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Lot 2176

A quantity of prints to include chocolate advertising, an etching of a Church, portrait of a Lady seated, etc.

Lot 2141

A framed and mounted coloured etching depicting Tintern Abbey in th Wye Valley 16 1/4" x 12 1/2".

Lot 358

A Capova (Czech 1956-2019) signed etching "Sasek" Male musician, limited edition 15/50. Frame size approximately 86.5cm by 76cm wide.

Lot 2806

Heinrich Vogeler(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Frühling". OriginaltitelRadierung/Papier, 1896. R. u. sign.; In der Platte sign. und monogr. mit Worpsweder Wappenschild; Wvz. Rief 14. Darstellung 33 cm x 23,4 cm. Rahmen. Etching on paper, 1896. Hand-signed. Signed and monogrammed in the plate.

Lot 1067

After George Vernon Stokes (1873-1954)"Something Moved!"Signed, inscribed and number 38/75, etching, together with a further signed and numbered etching by the same hand depicting a labrador and a spaniel flushing pheasants, 28.5cm by 32cm 37.5cm by 31.5cm respectively (2)"Something's moved": General dirt and debris trapped beneath glass. Light time staining to sheet. Slight cockle to sheet. Not examined out of the frame. Other example: General dirt and debris trapped beneath glass. Light time staining to sheet. Slight cockle to sheet. Sporadic small foxing spots, for example between the two tree trunks (see image) and tiny elsewhere. Not examined out of the frame.

Lot 1053

A Collection of Modern Prints and Pictures; to include a watercolour by Frank Walker Bannister "Santa Maria della Salute", a coloured etching after Catriona McTurk "The Music Lesson" , a coloured print after Gail Shackleton "One", a colour reproduction after Edna Lumb "Whitby Lifeboat", a colour reproduction after Ceri Brentegani of abstract forms, etc... (8)

Lot 620

Colin See-Paynton (b. 1946) - Limited edition etching - 'Knob of Pochards' from 'The Avian Alphabet', 21 / 150, numbered, titled and signed beneath, handwritten note of thanks from the artist to the purchasers verso, 24cm x 18cm, framed and glazed

Lot 668

Trevor Price (b.1966) - Limited edition coloured etching - 'The Big Sleep' St Ives, number 33/100, signed in pencil lower right, 47cm x 43cm, framed under glass

Lot 340

An etching of nude classical figures signed H.Fantin (La Tour) 8ins x12ins 

Lot 382

E Herbert Whydale, black and white etching, horses pulling logs, 11ins x 13ins, together with a print of swans, 11ins x 13.5ins

Lot 367

FREDERICK ARTHUR FARRELL (SCOTTISH 1882 - 1935), CATHEDRAL INTERIOR etching on paper, signedmounted, framed and under glassoverall size 58cm x 43cm

Lot 809

GROUP OF PICTURES, including watercolours, ink drawing and etching, all framed and under glassthe largest 42cm x 53cmQty: 6

Lot 103

IGNACE JOSEPH DE CLAUSSIN (FRENCH 1795 - 1844), PORTRAIT OF REMBRANDT etching on papermounted, framed and under glassoverall size 34cm x 28cm

Lot 362

TOM MAXWELL (SCOTTISH 1874-1937), THE CLYDE etching on paper, signedmounted, framed and under glassoverall size 58cm x 43cm

Lot 372

JOHN G MATHIESON (SCOTTISH exh. 1918-1940), STIRLING CASTLE etching on paper, signedmounted, framed and under glassoverall size 43cm x 53cm

Lot 368

* HENRY JACKSON SIMPSON (SCOTTISH 1893 - 1963), KILCHURN CASTLE, LOCHAWE etching on paper, signed and titled mounted, framed and under glassoverall size 58cm x 40cm

Lot 373

* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963), CATHEDRAL INTERIOR etching on paper, signedmounted, framed and under glassoverall size 58cm x 42cm

Lot 363

* HENRY JACKSON SIMPSON (SCOTTISH 1893 - 1963), ELLEN'S ISLE LOCH KATRINE etching on paper, signed and titledmounted, framed and under glassoverall size 58cm x 40cm

Lot 114

Martens Ball-Jointed Metallographic Preparation Microscope, German, c.1900, unsigned but attributed to R. Fuess (see scan), with Zeiss Objectives, the microscope on a cast iron base with hemispherical iron stage with screw height adjustment, microscope tube with 2 adjustable brass ball joints, body tube with rack and pinion focus Zeiss quick change objective holders, single Zeiss eyepiece, in a wooden case with accessories including Zeiss vertical illuminator, Zeiss objectives and Zeiss quick change objective mounts Note: according to literature in the RMS, 1907 "this instrument is intended to be used for observing the progress of the polishing and etching operations required to adapt specimens for metallography. As evident from the figure, the stand here takes the form of a doublr ball-jointed arm. By this means the specimen can be viewed at any angle..."

