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Click here to subscribeMichael Weller (20th Century) 'Mary', a reclining nude, compressed charcoal, label verso, 15.5" x 15", (39.5x38cm) and Andover Road, Winchester, charcoal, label verso, 5" x 7.75", (12.5x20cm) along with City II, drypoint, inscribed verso, 11.5" x 11.25", (29x28.5cm) and an etching 3.75" x 10.75", (9x27.5cm) (4).
LUKE ADAM HAWKER, FILLED WITH LIGHT pen, ink, etching ink and oil paint on card album cover, signedNote: this lot includes a signed copy of Luke's best-selling book 'The Last Tree'31cm x 31cmLondon based artist Luke Adam Hawker specialises in drawing on location, working in Pen & Ink, his observations over hours and sometimes days enable the collective layers of the drawing to capture a sense of motion and dynamism, where the frenetic energy of the living breathes life into the surrounding architecture. Through combining his architectural training and draftsmanship with a curious, spontaneous line, Luke creates emotive imagery, truly capturing a sense of place and our position within it. After Graduating from University Luke begun his design career in London, the transition from designer to full time artist was gradual but inevitable. Over recent years Luke has grown a loyal audience across social media, now with over 200,000 followers. Instagram: lukeadamhawker
MASON STORM, MONKEY PARLIMENT III (2022) limited edition giclee print on 350gsm Hahnemuhle Museum Etching paper, signed and numbered from an edition of 75067cm x 49cm British artist Mason Storm is known for provocative works that poke fun at the hypocrisies within modern society. In his compositions which reference canonical paintings by Caravaggio, Johannes Vermeer, and Norman Rockwell Storm inserts elements from movies, TV, and pop culture to create clever juxtapositions that speak to contemporary issues. Like Banksy, Storm works anonymously, hiding his identity behind a designer balaclava. Self-taught, Storm claims to have a background in martial arts, security, and intelligence. Instagram: masonstormgenius
William IV General Officer / Staff Officer Pattern Sword. A rare and good example with a slightly curved piped back blade. This with an etched WIVR panel, also a panel of etched with cutler's details of William Deakin. The hilt with gilt open guard mounted with a General Officer's device. Housed in original steel scabbard fitted with two loose rings. Good clean condition, Etching very clear.
Royal Air Force EIIR Officer's RAF Sword by Crown Swords. A very good late Elizabeth II period example by Crown Swords of London. Etched with Royal Arms and a crowned eagle in flight. The pierced gilt metal guard is again cast with a crowned eagle, the guard enclosing a white shagreen grip with twist wire binding surmounted by a pommel ornamented with an Eagle’s head. Housed in black leather scabbard, with gilt mounts and complete with bullion sword knot. Overall near Parade Condition. ... Accompanied by a RAF sword belt, complete with buckle and slings of regulation pattern and in near Parade condition.Overall GC etching to blade clear and bright. slight age wear.
Royal Navy George V Attributed Officer's sword. A good George V example carried by Captain Alwyn Douglas Lenox-Conyngham. The blade etched with GVR cypher and crowned fouled anchor. The solid gilt metal guard emblazoned with a crowned fouled anchor. White shagreen grip surmounted by a gilt metal lion’s head pommel. The folding guard is engraved "A.D. Lenox-Conyningam" Housed in original black leather and gilt mounted scabbard fitted with two loose rings; complete with bullion sword knot. Etching to blade remains clear, gilt slightly dulled. GC Captain Alwyn Douglas Lenox-Conyngham entered the Royal Naval College Dartmouth in May 1921 and was appointed Midshipman in 1925. At the outbreak of WW2 he held the rank of Lt Commander and held a number of Staff appointments before promotion to Captain in 1948 and command of HMS Mermaid in 1952. During the Suez operations he was commanding HMS Jamaica. He retired in January 1958.
WW1 Period Royal Navy Officer's sword. A good George V example, the blade etched with GVR cypher and crowned fouled anchor. The solid gilt metal guard emblazoned with a crowned fouled anchor. White shagreen grip surmounted by a gilt metal lion’s head pommel. The folding guard is engraved "A LONG RN" Housed in original black leather and gilt mounted scabbard fitted with two loose rings; complete with bullion sword knot. Etching to blade remains clear, GC
A NINETEENTH OR TWENTIETH CENTURY BASKET HILT SWORD WITH DECORATED BLADE, this sword comes in its leather covered steel scabbard, the etching on the blade and the hilt is rubbed in places but in overall good condition, the mark inside the pointed star is also rubbed, the wire behind grip and scabbard are in good condition, the blade measures approximately 82cm form the hilt to the end tip, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request, all weapons including blades we cannot send internationally, international purchasers must organise their own courier or arrange a collection
Herbert Thomas Dicksee RE (1862-1942)'The Closed Door' (an alert recumbent patient terrier)etching on Japanese vellumplate 37 x 56cmCondition ReportFramed size: 57.5 x 75.5cm.Not examined out of glazed frame, housed in an acidic mount that has yellowed, time staining to the sheet giving it off-white tone, some whitish marks under the glass, please see images.
