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Lot 99
*John Mills (b.1933)'Rembrandt Regardent IV'etching, signed, inscribed with title and numbered 10/25 in pencil56.5 x 34cm, unframedProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Some light brown staining to margins, image in good condition.
Lot 312
AFTER JOHAN CYRIAK HACKHOFER (1675-1731) BANQUET SCENES ON THE OCCASION OF EMPEROR JOSEPH I's OATH OF ALLEGIANCE Three engravings with etching (plates VI-VIII), by J. A. Pfeffel and C. Engelbrecht, published by Johann Jacob Kurner, Vienna, c.1705 32 x 46cm.; 50.5 x 38cm; and 27.5 x 48.5cm approx. (3) * Joseph I (1678-1711) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1705 until his death at the age of 32.
Lot 39
* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.
Lot 1421
Arthur C Fare RWA (British 1876-1958) - Study of St Peter's Hospital Bristol, watercolour on paper, signed and inscribed with location - Destroyed by Enemy Action November 24th 1940, with Frost and Reed labels verso, dated 1943, 24 x 24cm approx in gilt frame, together with a black and white etching by E Sharland of the same subjects, signed and inscribed, 32.5 x 21.5 approx visible sheets size in black frames (2)
Lot 1438
P Bisson (British B.1938) - A collection of coloured etchings including Burn Farm, Mill on the River Kennet, Clarenton Mill, etc, max approx visible sheet size 35.5 x 45cm, all signed, together with further unsigned etchings probably by the same hand and a signed coloured limited edition etching - The Old Forge, signed Barbara Murray, etc, all frame (8)
Lot 1446
Frances St Clair Miller (British B.1947) - A collection of signed limited edition coloured etchings including Winter Swans, The Sultan Ahmet Mosque, Istanbul, the same subjects shown in the evening, a garden scene at Brobury, various sizes, 54 x 68cm max and all framed, together with a further unframed, signed coloured limited edition etching by the same artist - Spring on the River Wye II (5)
Lot 1460
Fermin Verhevic (Belgian 1874-1962) - Study of a wayside shrine in winter, watercolour and bodycolour on paper, signed, 49.5 x 34cm, together with a further watercolour by the same hand of a village street scene with thatched buildings, 32 x 39cm, and a further collection of watercolours and etchings of continental scenes including black and white etching of a river, with printed signature to plate P Flury, 12.5 x 28cm approx sheet size, a signed coloured limited edition etching of figures walking beside a tree lined canal, indistinctly signed Hebblinck? a framed German insurance policy dated 1911, etc, various sizes, all framed (12)
Lot 1490
Annie Brown (Early 20th century British school) - Still life with vase of white chrysanthemums, watercolour on paper, signed and dated 1909, 51 x 32cm, Winifred Pickard (British 1908-1996) - Hibiscus with Hummingbird, singed coloured limited edition etching, 36 x 28cm, together with further pictures and prints including early 20th century coloured engraving by Arthur Hogg after a 17th century Dutch genre scene, a further engraving by the same hand of a lady in 17th century style costume, etc, various sizes all framed (7)
Lot 1507
Vera Furneaux Harris RMS (British 1904 c 1995) full length study of a child in a blue romper suit, pencil and watercolour on paper, inscribed Martin and with label verso with name of artist, 24.5 x 14 cm, together with Romeo Dumoulin (Belgian 1883-1943) children walking in procession with their teacher, signed limited edition black and white etching, 15.5 cm x 19.5 cm approximate visible sheet size, also together with small oil painting on board of a little boy, signed Ch Dadd, a coloured print of drawings of children and heads, etc, all framed (5)
Lot 1527
Gillian Lawson (British 20th century school) - Village Pond - artists proof etching, 54 x 64.5cm approx sheet size, together with a machine woven textile panel with leaves, a 19th century Berlin style needlework panel of two continental style female characters, together with a quantity of further decorative pictures and prints of various sizes, all framed (collection)
Lot 275
Rembrandt (1606 - 1669) Drypoint Etching. This is an etching and drypoint by Rembrandt entitled Landscape with Trees, Farm Buildings and a Tower. The etching was done about 1650, and it's unsigned and undated. It is the fourth state of five, and it comes with a digital certificate of authenticity from Stakenborg-Greenberg Fine Art, an art gallery on Main Street in Sarasota, Florida. The etching is listed in Nowell-Ustickes Catalogue as Nr. 223, and described as RRR, extra rare. The piece is a very fine impression of the fourth (final) state, and one of the rarest of Rembrandt's larger landscape etchings, despite the fact that Rembrandt took this plate through four different states. Very few impressions of this print have come up for auction in recent years. The plate actually began as a precise record of an existing building, namely the building with the tower at the right. In the extremely rare first and second states, the tower is taller and topped with a cupola and a short spire, and those characteristics helped scholars identify the building as that of tax collector Jan Uytenbogaert. Presumably for artistic purposes, Rembrandt changed the appearance of the tower in the third state by burnishing out the upper parts of the tower and obliterating what it really looked like. In his landscapes, Rembrandt usually refrained from depicting the sky with etched lines. He preferred plate tone and polishing scratches or sulphur tinting, but here he covered the left side and part of the lower sky with etched lines to indicate dark clouds. The trees on the left are still overcast and dark, while the rest of the buildings are bathed in sunshine. This strong contrast creates the effect of the sun suddenly breaking through receding rain clouds, and the almost blank foreground evokes a sparse and lovely landscape. Image Size: 4.75 x 12 in. Overall Framed Size: 14.25 x 23.25 in. Framed behind glass.