Lot 60

⊕ DIA AL AZZAWI (BRITISH / IRAQI B.1939) BIRD SELLER - THE ENVIOUS DO NOT PREVAILsigned and dated Azzawi 89 lower right; numbered 41/60 lower left; dedicated to Jewad Selim upper lefthand-coloured etching, printed on Velin Cuve BFK Rives Blanc mould-made 250gsm paper10 x 12cm; 4 x 4 3/4in31 x 22cm; 12 1/4 x 8 1/2in (framed)Property from a Private Collection, LondonProvenanceAcquired from the artist by the present owner

Lot 40

SALAH EL MELIGY (EGYPTIAN B.1957) SPARROW NEST - A PAIRetching on wove paper(i) signed in English and Arabic, titled, numbered and dated Salah El Meligy 4/7 Sparrow Nest 2007 lower margin(ii) signed in English and Arabic, titled, numbered and dated Salah El Meligy 6/7 Sparrow Nest 2007 lower margineach 49 x 48.5cm; 19 1/4 x 19ineach 86.5cm x 86.5cm; 34 x 34in (framed) (2)Property from a Private Collection, LondonProvenanceCollection of Dr Mohammed Said FarsiAcquired from the above in 2013 by the present ownerInspired by spiritual subjects and nature, Salah El Meligy is currently professor at the Faculty of Fine Arts, Helwan University, Cairo and has exhibited his paintings and prints widely throughout Egypt and the Middle East. He was appointed by the former Egyptian Culture Minister Emad Abo-Ghazi as head of the Fine Arts Sector, a body operating under the Ministry of Culture responsible for several art institutions and museums.

Lot 151

Edgar Degas (French 1834-1917) Danseuse mettant son Chausson, circa 1892, etching on paper Sheet size 32.5cm x 25cm, print size 18cm x 11.5 cm

Lot 29

Smith (Percy John Delf, British artist-soldier, printmaker, calligrapher and book designer, 1882-1948) drypoint etching proof of an old lady selling fish on market day under an umbrella, signed lower right "Percy Smith" and inscribed "No.4 of 30 proofs" lower left margin framed and glazed 43 x 38 cm 

Lot 41A

Etching of Fish Street, London, framed and glazed 56cm x 71cm approx 

Lot 6

Landscape etching of a shepherd herding a flock of sheep through a gate with a sheep dog, signature lower left, framed and glazed 

Lot 288

Framed etching of a Knight in armour, 26 x 33cm

Lot 15

A limited-edition etching "Rough High Tide Porthleven" after Andre Ellis No. 5/25 and a black and white etching "The Two Sisters St. Ives" by G. Pennington (2)

Lot 164

A coloured artist's proof etching "Tommy Treacle Down Porthleven" signed in pencil Andre Ellis, framed and glazed

Lot 279

A coloured etching of Mulfra Quoit, signed in pencil Ian Cooke, framed and glazed

Lot 743

WILLIAM MILLER (19th century); etching, 'Edinburgh Castle', signed and titled in margin, 16 x 36cm, framed and glazed, together with four other pictures, one being a print, one being a watercolour of the Colosseum and two other oils of various sizes (5).

Lot 637

WILLIAM LIONEL WYLLIE RA (1851-1931); a drypoint etching 'Entrance of The Mersey', titled to the lower right margin, 12 x 27.8cm, framed and glazed.Condition Report: signed in the plate only and titled in pencil in marginFrom the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.

Lot 504

ANTIQUE ETCHING, "Banjo Pier, Looe" by Robert Smith, 17cm x 22cm, together with an early engraving of Looe, river and estuary

Lot 123

After Henry P Stevens, 'Charlotte' a coloured etching (2) together a number of topographical engravings and other prints, etchings etc. Framed. (8) (B.P. 21% + VAT)

Lot 798

A limited edition etching after J B Kirkman, 'Waiting for the Parade', 2/150, together with a watercolour, 'Angora Goats' by Juliet Jeffrey, each framed and glazed.

Lot 800

An etching after J B Wain depicting the river Thames, London, dated 1883, together with a 19th century pencil drawing depicting the Tower of London.

Lot 796

Albert J Taylor (British, 20th century), 'Grevel's House, Chipping Campden', signed limited edition etching, 7/25, plate mark 19cm x 30cm, framed and glazed.

Lot 495

Alice Barnwell (British, 1910-1980). The Wolds, coloured artist proof etching, signed and titled in pencil, with Rembrandt guild blind stamp, 24cm x 31cm.

Lot 558

Edgar Holloway (British, 1914-2008). Lincoln Cathedral from Brayford Wharf, etching, limited edition 25/50, signed, 21.5cm x 30.5cm.

