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Lot 299

δ Detmold (Edward Julius, 1883-1957) Parrots, etching printed in colours with plate tone, a delicate impression on thin japon, signed in pencil and numbered from an edition of 24, platemark 400 x 300 mm. (15 3/4 x 11 3/4 in), good margins, minor spotting and surface dirt, framed. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 300

δ Detmold (Edward Julius, 1883-1957) Butterflies, etching and aquatint printed in colours, a good impression on thin chine, signed in pencil and numbered from an edition of 50, platemark 415 x 305 mm. (16 1/4 x 12 in), good margins, minor spotting and surface dirt, unframed. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 338

Catlin (After George, 1796-1872) Osceola, mezzotint with etching and stipple on wove paper by John Sartain, with dedication note in pencil affixed verso that reads 'Capt. Shippard. From his friend Geo. Catlin, 1842', the print affixed at corners onto album leaf, sheet 290 x 230 mm. (11 1/2 x 9 in), some staining and surface dirt, minor handling creases, unframed, New York, 1838; together with a group of nine line engravings after paintings by Catlin, unframed (10)Provenance:Gifted by the artist in 1842;Captain William Henry Shippard; Then by descent to the present owners

Lot 45

William Lionel Wyllie (British, 1851-1931), 'Up on the Flood Sea Reach', etching, inscribed lower left 'W.L.Wyllie to R.Dunston', label to verso 'In 1883 Bond Street art dealer Robert Dunthorn shewed an interest in his work. Wyllie's association with Dunthorn's was lifelong.  In his latter days his etching of the busy life of the port of London brought him widespread popularity", H.8.5cm W.34cm  

Lot 902

Sir Terry Frost R.A. (1915-2003) - 'The Quay, St. Ives', signed and numbered, 26/200, coloured etching, 16.5" x 5.5" (pl)

Lot 905

•Louis Icart (1888-1950) - "Feeling the Moment slip away, Monsieurleprince" a couple kissing beside a window, signed artist's proof, coloured etching, 21.25" x 14.25"; together with a coloured print after Sir William Russell Flint, "Study of Two Girls" 20.5" x 26.75"; also a book by William R. Holland, Clifford P. Catania and Nathan D. Isen titled 'Louis Icart, The Complete Etchings' revised third edition (3)

Lot 941

James McBey (1883-1959) - 'Albert' 1917, the bombed market place of Albert with troops in the foreground, signed etching also numbered XVI and inscribed on a label verso, black and white etching, 5.75" x 9.75" (pl) **Illustrated in the Catalogue Raisonne of the artists work **Provenance, with Abbott & Holder, 30 Museum Street, London WC1A 1LH

Lot 75

FRED SLOCOMBE ETCHING, PERCIVAL GASKELL ETCHING, 3 OTHERS AND A WATERCOLOUR

Lot 350

Two etchings by Graham Clarke, 'Parsnip Percy' signed no. 46/300, and 'Etching' (self portrait ?) no. 29/100; reverse glass painting of a cottage; Wojciech Rutkowski (Polish) snowy landscape with horse and sleigh, oil on board, signed; pair of Bartolozzi prints, etc

Lot 149

Patrick Hickey HRHA (1927 - 2008)Pearscape V at the Widow Scallans Etching 29 x 39cmSigned, edition 1/60

Lot 81

Louis le Brocquy HRHA (1916-2012)Study towards an Image of W.B. Yeats [51]Etching, 49.5 x 44cm; sheet 75 x 55.5cm (29½ x 22'')Signed and dated 1975Artist's proof XProvenance: With The Dawson Gallery, Dublin, label verso

Lot 82

Louis le Brocquy HRHA (1916-2012)Study towards an Image of W.B. Yeats [52]Etching, 49.5 x 44cm; sheet 75 x 55.5cm (29½ x 22'')Signed and dated 1975Artist's proof XProvenance: With The Dawson Gallery, Dublin, label verso

Lot 83

Louis le Brocquy HRHA (1916-2012)Study towards an Image of W.B. Yeats [53]Etching, 49.5 x 44cm; sheet 75 x 55.5cm (29½ x 22'')Signed and dated 1975Artist's proof 10/21Provenance: With The Dawson Gallery, Dublin, label verso

Lot 101

δ Salvador Dali (1904-1989)Grenade et l'ange (Field 69-11L; M&L 355e)Lithograph printed in colours with etching and embossing, 1969, signed and inscribed 'Epreuve d'artist' in pencil, an artist's proof aside from the numbered edition of 200, on wove paper, as included in 'Flordali', printed by Ateliers Rigal and Matthieu, publihed by Werbungs- und Commerz Union Anstalt, Basel, with full margins, plate 565 x 370mm (22 1/4 x 14 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 104

δ Salvador Dali (1904-1989)Cavalier et la mort (Field 69-1H; M&L 307k)Etching with hand colouring in water-colour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 105