Lot 30
Rembrandt Harmenszoon Van Rijn (1606 - 1669) Etching, engraving and drypoint. "The Hundred Guilder Print" Circa 1649. Partial indecipherable collector's stamp verso. Bartsch 74; second state of two. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 10.25 x 15.5 in. Overall Framed Size: 21 x 26.5 in. Framed behind glass.
Lot 31
Rembrandt van Rijn (Dutch 1606-1669) "Christ Carried to the Tomb" Circa 1645. Etching and drypoint, Signed in the plate, lower center. On laid paper with an R W Fleur-de-lis watermark. Collector?s stamp; lower right; Lugt 2775; Former collection of Sir Edward Astley (1729-1802). Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 5 x 4.25 in. Overall Framed Size: 13 x 9.5 in.Framed behind glass.
Lot 135
Oli on board..50cm x 58cm Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft of canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood-engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows
Lot 511
WILLIAM LIONEL WYLLIE (British, 1851-1931) & EDWARD SLOCOMBE artist's proof etching - entitled verso 'Collier Discharging', on old label for Robert Dunthorne, London & Liverpool, signed, 31 x 53cms Provenance: private collection, London Presentation & Condition: no condition issues and finely presented with contemporaneous frame, gold slip and wash mount
Lot 281
Künstler des 20. Jahrhunderts, "Schlangen" unter Steinen hervorkriechend, darüber Schriftzug mit Palmen, Radierung, e/a (epreuve d'artiste), rechts unten signiert, 24x18cm (Blatt), 31,5x25,5cm (mit Rahmen)Artist of the 20th century, "snakes" crawling out from under stones, above writing with palm trees, etching, e/a (epreuve d'artiste), signed lower right, 24x18cm (sheet), 31,5x25,5cm (with frame)
Lot 25
A pair of George III glass decanters and stoppers, each etched with a ship and inscribed 'LORD WM BENTINCK'26cm highCondition report: Overall appear to be ok, with no obvious damage or repairs. They are dirty inside, so it is difficult to know how they will clean up. The stoppers appear to match and fit well, etching is clear to read. Wear to the bases on each, light signs of wear to the outside surfaces. Some chips around the stoppers at the bases where they fit into the collars, but these are small. Each engraved with initials GAM, within a wreath.
Lot 97
BEN PRITCHARD limited edition (11/36) etching - a group of chefs in uniform running in the same direction on a beach, entitled 'Heading Northwest', signed and dated '06, 27 x 50cms Provenance: private collection, consigned via our Cardiff office Auctioneer's Note: the artist is son of the foremost Welsh artist, the late Gwilym Prichard Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 100
VALERIUS DE SAEDELEER (1867-1941) Robert Hebbelinck limited edition (54/125) etching and aquatint print - Low Countries landscape with dwelling, entitled 'Winter in Etikhove', signed in pencil, 51 x 66.5cms Provenance: private collection mid-Wales, purchased by vendor from Belgium art dealer Auctioneer's Note: the artist is one of Belgium's most acclaimed landscape painters. He was among dozens of Belgian refugee painters, poets and musicians who relocated under the patronage of the Davies sisters of Llandinam. Saedeleer lived near Aberystwyth for six years before returning to the village of Etikhove south of Ghent. The print is a collaboration with printmaker Roger Hebbelinck. Presentation & Condition: framed and glazed, very slight foxing in margins
Lot 104
GEORGE CHAPMAN rare original etching - large group of children on a climbing frame with school building, entitled 'The Playground', circa 1962, 28 x 35cms Provenance: private collection mid-Wales, never been on market Auctioneer's Note: made on a zinc plate after an ink drawing created for United States Industries Inc. and reproduced in The Sunday Times, 10 February 1963. The etching was intended for an exhibition of Chapman's prints but the artist died after only a small number had been printed. None were signed. Of the drawing Chapman wrote: 'A shoal of children - like minnows, darting and leaping. Released and carefree, they stream into the grey, mid-morning playground - and the air is bright with laughter. This is Britain today.' Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 106
GEORGE CHAPMAN original hand coloured etching with aquatint - entitled 'Graveyard and Monkey Puzzle Tree', circa 1962, 65 x 48cms Provenance: private collection mid-Wales, acquired from artist in 1980s Presentation & Condition: later framed and glazed, no problemsPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 108
SIR FRANK BRANGWYN RA dry-point etching (of 56) - entitled 'Old Bridge at Pavia', signed in pencil, 36 x 54cms Provenance: private collection, Vale of Glamorgan Presentation & Condition: no problems other than very slight foxing in margin, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 81
PETER PRENDERGAST etching - landscape with trees, signed and dated 1957, 42 x 51cms Provenance: Betty Evans Collection, former President of CASW (see catalogue foreword) Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 10
Frank Henry Mason (Staithes Group 1875-1965): The Collier Transport 'River Clyde' landing troops at V Beach, Sedd el Bahr in the Dardanelles 25th April 1915, dry point etching signed in pencil, original title label verso 19cm x 31cm Provenance: from the estate of Christine Dexter and by descent fr
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71174 item(s)/page