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Lot 1
Drury (Paul). A head - and - shoulders portrait of a man wearing a panama hat, 1926, uncol. etching, signed and dated in pencil, image size approx. 95 x 95 mm (3.75 x 3.75 ins), framed and glazed, together with Wilson (Edgar), Under Lambeth Bridge, 1930, uncol. etching, signed, titled and dated in pencil to lower margin, image size approx. 105 x 127 mm, framed and glazed (2)
Lot 1
Haig (Axel Herman, 1835 - 1921). Interior of Amiens Cathedral, 1897, signed in pencil, approx. 290 x 380 mm, framed and glazed, together with Martin (M. E.), Chartres, uncol. aquatint, signed and titled in pencil, approx. 300 x 225 mm, framed and glazed, plus one other late 19th c. etching entitled "Old Chelsea, Cheyne Walk", by Percy Harvey [ - ], approx. 240 x 175 mm, signed and titled in the image (signature indistinct), framed and glazed (3)
Lot 1
Renison (William, 1893 - 1938). Rustic scene showing a haycart with two figures passing alongside an estuary with fields and rocky cliffs on the far side, c. 1920s, original ethcing, some light browning across plate impression, 190 x 285 mm, together with another etching by the same artist, showing a few boats and figures on the seashore, 100 x 140mm, mounted, both etchings signed in pencil lower right (2)
Lot 1
Rushbury (Sir Henry George, R.A. R.E., 1880 - 1968). St. Martins - in - the - Fields, 1944, Horse - Guards Parade, together two uncol. etchings, both signed in pencil, the second with some light overall browning, together with three other etchings by Rushbury, including two scenes of wartime London, one showing St. Pauls in the background, the other with the tower of a London church, and one other landscape etching of buildings on a rocky outcrop, all signed in pencil, approx. 300 x 260 mm, or 240 x 280 mm, or similar, all in matching gilt frames, glazed (5)
Lot 1
Wyllie (William Lionel, R.A. 1851 - 1931). The Kaiser Class with the Flag of Admiral von Reuter flying in the "Friedrich der Grosse" being taken to Scapa Flow for internment by the Second Division of the Grand Fleet 25th November 1918, uncol. etching by A. E. Howarth, after W. L. Wyllie, approx. 340 x 710 mm (13.5. x 28 ins), contemp. oak frame, glazed (1)
Lot 1
Dali (Salvador, 1904 - 1989). 'King of Aragon', col. etching, printed by Atelier Rigal, signed in pencil, numbered 54/250, image size approx. 350 x 270 mm (13.75 x 10.5 ins), sheet size 670 x 500 mm (26 x 20 ins), aluminium frame, glazed. With Christie's Contemporary Art printed Certificate of Authentication, to verso, signed by the Director. (1)
Lot 1
Hesterberg (Hesto, 20th c.). Portrait of the Dancer, Thea von Ujj, c.1927, pastel, signed, and monogrammed, and dated 1927, approx. 510 x 410 mm (20 x 16 ins), small tear to top margin without loss, together with another watercolour portrait of Thea von Ujj, by the same artist, also dated 1927, approx. 450 x 370 mm (18 x 14.5 ins), plus a coloured etching of the same subject, showing Thea von Ujj wearing a red costume, signed and inscribed by the artist (signature indistinct), approx. 440 x 300 mm (17.5 x 12 ins), with margins, and a quantity of related ephemera, mostly photographs of Thea von Ujj, newscuttings relating to her performances in Vienna, Berlin, etc., including the Sturm Gallery and elsewhere, mostly contained in two albums ( - )
Lot 1
Laurencin (Marie, 1885 - 1956). Girl in a hammock, col. etching by Jacques Villon after Marie Laurencin, pub. Chalcographie du Louvre, image size approx. 440 x 550 mm, some staining to margins, together with a colour lithograph after Picasso, of a bullfighter on horseback, dated 1961 in the image, approx. 210 x 270 mm, mounted (2)
Lot 1
PILKINGTON Matthew A general dictionary of painters: containing memoirs of the lives and works of the most eminent professors of the art of painting ... New edition, 2 volumes, extra illustrated with some 450 engravings (mostly mounted, but with a number loose), full dark green straight grain morocco, spines decorated gilt in compartments, inner doublures, a.e.g., by De Coverly, 4to., London: McLean, 1824. Note: Containing a wide range of examples from various periods with a number culled from Bullart's Academie des sciences et des arts, and including: A print of Durer's "Melancolia" (Vol. 1 p. 282); Hemskerk's "Solomen and Sheba" (Vol. 1. p. 433); A horseman by Cuyp (Vol. 1. p. 499); Rembrandt's "Three trees" (Vol. 2 p. 230) and an aquatint etching of a design for a sundial attributed to Rysbraeck.
Lot 1
Bartlett (W.H.). The Nile Boat; or, Glimpses of the Land of Egypt, 3rd ed., 1852, addn. engraved title, map and thirty-three eng. plts., inner hinges cracking, orig. gilt dec. cloth, some fraying to extrems., 8vo, together with Vaux (etienne Ludovic Le Grand, baron de), La Palestine...Ouvrage Illustre par M.P. Chardin et M.C. Mauss, Paris, 1883, num. b & w illusts., inner hinges splitting, orig. red cloth, rubbed to extrems., 8vo, plus two other related books, five eighteenth century maps of regions of France by Jansson, Jaillot, etc., an 18th century map of the Holy Land, a collection of wood engravings from Le Monde Illustre, ILN, etc., and an etching by Lobel-Riche entitled 'Fes 1919 un Lepreaux' (a carton)
Lot 1
Attributed to Thomas Rowlandson- 'The Republican- Attack', H. Humphrey, Publ. Nov. 1st, 1795; hand-coloured etching, 24.7x35cm: R. Bowyer, publ., 1802- 'Mosque of Abou- Mandou'; hand-coloured aquatint: together with five other prints relating to the Middle East, including a bird's-eye view of Jerusalem by Fr.Wentzel, (7)
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78391 item(s)/page