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Lot 1

AXEL HERMAN HAIG (1835-1921) An etching of the interior of Ulm Cathedral, signed on the margin, 23 1/2" x 16"

Lot 1

Frederick Landseer Griggs (1876-1938), The Maypole Inn, signed with initials and dated 1929 in the plate, Ref: CD 42 iii/v proof before the edition of 53 in this state, mounted, etching on laid, 16 x 24cm. Provenance: William Weston Gallery Ltd (label verso)

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Alphonse Legros (1837-1911), Old man walking along a path, signed in the plate, etching, 14 x 26.5cm

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Bartolomeo Pinelli, Nine Roman festive scenes, etching, each approximately 32 x 42cm (plate)

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Thomas Stothard RA, Triumph of the Duke of Wellington, published 1820, circular etching, 51cm diameter; together with Five curved engravings of battle scenes (incomplete?), printed by McQueen and Co, all on six loose sheets (7)

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Graham Sutherland, O.M., 1903-1980, Pecken Wood, etching, signed in pencil lower right 13.5 x 19cm (plate)

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Paul Drury (1903-1987), Ruins of St David's, etching, signed with initials in the plate and dated 1937, signed in pencil below 'Paul Drury '37. fec & imp' 18 x 22cm, unframed

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Theodore Roussel (1847-1926), Children by railings etching, signed below in pencil 9.5 x 12cm;, woman in a doorway etching, signed on a tab below, trimmed, light foxing 11 x 7cm (image), both unframed (2)

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William Douglas Macleod (20th century), Desert scene with camels and figures, a city beyond dated in the plate 1928, signed in ink below and numbered XXXII A 20 x 33.5cm;, Oxen hauling in a boat etching, signed below 16 x 35cm;, together with 5 etchings by William Montgomerie including a distant view of Venice (7)

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Norman Wilkinson (1878-1971), The Intake River Spey etching, signed below in pencil 15 x 22.5cm;, together with two other angling scenes by the artist largest 22.5 x 30cm (unframed) (3)

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Robert Sargent Austin (1895-1973), The Park Bridge etching inscribed below in pencil and dated 1926, good margins 12.5 x 11cm, mounted (unframed), Provenance: William Weston Gallery Ltd, label verso

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Anthony Gross (1905-1984), Armourers Shop etching, signed and titled below and numbered 50/50, 19.5 x 28.5cm, mounted but unframed

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Felicien Rops (1833-1898), Rimes de Joie etching signed below in red pencil 14 x 9cm, unframed (horizontal crease marks)

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Pissarro, Camille (1830 - 1903), French - Signed etching 'March‚ aux fleurs de la Madeleine a Paris', margin with pencil signature and embossed blind stamp, 29cm x 19.5cm

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Aldin, Cecil (1870 - 1935) - Signed artist's proof coloured etching 'Old English Inns' - The George Inn, Dorchester, Oxon. Fine Art Trade Guild blind stamp, 33cm x 39cm

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After William Lionel Wyllie (1851-1931) - sail boats and tugs in an estuary, signed and inscribed on plate, etching, 6" x 12"

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Henry George Walker - "Bayards Cove Dartmouth", signed, coloured etching, 7" x 11.25"

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20th century School - "Cello and Bass", indistinctly signed, limited edition 3/20, etching, 5.5" x 7.75"

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After E.W.Sharland (exh. 1911-1925) - "The Tour de la Grosse Horlogue, Rouen", signed and inscribed, coloured etching, 19" x 12"

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After John Raphael Smith (1852-1912) - 'Albina', black and white mezzotint, 21.7" x 15.75"; also three others, after Thomas Burke (1749-1815) - 'Melancholy', coloured stipple engraving, 23" x 15.75" approx, after Pietro Bettellini - 'Sibilla Persica', engraving, 18.5" x 14", and another - 'The Towers of Charterhouse Godalming', etching, initialled D Y G, 5.25" x 3.5" (4)

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20th century French School - 'L'Eulourdie' and 'a La Queue!!', indistinctly signed, coloured etching, pair, both 6.5" x 17.5" (2)

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After Rowland Langmaid (1897-1956) - 'Tower Bridge', signature and blind stamp, label verso, etching, 7" x 12"

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NORMAN WILKINSON (CBE, PKI, RSMA, HRWS) (1878-1971) “THE EVENING RISE", two fishermen in a rowing boat on Ullswater. Etching signed in pencil to lower right hand margin. Titled verso on a Fine Art Society label and dated 1928. 23.6cm x 30.9cm. Framed under glass.