THEO VAN RYSSELBERGHE (1862-1926)Nu debout, baigneuse 1897 Monogramme de l'artiste en bas à droiteDédicacée dans la marge 'épreuves pour Madame Ad. Stoclet'Eau-forte, pointe sèche, imprimée en sanguine en noir Rechtsonder gemonogrammeerd door de kunstenaarGesigneerd in de marge 'épreuves pour Madame Ad. Stoclet' Ets, droge naald, gedrukt in rood krijt in zwartMonogrammed lower right by the artistDedicated in the margin 'épreuves pour Madame Ad. Stoclet'Etching, drypoint, printed in red chalk in black29,8 x 14,7 cm (image)34 x 19,5 cm (feuille à vue)EncadréeFootnotes:Provenance / HerkomstAdolphe Stoclet Collection, acquired in the early 20th centuryFor further information on this lot please visit Bonhams.com
§ Edmund Blampied (Channel Islands 1886-1966) Vraic Seasonsigned in ink 'E. Blampied' (lower left)drypoint etching24.8 x 37cm Vraic or seaweed was traditionally gathered by horse and cart in Grouville and St. Ouen's Bay, in the Channel Islands, and then spread over potato fields before planting in late winter and sprin Light undulations to paper. Age toning to the edges. Signature slightly faded. Very light spotting to the sky. Overall good, bold impression. Framed 41 x 52.5cm
SIX 20TH CENTURY CONTINENTAL TOPOGRAPHIAL ETCHINGS WITH COLOURS, comprising two Tanna Kasmir-Hoernes (1887-1972) views of Augsburg, largest approximately 55cm x 43cm including visible margins, with four Josef Eidenberger (1899-1991) etchings, a view of the Grand Canal in Venice, approximate size 38cm x 32cm, together with three winter Alpine views, largest approximately 12cm x 15cm, Condition Report: one of the small Eidenberger etching has foxing, frames marked in places
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include six Boris O'Klein signed etchings - three with foxing, two Edith E. Matthews watercolours depicting scenes in Ludlow and Henly in Arden, Henry Wilkinson etching depicting two Dachshund dogs, a pastel portrait of a frontiersman wearing a Davy Crockett hat, modern miniature portraits of Napoleon and Wellington, an unsigned miniature portrait of Sir Brisbane Douglas, two watercolours depicting birds, allegedly painted using the blood of the artist George Hughes Jarvis of the Argyll and Sutherland Highlanders, initialled and dated 1945, a picture of a bird of prey hand engraved onto glass, signed Grant 1978 etc
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include Vincent Selby (1919-2004) a winter landscape with farmhouse, signed bottom right, oil on wood panel, approximate size 24cm x 37cm, two watercolours depicting hunting dogs with prey, signed and dated 1922, approximate sizes 17cm x 15cm, unsigned late 20th century still life study of flowers in a vase, oil on canvas, approximate size 19cm x 24cm, Tim Bulmer limited etching, pencil sketch depicting a nude female figure from behind, Signed Elsie '88, together with other pictures
WILLIAM LIONEL WYLLIE (1851-1931) 'THAMES LIGHTERMEN', a dry point etching, signed in pencil within the image, approximate visible image 24cm x 36cm, together with four other etchings comprising after Johannes Vermeer 'Officer and Laughing Girl' signed in pencil P. J. Arendsen with etching of a cat to lower margin, approximate size 30cm x 24cm including visible margins, J. Lewis Stant etching 'The Warren, Polperro' a Cornish scene, Percy Robertson etching depicting a river estuary at low tide and an indistinctly signed etching depicting the cross and stocks of the village of Ripple in Worcestershire
Original etching on paper of a man's profile drawn in a caricatural style. His name is written in cursive directly in the plate as well as the artist's signature and date: 1930. Written in pencil below the plate on the lower left: 1/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 1 of 100 Condition: Age related wear.
Rare original etching on paper of Bengali literary, philosophy and artistic genius Rabindranath Tagore. He is represented looking to the side, in a three-quarter view portrait. His name is written in cursive directly in the plate, with the signature of the artist and the date: 1926. Written in pencil below the plate on the lower left: 4/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 4 of 100 Country of Origin: United StatesCondition: Age related wear.
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