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Paar Art-déco-Wandlampen. Noverdy. Jean Noverdy/Dijon, um 1925, Ätzsignatur. Frankreich. Farbloses, mattiertes Glas mit violetten, grünen, orangefarbenen, weißen und rosafarbenen Pulvereinschmelzungen. H 13 cm, L 40,5 cm. Halbschalen in blattrelieferter Bronzewandhalterung. Ohne Leuchtmittelfassungen, da es sich um Lampenschirme handelt, die vor die an der Wand befestigten Lampen montiert wurden. Pair of art deco wall lamps. Noverdy. Jean Noverdy/Dijon, circa 1925, etching signature. France. Colorless frosted glass with purple, green, orange, white and pink powder fusions. H 13 cm, L 40,5 cm. Half bowls in leaf-supplied bronze wall mount. Without bulb sockets, as they are lampshades mounted in front of the lamps attached to the wall. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KÖHLER, Rainer(1919 - 1970) "Décollage imprimé"Radierung auf Bütten. Bleistiftsignatur. [19]66. Exemplar: 72/100. Blatt: 53 x 40 cm. KÖHLER, Rainer(1919 - 1970) "Décollage imprimé"Etching on laid paper. Pencil signature. [19]66. copy: 72/100. Sheet: 53 x 40 cm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) Winterlandschaft mit BergenRadierung. Bleistiftsignatur. Probedruck. Platte: 35 x 48,5 cm. Gerahmt & hinter Glas : 50,5 x 71 cm. Stark fleckig und stockfleckig. Maler und Grafiker in Weimar, studierte bei Walther Klemm in Weimar. Er erhielt 1971 den Kunstpreis der DDR. PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) Winter landscape with mountainsEtching. Pencil signature. Proof. Plate: 35 x 48.5 cm. Framed & behind glass : 50.5 x 71 cm. Heavily stained and foxed. Painter and graphic artist in Weimar, studied with Walther Klemm in Weimar. He received the art prize of the GDR in 1971. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ZickleinRadierung in Sepia. Bleistiftsignatur. Platte: 40 x 30 cm. Gerahmt & hinter Glas : 55,5 x 43,5 cm. Etwas stockfleckig, kleiner Fleck am oberen rechten Plattenrand. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) TickEtching in sepia. Pencil signature. Plate: 40 x 30 cm. Framed & behind glass : 55.5 x 43.5 cm. Slightly foxed, small spot on the upper right edge of the plate. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PRAGER, Heinz-Günter(*1944 Herne) Kinetische Komposition Farbradierung auf Bütten. Bleistiftsignatur. [19]70. Exemplar: 39/50. Blatt: 60 x 60 cm. Zeitgenössischer deutscher Bildhauer, Zeichner und Grafiker. PRAGER, Heinz-Günter(*1944 Herne) Kinetic composition Color etching on laid paper. Pencil signature. [19]70. copy: 39/50. Sheet: 60 x 60 cm. Contemporary German sculptor, draftsman and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHMOLL VON EISENWERTH, Karl(1879 Wien - 1948 Braunau am Inn) Silhouette einer Stadt am WasserRadierung in Graublau. Bleistiftsignatur. Platte: 9,5 x 7,2 cm, Blatt: 38 x 28 cm. Etwas stockfleckig. Deutsch-österreichischer Maler, Grafiker und Glaskünstler. SCHMOLL VON EISENWERTH, Karl(1879 Vienna - 1948 Braunau am Inn) Silhouette of a city on the waterEtching in gray-blue. Pencil signature. Plate: 9.5 x 7.2 cm, sheet: 38 x 28 cm. Slightly foxed. German-Austrian painter, graphic artist and glass artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HRDLICKA, Alfred(1928 Wien - 2009 Wien) "Pornographische Grenzsituation"Farbradierung. Bleistiftsignatur. 1973. Exemplar: 37/250. Platte: 24,5 x 24,5 cm. Gerahmt & hinter Glas : 62 x 42,5 cm. "Alfred Hrdlicka [...] gilt im deutschsprachigen Raum als einer der herausragenden Bildhauer, Maler, Graphiker und Zeichner des 20. Jahrhunderts, unter anderem bekannt durch das "Mahnmal gegen Krieg und Faschismus" im Zentrum von Wien." Quelle: www.alfredhrdlicka.com. HRDLICKA, Alfred(1928 Vienna - 2009 Vienna) "Pornographic border situation"Color etching. Pencil signature. 