δ Salvador Dali (1904-1989)Femmes poules (Field 69-1I; M&L 308k)Etching with hand colouring in water-colour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 106

δ Salvador Dali (1904-1989)Tête de veau (Field 69-1G; M&L 306k)Etching with hand colouring in gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 107

δ Salvador Dali (1904-1989)Chevalier à genou (Field 69-1K; M&L 305k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 108

δ Salvador Dali (1904-1989)Sator (Field 69-1F; M&L 304k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 109

δ Salvador Dali (1904-1989) Vieux Faust (Field 69-1J; M&L 303k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 110

δ Salvador Dali (1904-1989)Femme au clown (Field 69-1E; M&L 302k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 111

δ Salvador Dali (1904-1989)Le Buste (Field 69-1D; M&L 301k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 112

δ Salvador Dali (1904-1989)Sorcière au Balai (Field 69-1C; M&L 300k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 113

δ Salvador Dali (1904-1989)Femme au cochon (Field 69-1B; M&L 299k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 12

Richard Müller (1874-1954)Rivalen (The Rival)Etching, circa 1912, signed in pencil, on thin wove paper, with margins, plate 130 x 300mm (5 x 11 7/8in) (framed)

Lot 120

δ Joan Miro (1893-1983)Gravures Pour une Exposition (Pl. 4) (Dupin 609)Etching with aquatint printed in colours, 1973, signed and numbered from the edition of 75 in pencil, on Arches paper, published by Pierre Matisse, New York, with full margins, sheet 345 x 685mm (13 1/2 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 128

δ Pablo Picasso (1881-1973)Le Cocu Magnifique (Bloch 1249)Etching with aquatint, 1966, signed and numbered from the edition of 30 in pencil, on Richard de Bas handmade laid paper, with full margins, plate 225 x 325mm (8 7/8 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 13

James McNeill Whistler (1834-1903)St Jame's Street (Kennedy 169; Glasgow 178; Mansfield 165)Etching with drypoint, 1878, the fourth state of four, on ivory laid paper, plate 274 x 150mm (10 13/16 x 5 7/8in) (unframed)

Lot 137

Krishna Reddy (b.1925)Bull and ManEtching printed in colours with embossing, 1957, signed, titled, dated and inscribed 'epeuvre d'artist' in pencil, with margins, sheet 557 x 422mm (22 x 16 1/2in) (unframed)

Lot 148

δ David Hockney (b.1937)Ann in the Studio (Tokyo 258)Etching, 1984, signed and numbered from the edition of 61 in pencil, on BFK Rives paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp, with full margins, 787 x 1067mm (31 x 42in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 154

δ Colin Self (b.1941)Figure No.2: Nude Triptych (c) (Sidey 1058)Etching, 1971, signed, dated and numbered from the edition of 60 in pencil verso, on Crisbrook wove paper, printed by J.C. Editions, published by Editions Alecto, London, the full sheet, 540 x 688mm (21 1/4 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 182

George Condo (B.1957)From. More Sketches of Spain for Miles DavisEtching, 1991, signed and numbered from the edition of 40 in pencil, on Guarro wove paper, published by Alexander Kahan, New York, with full margins, sheet 480 x 565mm (18 ¾ x 22 ¼ in) (unframed)

Lot 184

George Condo (B.1957)From. More Sketches of Spain for Miles DavisEtching, 1991, signed and numbered from the edition of 40 in pencil, on Guarro wove paper, published by Alexander Kahan, New York, with full margins, sheet 480 x 565mm (18 ¾ x 22 ¼ in) (unframed)

Lot 185

δ Nigel Cooke (b.1973)Cryptoveldt Etching, 2004, signed, dated and numbered from the edition of 90 in pencil, on Arches wove paper, published by Counter Editions, London, the full sheet, 640 x 840mm (33 x 25in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 189

δ Jake and Dinos Chapman (b.1962 & b.1966)Bunny DreamsEtching with aquatint printed in colours, 2012, signed and numbered from the edition of 100 in pencil, published by Paupers Press, London, with full margins, sheet 400 x 320mm (15 3/4 x 12 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 201

δ Antony Gormley (b.1950)Feeling MaterialEtching printed with tone, 2006, signed, dated and numbered from the edition of 250 in pencil, on wove paper, published by Sadler's Wells, London, with margins, sheet 750 x 570mm (29 1/2 x 22 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 212

δ Anish Kapoor (b.1954)UntitledEtching with aquatint in colours, 2002, signed and numbered from the edition of 200 in pencil, on wove paper, with full margins, plate 483 x 660mm (19 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 235

δ Zao Wou-Ki (1921-2013)Le jardin d'encreThe complete portfolio comprising the etching with aquatint printed in colours, 2007, signed and numbered from the edition of 63 in pencil, on wove paper, with the title, justification and text pages by Bernard Noël in French, the etching printed by René Tazé, published by Bernard Dumerchez, Paris, all housed within the original cream cloth-bound clamshell box, overall 670 x 390 x 45mm (26 1/4 x 15 2/5 x 2in) (folio) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 27

