Robert Sargent AUSTIN (1895-1973) The Trace Horse, 1921 Etching, signed and inscribed, 16.5 x 20.5cm, sheet 23 x 27.5cmTogether with a lithographic print by the same hand titled 'The Mill', sheet size 33 x 25.5cm and an etching by John Taylor Arms (1887-1953) titled 'The Old Exe Bridge', 1920, signed, titled and numbered 10/100, plate 11.5 x 16cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
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Douglas Ion SMART (1879-1970) 5 drawings and 1 mezzotint Repairs to S.T. John Wilson, London, conte on paper, signed and inscribed, further study to verso, sheet 20 x 22cmSt Martin's Church, Ludgate Hill, pencil on paper, sheet 38 x 28cmMoored Boats, c1935, pencil on paper, sheet 13 x 17cmOctagon Gallery on Ludgate Hill, pencil on paper, inscribed, sheet 25.5 x 18cmRichmond, Yorkshire, 1900, ink drawing on paper, signed and inscribed, sheet 28 x 39.5cmMoonlit, Rye, 2nd state 'plate not complete', plate 17.5 x 25cmEach mounted(6) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Bryan PEARCE (1929-2006) Harbour, 1990 Etching, signed, inscribed and dated '90, numbered 7/75, plate size 19.5 x 15cm, 46 x 36.5cm framed.Generally, this work is in good condition. The paper has browned a little and there are a few flecks of minor foxing, the image remains unaffected. The inside of the glass needs cleaning. The frame is in pretty good condition, the work is float-mounted on slightly cockled paper. Please see the additional images.
Norman Ackroyd CBE RA, British b.1938-From Polglass,1991; Wenlock Edge, 1992; Cul Mor, 1991; On Long Mynd, 1993; Loch Broom, Western Ross, 1993; Rudland Rigg,1993; Wiltshire Skyline, 1993; The Stour at Mistley, 1992; St David’s, 1992; each etching with aquatint on wove, each signed, titled, numbered and dated in pencil, each sheet: 32.5 x 26 cm, (framed) (ARR) (9)
Bob Dylan, American b.1941-Midnight Caller;giclée print in colours on Hahnemühle 350gsm Museum Etching paper, signed and numbered '267/295' in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 76.2 x 58.5 cm, (framed) Note: together with a certificate of authenticity issued by Washington Green Fine Art.
Bob Dylan, American b.1941-Train Tracks, 2012;giclée on 350gsm Hahnemühle Museum Etching wove, signed and numbered 78/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity published by Washington Green Fine Art.
Pablo Picasso, Spanish 1881-1973,Raphael and the Fornarina XVII, from Suite 347, 1968;etching on wove, signed in pencil and numbered 39/50, printed by Aldo and Piero Crommelynck, published by Galerie Louise Leiris, Paris, sheet: 28 x 34.7 cm, (framed) (ARR)Note: there is a version of this print in The Metropolitan Museum of Art, New York.
Javier Calleja, Spanish b.1971- First Look, 2021; soft ground & etching on 300gr off-white Arches Velin paper, hand finished by the artist with watercolour, wash and pencil, signed in pencil, edition of 70, with a Gravura Taller de Grabado blind stamp, sheet: 80 x 60 cm, (unframed) (ARR)Note: in original box, together with a certificate of authenticity from Avant Arte, signed by the artist
Bob Dylan, American b.1941-The Drawn Blank series, 2008: Amagansett; Woman in Red Lion Pub; Man on a Bridge; Train Tracks; Truck; Still Life with Peaches; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 156/295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, contained within the original grey folio, (unframed) (6)Note: each print includes a certificate of authenticity issued Washington Green Fine Art.
Prunella Clough, British 1919-1999, Starlings, from the Birds portfolio, 1993; sugar-lift etching on wove, signed and incribed A/P in pencil, from the edition of 100 and 20 artist's proofs, published by the Byam Shaw School of Art, sheet: 34 x 42cm, (framed) (ARR) Provenance: Lumley Cazalet, London.
After Edgar Degas, French 1834-1917, Danseuse (Study, Circa 1878), 1936;etching in black on BFK Rives paper, signed in the plate, edition 3/325, printed by Maurice Potin after the original drawing from the Ambroise Vollard collection, image: 26 x 19.3 cm, (framed)Note: Plate number 3 from Paul Valéry: 'Degas Danse Dessin' published by Ambroise Vollard in 1936.
Amendment: Please note, this print is signed with the artist's monogram and numbered from the edition of 75 in pencil. Victor Pasmore CH CBE, British 1908-1998,The man within, a poem and essay with visual images;etching on wove, published by the Enitharmon Press, London, 1997, taken from the original signed book (book not included), sheet: 28 x 23 cm, (framed) (ARR)Provenance: ArtHester, Cambridge
![Stanley William Hayter CBE,British 1901-1988, Small Horse [Black & Moorhead 45], 1931; etching on wove, fr](https://cdn.globalauctionplatform.com/f9b4baf8-0b25-4514-a2d9-b1c600c080b7/4adc8d09-c204-4e06-9de3-b1c600c9f3f6/468x382.jpg)
After Edgar Degas, French 1834-1917, Danseuse with Hand Raised Up (Study, Circa 1878), 1936; etching in colours on BFK Rives paper, signed in the plate, edition 3/325, printed by Maurice Potin after the original drawing from the Ambroise Vollard collection, image: 27 x 21 cm, (framed)Note: from Paul Valéry: 'Degas Danse Dessin' published by Ambroise Vollard in 1936.
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