1973. copy: 37/250. Plate: 24.5 x 24.5 cm. Framed & behind glass : 62 x 42.5 cm. "Alfred Hrdlicka [...] is considered in the German-speaking world as one of the outstanding sculptors, painters, graphic artists and draftsmen of the 20th century, known among other things for the "Memorial against War and Fascism" in the center of Vienna." Source: www.alfredhrdlicka.com. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KELLNER, Georg(1874 Nürnberg - 1924 Nürnberg) Konvolut mit verschiedenen Sujets14 Radierung (teils in Sepia). Überwiegend mit Bleistiftsignatur. Anfang 20. Jh. Max. 70 x 50 cm. 3x Abzug der Platte mit schneebedecktem Nadelbaum, 3x Abzug der Platte mit Winterlandschaft, 4x Abzug der Platte mit Kruzifix, 2x Abzug der Platte mit Porträt des Künstlers - mit undeutlicher Bleistiftsignatur und Widmung "Den lieben Freunden von Georg Kellner", 1x Porträt des Künstlers, 1x älterer Herr mit Violine und Katze auf einer Bank sitzend - verso betitelt "Kellner's Onkel Hammer?". Randbereich je etwas knickspurig oder rissig, teils mit Lichtschaden. Deutscher Maler aus Nürnberger Glasmalerfamilie, der sich auf Fassadenmalerei spezialisierte - er entwarf im Jahr 1910 die Fassade der IHK am Nürnberg Hauptmarkt "Kaufmannszug mit Geleite". KELLNER, Georg(1874 Nuremberg - 1924 Nuremberg) Convolute with various subjects14 etching (partly in sepia). Mostly with pencil signature. Early 20th centuryMax. 70 x 50 cm. 3x print of plate with snow-covered coniferous tree, 3x print of plate with winter landscape, 4x print of plate with crucifix, 2x print of plate with portrait of the artist - with indistinct pencil signature and dedication "Den lieben Freunden von Georg Kellner", 1x portrait of the artist, 1x older gentleman with violin and cat sitting on a bench - verso titled "Kellner's Uncle Hammer?". Marginal area each somewhat creased or cracked, partly with light damage. German painter from Nuremberg glass painter family who specialized in facade painting - he designed in 1910 the facade of the IHK at the Nuremberg Hauptmarkt "Kaufmannszug mit Geleite". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BURGER, Fritz(1867 München - 1927 Lindau) 2 Bildnisse1 Radierung, 1 Linolschnitt. Je mit Bleistiftsignatur. Max. 41 x 29 cm. "Arth.[ur] Schopenhauer": Linolschnitt auf Japanpapier, Bleistiftsignatur, Platte: 17,7 x 13 cm, Blatt: 24,3 x 16,8 cm, stockfleckig, Ecke oben rechts knickspurig | Bildnis einer jungen Dame: Radierung, Bleistiftsignatur, Platte: 30 x 24,6 cm, Blatt: 40,3 x 28,6 cm, minimal griffspurig. Schweizer Maler und Grafiker. BURGER, Fritz(1867 Munich - 1927 Lindau) 2 portraits1 etching, 1 linocut. Each with pencil signature. Max. 41 x 29 cm. "Arth.[ur] Schopenhauer": linocut on Japanese paper, pencil signature, plate: 17.7 x 13 cm, sheet: 24.3 x 16.8 cm, foxing, top right corner creased | Portrait of a Young Lady: etching, pencil signature, plate: 30 x 24.6 cm, sheet: 40.3 x 28.6 cm, minimal grip. Swiss painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Paar Art-déco-Wandlampen. Noverdy. Jean Noverdy/Dijon, um 1925, Ätzsignatur. Frankreich. Farbloses, mattiertes Glas mit violetten, grünen, orangefarbenen, weißen und rosafarbenen Pulvereinschmelzungen. H 23,5 cm. Halbschalen an stilisiert floraler Wandhalterung aus Bronze. 2 kleine Randchips. Pair of art deco wall lamps. Noverdy. Jean Noverdy/Dijon, circa 1925, etching signature. France. Colorless frosted glass with purple, green, orange, white and pink powder fusions. H 23,5 cm. Half bowls on stylized floral bronze wall mount. 2 small rim chips. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NOLDE, Emil(1867 Nolde - 1956 Seebüll) Bildnis einer DameRadierung. Prägestempel "Emil Nolde. Bildnis". Platte: 21,5 x 17,5 cm, Blatt: 29 x 23 cm. Verso hinterklebter Rand, Randbereich knickspurig. Eigentlich Hans Emil Hansen, deutscher Maler und Grafiker des Expressionismus: "Feste ästhetische Regeln gibt es nicht. Der Künstler schafft seiner Natur, seinem Instinkt folgend das Werk. Er selbst steht überrascht davor, andere mit ihm." (Zitat: EN, kunstzitate.de). NOLDE, Emil(1867 Nolde - 1956 Seebüll) Picture of a LadyEtching. Embossed stamp "Emil Nolde. Portrait." Plate: 21.5 x 17.5 cm, sheet: 29 x 23 cm. Verso pasted margin, marginal area creased. Actually Hans Emil Hansen, German Expressionist painter and graphic artist: "Fixed aesthetic rules do not exist. The artist creates the work following his nature, his instinct. He himself stands surprised before it, others with him." (Quote: EN, kunstzitate.de). