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Ruben Ward Binks, a spaniel and puppies, dry point etching, 12 x 14 cm, spaniel with a duck in its mouth, dry point etching, 16 x 21 cm, two Clumber Spaniels, dry point etching, 21 x 26 cm, and The Flight, print, 22 x 30 cm (4)

Ruth de Monchaux - limited edition, etching of a rose 8/12, 34 x 26cm and K Howgate - pen and ink rainy woodland scene signed and dated '73

A 20th century J. Deguan signed limited edition coloured etching 34 / 75 Durham City. Image 200cm x 150cm

A Valerie Thornton (1931 - 1991) signed artists proof etching with aquatint 1970. Cadouin. Image 395mm x 520mm

An early 20th century etching/line drawing of a young lady, signed M. Dogard 21.2.20

Attributed to Ernest Greenwood R.C.A. (British 1913-2009)Untitled cityscape, 1987Acrylic & mixed on boardUnsignedFramed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 23cm x 33cm (9" x 13") not including frame.

Ernest Greenwood R.C.A. (British 1913-2009)Untitled, 1983Ink & watercolour on paperSigned & dated lower rightMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Measures approx. 34cm x 46cm (13.5" x 18") excluding frame.With certificate from Infocus Galleries.

Ernest Greenwood R.C.A. (British 1913-2009)Crossing the Bridge, circa July 2003Ink, watercolour & acrylic on paperSigned & dated lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 22cm x 33cm (19" x 13").With certificate from Infocus Galleries.

(ARR) Julian Trevelyan (British, 1910-1988) Ponte VecchioEtching and aquatintLimited edition Artist's ProofSigned, numbered & titled in pencil Mounted, framed & glazed A founding member of the British Surrealist Group, Julian Trevelyan (1910–1988) was at the centre of a defining moment in British 20th century art. He was an original participant of the Mass Observation project and embraced a wide variety of styles from surrealism to realism and abstraction. After contributing to Britain’s first Surrealist statement, Trevelyan abandoned Cambridge for Paris in 1931 where he worked in Stanley William Hayter’s printmaking studio with Alberto Giacometti, André Masson, Pablo Picasso and Joan Miró. His early work was influenced by these artists as well as Max Ernst and Paul Klee, but he went on to develop his own unique style.Measures approx. 40cmx  50cm (16" x 20").

Peter Blake (British, b. 1932)For John Constable - Liberty as Suffolk child by John ConstableEtching, signed and numbered 66/100.Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching. Published by Bernard Jacobson 1976.From the Bernard Jacobson Gallery CollectionSir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling.Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987.Measures approx. 13cm x 11.5cm (5" x 4 6/8").

Ernest Greenwood R.C.A. (British 1913-2009)Untitled, circa July 1988/91Ink & watercolour on paperSigned & dated twice lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Measures approx. 31cm x 45cm (12" x 17.5") not including frame.With certificate from Infocus Galleries.

Steve Barraclough (Irish b. 1953-1987) Ganzu II, 1985 Etching, lithography & photo emulsion Signed in pencil with A/P (Artist Proof) Flowers East Gallery label to the verso Framed and glazed British printmaker Steve Barraclough attended Camberwell School of Arts and Crafts and the Slade School of Fine Arts. Inspired by a period spent in China in the early 1980s, Barraclough experimented with a range of materials and eastern printmaking techniques in his visual art practice. His work is held in the collections of the Arts Council of Ireland and the Arts Council of Northern Ireland.Measures approx. 54cm x 67cm.

(ARR) Brian Williams (American, b. 1950)Back Way, 1991Etching on paperSigned, titled and datedLimited edition No. 99/100Framed and glazedMeasures approx. 76cm x 60cm (30" x 23.5").

Ernest Greenwood R.C.A. (British 1913-2009)Untitled landscape, 1987Ink & watercolour on paperSigned & dated lower leftMounted, framed & glazed Artist and teacher Ernest Greenwood was born in Welling, Kent, England on 12 February 1913. He studied at Gravesend School of Art (1927-31), winning a scholarship to the Royal College of Arts, where he trained under William Rothenstein and Gilbert Spencer. He also met there his future wife, artist Eileen Messenger, with whom he staged joint exhibitions from her house in Redcliffe Road, Chelsea. After a further scholarship took him to the British School in Rome for a year, he returned to England in 1935 and studied etching and engraving for a further year at the Royal College under Malcolm Osborne and Robert Austin. During the Second World War he served in the Royal Artillery, and then in the Army Educational Corps, working at the close of the war in the Rehabilitation School in Berlin, where he made a major work, Resurrection, referencing the Holocaust (now in Yad Vashem), and also painted the city in ruins. He held his first solo exhibition at Kensington Art Gallery in 1947.Ernest Greenwood died in Broad Street, Maidstone, Kent, England on 17 May 2009. His work is represented in the Ben Uri Collection, the Central Library, Bromley, Harlow Art Trust: Basildon Arts Trust Collection, and the Royal Watercolour Society in the UK, and in Yad Vashem in Israel.Measures approx. 25cm x 33cm (10" x 13") not including frame.With certificate from Infocus Galleries.