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Wilkinson Sword (65729) Single Edged Blade with Etching 32.25" (82 cms) Long. Polished Steel Hilt Marked EV111R (Half Basket) Wire Bound Fish-Skin covered Grip. Leather Scabbard. Slight Rust Damage to Blade s9

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German Weyersaberg & Co Solingen Cavalry Charger (Reg 60) Sword Single Edged Blade-Double Near Point-Etching on Blade Steel Plated Hilt Wire Bound Fish-Skin covered Grip. (Rust Damage) Steel Painted Scabbard-Some Rust Damage s15

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Sword with 3 Edged Blade with Etching 32" (81 cms) Long Plain Iron Hilt. Turks Head Finials. Metal Bound Leather Grip s 27

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Peter Carreras, Kit-O-Cat, colour lino etching, signed, initialled and dated 2/25 in pencil, 31 cm x 25 cm.

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William Strang, Old House, Pirou, etching 1906, signed in pencil, 23 x 31 cm.

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A group of nine, including an engraving of a portrait of Lord Hugh Seymour after John Hopper, and other sundry watercolours and prints including two watercolour coastal scenes, hunting prints and an etching of the Rialto Bridge, Venice by J. Alphege Brewer.

Lot 1

Louis Icart, Nude at a window, colour etching, signed in pencil, 24 x 18 cm, together with a French engraving, 'Le Boudoir' (2).

Lot 1

Eileen A Soper (1905-1990)-The Chipmunk, drypoint etching, signed in pencil to the margin, plate size 13cm x 19.5cm (Illus.)

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C. PENNY: Coloured etching, "Aegean View", signed in pencil A/P, 49 x 37cm, framed.

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A framed and glazed coloured etching city street scene, indistinctly signed in pencil to mount, 38 x 28cm.

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An Artist's Proof Etching, Rochester, and other assorted pictures

Lot 1

An Artist's Proof Etching, other prints and pictures (qty)

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VERNON STOKES; An artist signed limited edition hand coloured Etching of a gun dog retrieving a duck, no. 22 / 75.

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Inigo Barlow (18th century) Les Incommodites de Janvier 1786 coloured etching 18 x 14 cm (7 x 5 01-Feb in)

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Job Nixon RWS RE (1891-1938) Falmouth etching signed in ink 19 x 38 cm (7 01-Feb x 15 in)

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Walter Greaves (1846-1930) Lime Wharf, Chelsea etching signed in pencil 18 x 28 cm (7 x 1 in)

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Sir David Young Cameron RA RSA RWS RSW RE (1865-1945) The Palace, Stirling Castle - Built by King James the Fifth etching, signed and dated 1893 in the plate, signed in pencil to the margin, with label verso for James Connell & Sons, Glasgow 27 x 15 cm (10 01-Feb x 6 in)

Lot 309

After Herbert Dicksee (1862-1942). Lioness and cubs, etching, signed in pencil, 13 x 22.5in (33 x 57cm) and four other Herbert Dicksee etchings. (5)

Lot 1

A collection of six various Pictures and Prints, including an Etching of a gardener; and French Print of Notre Dame etc

Lot 1

ROWLAND LANGMAID (1897-1956) Shipping scene, etching, pencil signed in the margin.

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WILLIAM TATTON WINTER (1855-1928), 'St. John's Gate Canterbury', etching in colours, pencil signed by the artist,13 1/2" x 10"; together with five further prints to include Dorothy F Sweet 'The Courtyard of the Mermaid Rye', a map of Berkshire etc. (7)

Lot 1

GRAHAM CLARKE (born 1941) 'A la carte', etching, hand coloured, pencil signed in the margin, titled and numbered 180 of 400, 5" x 6 3/4".

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FRANK BRANGWYN (1867-1956), 'The Feast of Lazarus', etching, pencil signed in the margin, 21 1/2" x 29 1/2". (unframed)

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GIOVANNI BATTISTA PIRANESI (1720-1778) 'Templum Divi Bartholomaei', etching, 8" x 17 1/4".

Lot 1

TRACEY EMIN (b. 1963), ' Sometimes I feel lonely but it's ok', etching, pencil signed in the margin and titled, dated 2002 and numbered 30/200, 10 1/2" x 13". Provenance: originally purchased Museum of Modern Art, Oxford.

Lot 1

AFTER REMBRANDT - The descent from the cross, etching, 20 1/2" x 16" (laid down on old paper).

Lot 1

MUIRHEAD BONE (1876-1953) 'The Apse, Leon', etching, pencil signed in the margin, 14" x 9 1/2".

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19TH CENTURY ENGLISH SCHOOL 'View of the graveyard of the English Military Hospital, Kilalee - during the Crimean war with the tomb of Dr Bowen Thompson, August 1855, watercolour, 6 1/4" x 8" together with an etching by John Everett and a reproduction print 'Boating at Greenwich pier' (3).