Lot 441

A large etching print of Edward Lord Suffield, in a Maple and gilt glazed frame, 77cm H x 50cm; and three hand coloured etching prints to include a Rowlandson example in ebonised frames

Lot 556

‡ LUIGI KASIMIR (Austro-Hungarian, 1881-1962) aquatint etching - 'Brooklyn Bridge' circa 1927, tug boats in the East River, Brooklyn Bridge in the centre, silhouette of Lower Manhattan in the background, signed in pencil lower centre, open edition, gallery label verso J. Assenheim & Son, 37 New Street, New York, inscribed in ink 'Original Proof Etching NY Skyline + Brooklyn Bridge', (pl.) 29.5 x 43cmsProvenance: private collection Vale of GlamorganComments: foxing to mount, small spots of foxing to the river, lower right, framed, glazed.

Lot 562

‡ CHRIS ORR RA (b.1943) limited edition (20/25) triptych etching - entitled, 'Bones', signed in pencil and dated 1989, 56 x 72cmsProvenance: private collection PowysComments, framed and glazed, ready to hang

Lot 248

3 F/G WATERCOLOURS & 1 F/G ETCHING OF VARIOUS SCENES

Lot 786

FRAMED WATERCOLOUR OF RIVER SCENE, FRAMED ETCHING PAINTING ON BOARD OF MOUNTAINS & A FRAMED OIL OF BIRDS

Lot 517

GEORGE HORNE: PENCIL SIGNED ETCHING OF A STREET IN SOUTHSEA, C1937, AND A MODERN WATERCOLOUR “BY THE FORD, NEAR PORTSMOUTH”, SIGNED W P COOPER. DETAILS ON REVERSE OF BOTH [2], LARGEST 19 X 15”

Lot 28

RYOHEI TANAKA (JAPANESE 1933-2019) - A THATCHED HOUSE Etching, signed, dated '89, and numbered 7/120 in pencil to the margin, Hanlin Gallery, Hong Kong, gallery label verso Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 1

Thomas Rowlandson (1756-1827), 'Inn Yard on Fire', etching and aquatint, image size 13" x 18" (33 x 46cm).

Lot 75

William Lionel Wyllie (1851-1931), Southwark Bridge, etching, signed in pencil, plate size 5" x 12.75" (13 x 32.5cm).

Lot 20

Robert Morden, a map of Kent, etching later hand coloured, 13.75" x 25" (35 x 63.5cm), along with an antique map of the area around Westerham, etching, plate size 19" x 26.5" (48 x 67cm), (2).

Lot 74

William Lionel Wyllie (1851-1931), Old Waterloo Bridge from the South Bank, etching, signed in pencil, plate size 7.5" x 13.75" (19 x 35cm).

Lot 2

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x 13.75" (25.5 x 35cm), unframed.

Lot 47

A. Lalauze after Burne Jones, 'The Beguiling of Merlin', etching, plate size 10" x 6" (25.5 x 15cm), unframed, a/f.

Lot 45

Modern British School, 'Genetic Imprint', colour printed etching, indistinctly signed, inscribed in pencil and marked A/P, plate size 9.5" x 6.75" (24 x 17cm).

Lot 8

Thomas Rowlandson (1756-1827), 'Billy Lackbeard and Charley Blackbeard playing at Football', etching, plate size 9.75" x 13.75" (25 x 35cm), unframed.

Lot 76

William Lionel Wyllie (1851-1931), boats moored along the Thames, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

Lot 36

Stephen Parrish, a river landscape, etching, signed in pencil and inscribed 'Ten Proofs Only', remnants of label verso, 3.25" x 5.5" (8.5 x 14cm).

Lot 77

William Lionel Wyllie (1851-1931), London Bridge, etching, signed in pencil, plate size 5" x 12.75" (13 x 32.5cm).

Lot 89

Charles Cottet (1863-1925) French, a society lady, etching in colours, signed in pencil, plate size 4.25" x 4.25" (11 x 11cm), along with another unsigned etching by the same hand of three female heads, plate size 4.5" x 6.5" (11 x 16.5cm), unframed, (2).

Lot 7

Thomas Rowlandson (1756-1827), 'Westminster Races, A Political Heat run in Covent Garden', etching, trimmed 8.25" x 13.75" (21 x 35cm) overall, unframed.

Lot 6

Thomas Rowlandson (1756-1827), 'Colonel Wardles Exhibition of Extracting Bubbles from Saline Particles', hand coloured etching, plate size 9.5" x 13.75" (24 x 35cm), unframed.

Lot 5

Thomas Rowlandson (1756-1827), 'The Corporal in Good Quarters', hand coloured etching, plate size 12" x 9" (30 x 23cm), unframed.

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