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Lot 344

CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Harvester' signed and numbered 47/75 in pencil to the margin, limited edition etching, the image 20.5cm x 25cm

Lot 345

CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Quarry' signed and numbered 23/75 in pencil to the margin, limited edition etching, 22cm x 30cm

Lot 351

DAVID HOCKNEY (b. 1937) 'Geography book (Félicité's only view from abroad)' An illustration for 'A Simple Heart' by Gustave Flaubert, signed, dated '74 and numbered 39/100, limited edition etching and aqua-tint in colours, on arches paper, published by Petersburg Press, London and New york, the plate 22cm x 23.5cm Literature: No. 151, David Hockney: Catalogue Raisonne of the Prints, published by the Museum of Contempo-rary Art, Tokyo, 1996

Lot 110

AR WILLIAM PALMER ROBINS, SWE, RE (1882-1959) Norwich alleyway black and white etching, signed in pencil to lower right margin 20 x 27cm

Lot 114

AR CHARLES MAYES WIGG (1889-1969) "Horning Ferry" black and white etching, signed and inscribed with title in pencil to lower margin 13 x 18cm

Lot 184

AR HENRY JAMES STARLING, ARE (1895-1996) "Campo Marin, Venice" black and white etching, signed, numbered 30/75 and inscribed with title in pencil to lower margin 21 x 29cm, mounted but unframed

Lot 185

AR HENRY JAMES STARLING, ARE (1895-1996) "Market Place, Norwich" black and white etching, signed, dated 54, No 10/75 and inscribed with title in pencil to lower margin 26 x 20cm

Lot 187

AR HENRY JAMES STARLING, ARE (1895-1996) "Rackham's Court, Norwich" black and white etching, signed and inscribed with title in pencil to lower margin 19 x 12cm

Lot 248

HARRY BECKER (1865-1928) Farmworker unfinished etching 13 x 8cm

Lot 249

HARRY BECKER (1865-1928) "Potato harvest" black and white etching, signed in pencil to lower left margin 15 x 23cm, unframed

Lot 250

HARRY BECKER (1865-1928) Sowing black and white etching, signed in pencil to lower left margin 15 x 15cm, unframed

Lot 251

HARRY BECKER (1865-1928) "Potato harvest (different state)" black and white etching, signed in pencil to lower left margin 15 x 23cm, unframed

Lot 255

HARRY BECKER (1865-1928) Ploughing scene black and white etching, signed in pencil to lower left margin 14 x 25cm

Lot 654

H.R.R., Woodcut Continental Street Scene, 23.5 x 15cm; French Street scene, signed etching; German satirical print, signed; Randolph Caldicott print.

Lot 665

After Jack Bilander (Polish/American, 1919-2008), 'Boy Feeding Pigeons', colour etching, graphite signed, titled and dated '58 Ed 25' lower margin, 43 x 30cm.

Lot 668

S Burdett, 'Durham at Night' limited edition lithograph 9 of 30 signed and dated 1983, 25.5 x 36cm. W.Watson 'Durham Cathedral', etching, signed 27.5 x 20cm. (2)

Lot 673

William Goodrich (Sheffield Artist) 'Bolehill Quarry, Crookes, Sheffield' watercolour signed and dated '28 signed lower right 21 x 29.5cm. G.E Spotswood, 'Bakewell Bridge', watercolour, signed and dated '75. 24.5 x 36cm. James Priddey 'Lichfield Cathedral' etching, signed, 22.5 x 30cm. (3)

Lot 111

Etching by Wilifred BALL (1853-1917) of Bosham Harbour and village, signed in pencil lower left

Lot 1005A

Jeremey Porter study of two men, etching, signed in pencil 10/50 title indistinct 28cm x 35cm .

Lot 1031

Graham Clarke (British, b.1941), Cottage Gardeners, limited edition etching, signed, titled and numbered 78/100 in pencil to margin, 34cm x 54cm, framed and glazed..

Lot 1058

Graham Clarke (British, b.1941), 'Johnny Garlic Sausage', limited edition etching in colour. Signed, titled and numbered 70/400 in pencil to margin, 34cm x 54cm, CCA Galleries certificate of authenticity verso, framed and glazed..

Lot 1079

Edmund Blampied (British, 1886-1966), 'Fihserman's Pet', signed, etching, 25cm x 23cm, framed and glazed.

