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Lot 55

δ Salvador Dalí (1904-1989)Portrait de Ronsard, from Les Amours de Cassandre (Field 68-2-A; M&L 248)Etching with drypoint extensively handcoloured in gouache and gold paint, 1968, signed in pencil, numbered from the edition of 50, published by Pierre Argillet, printed by the Atelier Robbe, Paris, with the artist's blindstamp, with margins, sheet 380 x 280mm (15 7/8 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 7

δ Patrick Procktor (1936-2003)Riva I, VeniceEtching, 1972, signed in pencil, an artist's proof aside from the edition of 75, printed by JC Editions, London, published by Editions Alecto, Cambridge, on wove paper, with full margins, plate 270 x 390mm (10 5/8 x 15 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 330

AFTER GIOVANNI BATTISTA PIRANESI (1720-1778)View of the St. Peter's Basilica 'Veduta dell esterno della gran basilica di S.Pietro in Vaticano'Etching, 40 x 61cmFramed

Lot 159

William Lionel Wyllie (British, 1851-1931)A pair of coastal scenes, both signed in pencil lower left, etching, mounted and framedplate size: 145 x 225mm, framed size: 28.5 x 36cm Condition:Mild foxing to the surface and yellowing to the paper.

Lot 370

Tom Carr, a signed limited edition etching "The Bank" No. 35/75, 25 x 30 cm, framed and mounted.

Lot 389

J.E. Rome, early 20th century Carlisle, an etching of John Peel with hunting horn and hounds, signed J.E. Rome (Artists proof), 17 x 24 cm, framed and mounted.

Lot 13

Etching titled 'caravan' signed L. Stockbury?

Lot 19

E L Field  American 1882, framed and glazed etching 

Lot 20

C Bygrave 1933-2020 Norfolk Artist, framed and glazed etching "Lane near Cley" signed in pencil numbered 8/150

Lot 938

D.Y.CAMERON  HOLYROOD IN 1745 etching, 39 x 52cm Condition Report:Available upon request

Lot 967

WILLIAM LIONEL WYLLIE R.A R.E R.I (ENGLISH 1851-1931) ST. ANDREWS HARBOUR Etching, signed lower left, 16 x 37cm Title inscribed to label verso Condition Report:Available upon request

Lot 974

WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892-1963) HARVESTING KINTYRE Etching, signed lower right, dated 1922, 14.5 x 29cm Label attached verso Condition Report:Available upon request

Lot 1029

CYNTHIA WALL (SCOTTISH 1927-2012) STILL LIFE Oil on board, signed lower left, titled (19)82, 19 x 17cm Together with an etching by Lauren Boyd (2) Condition Report:Available upon request

Lot 414

Rinder, Frank D.Y. Cameron: An Illustrated Catalogue of his Etched Work with Introductory Essay & Descriptive Notes on Each Plate, Special Edition on hand-made paper, with proofs on Japanese vellum and an original signed etching of the Lion and the Unicorn as Frontispiece, edition of 200 copies, of which this is number 171, James Maclehose and Sons, publishers to the University, Glasgow, 1912 Condition Report:Available upon request

Lot 265

A Castelli maiolica plate and a saucer, c.1725-40, the saucer painted with the infant Bacchus on the shoulders of a satyr after a 17th century etching by Stefano della Bella, the plate with a huntsman on horseback in pursuit of a stag, the rim with putti, the saucer broken and restored, 23cm max. (2)

Lot 316

Cecil Aldin (British, 1870-1935),A laden coach and six horses,Signed proof etching on paper,18cm x 40cm,Framed and glazed

Lot 327

William Lionel Wyllie R.A. R.I. (British, 1851-1931),The Thames at London Bridge with St Paul's Cathedral beyond,Etching on paper,Signed in pencil to lower margin,22cm x 42cm,Framed and glazed

Lot 331

William Lionel Wyllie R.A. R.I. (British, 1851-1931),"Eel Boats Off The Tower",Etching on paper,Signed and titled in pencil to lower margin,21.5cm x 26cm,Framed and glazed

