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DAVID HOCKNEY (b. 1937) 'Geography book (Félicité's only view from abroad)' An illustration for 'A Simple Heart' by Gustave Flaubert, signed, dated '74 and numbered 39/100, limited edition etching and aqua-tint in colours, on arches paper, published by Petersburg Press, London and New york, the plate 22cm x 23.5cm Literature: No. 151, David Hockney: Catalogue Raisonne of the Prints, published by the Museum of Contempo-rary Art, Tokyo, 1996
Sale Item: H. WILKINSON DRY POINT ETCHING LAKE FISHERMAN & FISHING PARTY Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
NO RESERVE London.- Vue d'optique.- Bowles (Thomas, 1712-1767) A View of Somerset House, with St. Marys Church in the Strand London, etching with hand-colouring in bodycolour on laid paper without watermark, platemark 265 x 400 mm. (10 1/2 x 15 3/4 in), sheet 365 x 540 mm. (14 1/4 x 21 1/4 in), some minor rubbing and surface dirt, unframed, published by Carington Bowles, 1753; together with a small mixed group of 32 19th century prints, and a collection of 22 illustrated music sheet covers and frontispieces by George Baxter, v.s., all unframed, (55)
OFFERED WITHOUT RESERVE - WILLIAM MONK (1863-1937) VIEW OF THE TEMPORARY CENOTAPH IN WHITEHALL (1920) etching framed Taken from Monk's Calendar for 1920, The Cenotaph, Whitehall. London. Published by W. Monk. Drawn, Etched and Printed by W. Monk at 118, New Bond Street, W.1. The Calendar was published annually, with a distinctive London view. This representation of the Cenotaph shows the temporary wood and plaster monument that was erected for the Peace Celebrations on 19 July, 1919 and taken down in January 1920. The permanent stone cenotaph was unveiled on 11 November, 1920. Around 100 copies of each calendar were produced, making the prints rare. Provenance: Dr Alan Borg C.B.E.
‡ FOLLOWER OF MICHELE MARIESCHI (1710-1743) CAMPO DELL'ARSENALE, VENICE oil on canvas 79.0 x 112.0cm / 31 x 44in Provenance:Christie's, London, Anonymous Sale, 20th July, 1916, Lot 104 With Bolmqvist Kunsthandel Oslo, where acquired by the present owner.The painting is based on the original engraving by Michele Giovanni Marieschi, from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (1741). Francesco Albotto (1721-1757), his pupil, painted this particular scene, drawing on his teacher's engraving and original painting. The present work was most likely completed by one closely familiar with both Marieschi's etching and Albotto's painting. There are a number of minor differences between the present work and Albotto's painting, however the composition throughout remains similar. The Arsenale became a better known subject in Venetian veduti following Canaletto's depiction of it as part of his commission by the Duke of Bedford for Woburn Abbey.
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