained within a folio with the title ENGLAND & WALES J. M. W. TURNER R. A. M TO Z together with a European School etching of a ruin on a mountain (a quantity) Provenance Private collection, UK
Lot 346
FRANCISCO GOYA (SPANISH, 1746-1828)Soplones, from Los Caprichos (Harris 85) etching with aquatint 20.5 x 15cmCondition ReportThe sheet has been adhered by the upper upper edge to the mount board with two bits of tape. Light surface creases in the sky, undulations to sheet; some staining to margins. Under glass and held in a modern frame in fair condition.
Lot 347
FRANCISCO GOYA (SPANISH, 1746-1828)Chiton (Hush), from Los Caprichos etching with aquatint 21 x 15cmCondition ReportThe sheet has been adhered by the upper upper edge to the mount board with two bits of tape. Sheet is sound, scattered spots of foxing to the sky and borders Under glass and held in a modern frame in fair condition.
Lot 341
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Self Portrait etching 15 x 12cm together with another Rembrandt etching, The Rat Catcher, 13.5 x 12cm (framed together)Condition ReportBoth sheets have been adhered by the four corners to the mount paper. Self Portrait - rectangular imprint above the figure's head off the upper border, visible upon close inspection. Some very light traces of surface staining; very narrow margins. The Rat Catcher - scattered areas of surface staining, upper and lower right; very narrow margins.Under glass and framed as one in a wooden frame in fair condition.
Lot 342
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Christ Driving the Money Changers from the Temple (B.69) etching 13 x 16.5cmCondition ReportThe sheet has been adhered to the upper mount with two bits of tape. Some staining to the left of the signature and in the upper right corner, otherwise sound. Narrow margins. Under glass and held in a modern frame in fair condition.
Lot 345
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Three Oriental Figures (Jacob and Laban) (B.118) etching 14.5 x 11cmCondition ReportThe sheet has been adhered by the upper edge to the mount-board with two bits of tape. Minor discolouration to the margins, otherwise good overall condition. Under glass (cracked in the lower right corner) and held in a modern frame in fair condition.
Lot 340
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Peasant Family on the Tramp etching 11.5 x 9cm (unframed) Provenance Private Collection, UK Literature Bartsch 131Condition ReportA good later impression, (probably 18th century), with narrow margins; laid down to backing paper along the left hand margin, good overall condition.
Lot 249
A limited edition box set 'Paul McCartney - Flaming Pie' numbered 0504/3000. All housed in original card mailing box. To inc: -Remastered original album -32 bonus audio tracks featuring unheard home recordings, rough mixes, and B-sides including selections from Oobu Joobu part 1-6 -Flaming Pie At The Mill, Paul's hour-long tour at the studio -Remastered album cut at half speed across 2LPs -Home recordings -'The Ballad Of The Skeletons' single with etching -In The World Tonight documentary -Music videos, EPKs, interviews, performances and behind-the-scenes material -128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album; including track-by-track information, recipes and newinterviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, written by Chris Heath -Facsimile of John Hammel studio notebook -6 Linda McCartney art prints housed in a marbled folio -Club Sandwich Magazine -Envelope with hand-written lyrics and The Flame newspaper -Flaming Pie plectrum -Downloadable 24 bit 96kHz HD audio Stock image used for reference only.
Lot 532
* Pablo Picasso (Spanish,1881-1973)Costume design for the ballet Le TricorneCollotype and pochoir (From the portfolio of thirty-two collotypes) Published by Éditions Paul Rosenberg, Paris and printed byAndré Marty, Daniel Jacomet et Cie., Paris. 192025.8 x 19cmCatalogue Raisonné; Cramer Books 8; Geiser 56 (etching); Bloch 34 (etching)
Lot 1384
John Keyse Sherwin (1751-1790) after Henry Bunbury (1750-1811), A Tale of Love, London: Published by James Bretherton, 1786, etching and stipple engraving, contemporaneous hand-colouring in places, 50 x 40cm, other miscellaneous pictures and prints, (6) The Sherwin toned, infrequent and minor foxed spot here and there. The rest in mixed condition.
Lot 236
THE DAMNED - PROBLEM CHILD 7" PRESSINGS PACK (PLUS UK 2ND NEW ROSE). A fantastic selection of 11 different 7" pressings of Problem Child by The Damned, including a UK 2nd pressing of New Rose (BUY 6, Nothern Songs credit. Record Ex+/ Delga sleeve VG+). Problem Child versions include (BUY 18, UK 2nd press. 'Dave Vanian Suck etching on A side. Ex/ Ex), (BUY 18, UK og press. Ex+/ VG+), (BUY 18, UK og in die-cut sleeve), (6.12 196, German press - x2), (BUY 18, solid center - x3), (40032-3) & (BUY 18, in company sleeve). Condition is generally VG+ to Ex+.
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71174 item(s)/page