Lot 332

William Lionel Wyllie R.A. R.I. (British, 1851-1931),A convoy at sea with seaplane,Etching on paper,Signed to lower margin,Baron Fine Art gallery label verso,19cm x 36cm,Framed and glazed

Lot 333

William Lionel Wyllie R.A. R.I. (British, 1851-1931),A convoy at sea with observation balloon and seaplanes,Etching on paper,Signed in pencil to lower margin,16cm x 26cm,Framed and glazed

Lot 334

William Lionel Wyllie R.A. R.I. (British, 1851-1931),Barges on the Thames with the Tower Of London beyond,Etching on paper,Signed in pencil to lower left margin,21cm x 25.5cm,Framed and glazed

Lot 335

William Lionel Wyllie R.A. R.I. (British, 1851-1931),Shipping on the Thames,Etching on paper,Signed in pencil to lower margin,17cm x 26cm,Framed and glazed

Lot 336

William Lionel Wyllie R.A. R.I. (British, 1851-1931),Tugs and barges on the Thames with the Tower Of London Beyond,Etching on paper,Signed in pencil to lower margin,27cm x 38cm,Framed and glazed

Lot 337

William Lionel Wyllie R.A. R.I. (British, 1851-1931),"HMS Warspite And Warrior At Jutland, May 1916",Etching on paper,Signed in pencil to lower margin,22.5cm x 43cm,Framed and glazed

Lot 338

William Lionel Wyllie R.A. R.I. (British, 1851-1931),The Thames at Greenwich with the Royal Naval College,Etching on paper,Signed in pencil to lower right margin,18cm x 39cm,Framed and glazed

Lot 340

William Lionel Wyllie R.A. R.I. (British, 1851-1931),"The Iron Duke, the Battle of Jutland, May 1916",Etching on paper,Signed in pencil to lower margin,19.5cm x 44cm,Framed and glazed

Lot 341

William Lionel Wyllie R.A. R.I. (British, 1851-1931),"A Hard Beat Home - The Big Class Battle It Out",Etching on paper,Signed in pencil to lower margin,18cm x 38.5cm,Framed and glazed

Lot 342

William Lionel Wyllie R.A. R.I. (British, 1851-1931),"HMS Warspite And Warrior At Jutland, May 1916",Etching on paper,Signed in pencil to lower margin,Chadwick Gallery label verso,22.5cm x 43cm,Framed and glazed

Lot 60

Belinda King, Approaching Storm, coloured etching number 12 of 20 signed in pencil, 18cms by 19cms

Lot 83

T. A.Wilson, A Question of Stance, a pencil signed artists proof etching on paper, in metal framed, H.36 W. 25.5cm

Lot 524

Prins, Riekele (Kollummerzwaag 1905 Groningen 1954) "Landscape Belgium", signed in full l.r., etching/paper, h 28.5 x w 43.5 cm (P).

Lot 278

Wiegers, Jan (Oldenhove 1893 A'dam-1959) "Farm in Groninger landscape", signed in full l.l. and monogram in red ink l.r., etching (varnis mou)/paper, image size h 29.5 x w 39.5 cm.

Lot 567

Homan, Reinder E. (Smilde 1950-) "Bos", signed in full in pencil l.l. and '78, etching/paper, h 14.8 x w 23.2 cm (P).

Lot 523

Czech school mid 20th century "Stairs of the castle Mala Strana Prague" signed in pencil l.r., etching/paper, h 32 x w 24 cm.

Lot 428

Hemkes, Johannes (Johan) (Schalsum(Fr) 1894 -1988) "Hunebed", signed in full in pencil l.r., etching/paper, h 19 x w 23.5 cm.

Lot 118

Combat of Two Men (from the episode "Paradigmata Graphices Variorum Artificum", No. 17), engraver; Jan de Bisschop, etching/paper, image size 23.5 x 11.5 cm. Hereby 8 others, up to. 9x.