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BY AND AFTER MABEL CATHERINE ROBINSON ARE 1875 Village street scene with figures gossiping, coloured etching, signed in pencil to the margin, circa 1920, 21cms x 28cms

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BY AND AFTER VERNON THOMAS young boy dressed in a Red Indian outfit, on his hands and knees playing with a puppy, coloured etching, signed in pencil to the margin, 12.5cms x 20cms

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BY AND AFTER VERNON THOMAS young girl wearing a green and black print dress, swinging on a picket gate, coloured etching, signed in pencil to the margin, 18.5cms x 11.5cms

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BY AND AFTER ALICE BARNWELL (EXHIBITION 1931 - 1940) Autumn Breeze, coloured etching, signed artist proof, artist guild blind stamp, signature and title to the margin, image size 22cms x 30cms

Lot 322

* Gooden (Stephen, 1892-1955). The Great Whore of Babylon (Book of Revelations), 1926,. copper engraving, signed and dated in pencil, plate size approx. 133 x 102 mm, framed and glazed, together with Whistler (James Abbott McNeill), Woman seated in an armchair, b&w lithograph, printed by The Studio, signed with butterfly monogram in the image, Studio blindstamp to lower margin, approx. 250 x 170 mm, mounted, plus Hartrick (A. S., 1864-1950), Hayrick on fire, b&w lithograph, signed and titled in pencil, image size approx. 275 x 360 mm, mounted, and other various modern prints, watercolours, etc., including six mounted b&w reproductions after Josef Herman, each signed, a panoramic mezzotint landscape etching by Frank Short, signed in pencil, a colour lithograph by Ceri Richards illustrating Dylan Thomass The force that through the green fuse drives the flower (published in Poetry London, September-October 1947), an etched illustration by Dunoyer de Segonzac to Les Georgiques de Virgile, 1947, a collection of approx. twenty wood-engravings and a few etchings by Leo Wyatt, including several signed, and a collection of thirteen watercolour sketches and studies by John Pinches, R.A. (approx. 45)

Lot 366

* Read (David Charles, 1790-1851). A group of four landscape etchings,. unsigned, various sizes (plate size approx. 100 x 235 mm and smaller), each mounted, together with Gavarni. Les Parens Terribles, plate 18 (Masques et Visages), c. 1850, hand-coloured lithograph, sheet size approx. 375 x 260 mm, mounted, plus Eeckhout (Gerbrandt van den, 1621-1674), Examining Botanical Specimens, hand-coloured etching, trimmed to margins, approx. 90 x 127 mm, mounted, and six other uncoloured continental landscape etchings, late 17th/early 18th c., including views after Ruisdael, Stefano della Bella, Zeeman, etc. (12)

Lot 541

Rome, etc. An album of fifty-eight various engraved views of Rome and elsewhere, 18th-early 19th c.,. consisting of three large etched views by Giuseppe Varsi (Prospetto principale del celebre Palazzo di Caprarola Fontana della celebre acqua Vergine, volgarmente detta di Trevi & Fontana dellAcqua Paola sul Monte Gianicolo, 1746, stained with some spotting), eight large engraved views by Andrea Gasparini of Greek ruins, 1842-43, an unidentified view of the Villa Pamphili (stained and some minor marginal paper repairs), four engraved views near Como by G. Maritelli, a small etched view by Rossini, etching by Paoletti Veneto of the New Bridge under construction by the Palazzo Salviati, 1827, an etched view of the Colosseum by Paolo Barbazza, two tinted litho. views of church interiors in Rome by Chapuy, two proof etchings before letters of a classical landscape (the second by P. Parboni, dated 1835), an etched view of the Interno dellArco di Settimio Severo by Rossini, 1833, ten etched views by C. Piccoli, including the Pantheon, Tempio Antonino, Piazza e Basilica Vaticana porta Maggiore Interno del Pantheon etc., plus twenty-three b&w etched views by Carlo Labruzzi [from the Via Appia Illustrata], with title by Gaetano Cottafavi, each with title in Italian and French, approx. 540 x 760 mm and smaller, all bound in mid-19th c. cloth-backed marbled boards, some wear to extrems., with hand written list of titles at front, large folio (1)

Lot 1

F.V.W. Sedgley, various unframed pencil sketches dated from the 1930's and depicting areas around Southend; an etching by B.T. Brown, "The Mill at Stock"; and a collection of various sketches, unframed engravings, prints etc., (a lot)

Lot 1

A Bartolozzi sepia etching of a gentleman in a turban.

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