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Lot 75
NORMAN C JAQUES (1926-2014) SIGNED ARTIST PROOF COLOURED ETCHING 'Paper Flowers' 15" x 11 ½" (38.1cm x 29.2cm) AND TWO ARTIST SIGNED COLOUR PRINTS 'Lyme Park' 23" x 17 ½" (58.4cm x 44.5cm) Woodland Path, Arley, Cheshire' 16" x 21 ½" (40.7cm x 54.6cm) image clipped to upper and lower left side Both with printed unaligned All unframed and unmounted, (3)
Lot 59
δ Augustus John (British 1878-1961 - Epstein No.2 Etching 1906, from the edition of 50 published in 1919 Signed in pencil Numbered 45/50 13 x 9cm (5 1/8 x 3 5/8in.) Provenance: Arthur Tooth & Sons, London IMPORTANT: δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 572
David Waterson RE FSA (1870-1954) Three narrative drypoint views of Invermark Castle on the shore of Loch Lee near Brechin, one engraved within the plate 'Loch Lee' and one entitled to the margin 'Invermark', each framed and mounted under glass, 23 x 30 cm, 18 x 22 cm and 11 x 14 cm David Waterson was born in Brechin in 1870 and after training at the Edinburgh College of Art he returned to spend his adult life painting, etching, drawing and engraving his native landscape. Despite his desire to remain in his home town, Waterson was well-known in his day, with a ready market for his work. He had exhibitions in Dresden in 1906, Brechin in 1911 and the Montrose Museum in 1910 and 1929, as well as exhibitions at the Walker Art Galleries in Liverpool and the Royal Scottish Academy. Indeed Sir Seymour Haden, the President of the Royal Society of Painter-Etchers and Engravers considered his art to be 'genius', and the King of Sweden was an admirer and patron of his work.
Lot 25
Ivo Saliger (1894-1987)DOKTOR, MÄDCHEN UND TOD1920Farbradierung auf Papier, 730x555 mm (Passepartout-Ausschnitt), links unten im Druck gezeichnet: „HcG" und signiert rechts unten „Ivo Saliger".Passepartout, gerahmt, verglast.Ivo Saliger (1894-1987)DOCTOR, GIRL AND DEATH1920Color etching on paper, 730x555 mm (mount aperture), marked lower left in print „HcG“ and signed lower right „Ivo Saliger“.Mounted, framed, glazed.
Lot 26
Oskar Pafka (1896-1949)ARTIS MEDICI VICTORIA1931Kolorierte Radierung auf Papier, 585x737 mm, gezeichnet und datiert rechts unten im Druck „fec. et sc. Anno 1931 Oskar Pafka“ und signiert in Bleistift „Oskar Pafka“.Oskar Pafka (1896-1949)ARTIS MEDICI VICTORIA1931Colored etching on paper, 585x737 mm, marked and dated lower right in print „fec. et sc. Anno 1931 Oskar Pafka“ and sign in pencil „Oskar Pafka“.
Lot 29
Ferdinand Staeger (1880-1976)VEREINSAMTER KÖNIG – ZU EIGENER AUSSTELLUNG IN BRÜNN1922Radierung auf Papier, 287x197 mm, signiert rechts unten in Bleistift „Staeger“. Einladung zur Ausstellung „Das graphische Werk von Ferdinand Staeger, München, 1.-20. September 1922“.Ferdinand Staeger (1880-1976)LONELY KING – FOR HIS OWN EXHIBITION IN BRNO1922Etching on paper, 287x197 mm, signed lower right in pencil „Staeger“. Invitation to the exhibition „Das graphische Werk von Ferdinand Staeger, München, 1. – 20. September 1922“.
Lot 39
Jan Charles Vondrouš (1884-1970)BAU DES STAUDAMMS IN WRAN1933Radierung auf Papier, 390x495, rechts unten im Druck gezeichnet: „Vondrouš 1933“, links unten in Bleistift: „43/100“, rechts unten signiert und datiert: „Vondrouš. 1933.“.Jan Charles Vondrouš (1884-1970)BUILDING OF A DAM IN VRANÉ NAD VLTAVOU1933Etching on paper, 390x495, marked lower right in print „Vondrouš 1933“, marked lower left in pencil „43/100“, signed and dated lower right „Vondrouš. 1933.“.