Lot 267

Bauer, Marius Alexander J (The Hague 1864-1932) "Rider before a gate", signed l.r. in pencil l.r. as well as in the plate l.r., etching/paper van Wisseling nr 9, image size h60 x w72 cm

Lot 486

Heijboer, Anton (Sumatra 1924-2005) "Untitled", signed in full in pencil l.l., etching/paper, image size h 15.5 x w 24.5 cm.

Lot 708

Eggink, du Burck, Saskia (Rotterdam 1944) "Clarinet 69", signed in full in pencil l.r. and '94, color etching / paper, epreuve d'artiste, h 30 x w 14.5 cm.

Lot 379

An Italian sculpted softwood frame in Renaissance taste, 19th century, carved with masks and caryatids, the oval reserve with an etching after Rembrandt van Rijn, St Jerome beside a Pollard Willow, 37 x 25cm overall; together with a gilt-ground panel of the Madonna and Child after Fra Angelico (Italian, circa 1400-1455), late 19th century, in a giltwood and gesso frameIllustration charge £5

Lot 914

Elmer Keene (British, 1853-1929)Lantern Hill & Hillsborough off Branscombesigned and inscribedpastel on paper7.5 x 15cm (sight, unframed);together with a 20th century etching of a bay view, by Donald Crawford; four etchings of Exeter attributed to John Shapland (British, 1865-1929), three pencil-inscribed with the artist's pseudonym; two prints after Shapland; and a view of Exeter by E. W. James (fl. 20th century), shown in various progressive stages from watercolour to colour print

Lot 917

After Daniel King (British, fl. circa 1616-1661)The North Prospect of ye Cathedrall Church of Exeterbearing printed signatures and creststeel engraving16.5 x 30cm (sight); and another engraving by Daniel King, after Richard Newcourt (circa 1610-1679), the East Front of Exeter Cathedral, bearing printed signatures, crest and inscriptionstogether with five further topographical prints of Exeter and surroundings, to include one etching by Samuel Prout (7)

Lot 809

James Gillray, handcoloured etching - Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", published H Humphrey, May 20th 1804, plate 25 x 38cm, glazed frame, together with 'The Union Club' by Gillray. (2)Britannia, not examined out of frame but appears to be trimmed close to plate mark and mounted, condition generally ok (see images), Union club not examined out of frame, some damage to lower centre. Both frames are antique with some losses to mouldings

Lot 866

Rare late 18th century hand coloured etching - 'Essex Calve_lry for Internal Defence. Oh! Heaven protect the Common Veal', published May 12. 1794, 26.5cm x 36.5cm, in glazed maple veneered frame

Lot 1057

Joseph Plaskett (1918-2014) signed coloured etching - Roses and Plums, dated 1999, 42/99, 24cm x 18cm, unframed

Lot 1058

Joseph Plaskett (1918-2014) signed etching - Spring Flowers, dated 2000, 18/80, 11cm x 14cm, unframed

Lot 1059

Joseph Plaskett (1918-2014) signed etching an aquatint - Self Portrait II, dated 2001, 20/70, 8cm x 6cm, together with another signed self portrait etching (2)

Lot 1063

Joseph Plaskett (1918-2014) signed etching - Japanese Bouquet, dated 2000, 18/80, 27cm x 16cm, unframed

Lot 1064

Joseph Plaskett (1918-2014) signed etching - The Blue Vase, dated 2000, 1/10, 25cm x 19cm, unframed

Lot 1110

David B. Milne (1882-1953) dry point etching - Painting Place 1929, 12cm x 17cm, signed in pencil, in glazed frameProvenance: purchased by the artist Joseph Plaskett (1918-2014)

Lot 1121

*Richard Bawden (b.1936) signed etching and aquatint - Flowers and Patchwork, AP, 50.5cm x 40.5cm, with mount, unframed