δ Henry Moore (1898-1986)Three Motives (Cramer 157)Etching, 1970, signed and numbered from the edition of 200 in pencil, on BFK Rives wove paper, published by Cercle Graphique Européen, Utrecht, with their blindstamp, with full margins, plate 305 x 240mm (12 x 9 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 28

δ Henry Moore (1898-1986)Six Sculpture Motives (Cramer 154)Etching, 1972, signed and numbered from the edition of 200 in pencil, on BFK Rives wove paper, published by Cercle Graphique Européen, Utrecht, with their blindstamp, with full margins, plate 295 x 195mm (11 5/8 x 7 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 3

Rembrandt van Rijn (1606-1669)The Flight into Egypt: Crossing a BrookEtching with drypoint, 1654, New Hollstein's only state, before the scratch on the Virgin's lap, on laid paper without watermark, platemark 95 x 143mm (3 ¾ x 5 3/4in); sheet 102 x 152mm (4 x 6in) (unframed)Literature:Hind 276; New Hollstein 277

Lot 34

δ Ben Nicholson (1894-1982)Urbino III (Lanfranca 1; Cristea 39)Etching printed with tone, 1965-66, signed, dated and numbered from the edition of 50 in pencil (both Lanfranca and Cristea do not record the numbered edition), on wove paper, with full margins, plate 214 x 149mm (8 3/8 x 6in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 4

Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a good but slightly later impression on fine laid paper without watermark, New Hollstein's fourth state (of five), before later reworking, sheet 410 x 315mm (16 1/8 x 12 3/8in) (unframed)Literature:Hind 161; New Hollstein 173 iv/v

Lot 47

δ John Piper (1903-1992)Ivychurch, Romney Marsh (Levinson 364)Etching with aquatint printed in colours, 1984, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, plate 450 x 615mm (17 1/4 x 24 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 49

δ Dame Paula Rego (b.1935)Humpty Dumpty (Rosenthal 36)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 5

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's eighth state (of eight) on chine collé, dark and evenly printed with only slight signs of wear, with Lamoureux's address starting to fade in the lower right corner, platemark 526 x 408mm (20 3/4 x 16in); sheet 615 x 485mm (24 1/4 x 19 1/8in) (unframed)Literature:Hind 103; New Hollstein 119 viii/viii

Lot 51

δ Dame Paula Rego (b.1935)Polly Put the Kettle paper On (Rosenthal 53)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 52

δ Dame Paula Rego (b.1935)Little Miss Muffet III (Rosenthal 41)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 53

δ Dame Paula Rego (b.1935)Untitled (Rosenthal 35)Etching with aquatint, 1989, signed and numbered from the edition of 15 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 54

δ Dame Paula Rego (b.1935)Jack and Jill (Rosenthal 37)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 55

δ Dame Paula Rego (b.1935)The Old Woman Who Lived in a Shoe (Rosenthal 61)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 56

δ Dame Paula Rego (b.1935)Old Mother Goose (Rosenthal 50)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 57

δ Dame Paula Rego (b.1935)How Many Miles to Babylon? (Rosenthal 55)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 58

δ Dame Paula Rego (b.1935)Three Blind Mice II (Rosenthal 49)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 59

δ Dame Paula Rego (b.1935)Mary, Mary, Quite Contrary I (Rosenthal 43)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 6

Rembrandt van Rijn (1606-1669) Grotesque ProfileEtching, circa 1631 or earlier, but a slightly later impression on laid paper without watermark, New Hollstein's fifth state (of six), trimmed on or just within the platemark, sheet approx. 34 x 27 mm (1 1/4 x 1 1/8 in) (unframed)Literature:Hind 68; New Hollstein 35 v/vi

Lot 60

δ Dame Paula Rego (b.1935)Ring-aring o'Roses (Rosenthal 62)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on pink chine collé appliqué onto Arches wove paper support, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 61

δ Dame Paula Rego (b.1935)Embarkation (Rosenthal 76)Etching with aquatint, 1992, signed and numbered from the edition of 50 in pencil, on Arches wove paper, printed and published by the Royal College of Art, London, with full margins, plate 446 x 342mm (17 1/2 x 13 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 77

Louis Icart (1888-1950)The ConversationEtching with drypoint and aquatint printed in colours, signed and numbered from the edition of 125 in pencil, on wove paper, with margins, plate 300 x 365mm (11 3/4 x 14 3/8in) (framed)

Lot 80

Félix Hilaire Buhot (1847-1898)Les Grandes Chaumières (Bourcard & Goodfriend 150)Etching with drypoint, 1881, on wove paper, with the artist's red inkstamp in lower central margin, plate 139 x 273mm (5 1/2 x 10 3/4in) (unframed)

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