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Lot 677
AFTER HENRY WILKINSON "English Partridge in a landscape", coloured etching, No'd. 150, signed in pencil, image size 25 cm x 34 cm, together with VICTOR BALFOUR BROWNE "They were still restless", colour print, limited edition No'd. 153/300, another by the same hand "The big bodied beasts on the flats", colour print, limited edition No'd. 154/300 and another "The blighter's asleep", colour print, limited edition No'd. 153/300, a pair of chromolithographs AFTER J SANDERSON WELLS "Hunting scenes", AFTER ALEXANDER CHARLES JONES "British Fox Superiority Society Hound Show", colour print, limited edition No'd. 51/850, AFTER ROBERT HAINAND "Mallard and Moorhen", limited edition print No'd. 32/51, signed in pencil, AFTER CECIL ALDIN "Jumping powder", chromolithograph, unsigned, AFTER F C TURNER "Ascot Heath Races", colour print, AFTER JONATHON SAINSBURY "Spaniel putting pheasants up", colour print, limited edition No'd. 49/600, signed in pencil lower right, AFTER PHILIP RICKMAN "Woodcock Lunan Bay", colour print, limited edition No'd. 6/500, signed in pencil lower right, AFTER JAMES POLLARD "Epsom - Preparing to start", colour print and four further colour prints AFTER PHILIP RICKMAN including "Ducks", "Snipe", "Grouse" and "Ptarmigan"
Lot 681
AFTER HENRY WILKINSON "Long haired Pointer and Mallard Drake quarry", coloured etching, limited edition No'd. 57/100, signed in pencil, 23 cm x 31 cm, another by the same hand "Two Spaniels putting up Snipe", coloured etching, limited edition No'd. 28/100, signed in pencil and "The Cock Shoot", colour print, unsigned
Lot 198
Oxford. New (Edmund Hort), Christchurch, Oxford, Founded by Thomas Wolsey..., 1916, uncoloured photo-etching, laid on card, 460 x 670 mm, together with Loggan (David). Collegium St. Trinitatis, circa 1675, hand-coloured engraving, laid on card, 325 x 410 mm, mounted, with Monk (William). The Latin Chapel Christ Church, The Garden Gate of Trinity College [and] The Quadrangle of the University Press, 1901 - 03, together 3 uncoloured etchings, mount stained, each approximately 300 x 410 mm, mounted, with another 6 prints and engravings of Oxford, including examples by or after Stadler and Knight, plus Morden (Robert). Oxfordshire [1695 or later], hand-coloured engraved map, repaired closed tears, creased, 425 x 365 mm, mounted, and Brewer (H. W.). Birds-Eye View of Oxford, 1894, uncoloured photolithograph, trimmed to image with aperture mount for the key plate and title, several long closed tears affecting the image, one small hole, 290 x 885 mm, mounted, framed and glazedQTY: (13)
Lot 347
Raverat (Gwen, 1885-1957). An album of 81 wood engravings by Gwen Raverat, 1939-1950, compiled by the artist as a record of her later work, containing 81 wood engravings of which 6 are signed in pencil, small etching by Stephen Gooden pasted to front endpaper, handwritten index written in ink to verso and following leaf, all mounted on album leaves, some with title and date in pencil to lower margin, original plain cream cloth, rubbed and some marks, spine lettered in gilt: WOOD CUTS G. R. 4 (crossed out and renumbered 3 by hand), index numbered from 491-569, rebacked with original spine laid down, thick folio, leaves measure 32.5 x 27 cm QTY: (1)NOTE:Provenance: Estate of the artist, thence by descent.Selborne & Newman 492 (two states), 548, 549, 550, 551, 553 (two states), 554, 555, 556, 557, and 558 for the separately published engravings.This album contains sets of proofs for The Bird Talisman, and The London Bookbinders, as well as: Winter Morning (uncoloured and coloured versions), the latter signed and titled, Escures, Mill by Moonlight, Childe Roland, Queen's College, Essex Building, Ponies (coloured and uncoloured versions), Swans, Mill Lane, Europa, Horses at Night, and Boat Race.Those signed are Winter Monring, The Magicians Chariot, The Mill by Moon Light, Childe Roland, Europa, and Boat Race.