(ARR) Julian Trevelyan (British, 1910-1988) Florence at NightEtching and aquatintLimited edition number 88 of 100Signed, numbered & titled in pencil Mounted, framed & glazed A founding member of the British Surrealist Group, Julian Trevelyan (1910–1988) was at the centre of a defining moment in British 20th century art. He was an original participant of the Mass Observation project and embraced a wide variety of styles from surrealism to realism and abstraction. After contributing to Britain’s first Surrealist statement, Trevelyan abandoned Cambridge for Paris in 1931 where he worked in Stanley William Hayter’s printmaking studio with Alberto Giacometti, André Masson, Pablo Picasso and Joan Miró. His early work was influenced by these artists as well as Max Ernst and Paul Klee, but he went on to develop his own unique style.Measures approx. 40cm x 50cm (16" x 20").

A signed etching titled 'A Wel Road' by William Tatton Winter (1855-1928), along with another unsigned etching, and an engraving with notes to the lower quarter. All Framed and glazed. largest H.30 L.25cm

A signed and limited edition architectural/conceptual etching on wove titled 'Moline, Illinois' by Alexandre Massouras; included in the Royal Academy Summer Exhibition 2016. Framed and glazed with a label to the reverse. H.46 L.55.5cm

Mychael Barratt (b.1961), a signed and limited edition hand coloured etching with aquatint titled 'La Belle Epoque', in a gilt moulded frame. H.49 W.56cm.

Edori Fertig, a signed artist's proof etching with colours titled 'Goddess'. Framed and glazed. H.84 W.64cm.

19th Century portrait sketch Earl St Vincent etching by Lady Jevris

This striking aquatint etching on paper by renowned Belgian engraver and sculptor Rene Carcan, titled Impression Florale, embodies a quiet elegance, with abstract forms suggesting flowers in a serene, imagined world. Edition 41 of 135. Signature, title, and edition number in graphite on lower edge. Housed in a black frame with a beige mat. Sight size: 13"L x 16"H. Frame dimensions: 22.75"L x 0.5"W x 28.5"H. Artist: Rene Carcan (Belgian, 1925-1993)Issued: 1982Dimensions: See DescriptionEdition Number: 41 of 135Country of Origin: BelgiumCondition: Age related wear.

JACQUES RIGAUD (1681-1754), by & after “View of the Chateau de Versailles, from the Orangery side, taken beyond the Swiss water piece”, early 20th century black & white etching, 22 x 47cm (image), framed & glazed (38 x 58cm overall).

GEORGE SOPER, R.E. (1870-1942) A farmer and his dog, etching, signed in pencil & with greetings to margin dated 1925, 13.5 x 18.5cm (image), mounted, unframed (23 x 29cm  overall).  

ANNIE WILLIAMS, R.B.A., R.W.S. (Contemporary) “Crossword Still Life”, coloured etching, signed, inscribed & numbered 7/30 in pencil, 15 x 14cm (image), framed & glazed (38 x 47cm overall).

RON KING (Contemporary) “Working Boats Race 2”, coloured lithograph, signed, inscribed & numbered 1/20 in pencil, 25 x 38cm (image), framed & glazed (46 x 57cm overall); & another smaller etching “Dropping Down On The Ebb”, signed indistinctly & numbered 30/150 in pencil, framed & glazed (26 x 29cm overall).

Beautiful die-cast depiction of a yale blue car with white interiors and whitewall tires as well as an etching that reads American Graffiti. Driver and passenger doors open as well as the hood and trunk that contains a spare tire. Car is 1:18 to scale. Motor Max backstamp. This item has its original plastic display box: 13"L x 5.5"W x 5.5"H. Issued: 20th centuryDimensions: 12"L x 4.25"W x 3"HManufacturer: Motor MaxCondition: Age related wear.

A 20th century signed French etching of a golf course. The etching signed by hand and titled Dimanche - Le Golfe. Framed & glazed.Measures approx. 54cm x 37cm.