Lot 124

Sale Item: H. WILKINSON DRY POINT ETCHING LAKE FISHERMAN & FISHING PARTY Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%

Lot 366

A decorative 19th century gesso mirror, gadrooned border; a large Victorian etching, Silent Sympathy, framed (2)

Lot 106

WILLIAM LIONEL WYLLIE fine dry point etching - signed in full and entitled original label verso 'Portsmouth Harbour', 24 x 51 cms

Lot 132

ALEXANDER H KIRK Handsom Cabs waiting by city park, with houses in background, etching, signed, 26.5cm x 36cm

Lot 386

A pair of Walter Crane prints together with an early 20th century open bite etching of a reclining nude, signed and dated 1913

Lot 423

Alistair Grant (1925-1997), 'blue interior', limited edition etching 13/50, 39 x 53cm

Lot 18

Lucian Veder (Le Garf 1902 - 1978), French street scene, signed etching, 41 x 30cms, framed

Lot 19

After Rembrandt Van Rijn (1606 - 1669), man at a desk wearing a chain and cross, etching, no. 257, 23 x 18cms, framed

Lot 352

An etching, The Collegiate Church of Southwell in Nottinghamshire, another etching, a view in Newstead Park, The Seat of Lord Byron, a Map of Nottinghamshire and two others

Lot 554

AILEEN MARY ELLIOTT NS RMSA The Cutty Sark, signed, etching, 30 x 26cm and Tower of London, 23 x 35cm (2) Condition Report: Available upon request

Lot 570

AILEEN MARY ELLIOTT NS RSMA Thames dockside, coloured etching, 28 x 38cm and portrait study, 25 x 26cm (2) Condition Report: Available upon request

Lot 8027

LEONARD RAVEN-HILL (1867-1942): "Captains Courageous" etching depicting gentleman playing polo for Punch magazine June 24 1914, framed and glazed, 28cm x 22cm

Lot 82

NO RESERVE London.- Vue d'optique.- Bowles (Thomas, 1712-1767) A View of Somerset House, with St. Marys Church in the Strand London, etching with hand-colouring in bodycolour on laid paper without watermark, platemark 265 x 400 mm. (10 1/2 x 15 3/4 in), sheet 365 x 540 mm. (14 1/4 x 21 1/4 in), some minor rubbing and surface dirt, unframed, published by Carington Bowles, 1753; together with a small mixed group of 32 19th century prints, and a collection of 22 illustrated music sheet covers and frontispieces by George Baxter, v.s., all unframed, (55)

Lot 138

After Edward King. A signed coloured etching St.James Park by Eugene Tilly. 11' x 15'

Lot 182

STYLE OF EDWARD HOPPER. AMERICAN 1882-1967 Seascape with lighthouse and boat. Signed in pencil and numbered 65/125. Etching 8½' x 10', the impression 5' x 7'

Lot 2046

Etching by S.R. Brooks

Lot 166

Guillaume Azoulay, Moroccan (born 1949) Colored Etching on Arches Paper "Andante" Pencil Signed, Title, and Numbered 38/75 on Lower Margin. Measures 20-3/4" H x 23" W, frame measures 26-1/2" H x 28-1/2" W. Condition: Good condition Estimate: $200.00 - $300.00 Domestic Shipping: Third party

Lot 20

FRANCESCO PIRANESI (ITALIAN 1756 -1810)Topografia delle Fabbriche Scoperte Nella Citta di Pompei, c.1789 (Topographical map detailing the excavated area of Pompeii)Etching, struck on two plates, 44 x 81cm

Lot 441

A Victorian signed coloured etching; 3 Victorian scrapwork pictures

Lot 101

[§] ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931)ORCHIDACEAE DENDROBOUM ('FIRE CORAL') Signed and numbered 25/40 in pencil to margin, etching and aquatint41cm x 35cm (16in x 13.75in) (including margins)

Lot 103

[§] IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994)THISTLES IN THE SUN Signed and inscribed with title in pencil to margin, numbered 15/20, 2nd edition 1989, etching49cm x 59cm (19.25in x 23.25in) (image size)

Lot 135

[§] TERRY FROST R.A. (BRITISH 1915-2003)LAMENT FOR IGNACIO SANCHEZ MEJIOS FROM THE LORCA SUITE, 1989 (KEMP 98) Signed in pencil, etching and aquatint55.5cm x 37.5cm (21.75in x 14.75in) (full sheet)

Lot 187

[§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017)CHORD Signed, inscribed with title and numbered 4/10 on print in pencil, colour etching49cm x 71cm (19.25in x 28in)

Lot 21

[§] PHILIP REEVES P.P.R.S.W., R.S.A. (SCOTTISH 1921-2017)CHANIA: ECLIPSE Signed and inscribed with title in pencil to margin, numbered 57/150, coloured etching28cm x 42cm (11in x 16.5in) (image size)