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JERNBERG, Olof August Andreas(1855 Düsseldorf - 1935 Berlin) Hirtenpaar mit SchafherdeRadierung. In der Platte signiert. Verlag von Bismeyer & Kraus, Düsseldorf. Abbildung: 24 x 18 cm. Gerahmt & hinter Glas : 39 x 30 cm. JERNBERG, Olof August Andreas(1855 Düsseldorf - 1935 Berlin) Pair of shepherds with flock of sheepEtching. Signed in the plate. Published by Bismeyer & Kraus, Düsseldorf. Image: 24 x 18 cm. Framed & behind glass : 39 x 30 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FINNEMORE, Joseph(1860 Birmingham - 1939 London ?) "Mosque of Ibrahim Agha, Cairo"Farbradierung. Bleistiftsignatur. Abbildung: 40 x 25 cm. Gerahmt & hinter Glas : 63 x 44 cm. Ansicht der Moschee Ibrahim Agha, Kairo. Britischer Maler und Illustrator. FINNEMORE, Joseph(1860 Birmingham - 1939 London ?) "Mosque of Ibrahim Agha, Cairo"Color etching. Pencil signature. Image: 40 x 25 cm. Framed & behind glass : 63 x 44 cm. View of the Mosque Ibrahim Agha, Cairo. British painter and illustrator. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KNÖPFER, Otto(1911 Arnstadt - 1993 Erfurt) "Der Innenhof mit barocker Diana"Radierung. Bleistiftsignatur. Platte: 15x 21 cm. Gerahmt & hinter Glas : 27 x 34,5 cm. Minimal griffspurig. Thüringer Maler; seit 2008 ist das Otto-Knöpfer-Haus in Holzhausen bei Arnstadt für die Öffentlichkeit zugänglich. Literatur : https://www.knoepfer.de/. KNÖPFER, Otto(1911 Arnstadt - 1993 Erfurt) "The courtyard with baroque Diana"Etching. Pencil signature. Plate: 15x 21 cm. Framed & behind glass : 27 x 34.5 cm. Minimal traces of handling. Thuringian painter; since 2008 the Otto Knöpfer House in Holzhausen near Arnstadt is open to the public. Literature : https://www.knoepfer.de/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BLOOS, Richard(1878 Brühl - 1957 Düsseldorf) 2 humorvolle Genreszenen2 Radierungen. 1x mit Bleistiftsignatur, 1x in der Platte signiert. Max. 28,5 x 46 cm. "Les pêcheurs" - Fischer an der Seine in Paris: Radierung, Platte: 12,7 x 22,7 cm, Blatt: 20,7 x 27,2 cm, in der Platte signiert | Herren im Museum: Radierung, Bleistiftsignatur, Platte: 11,5 x 28,7 cm, Blatt: 28,5 x 46,3 cm, etwas stockfleckig. Deutscher Maler und Radierer; lebte und arbeitete von 1906 bis 1914 in Paris und verinnerlichte den französischen Impressionismus. BLOOS, Richard(1878 Brühl - 1957 Düsseldorf) 2 humorous genre scenes2 etchings. 1x with pencil signature, 1x signed in the plate. Max. 28.5 x 46 cm. "Les pêcheurs" - Fishermen on the Seine in Paris: etching, plate: 12.7 x 22.7 cm, sheet: 20.7 x 27.2 cm, signed in the plate | Gentlemen in the Museum: etching, pencil signature, plate: 11.5 x 28.7 cm, sheet: 28.5 x 46.3 cm, some foxing. German painter and etcher; lived and worked in Paris from 1906 to 1914 and internalized French Impressionism. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) EisvogelOriginal-Farbradierung. Mit autorisierter Nachlass-Signatur. Platte: 27,5 x 20 cm. Gerahmt & hinter Glas : 57,5 x 47,5 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) EisvogelOriginal color etching. With authorized estate signature. Plate: 27.5 x 20 cm. Framed & behind glass : 57.5 x 47.5 cm. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: "In a Space"Farbradierung. Bleistiftsignatur. [19]87. Exemplar: 3/30, "TPL'A". Abbildung: 35 x 63,5 cm. Gerahmt & hinter Glas : 60,5 x 88,5 cm. Blatt gebräunt. Indistinctly signed: "In a Space"Color etching. Pencil signature. [19]87. copy: 3/30, "TPL'A". Image: 35 x 63.5 cm. Framed & behind glass : 60.5 x 88.5 cm. Sheet browned. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