Lot 1122

*Richard Bawden (b.1936) signed Artist's Proof etching - Venice from St. Giorgio, 30cm x 79.5cm, in glazed frame

Lot 1129

*Richard Bawden (b.1936) etching - Shingle Street Martello, signed, titled and numbered 14/85, in glazed frameProvenance: The Hunter Gallery, Long Melford

Lot 1131

*Edward Bawden (1903-1989) limited edition etching - (Jetty) Beach, signed titled and numbered in pencil, 40/40, 19.5cm x 21cmImage is in good order. There are some marks and time stains to margin particularly at far edge, overall good condition

Lot 1289

Harry Becker (1865-1928) signed etching - Loading the Wagon, 12.5cm x 21cm, in glazed frame

Lot 1290

Harry Becker (1865-1928) signed etching - The Cart, 15.5cm x 16cm, in glazed frame The staining is on the lower edge of the mount, see image. One spot of foxing on the left side of the plate mark, othwise good condition.

Lot 126

Christopher R W Nevinson ARA (1889-1946)'Marlow'etching and drypoint, 1926-7, signed 'C. R. W. Nevinson' in pencil l.r.plate mark 27.7 x 35.3cmLiterature: Jonathan Black, 'C.R.W. Nevinson, The Complete Prints', Farnham, 2014, p.177, no.128.Nevinson sketched by the River Thames with his father whilst a student at the Slade. He returned there in the early 1920s with his wife, Kathleen, to escape the noise of a jazz club that opened above his flat in Euston Road. 'Marlow' was first exhibited at Alex Reid & Lefevre, London, in April 1927. A watercolour of the same scene was first exhibited at the Leicester Galleries, London, in March 1926.Condition ReportFramed size 36.5 x 44.2cmPaper discolouration with foxing to the margins. Some areas of the print have a cloudy appearance through the glass, this may have occured if the print was framed whilst still a little wet. Unexamined out of glazed frame, please contact the department for a more detailed report.

Lot 127

Christopher R W Nevinson ARA (1889-1946)'Sèvres'etching and drypoint, 1926-7, signed 'C. R. W Nevinson' in pencil l.r.plate mark 27.7 x 35.3cmLiterature: Jonathan Black, 'C.R.W. Nevinson, The Complete Prints', Farnham, 2014, p.172, no.119.'Sèvres' was first exhibited at Alex Reid & Lefevre, London, in April 1927. An oil on canvas of the same scene was exhibited at the Leicester Galleries, London, in March 1926.Condition ReportFramed size 36.5 x 44.2cmDiscolouration to paper. There are two 4.5cm white marks along the top margin, perhaps due to previous taping. Some areas of the print have a cloudy appearance through the glass, this may have occured if the print was framed whilst still a little wet. Unexamined out of glazed frame, please contact the department for a more detailed report.

Lot 146

â–´ Pablo Picasso (Spanish, 1881-1973) Sculpteur devant sa Sculpture: Plate I from Le Chef-d'Oeuvre Inconnu (Bloch. 82; Cramer: 20)etching, 1927, signed 'Picasso' in ink l.r., numbered '78/99' l.l.plate 19 x 27.5cm Provenance: The Zwemmer Gallery, London.Condition ReportFramed 42 x 49.5cmViewed in the frame there is some timestaining and light cockling, there are two brown stains, one to the centre of the left margin and another to the extreme left corner of the margin. Examined out of the glazed frame there is a large amount of acid staining, please see images. The edges of the sheet are stuck down and taped. The middle of the work does not appear to be stuck down but it is not possible to remove the sheet and examine the reverse without damaging the work. Sheet size: 33.5 x 41cm.

Lot 153

â–´ Sir William Russell Flint RA ROI (1880-1969)'Spanish Wheelwrights'drypoint etching, published 1936, from an edition of 75, signed 'W. Russell Flint' in brown ink l.r.plate mark 23 x 32cmCondition ReportNot viewed out of glazed frame. Light mark from edge of mount visible in upper margin. Spots of light foxing visible in margins.

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