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Click here to subscribeVALERIE THORNTON (ENGLISH, 1931-1991) 'St. Benoit sur Loire', etching and aquatint, limited edition 1/45, titled lower centre, signed and dated '[19]89' in pencil lower right, 56cm x 38cm. Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
PHIL GREENWOOD, R.E. (WELSH, B.1943) 'Wicken Fen', etching and aquatint, artist's proof, titled lower centre, signed and dated '[19]87' lower right, with Bohun Gallery (Henley-on-Thames) label verso, 41cm x 46.5cm; together with 'Lleyn Sunset', etching and aquatint, artist's proof, titled lower centre, signed and dated '[19]80' lower right, 34.75cm x 48.5cm, (2). Condition Report : Generally good condition; 'Wicken Fen' lightly foxed. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
λ DAVID JONES (BRITISH 1895-1974) PIETA Etching Signed and dated '26' (lower right) numbered '2-20' (lower left) Plate 15 x 12cm (5¾ x 4½ in.)Born on 1st March 1896 in Brockley, Kent, David Jones navigated the realms of painting, illustration, poetry, and engraving with equal brilliance. He was a true polymath, integrating his various artistic pursuits into a singular and distinctive style that defied categorisation. In 1909, at the age of fourteen, Jones entered the Camberwell School of Art, however at the outbreak of the First World War he enlisted in the London Welsh Battalion of the Royal Welch Fusiliers and spent 1915 to 1918 fighting at the front in France and seeing action at Ypres in the Battle of Passchendaele. The horrors and traumas of war profoundly influenced his work, and themes of sacrifice, mortality, and spirituality became central to his artistic expression. His deep Catholic faith, nurtured from an early age, also played a significant role in shaping his artistic vision. In January 1921, Jones joined the Ditchling Guild of St Joseph and St Dominic, founded in 1919 by Hilary Pepler and Eric Gill as a religious fraternity for craftsmen. It was here that he learnt wood engraving and during the winter of 1924 he spent Christmas with Gill at the monastery at Capel-y-ffin, Abergavenny. Rediscovering his Welsh roots, Jones spent most of the next three years painting the rugged landscape of the Black Mountains. Dr Paul Hills comments on his work of this period: "The move from the relaxed, ample curves of the Sussex Downs...to the irregular inflexions of the Welsh hills and coast, effected a release from the borrowed idiom in which he had been working. In an autobiographical talk he told how he discovered, between 1924 and 1926, a fruitful direction for his work, particularly under `the impact of the strong hill-rhythms and the bright counter-rhythms of the "afonydd dyfroedd" (water-brooks)'. (Exhibition catalogue, David Jones, Tate Gallery, London, 1981, p.24) As a painter, Jones excelled in capturing the essence of landscapes, often infusing them with a sense of mystical beauty and symbolism. His works exhibited a meticulous attention to detail and a mastery of techniques, blending elements of traditionalism with modernist influences. Whether depicting natural scenes, religious imagery, or historical events, his paintings possessed an ethereal quality that is as relevant and contemporary today as it was when painted. Condition Report: Unexamined out of glazed frame. Appears to be in good original condition. Condition Report Disclaimer
AFTER REMBRANDT VAN RIJN THE FLIGHT INTO EGYPT: CROSSING A BROOK Etching with drypoint, 1654, but a later impression of the only state, printing with plate tone 9 x 14cm (3½ x 5½ in.) Condition Report: The sheet with some light surface dirt. Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.Condition Report Disclaimer
FRANÇOIS-XAVIER LALANNE (1927-2008)Les Volcans 1978 Eau-forte et aquatinte en couleurs Signée, datée et numérotée 20/40 37 x 28 cmColour etching and aquatint, signed, dated and numbered 20/40 This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
'The Universal Magazine of Knowledge and Pleasure with Essays Literature Arts and Sciences', Vol LVI and LVII, with etchings and plates to include a rare 18th century etching, 'A View of The City of Boston, Capital of New England', original fold-out book insert, original drawing by Gov. Pownal, painted by Pugh, and engraved by PC Canot, dated in pen to the top 1804, indistinct writing to one side, insert 20 x 33cm.Condition Report: There is a poor condition map of North America (see additional images)All items appear to be in the two volumes