STAEGER, Ferdinand(1880 Trebitsch - 1974 Waldkraiburg) 2 Werke: "Mozart" und "Königskinder"2 Radierungen. Je mit Bleistiftsignatur. Max. 37 x 55 cm. "Mozart": Radierung, Bleistiftsignatur, Platte: 25,5 x 31,5 cm, Blatt: 37 x 44,5 cm, [1918], unter der Abbildung mit figürlichem Randeinfall in Blau, etwas stockfleckig und griffspurig | "Königskinder", Radierung, Bleistiftsignatur, Probedruck mit Randeinfall in Blau, Platte: 24 x 26 cm, Blatt: 37 x 54,5 cm, Randbereich stockfleckig und griff- und knickspurig. Deutscher Maler, Grafiker und Illustrator. STAEGER, Ferdinand(1880 Trebitsch - 1974 Waldkraiburg) 2 works: "Mozart" and "King's Children"2 etchings. Each with pencil signature. Max. 37 x 55 cm. "Mozart": etching, pencil signature, plate: 25.5 x 31.5 cm, sheet: 37 x 44.5 cm, [1918], under the figure with figurative marginal incursion in blue, some foxing and traces of grip | "King's Children", etching, pencil signature, proof with marginal incursion in blue, plate: 24 x 26 cm, sheet: 37 x 54.5 cm, marginal foxing and traces of grip and crease. German painter, graphic artist and illustrator. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROGGE, Cornelius Johannes(1874 - 1936) "Stille Nacht"Radierung in Graublau. Bleistiftsignatur. Abbildung: 20 x 24,5 cm. Gerahmt & hinter Glas : 31,5 x 41,5 cm. Blatt stark gebräunt, stockfleckig. Deutscher Maler und Grafiker. ROGGE, Cornelius Johannes(1874 - 1936) "Silent Night"Etching in gray-blue. Pencil signature. Image: 20 x 24.5 cm. Framed & behind glass : 31.5 x 41.5 cm. Sheet heavily browned, foxing. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ElchRadierung in Sepia. Bleistiftsignatur. Platte: 29,3 x 36 cm, Blatt: 42,3 x 51,5 cm. Minimal stockfleckig. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) ElkEtching in sepia. Pencil signature. Plate: 29.3 x 36 cm, sheet: 42.3 x 51.5 cm. Minimal foxing. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BOCK, Robert Jakob(1896 Darmstadt - 1943 Pirmasens) "Geiger"Radierung auf Bütten. Bleistiftsignatur. Platte: 34 x 25,5 cm, Blatt: 64 49,5 cm. Rand knickspurig. Deutscher Maler, Zeichner und Grafiker. BOCK, Robert Jakob(1896 Darmstadt - 1943 Pirmasens) "Geiger"Etching on laid paper. Pencil signature. Plate: 34 x 25.5 cm, sheet: 64 49.5 cm. margin creased. German painter, draftsman and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FUCHS, Ernst(1930 Wien - 2015 Wien) Ohne TitelFarbradierung auf Bütten. Bleistiftsignatur. Künstlerexemplar: 11/24 E.A., Blindstempel "HW". Platte: 12,3 x 19,7 cm. Gerahmt & hinter Glas : 22 x 31,5 cm. Österreichischer Maler, Grafiker, Bildhauer, Philosoph und Visionär; Mitbegründer der "Wiener Schule des Phantastischen Realismus". FUCHS, Ernst(1930 Vienna - 2015 Vienna) Without titleColor etching on laid paper. Pencil signature. Artist's copy: 11/24 E.A., blind stamp "HW". Plate: 12.3 x 19.7 cm. Framed & behind glass : 22 x 31.5 cm. Austrian painter, graphic artist, sculptor, philosopher and visionary; co-founder of the "Viennese School of Fantastic Realism". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HÄNSEL, Karl Ernst(1868 Löbtau - 1947 Radebeul) Bergmann mit GrubenhackeRadierung. Bleistiftsignatur, mit Zusatz "Dresden". Platte: 62 x 47 cm. Gerahmt & hinter Glas : 86 x 70 cm. HÄNSEL, Karl Ernst(1868 Löbtau - 1947 Radebeul) Mountain man with pit pickEtching. Pencil signature, with addition "Dresden". Plate: 62 x 47 cm. Framed & behind glass : 86 x 70 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROGGE, Emy(1866 Schweewarden - 1959 Worpswede) WinterlandschaftRadierung in Graublau. Bleistiftsignatur. Platte: 17,5 x 13 cm. Gerahmt & hinter Glas : 33,5 x 27,5 cm. Etwas stockfleckig. Deutsche Malerin und Radiererin. ROGGE, Emy(1866 Schweewarden - 1959 Worpswede) Winter LandscapeEtching in gray-blue. Pencil signature. Plate: 17.5 x 13 cm. Framed & behind glass : 33.5 x 27.5 cm. Slightly foxed. German painter and etcher. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BAUER, Karl(1905 Graz - 1993 Klagenfurt) "Friedrich der Große"Radierung. Bleistiftsignatur. Platte: 26 x 33 cm. Gerahmt & hinter Glas : 39,5 x 53 cm. Porträt des Friedrich II. (genannt "Der Alte Fritz"), König von Preußen (1712 - 1786). Blatt gebräunt. BAUER, Karl(1905 Graz - 1993 Klagenfurt) "Frederick the Great"Etching. Pencil signature. Plate: 26 x 33 cm. Framed & behind glass : 39.5 x 53 cm. Portrait of Frederick II (called "The Old Fritz"), King of Prussia (1712 - 1786). Sheet browned. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HUBBUCH, Karl(1891 Karlsruhe - 1979 Karlsruhe) "Else"Radierung auf Bütten. Bleistiftsignatur. [1949]. Exemplar: 16/100. Platte: 39,5 x 40 cm, Blatt: 77 x 54,5 cm. Etwas knickspurig. Deutscher Maler, Grafiker und Kunstprofessor. HUBBUCH, Karl(1891 Karlsruhe - 1979 Karlsruhe) "Else"Etching on laid paper. Pencil signature. [1949]. Copy: 16/100. Plate: 39.5 x 40 cm, sheet: 77 x 54.5 cm. Slightly creased. German painter, graphic artist and art professor. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) "Dank"Radierung. Bleistiftmonogramm "ONH". Datiert: "Mai 81". Platte: 9 x 12 cm. Gerahmt & hinter Glas : 16 x 21 cm. Deutscher Landschafts-, Stillleben- und Figurenmaler; gilt als bedeutendster Maler der Ostseeregion. "Diese Malerei, inspiriert von der Grenzwelt zwischen Land und Meer, weist zuvörderst auf sich selbst und erst dann auf den Gegenstand, den sie darstellt." (Prof. Dr. Lothar Lang über ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literatur : https://www.atelier-otto-niemeyer-holstein.de/. NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) "Thanks"Etching. Pencil monogram "ONH". Dated "May 81". Plate: 9 x 12 cm. Framed & behind glass : 16 x 21 cm. German landscape, still life and figure painter; considered the most important painter of the Baltic Sea region. "This painting, inspired by the border world between land and sea, points first to itself and only then to the object it represents." (Prof. Dr. Lothar Lang on ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literature : https://www.atelier-otto-niemeyer-holstein.de/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 erotische Werke2 Radierungen, 1 Lithografie. Max. 70 x 50 cm. Undeutlich signiert: Liegender weiblicher Akt, Radierung auf Bütten, Bleistiftsignatur, Exemplar: 3/10, Platte: 13 x 16,3 cm, Blatt: 16 x 19,7 cm, auf Karton montiert: 27 x 37 cm | Monogrammist "Bk.": Liegender weiblicher Akt, Lithografie, Bleistiftsignatur, Exemplar: 47/50, [19]84, Blatt: 21,2 x 21,2 cm, auf Karton montiert: 26 x 37,5 cm | Undeutlich signiert: Liegender weiblicher Akt, Radierung auf