Lot 60
Marie Blabolilová (1948-?)HERBSTSONNE1978Radierung auf Papier, 507x402 mm, gezeichnet am Unterrand „5/50 Podzimní slunce“, signiert und datiert rechts unten „M. Blabolilová 1978“.Marie Blabolilová (1948-?)AUTUMN SUN1978Etching on paper, 507x402 mm, marked by the lower edge „5/50 Podzimní slunce“, signed and dated lower right „M. Blabolilová 1978“.
Lot 66
Jaroslav Šerých (1928-2014)FRAU MIT MASKE1978Farbradierung auf Papier, 490x360 mm, gezeichnet am Unterrand in Bleistift „156/200“, signiert und datiert rechts unten „J. Šerých 78“.Jaroslav Šerých (1928-2014)WOMAN WITH A MASK1978Color etching on paper, 490x360 mm, marked by the lower edge in pencil „156/200“, signed and dated lower right „J. Šerých 78“.
Lot 69
Jiří Hadlač (1927-1991)SO GEHT ES AUF DER WELT1980Farbradierung auf Papier, 421x294 mm, signiert und datiert am Unterrand „11/100 Hadlač 80“.Jiří Hadlač (1927-1991)SO THAT`S WHAT THE WORLD IS DOING1980Color etching on paper, 421x294 mm, marked, signed and dated by the lower edge „11/100 Hadlač 80“.
Lot 77
Mikuláš Kavan (1974-?)LANDSTREICHERRadierung auf Papier, 298x210 mm, gezeichnet in Bleistift am Unterrand „39/180 Tulák“ und signiert rechts unten „Mikuláš Kavan“.Mikuláš Kavan (1974-?)WANDEREREtching on paper, 298x210 mm, marked in pencil by the lower edge „39/180 Tulák“ and signed lower right „Mikuláš Kavan“.
Lot 79
Jindřich Pileček (1944-2002)SPIEGEL2000Radierung auf Papier, 300x210 mm, gezeichnet links unten „146/180“, signiert und datiert rechts unten „J. Pileček 2000“.Jindřich Pileček (1944-2002)MIRROR2000Etching on paper, 300x210 mm, marked lower left „146/180“, signed and dated lower right „J. Pileček 2000“.
Lot 1227
AFTER JAMES WATHEN (1752-1828) A SERIES OF VIEWS ILLUSTRATIVE OF THE ISLAND OF ST. HELENA Nine (plates 1 & 2 form a single subject, so plates 1-10), aquatints with hand colouring by J. Clark, in addition to include the frontispiece (this bears ink signature and date J. Wathen 1821), published by T. Clay, 1821 The largest 14 x 43cm.; with a coloured etching of Napoleon on St Helena by another hand, 21 x 15cm. (11 frames) * The set of prints was derived from drawings produced by Wathen during a three day visit to St Helena in 1812 ++ Mixed; some foxing and spotting, creasing, mat staining; the portrait etching poor
Lot 1233
JAMES ABBOTT McNEILL WHISTLER (1834-1903) HURLINGHAM (Kennedy 181) Etching and drypoint, c.1878, probably the 4th (final) state, on laid, with wide margins, unframed Plate 13.5 x 20cm.; sheet 22.5 x 36.5cm.; with `Newcastle in Emlyn` (Schneiderman 57) by Sir Francis Seymour Haden, etching, 1864, signed, 11 x 14.5cm. (2) ++ (Whistler) time-toning where formerly mounted; 15mm tear in margin upper left; (Haden) with slight time toning
Lot 1287
CONSTANCE BIRNIE LAWSON (Fl.1882-1903) FLOWER SUBJECTS Three, each signed, one also dated 1882, watercolour, unframed 35 x 28cm or 33 x 26cm.; with two watercolours by other hands; and a colour etching by Charles Giroux after Renoir, all unframed (6) * Lawson's sister, Beatrix, was married to J. A. M. Whistler. ++ Each in generally good condition
Lot 1354
•SIR FRANK WILLIAM BRANGWYN, RA (1867-1956) THE OLD BRIDGE, ROME Etching with drypoint and plate tone, 1921, signed in pencil 30 x 35cm.; with another etching, `Une Pile du Pont Neuf (Petite Planche), 35 x 22cm., unsigned. (2) ++ The former good; the latter with some grazes, blemishes and light-staining
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71174 item(s)/page