Engravings, book plates & original watercolour paintings. A collection of 19th century Victorian & later artworks. The lot to include watercolour on board painting of a bridge with ladies filling water vessels in foreground, coloured plates from children's books depicting London, a 1930 watercolour of Lymington signed Wooldridge, Jinghau mountain etching; and hand coloured engraved plate of Rome, Dresden & Manchester; as well as a set of engravings from Constantinople by Thomas Allom, first series; Fisher, Son & Co.; from the Rhine publ. by the same; hand coloured plates from a topographical work incl. Bath from Beacon Hill; and plates from France Illustrated drawn by T. Allom.France Illustrated plates measure approx. 28.5cm x 22.5cm.

Gaul, August - Jahrhundertwende - Gänsestudie. 1912. Signiert. Radierung auf chamoisfarbenem Vergé. Gaul, August - Turn of the Century - Goose Study. 1912. Signed. Etching on chamois-colored vellum.

Graham Clarke (b1941) - Old Manor - coloured etching, artists proof print, signed in pencil to the margin, framed & glazed, 55 by 38cms.

After Pablo Picasso (1871-1973) - Minotaur - an original etching from the Vollard Suite series, signed in pencil to the margin and on correct Picasso watermark paper, 44 by 34cms, unframed.

Herbert Dicksee (1862-1942) - Study of a Polar Bear - etching, signed in pencil to the margin, framed & glazed, 29 by 22cms.

After Ferdinand Bol (Dutch 1616-1680) - A Woman Wearing a Headdress - etching, 8.5 by 10cms, framed & glazed.

An early 20th Century Sudanese ( Dongola ) dagger with a curved pommel, stacked horn constructed hilt and a tapering blade with ricasso etching housed in a wooden scabbard with pressed metal exterior. Measures approx 32cm.

A 19th Century Syrian Jambiya / Khanjar dagger. Weighted stacked style hilt of bone and wooden bands forming a chequered face. Curved blade with some crisscross etching housed in a wood and metal scabbard. Measures approx 30cm.

A 19th Century North Africa Algerian Sboula Sword. Waisted wooden grip with a capped metal pommel, wire banding on the middle section and x3 brass rivets. Long tapering blade with x3 fullers and etching through the centre. Measures approx 77cm.

Natalie d'Arbeloff (b.1929), a signed artist's proof etching with aquatint titled 'The Garden of Eden', along with another etching with aquatint, abstract shapes on a tonal ground. Both unframed. H.40 W.33cm (largest)

Three framed and glazed artworks to include an Oriental style print of a goose and tree, a monochrome architectural etching, and a signed and limited edition watercolour landscape by Pater Annable titled 'Fleetwith Pike'. 41x56cm (Largest).

Two signed etchings by Tim Soper; one limited edition artist's proof etching with aquatint titled 'David', the other titles 'L'Aveugle De Notre Dame' 2003. Both framed and glazed and with notes to reverse. H.32 W.37cm

Norbert Goeneutte (1854 - 1894), a 19th century etching, portrait of a girl, signed and dated 1885 in plate. Framed and glazed. H.62 W.45cm.

This exquisite etching on cream laid paper, after the original artwork Paysage d'Italie by Jean-Baptiste Camille Corot, depicts a serene landscape with towering trees and two indistinct figures strolling by. Housed in a wooden frame with a white mat. Sight size: 10"L x 7"H. Frame dimensions: 16.75"L x 1"W x 21"H. Artist: After Jean Baptiste Camille Corot (French, 1796-1875)Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Original etching on Arches vellum paper featuring French Classical dramatist Jean Racine from the 1945 illustrated folio of five etchings by artist Jacques Villon. His method is described as a network of finely etched lines recalling the engraving style of the 17th century... of baroque splendor and brilliance. The etching includes the original folio cover in a slipcase attached on verso: Jean Racine, Cantique Spirituel, Jacques Villon, with the poem: Sur Les Vaines Occupations des Gens du Siecle. Signature in graphite on lower right: Jacques Villon. Housed in a wooden frame with a white mat. Sight size: 11.25"L x 15.50"H. Frame dimensions: 16.75"L x 20.75"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Jacques Villon (French 1875-1963)Issued: 1945Dimensions: See DescriptionEdition Number: Edition of 225Country of Origin: FranceCondition: Age related wear. Sporadic foxing.

Antique etching on laid paper entitled Portrait de Guillaumin after French Post-Impressionist artist Paul Cezanne. Etched for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Sketch in the upper left corner which depicts a tiny gallows with a hanged man. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Paul Cezanne (French, 1839-1906)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique etching on Marais wove paper entitled Venice at Sunset (Venise au coucher du Soleil) after French painter Felix Ziem, engraved by Charles Louis Kratke for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Felix Ziem (French, 1821-1911)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.

