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Lot 470
A Chinese export reverse painting on glass, 18th century, titled 'A Shipwreck'd Sailor Boy Telling His Story at a Cottage Door', the reverse with a paper label inscribed 'Augustus F Cammeyer, Looking Glass Manufacturer, 453 Broadway, New York', 44 x 59cm Literature: See M Jourdain and R S Jenyns 'Chinese Export Art in the 18th Century', London, 1950, pp 33-39. This subject is from a picture by William Redmore Bigg RA. The well known etching of this would have been sent to China and copied. CONDITION REPORT: Some deterioration to paint, for example on boy's red coat, around girls' faces and on window. Loose in frame and slightly bowed. Please see images (available upon request).
Lot 358
AFTER PEGGY WICKHAM "At the circus", coloured print, AFTER B A PECKHAM "Wooded landscape with church spire rising in the distance", limited edition black and white etching No'd. 26/50, signed and dated' 87 in the margin, various Vanity Fair Spy prints, PYNEGAR "Daisies", still live study, oil on canvas, signed bottom right and a quantity of assorted pictures and prints
Lot 395
AFTER ROWLANDSON "Pastoral scene with figures, horned cattle and sheep by the rivers edge", "Horse drawn cart in a mountainous landscape before a building" and "Steeplechasers at full gallop with Mail Coaches beyond", black and white etching, bears pencil signature in margin, published Aug 6th 1790 by F. Fores, Piccadilly, 19TH CENTURY ENGLISH SCHOOL "A Thoroughbred November", coloured engraving by G. Hunt, AFTER G. BEYS "Evacuation par les Anglais de Porto Ferraio", black and white engraving, together with assorted pictures and prints CONDITION REPORTS Rowlandson has foxing and stains and several tears including tear across middle. All items with wear and scuffs, some with foxing, damage and losses.
Lot 570
Mandy Bonnell, British late 20th/early 21st century- "Lighthouse I"; etching with aquatint printed in colours, signed, titled, numbered 1/25 and dated `90 in pencil, 59x32.5cm: Derek Hare, British late 20th/early 21st century- "Close of Day" and "High Wave"; reproduction prints in colours, signed and numbered in pencil, ea. 59.5x59.5cm, (3) (may be subject to Droit de Suite)
Lot 593
John Swanson, American b.1938- "Flying Trapeze"; etching with aquatint printed in colours, signed, titled, dated 1986 and numbered 12/50 in pencil, stamped with a blind stamp, 25x28cm: together with two further etchings with aquatints printed in colours by the same hand entitled "Circus Gallop" and "Acrobats" both signed, titled, dated 1986 and numbered 90/150 and 29/100, 25x27.5cm and 27.5x20.5cm respectively: M Andrews, late 20th century- "Nimrod I"; etching with aquatint printed in colours, signed, titled, numbered 39/200 in pencil, 60x50cm: James Cox, British b.1956- "Flowers I"; etching with aquatint, signed, titled and numbered 139/200 in pencil, 58x44cm: together with one further etching with aquatint printed in colours by the same hand entitled "Sigma VI": Terence Millington, British b.1943- Bandstand; etching with aquatint printed in colours, signed and numbered 6/75, 21x20cm: together with two further etchings with aquatints printed in colours, one from the same series depicting a bandstand and one entitled "Spiral Staircase II", various sizes, (9), (maybe subject to Droit de Suite), (unframed)
Lot 608
Oliviero Masi, Italian b.1949- Field of poppies with farm buildings; etching with aquatint printed in colours, signed and numbered III/XXV in pencil, 50x65cm: together with seven other etchings with aquatint printed in colours by the same hand, and a further three etchings with aquatint and one mezzotint, all printed in colours, by different hands, various sizes, (12) (may be subject to Droit de Suite)
Lot 615
Richard Beer, British b.1928- "St Augustine"; etching with aquatint printed in colours, signed, titled and numbered 65/75 in pencil, 62x43cm: together with one other etching with aquatint in colours by the same hand entitled "St Dunstan in the East", signed, titled and numbered 65/75 in pencil, 59.5x39.5cm: Michael A Richecoeur, British b.1946- "Low Water" and "Seymour II"; two, etchings with aquatint printed in colours, each signed, titled and inscribed `A/P` in pencil, 61x36cm and 45x68cm respectively: together with thirteen other artists` prints by different hands to include examples by Derek Mynott, Martin Ware, Jeremy King, Christopher Penny and others, various sizes, (17) (part unframed) (may be subject to Droit de Suite)
Lot 379
After James Gillray, British 1757-1815- "The Spanish Bull Fight or the Corsican Matador in Danger", publ. John Miller, Edinburgh; hand coloured engraving, 19x27.5cm: together with our other hand coloured engravings after the same artist and publisher entitled "Tiddy-Doll the Great French Gingerbread-Baker", "The King of Brobdingnag and Gulliver", "The National Assembly Petrified", "The National Assembly Revivified", various sizes: George I Cruikshank, British 1792-1878- "Scarcity of Domestic Servants"; hand coloured etching, 9.8x16.3cm: After James Gillray, British 1757-1815- "Introduction of Citizen Volpone & his Suite at Paris", originally publ. Nov 13th 1802 by H Humphrey; hand coloured reproduction print, 17x23.5cm, (7), (part unframed)