Bütten, Bleistiftsignatur, [19]88, Exemplar: 57/80, Platte: 24,5 x 30,5 cm, Blatt: 59,5 x 49,5 cm, im Passepartout: 70 x 50 cm. 3 erotic works2 etchings, 1 lithograph. Max. 70 x 50 cm. Indistinctly signed: Lying female nude, etching on laid paper, pencil signature, copy: 3/10, plate: 13 x 16,3 cm, sheet: 16 x 19,7 cm, mounted on cardboard: 27 x 37 cm | monogramist "Bk.": Lying female nude, lithograph, pencil signature, copy: 47/50, [19]84, sheet: 21.2 x 21.2 cm, mounted on cardboard: 26 x 37.5 cm | Indistinctly signed: Lying female nude, etching on laid paper, pencil signature, [19]88, copy: 57/80, plate: 24,5 x 30,5 cm, sheet: 59,5 x 49,5 cm, in mount: 70 x 50 cm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DERPAPAS, Georgios(1937 Katerini - 2014 Mykonos) TierRadierung auf Bütten. Bleistiftsignatur. [19]62. Platte: 22,5 x 34 cm, Blatt: 38 x 54,5 cm. Griechischer Maler und Grafiker; Vertreter des griechischen Surrealismus. DERPAPAS, Georgios(1937 Katerini - 2014 Mykonos) AnimalEtching on laid paper. Pencil signature. [19]62. Plate: 22.5 x 34 cm, sheet: 38 x 54.5 cm. Greek painter and graphic artist; representative of Greek Surrealism. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Vase mit Emailmalerei. Legras & Cie. Verreries de St. Denis et de Pantin Réunies, Legras & Cie, Ätzsignatur, um 1920. Frankreich. Farbloses Glas mit weißen und lindgrünen Pulvereinschmelzungen; ausgekugelter Abriss. H 22 cm. Konische Vase mit Kraterhals. Auf der Wandung geätztes und weinrot staffiertes Ornamentband. Vase with enamel painting. Legras & Cie. Verreries de St. Denis et de Pantin Réunies, Legras & Cie, etching signature, circa 1920. France. Colorless glass with white and lime green powder fusions; dislocated breakaway. H 22 cm. Conical vase with crater neck. On the wall etched and wine-red painted ornamental band. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Abbildung: 16 x 22 cm, im Passepartout: 30 x 40 cm. Lithografischer Abzug nach der Radierung aus "Suite Vollard", 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona, 1956; mit Expertise. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : Bloch Nr. 165. PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Image: 16 x 22 cm, in mount: 30 x 40 cm. Lithographic print after etching from "Suite Vollard", 1 of 540 copies, Editorial Gustavo Gili, Barcelona, 1956; with expertise. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : Bloch No. 165. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KIRCHNER, Eugen(1865 - 1938) 4 Werke mit Landschaften3 Lithografien, 1 Radierung. Je mit Bleistiftsignatur. Max. 38 x 28 cm. Heu ernten im Sturm, Platte: 15,5 x 19,5 cm, Blatt: 22,3 x 30,6 cm | Berggipfel, Platte: 13,2 x 20 cm, Blatt: 19,3 x 26,8 cm, [1916] | Landschaft mit Kirche, Platte: 17 x 11,5 cm, Blatt: 22,5 x 17,6 cm | Karge Landschaft, Radierung, Platte: 14 x 20,3 cm, Blatt: 28 x 38,5 cm. Je minimal knick- und griffspurig. KIRCHNER, Eugen(1865 - 1938) 4 works with landscapes3 lithographs, 1 etching. Each with pencil signature. Max. 38 x 28 cm. Hay Harvesting in a Storm, plate: 15.5 x 19.5 cm, sheet: 22.3 x 30.6 cm | Mountain Peak, plate: 13.2 x 20 cm, sheet: 19.3 x 26.8 cm, [1916] | Landscape with Church, plate: 17 x 11.5 cm, sheet: 22.5 x 17.6 cm | Barren Landscape, etching, plate: 14 x 20.3 cm, sheet: 28 x 38.5 cm. Each minimally creased and grip. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) RehbockRadierung auf Büttenpapier montiert. Bleistiftsignatur. 18,3 x 25 cm. Gerahmt & hinter Glas : 36,5 x 42,5 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) RehbockEtching mounted on laid paper. Pencil signature. 18.3 x 25 cm. Framed & behind glass : 36.5 x 42.5 cm. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NOßMANN, Andreas(*1962 Hilden) "Amokfahrer"Farbradierung. Bleistiftsignatur. Exemplar: 9/90. Platte: 34,5 x 44 cm. Gerahmt & hinter Glas : 53 x 73 cm. "Ich habe schon so viel gemacht, dennoch habe ich stets das Gefühl, dass halbe Leben verschlafen zu haben. Es gäbe noch so unendlich viel zu tun, so vieles was man noch probieren möchte, noch so viele Ideen. Vermutlich bräuchte ich aber dafür sogar noch ein zweites Leben. Das Zeichnen an sich ist so facettenreich, das habe ich selber viel zu lange unterschätzt." (Zitat: AN, https://www.nossmann.com/anmerkungen/). NOßMANN, Andreas(*1962 Hilden) "Amokfahrer"Color etching. Pencil signature. Copy: 9/90. Plate: 34.5 x 44 cm. Framed & behind glass : 53 x 73 cm. "I have already done so much, yet I always have the feeling that half life to have slept away. There would be still so infinitely much to do, so much what one would still like to try, still so many ideas. But I would probably need a second life for that. Drawing itself is so multifaceted, I underestimated that myself for far too long." (Quote: AN, https://www.nossmann.com/anmerkungen/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LEVE, Frédéric Louis (1877 Paris - 1968) Ansicht von ParisFarbradierung. Bleistiftsignatur. Platte: 18 x 25,7 cm. Gerahmt & hinter Glas : 31,5 x 38,5 cm. Darstellung der Verkaufsstände, die sogenannten Bouquinisten, an den Ufern der Seine in Paris. Blatt gebräunt. Französischer Maler und Grafiker. LEVE, Frédéric Louis (1877 Paris - 1968) View of ParisColor etching. Pencil signature. Plate: 18 x 25.7 cm. Framed & behind glass : 31.5 x 38.5 cm. Depiction of the stalls, called bouquinistes, on the banks of the Seine in Paris. Sheet browned. French painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WASKE, Felix(*1942 Wien) "Verschiedene Versuche II"Radierung auf Bütten. Bleistiftsignatur. [19]72. Exemplar: 6/50. Platte: 26,3 x 15 cm, Blatt: 48,6 x 32 cm. Minimal griffspurig. Zeitgenössischer österreichischer Maler und Fotograf. WASKE, Felix(*1942 Vienna) "Various Attempts II"Etching on laid paper. Pencil signature. [19]72. copy: 6/50. Plate: 26.3 x 15 cm, sheet: 48.6 x 32 cm. Minimal traces of handling. Contemporary Austrian painter and photographer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HAEFNER?, Carl Stillleben mit KaktusAquarellierte Radierung. Bleistiftsignatur. Platte: 12,5 x 8 cm. Gerahmt & hinter Glas : 23,5 x 18,5 cm. Etwas stockfleckig. HAEFNER?, Carl Still life with cactusAquare etching. Pencil signature. Plate: 12.5 x 8 cm. Framed & behind glass : 23.5 x 18.5 cm. Slightly foxed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Milan Petrovic (1893 - 1978), etching on paper of Ponte Santa Trinita, Firenze, along with a pair of framed and glazed early 20th century watercolours of classical style buildings, indistinctly signed and dated. H.38 W.46cm (largest)