Lot 61

[§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013)CONGER EEL WOMAN EATS P/P, signed and dated '77 in pencil, etching32cm x 27cm (12.5in x 10.5in) including margins

Lot 63

[§] CALLUM INNES (SCOTTISH B.1962)FROM MEMORY Signed and dated '06 in pencil, numbered 32/60, etching47cm x 37cm (18.5in x 14.5in) (full sheet)

Lot 71

[§] ROBERT MACLAURIN (SCOTTISH B.1961)IN THE MOUNTAINS - 1988 Signed and inscribed with title verso, oil on panel30cm x 43cm (11.75in x 17in) and a further work by the artist, an etching 'Before the Rain' (2)

Lot 11

REMBRANDT HARMENSZ. VAN RIJN (1606-1669) JAN LUTMA, GOLDSMITH Etching, 1656, a later impression 19.7 x 14.8cm / 73/4 x 55/8in

Lot 12

OFFERED WITHOUT RESERVE - REMBRANDT HARMENSZ. VAN RIJN (1606-1669) JACOB AND LABAN Etching, 1641, a later impression 14.3 x 11.2cm / 511/16 x 47/16in unframed, mounted

Lot 195

• GERALD LESLIE BROCKHURST (1890-1978) ALMINA (1924) signed pencil l.r. G.L. Brockhurst From the edition of 76 signed etchings etching on wove paper Plate: 18.1 x 13.7cm / 71/8 x 53/4in Literature: William Dolan Fletcher, 48

Lot 238

OFFERED WITHOUT RESERVE - WILLIAM MONK (1863-1937) VIEW OF THE TEMPORARY CENOTAPH IN WHITEHALL (1920) etching framed Taken from Monk's Calendar for 1920, The Cenotaph, Whitehall. London. Published by W. Monk. Drawn, Etched and Printed by W. Monk at 118, New Bond Street, W.1. The Calendar was published annually, with a distinctive London view. This representation of the Cenotaph shows the temporary wood and plaster monument that was erected for the Peace Celebrations on 19 July, 1919 and taken down in January 1920. The permanent stone cenotaph was unveiled on 11 November, 1920. Around 100 copies of each calendar were produced, making the prints rare. Provenance: Dr Alan Borg C.B.E.

Lot 240

OFFERED WITHOUT RESERVE - AFTER WILLIAM HOGARTH (1697-1764), ENGRAVED BY WILLIAM HOGARTH & CHARLES GRIGNION DAVID GARRICK IN THE CHARACTER OF RICHARD III published 1746 etching & engraving 38.5 x 50.0cm / 15 x 191/2in

Lot 3

‡ FOLLOWER OF MICHELE MARIESCHI (1710-1743) CAMPO DELL'ARSENALE, VENICE oil on canvas 79.0 x 112.0cm / 31 x 44in Provenance:Christie's, London, Anonymous Sale, 20th July, 1916, Lot 104 With Bolmqvist Kunsthandel Oslo, where acquired by the present owner.The painting is based on the original engraving by Michele Giovanni Marieschi, from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (1741). Francesco Albotto (1721-1757), his pupil, painted this particular scene, drawing on his teacher's engraving and original painting. The present work was most likely completed by one closely familiar with both Marieschi's etching and Albotto's painting. There are a number of minor differences between the present work and Albotto's painting, however the composition throughout remains similar. The Arsenale became a better known subject in Venetian veduti following Canaletto's depiction of it as part of his commission by the Duke of Bedford for Woburn Abbey.

Lot 347

A collection of stamps and 1st Day covers, some mounted in albums to include Chinese stamps, along with an unframed etching

Lot 484

CLIVE MORLAND, WHITBY, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 22 X 12CM AND ANOTHER, SIMILAR

Lot 314

After Piranesi (Giovanni Battista, 1720-1778) 'A View of St.Andrews Church della Valle at Rome' hand-coloured etching in carved gilt frame, 26 x 41cm, together with 'A View of Piazza Navona', after 'Le Geuy Del'? hand-coloured etching in matching gilt frame, 26 x 41cm (both trimmed)

Lot 44

Leonard John Smith, by and after, The Pitcher, etching, signed and titled to margin, 34cm x 23cm

Lot 220

Pictures and Prints - early 20th century Anglo-Asian School, River Scenes, a pair, 28.5cm x 45cm, framed; Pytchley House, fox hunting, etching; an over painted print of a classical maiden (4)

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