M SHAFER, pair, of gilt framed and glazed watercolours, labelled to gilt mount, "Arras & Louvrain" signed lower left "Louvring Belgium Shafer, and the other arras France; and Quantity of framed and glazed black and white lithographs, prints etc of architectural interest; and an Antique style map, "Hertford", AND a quantity of unframed black and white etching prints of architectural buildings and landscapes and another modern print
[Thomas Rowlandson (English, 1756-1827)]. Secret Influence Directing the New P-l-t, uncoloured etching on J. Whatman wove paper, London: William Humphrey [1784]. This satirical caricature depicts the meeting of the new Parliament and is an 'interesting indication of the persistence of the legend of Bute's secret influence' [BM 1851,0901.275]. 25cm by 35cm (plate-mark)
James Gillray (English, 1756-1815) ‘’Farmer Giles and his wife showing off their daughter Betty to their Neighbours on her return from school’’,etching with original hand-colouringpublished by Hannah Humphrey, 1809, unframed, trimmed within the plate mark, 315 x 470mm. BM Satires 11444***CONDITION REPORT***The caricatures tipped-in to one side each of two early 19th century blue paper folio album leaves.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Gillray (English, 1756-1815) ‘’Mary of Buttermere, Sketch’d from Life, July, 1800’’, dated 1802, 320 x 240mm. hand-coloured etching, published by Hannah Humphrey andAn untitled etching of a Mounted Officer, undated, but possibly 1799, 204 x 224mm. See BM 1851.0901.1139.,published by Hannah Humphrey (2)***CONDITION REPORT***Each etchings tipped-in to one side of an early 19th century blue paper folio album leaf.etching of a Mounted Officer - trimmed to image edgePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir Terry Frost (British, 1915-2003) 'Newlyn Rhythm'etching, 1995signed in pencil, titled and numbered 2/8055 x 35cm***CONDITION REPORT***Very good clean condition with no faults noted, sheet overall 77 x 56cm, under glass in a slim silvered wood frame, Flowers Gallery label number 1407 verso, along with a related bill of sale dated 2014.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese proto-celadon tripod ritual vessel, ding, Western Zhou dynasty/Spring & Autumn period (1046 - 476 BC.) the compressed globular body incised with bands of pinpricks interspersed by two fins, the shoulder applied with a pair of twisted loop handles, on three tapering feet, the coiled construction visible on the interior, unglazed patch to the base, 22cm wide, 13.5cm highProvenance - the vendor bought this vessel in the 1990s from a dealer while living in Hong Kong.***CONDITION REPORT***Etching and fine crazing to the glaze, remnants of earth to pin prick decoration on sides consistent with age and archaeology.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese Longquan celadon fluted brush washer, Yuan dynasty, crackle to the glaze all over, burnt orange to the unglazed base, 11.3cm diameter, kintsugi style repair***CONDITION REPORT***Kintsugi style repair to a large section of the rim extending towards the foot. Some etching to the glaze, possibly from a shipwreck.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Kathleen Caddick - ' Through the Park ' - a late 20th century signed limited edition etching. The painting depicting a tree lined park with a manor in the background. A limited edition, being No. 5 of 250, signed in pencil lower right hand corner. Framed and glazed. Measures approx. 32cm x 25.5cm, 57cm x 51cm to include frame.
Of Bath Local Interest - Two Victorian 19th Century signed etching on paper by local artist E. Sharland. Both depicting different views of Bath cathedral. Framed & glazed. Together with an E. Sharland watercolour on paper painting depicting a harbour scene with boat in foreground. Largest measuring approx. 68cm x 83cm.
Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Linda Maestra!' (Pretty Teacher!). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Hasta la Muerle' (Until he dies). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Francisco Goya (Spanish. 1746 – 1828). Four etchings from Los Caprichos (The Caprices). Including 'Lo que puede un Sastre'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
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