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William Douglas Macleod (20th century), Desert scene with camels and figures, a city beyond dated in the plate 1928, signed in ink below and numbered XXXII A 20 x 33.5cm;, Oxen hauling in a boat etching, signed below 16 x 35cm;, together with 5 etchings by William Montgomerie including a distant view of Venice (7)
After John Raphael Smith (1852-1912) - 'Albina', black and white mezzotint, 21.7" x 15.75"; also three others, after Thomas Burke (1749-1815) - 'Melancholy', coloured stipple engraving, 23" x 15.75" approx, after Pietro Bettellini - 'Sibilla Persica', engraving, 18.5" x 14", and another - 'The Towers of Charterhouse Godalming', etching, initialled D Y G, 5.25" x 3.5" (4)
* Gooden (Stephen, 1892-1955). The Great Whore of Babylon (Book of Revelations), 1926,. copper engraving, signed and dated in pencil, plate size approx. 133 x 102 mm, framed and glazed, together with Whistler (James Abbott McNeill), Woman seated in an armchair, b&w lithograph, printed by The Studio, signed with butterfly monogram in the image, Studio blindstamp to lower margin, approx. 250 x 170 mm, mounted, plus Hartrick (A. S., 1864-1950), Hayrick on fire, b&w lithograph, signed and titled in pencil, image size approx. 275 x 360 mm, mounted, and other various modern prints, watercolours, etc., including six mounted b&w reproductions after Josef Herman, each signed, a panoramic mezzotint landscape etching by Frank Short, signed in pencil, a colour lithograph by Ceri Richards illustrating Dylan Thomass The force that through the green fuse drives the flower (published in Poetry London, September-October 1947), an etched illustration by Dunoyer de Segonzac to Les Georgiques de Virgile, 1947, a collection of approx. twenty wood-engravings and a few etchings by Leo Wyatt, including several signed, and a collection of thirteen watercolour sketches and studies by John Pinches, R.A. (approx. 45)
* Read (David Charles, 1790-1851). A group of four landscape etchings,. unsigned, various sizes (plate size approx. 100 x 235 mm and smaller), each mounted, together with Gavarni. Les Parens Terribles, plate 18 (Masques et Visages), c. 1850, hand-coloured lithograph, sheet size approx. 375 x 260 mm, mounted, plus Eeckhout (Gerbrandt van den, 1621-1674), Examining Botanical Specimens, hand-coloured etching, trimmed to margins, approx. 90 x 127 mm, mounted, and six other uncoloured continental landscape etchings, late 17th/early 18th c., including views after Ruisdael, Stefano della Bella, Zeeman, etc. (12)
Rome, etc. An album of fifty-eight various engraved views of Rome and elsewhere, 18th-early 19th c.,. consisting of three large etched views by Giuseppe Varsi (Prospetto principale del celebre Palazzo di Caprarola Fontana della celebre acqua Vergine, volgarmente detta di Trevi & Fontana dellAcqua Paola sul Monte Gianicolo, 1746, stained with some spotting), eight large engraved views by Andrea Gasparini of Greek ruins, 1842-43, an unidentified view of the Villa Pamphili (stained and some minor marginal paper repairs), four engraved views near Como by G. Maritelli, a small etched view by Rossini, etching by Paoletti Veneto of the New Bridge under construction by the Palazzo Salviati, 1827, an etched view of the Colosseum by Paolo Barbazza, two tinted litho. views of church interiors in Rome by Chapuy, two proof etchings before letters of a classical landscape (the second by P. Parboni, dated 1835), an etched view of the Interno dellArco di Settimio Severo by Rossini, 1833, ten etched views by C. Piccoli, including the Pantheon, Tempio Antonino, Piazza e Basilica Vaticana porta Maggiore Interno del Pantheon etc., plus twenty-three b&w etched views by Carlo Labruzzi [from the Via Appia Illustrata], with title by Gaetano Cottafavi, each with title in Italian and French, approx. 540 x 760 mm and smaller, all bound in mid-19th c. cloth-backed marbled boards, some wear to extrems., with hand written list of titles at front, large folio (1)
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71082 item(s)/page