Richard Beer (British, 1928-2017), 'Venetian Church', etching and aquatint, ed. 53/100, signed in pencil to margin, image size 59 x 44.5cm, framed and glazed.

Graham Clarke (British, b. 1941), 'Francis, The Reconciliation of the Fierce Wolf', etching in colours, ed. 187/400, signed in pencil to margin, framed and glazed, 28 x 21cm.

Graham Clarke (British, b. 1941), 'Italics', etching in colours, ed. 143/400, signed in pencil to margin, framed and glazed, 26 x 24.5cm.

Graham Clarke (British, b. 1941), 'Reine de la Mer', etching in colours, ed. 196/400, signed in pencil to margin, framed and glazed, 34 x 26.5cm.

Graham Clarke (British, b. 1941), 'Winter Goods', etching in colours, ed. 264/400, signed in pencil to margin, framed and glazed, 34.5 x 54cm.

Graham Clarke (British, b. 1941), 'Going First (Mayflower)', etching in colours, ed. 28/200, signed in pencil to margin, framed and glazed, 43 x 34cm.

Graham Clarke (British, b. 1941), 'It's a Doge's Life on the Grand Canal', etching in colours, ed. 267/400, signed in pencil to margin, framed and glazed, 52 x 67cm.

Graham Clarke (British, b. 1941), 'Cafe Antico', ed. 140/400, etching in colours, signed in pencil to margin, framed and glazed, 13 x 16.5cm.

Graham Clarke (British, b. 1941), 'Piece de Resistance', etching in colours, ed. 64/400, signed in pencil to margin, framed and glazed, 53 x 68cm.

Andrew Ingamells (British, b. 1956), Bank of England, 1994, etching in colours, ed. 71/150, signed in pencil to lower right margin, framed and glazed, 45 x 41cm.

Graham Clarke (British, b. 1941), 'Notte Todaye', etching in colours, ed. 182/400, signed in pencil to margin, unframed, 52 x 68cm.

Richard Beer (British, 1928-2017), 'Galerie', etching in colours, ed. 11/70, signed in pencil to margin, 59 x 39.5cm, framed.

Joseph V H**l (Danish 20th century)Chittorgarh Fort, Rajasthan, Indiasigned, dated 1936, pen and ink, 49.5cm x 38.5cm; an etching, Haveli at Jaisalmer, Rajasthan, 58.5cm x 38cm. signed in pencil, dated 1991 (2)

A collection of four pictures to include a 19th century etching of a horse, two prints and a Victorian watercolour of a church

Wilfred Ball, "Venice", signed Wilfred Ball (lower left), black and white etching, 19 x 44cm

British School, 'At Hardwick, Foss Dyke, 1930' uncoloured etching. 17x12cm approx. in maple frame.

Bedeutender höfischer Luxus-Hirschfänger mit fein geschnitztem Gefäß aus Rhinozeroshorn, deutsch, um 1680 Gerade Rückenklinge mit zweischneidiger Spitze und beidseitiger mehrfacher Kehlung. Am Klingenansatz beidseitig Reste von Zierätzung mit Darstellung von Reitern und schwer leserlichem Motto "Vivat...". Einteilig geschnitzte Parierstange aus Rhinozeroshorn mit Stichblatt in Form eines liegenden Löwen. Die leicht geschwungenen Parierstangenarme in Groteskenköpfe auslaufend. Hilze in Form eines hockenden Löwen mit einer erhobenen Tatze. Kleine Vernietscheibe aus Kupfer. Gefäß stellenweise leicht bestoßen, ein größerer Ausbruch an der Quartseite im Übergang von Parierstange zu Griff. Länge 75 cm.Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. An important German deluxe hunting hanger with handle and guard made of finely carved rhinoceros horn, circa 1680 Straight, single-edged blade with a double-edged point and several fullers on both sides. Remnants of decorative etching with depictions of riders and the barely legible motto "Vivat..." on both sides at the root of the blade. The rhinoceros horn quillons carved in one piece, the guard plate in the shape of a recumbent lion. The slightly curved arms of the quillons flaring out into grotesque masks. The grip in the shape of a crouching lion, one paw raised. Small copper riveted disc. The hilt with minor knocks here and there, a larger chip on the reverse where the quillons joins the grip. Length 75 cm.Attention: This lot can only be shipped within the European Union.

William Lionel Wyllie, RA (British, 1851-1931)Three marine etchings including 'Early Submarines off Gosport' each signed 'WLWyllie' in pencil (lower left)etching on wove20 x 40.6cm (7 7/8 x 16in) (PL) (and smaller) (4)Together with an etching by Harold Wyllie (British, 1880-1973) of ships in a harbourFootnotes:ProvenanceJonathan Janson, UK.For further information on this lot please visit Bonhams.com

A John Cross singed limited edition colour etching, Newcastle upon Tyne, no. 147 of 500 together with three further colour etchings of Newcastle.

After Sir William Russell Flint, A Rendezvous, Vicenza, etching, faintly signed and numbered XXXI,24x16cm;and two other etchings, Edward J Cherry, Elizabethan Houses Holborn, signed in pencil, 10x14cm;and another of a figure on river bank with swans and rowers in the background.Qty: 3

After Bernard Dunstan, In the Cabin, colour lithograph, titled and monogrammed in pencil, with personalised inscription verso,6x8cm; Milein Cosman, Bear Hug, limited edition, dry point, 15x12.5cm;Ruth Cyril, Au Clair de la Lune, limited edition soft ground etching, 15x23cm;and an indistinctly signed brush drawing of a Jewish elder.

Manuel Robbe, Lady and mirror,hand-coloured etching, signed in pencil,image 36.5x24.5cm.