Lot 393
Peter Nutall, British b.1943- Untitled bird form; black and coloured chalk/crayon, signed, 34.5x32.5cm: Ken Howard, British, mid-late 20th century- Cathedral front; etching with aquatint printed in colours, signed, numbered 11/50 and dated 66 in pencil, 60x29cm: Stephen Bicknell, British 1957-2007- "St Chad`s College, Durham"; lithograph, signed, titled, numbered 48/200 and dated 1984 in pencil, 27.5x38cm., (3) (may be subject to Droit de Suite)
Lot 398
Mabel Oliver Rae, British 1868-1956- "St Johns Library & Bridge of Sighs, Cambridge"; etching, signed and titled in pencil, 17.5x27.3cm: together with five other etchings of Cambridge colleges by the same hand, similarly signed and titled, various sizes, 17.5x27.3cm., (max): French School, early 20th century- "L`Abreuvoir, Paris"; etching, signed with monogram `HP` and titled within the plate, 16.5x25.5cm: together with a mixed quantity of further unframed etchings, photogravures and reproduction prints, (a lot) (part unframed) (may be subject to Droit de Suite)
Lot 445
Ernest George, British 1839-1922- "Bishopsgate St London"; etching, signed, titled and dated 1883 within the plate, signed in pencil, 26x18.5cm: Ernest George, British 1839-1922- "Tower Hill, London"; etching, signed, titled and dated 1884 within the plate, signed in pencil, 19x26cm: Gill, British, mid-late 20th century- "Despair"; screenprint in colours, signed and numbered 19/25 in pencil, 74x44.5cm: Black, British, mid-late 20th century- Lion and radiant sun; lithograph printed in red, signed, numbered 16/250 and dated 74 in pencil, 43x43cm: After Drew, late 20th/early 21st century- Russian church; colour reproduction print, numbered 89/200, 40x61cm., (5) (may be subject to Droit de Suite)
Lot 515
French School, circa 1900- "Marthe Brandès, dans Catherine (Comédie Française)"; lithograph printed in colours, 32x16cm19th Century- Calamity in a rocky mountain pass; hand-coloured aquatint, 18x24cm: British School, early 19th century- "The Continuation of the Road from London to Barwick beginning at Tuxford & extending to York"; hand-coloured engraved strip road map, 34x44cm: After James Abbott McNeill Whistler PRBA RP HRSA RSW, American 1834-1903- "St James`s Street June 1878", publ by Vanity Fair 2 July 1878; lithographic transfer print, 39x27cm: Hobakoba, Eastern European School, late 20th century- Surrealistic self-portrait of the artist and view of a church and woodland; etching, signed with monogram `HE` and dated 1989-1990 within the plate, signed, inscribed and dated 1989 in pencil, 33x24cm: European School, late 19th/early 20th century- An old man reading; lithograph in black, red and white on olive brown paper, signed within the plate, 27x27cm., (6) (part unframed)
Lot 516
Al-Hasimi Azza, b.1950- Still life of a bust and fruit; mezzotint printed in colours, signed, numbered 66/100 and dated 1983 in pencil, 35.5x29cm: G Clark Sealy, American b.1955- "Lady Amhurst Pheasant"; screenprint in colours, signed, titled and numbered 132/150 in pencil, 56x39cm: Elaine Marshall, British, mid-late 20th century- "Greenwich Waterfront II"; aquatint printed in colours, the plate of irregular shape, signed, titled, numbered 2/50 and dated 1976 in pencil, 35x32cm: Monica Poole, British 1921-2003- "Ripening Corn"; etching, signed, titled and numbered 5/50 in pencil, 24.5x15cm: Diana Rattray, British b.1947- Trees; etching, on arched plate, signed, inscribed and dated 80 in pencil, 28x20cm: King, mid-late 20th century- Two figures; etching printed in colours, signed, inscribed and dated 1981 in pencil, 43.5x38cm: Martin Renton Ware RCA, British b.1949- "The Nineteenth Century", publ by the Irish Univeristy Press, 1972; etching with aquatint, signed in pencil, in folio, 27x20.5cm (7) (may be subject to Droit de Suite)
Lot 527
Brenda Hartill, British b.1943- "Meltdown I" and "Broken Land II"; etching with aquatint printed in colours, two, ea. signed, titled, numbered and dated in pencil, ea.40x50cm: Richard Smith, British b.1931- "Writ Large"; aquatint printed in colours, signed, numbered and dated in pencil, 38.5x29.5cm: James Cox, British late 20th/early 21st century- "Delta I"; mixed technique etching with aquatint, signed, titled and numbered in pencil, 56x45cm, (4), (may be subject to Droit de Suite)
Lot 229
* Henry Moore, OM, CH, FBA, RBS (British, 1898-1986), Composition for a poem by Herbert Read - They came running over the perilous sands, signed lower right in pencil “H Moore”, and numbered V/X, etching and aquatint, circa 1946, on Auvergne, signed in pencil, numbered V/X, an artist’s proof aside from the edition of 50, 38 x 28cm (15 x 11in). Provenance: Christie’s, London, sale, 19 July 2000. Literature: =Cramer, 4
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