Antique etching on Marais wove paper entitled Island of Love (L Ile des Amours) after French artist Narcisse Virgilio Diaz for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: N. Diaz 1855. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Narcisse Virgilio Diaz de la Pena (French, 1807-1876)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique etching on Marais wove paper entitled After the Storm (Apres LOrage), after French artist Jean-Baptiste-Camille Corots original painting. Engraved by Charles-Louis Kratke for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in plate on lower right side: Corot. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean-Baptiste-Camille Corot (French, 1796-1875)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique etching on Marais wove paper entitled The Watering Hole (LAbreuvoir) after French artist Constant Troyons original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: C. Troyon 1851. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Constant Troyon (French, 1810-1865)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.

Antique etching on Marais wove paper entitled The Windmill (Le Moulin a vent) after French artist Jules Louis Dupres original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 427/525. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jules Louis Dupre (French, 1811-1889)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique etching on Marais wove paper entitled Lion Attack (Lion attaque) after French Romantic artist Eugene Delacroixs original painting. Etched by Charles Jean Louis Courtry for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Eugene Delacroix (French, 1798-1863)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique etching on Marais wove paper entitled Sappho (Sapho) after French artist Gustave Moreau. Engraved by Charles Jean Louis Courtry for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Gustave Moreau (French, 1826-1898)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Stain at bottom of page.

Antique etching on Marais wove paper entitled The Exit of the Herd (La Sortie du Troupeau), after French painter Charles Jacques original engraving, for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: Ch. Jacque 1890. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Charles-Emile Jacque (French, 1813-1894)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.

An original etching on Arches paper entitled Dancing Nudes VI by American-Colombian artist Knox Martin. Part of a rare limited Artists Proof edition. Artists signature in graphite on lower right: Knox Martin. Artists Proof in graphite on lower left. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 22.25"L x 30"HCondition: Age related wear. Time stained.

An original etching on Arches paper entitled Dancing Nudes I by American-Colombian artist Knox Martin. Part of a rare limited Artists Proof edition. Artists signature in graphite on lower right: Knox Martin. Artists Proof (AP) in graphite on lower left. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 30"L x 22.25"HCondition: Age related wear.

Antique etching on Marais wove paper entitled The Return of the Fields (Le Retour des Champs) after French artist Jean Francois Millets original painting. Engraved by Henri Felix Vion for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in plate on lower right side: J F Millet. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean Francois Millet (French, 1814-1875)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Large original etching on laid paper that represents a Lioness that the artist engraved with outmost observational and realistic details. Signature in plate in ink on lower left: W. Thoman ? Edition number on lower right: 20/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 20 of 250Condition: Age related wear. Browning of paper and white spots on upper right side.

Antique original etching on Marais wove paper entitled La Vie after French artist Alfred Philippe Roll, engraved for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Alfred Philippe Roll (French, 1846-1919)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.

An antique original etching on folded wove paper from The Gentleman's Magazine for October, 1768 (Volume 38, Issue 10), depicting barges (boats) transporting the Danish king, Christian VII, from Whitehall (a prominent area in London where the British government is based) to the Temple (an area in London known for its legal institutions and Inns of Court), on September 23, 1768. Text under the etching describes the scene and indicates that it was dedicated to the King as a gesture of honor. Text on upper right corner: Gent. Mag Oct 1768. Issued: 1768Dimensions: 10.75"L x 8"HCountry of Origin: EnglandCondition: Age related wear. Time stained. Some soiling around margin. Small rips along bottom edge. Small crease on upper left corner.

Antique etching on Marais wove paper entitled Traveling Arabs (Arabes en Voyage) after French Romantic artist Eugene Delacroix's original painting. Engraved by Master printmaker Jules Jacques Veyrassat for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artist's and engraver's name, and title in French. Artist: After Eugene Delacroix (French 1798-1863)Issued: 1897Dimensions: 12.50"L x 10"HEdition Number: 307 of 575Country of Origin: FranceCondition: Age related wear. Time stained.

Antique etching on Marais wove paper entitled Young Man Studying (Jeune Homme a l etude), after French academic painter Jean-Louis-Ernest Meissonier. Engraved by Paul Adolphe Rajon for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean-Louis-Ernest Meissonier (French, 1815-1891)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.

Etching Titled Sulphur Breasted Toucan. Signed bottom right Numbered 47/200. Sight size 23" x 31"