Lot 1573
WILLIAM LIONEL WYLLIE RA (1851-1931); pencil signed etching, HMS Victory firing a salute, 41 x 76cm, framed and glazed.Additional InformationCreases and folds to the paper in parts especially to the centre of the image, there is a possible stain to the lower side of the border, light scuffs to the frame.
Lot 1622
DAVID WOODFORD; pencil signed etching, roof tops with Snowdonia in the background, 20.5 x 44cm, framed and glazed. (D)Additional InformationThe etching is in good order, the mount slightly stained and discoloured.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 259
Group of Victorian & later silver & white metal items. To include; a pocket watch with floral enamel to face & scrolling floral etching to case, hallmarked Birmingham 1887. Matching cufflinks & pin in box hallmarked Birmingham 1970. Bone & silver brush marked sterling to the metal & france to the bone. Mother of pearl & silver fruit knife hallmarked Sheffield 1875 - sponsors marks J&S. Two piece pieced white metal belt buckle, test suggest silver. A white metal pocket watch. Two transparent enamel & white metal discs in box, tests suggest silver. White metal miniature scissor & pocketknife charm. White metal sewing scissors with cherub & floral design. Weight approx; 134 grams.
![ROSSI, Aldo (1931-1997). "Senza titolo, [=Relique], su un'antica carta francese". 1989. Photo-engr. etching. 149 x 410 mm. Fr](https://cdn.globalauctionplatform.com/e6945d44-49f2-46cf-825d-ae6a00d8e548/297ed986-29c8-4cef-a4d8-ae6a00e6aaee/468x382.jpg)
Lot 759
GUBBELS -- LENSINK, T. Het kind met de grote voeten. Arnhem, 1983. 21 pp. W. 22 illustr. on 11 lvs. by K. Gubbels. Ohcl. One of 21 copies, signed by the author, and w. a separately published or. drawing by K. Gubbels, dated and monogrammed by the artist in pencil. -- Added: the same work in owrps. -- And: G. BOOSTEN. Opus 94. 1984. Etching. 198 x 240 mm. Signed, numb. & dated in pencil. -- (4).
Lot 469
PIRANESI, Giovanni Battista (1720-1778). "Veduta del Tempio di Giove Tonante". (1756). Etching, captioned in the plate. 402 x 604 mm. Recently framed, glazed and under acid-free passepartout. NOTE:Presenting the Temple of Vespasian. Uninspected out of frame, but apparently in fine condition. - Hind 44, 2nd state.
Lot 464
KULHÁNEK, Oldrich (1940-2013). (No title). 1975. Cold. etching. 155 x 112 mm. Annotated 16/40 and signed & dated in pencil. Framed, glazed and under passepartout. -- Id. Ex libris Dick Wentzel. (1981). Cold. etching. 150 x 90 mm. Signed and dated in pencil. -- Added: L. v. MARIS & F. MONTENS. Jan Krejci & Oldrich Kulhánek. Overzicht van hun grafisch werk, 1966-74. Leiden, De Bange Duivel, 1974. W. 98 plates. & 2 or. etchings. 4°. Owrps. Printed in 750 numb. copies. -- (3).
Lot 770
PAINTINGS AND PRINTS ETC, to include a signed mezzotint print by Francis S Walker of 'The Blue Boy' after Thomas Gainsborough, numbered 97 in roman numerals, approximate size 46cm x 32cm, signed John Brian Evanson print 'Schoolboy Dreams', Eileen Greenwood etching with colours 'Early morning - Grand Canal' 45/150, watercolour and pen sketch of country scene with a wire fence, indistinctly signed, early 20th century style oil on canvas depicting a horse and cart at the entrance to a grand house, unsigned oil on canvas, an oil on canvas after Joshua Reynolds 'Miss Bowles and her dog' signed T Weddle, two Cornish prints after Reubens Southey, prints of Italian scenes, two horse racing prints together with assorted other prints etc (Qty)
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71174 item(s)/page