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Lot 95
NEW ORDER - LP/ 12" PROMO/ TEST PRESSING PACK. A superb pack of 2 LPs/ 12" by Manchester legends New Order. Titles include Low-life (Fact 100, 1985 UK white label promo pressing on Factory. FACT-100-A2 LYN-15588 DMM on the Aside/ Bside has no matrix/ etching. Record is Ex) & Fine Time (021107, US Speciality Records Corporation test pressing. Labels with hand-written info, dated 1.28.91. Single-sided 3-track vinyl is in lovely Ex condition, displaying a couple of hairline, wispy paper marks).
Lot 463
Five assorted original artworks including:Ellen Frances Griffin, an illustrated verse, 36x23cm;Arthur Twidle, Jewish ceremony, watercolour, 9x7cm;Edwin Edmonds, Putney Bridge, etching, 16x26cm;Anita M Carr, watercolour, 9x11cm;English School, Cart crossing a river, oil on canvas, 26x36cm.Qty: 5
Lot 3
Romeijn de Hooghe (1645-1708) naar tekeningen van Johannes de Vou (1660-1707) Hand-coloured print 'Rotterodamum', panorama/profile view of Rotterdam on the Maas, with detailed ships and architectural details of the riverbank, 1694 (before the expansion of the map in 1778). Etching. Ets, 26 x 211 cm.
Lot 552
Pablo Picasso (1881-1973) "Dans l'arene. Jeune homme achevant le minotaure", 1933 (May 21, Paris). Edition of 50, etching on Vergé de Montval paper, signed "Picasso" lower right. The signature of Picasso has been pressed into the paper in intaglio printing. Published in the oeuvre catalogue "Picasso. Peintre-Graveur tome II. Catalogue raisonnee de l'oeuvre grave et des monotypes 1932-1934", pp. 199. Authentified by the Picassso Authentification (Claude Ruiz-Picasso), Paris. Ets, 194 x 268 mm.
Lot 469
A COLLECTION OF PAINTINGS AND PRINTS ETC, to include Frederick T. W. Cook study of two green woodpeckers on branches, gouache on board, approximate size 43cm x 74cm, a study of two jays? by the same hand - some losses to the jays painting, two landscape oils on canvas signed I. Costello, approximate sizes 60cm x 39cm, large still life flower study signed Lamont, limited edition print of spitfires by John Young, modern Maw & Co majolica tiles, etching print in colours depicting Staffordshire Watermill Brocton 1949, other assorted prints and a box of photo frames etc
Lot 19
A GROUP OF FOUR SOUTHEAST ASIA RELATED PRINTS Comprising three 19th Century views of Cambodia, 'La Pyramide de Pimanacas'; 'Western Facade of the Temple of Ongou Wat'; and 'Une Entree de Ponteay Prea-Khan'; together with an etching of the Siamese and Pali alphabet, originally published in 1828, this example signed, dated 1997 and numbered 65/300 in pencil to the margin (4) The largest Cambodian view 20x28cm Condition: Condition Report All three Cambodian views with foxing to the paper, some spots and dirt beneath glass, the alphabet print with some occasional foxing This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 110
Gerhard ALTZENBACH (act. 1609 - 1672). Spottblatt: der Tod als Edelfrau (c. 1630).Circa 23,8 x 13,3 cm die Druckplatte. Radierung. Breitrandiger Abzug. Wohl Pendant zu Altzenbachs "Der Tod als Edelmann". Detaillierte Vanitas-Darstellung.Gerhard ALTZENBACH (act.1609 - 1672). Etching with mocking content: Death as a noblewoman (c. 1630).Circa 23,8 x 13,3 cm the printing plate. Etching. Print with wide margins. Probably a pendant to Altzenbach's "Death as a Nobleman". Detailed depiction of vanitas.
Lot 142
Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" (1910).Circa 40 cm x 40 cm, 56,5 cm x 63 cm im Rahmen. Strichätzung, Kaltnadelradierung und Schmirgel und Vernis mou. Links unten in der Graphik bezeichnet: ''Orig. Rad. von Käthe Kollwitz''. Rechts unten in der Graphik bezeichnet: ''Druck v. O. Felsing, Berlin Chinog''. Prägestempel links seitlich unten. Aufhängung des Rahmens anders ausgerichtet als wir die Abbildung zeigen. Mutter und Kind sind hier in schmerzvoller Verbundenheit horizontal aneinander geschmiegt. Der im Titel beinhaltete Tod ist versteckt als skelettierter Arm unter dem Kinderkörper sowie als Schädelandeutung im oberen Bildrand gezeigt. Hinter Glas gerahmt.Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" ("Death, Woman and Child") (1910).Approx. 40 cm x 40 cm, 56,5 cm x 63 cm in frame. Line etching, drypoint and emery and vernis mou. Inscribed lower left in the print: ''Orig. Rad. von Käthe Kollwitz''. Inscribed in the lower right corner of the print: ''Druck v. O. Felsing, Berlin Chinog''. Embossed stamp at lower left side. Hanging of the frame differently oriented than we show the image. Mother and child are here in painful closeness nestled together horizontally. Death, included in the title, is shown hidden as a skeletonised arm under the child's body as well as an insinuation of a skull in the upper margin of the picture. Framed behind glass.
Lot 113
Leonor FINI (1907 - 1996) ''L'Homme au Repos" (Mann in Rast). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Radierung. Darstellung eines ruhenden Mannes mit Gamaschen. Über ihm eine junge Frau. Rechts unten handsigniert. Links unten nummeriert. Hinter Glas in goldfarbener Leiste.Leonor FINI (1907-1996) ''L'Homme au Repos" (Mann in Rast'). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Etching. Depiction of a resting man with gaiters. Above him a young woman. Signed by hand lower right. Numbered lower left. Behind glass in a gold coloured border.
Lot 144
Günter GRASS (1927 - 2015). Zwei Radierungen.1979 und 1980.Circa 49 cm x 39 cm. 72 x 57 cm im Rahmen. Circa 50 cm x 65,5 cm. 72 x 57 cm im Rahmen. Radierung. "Selbstportrait mit Feder und Fisch" (1980). Druck 28 von 150. "Frau mit Butt" (1979). Druck 26 von 40. Signiert und datiert. Hinter Glas gerahmt.Günter GRASS (1927 - 2015). Two etchings.1979 and 1980.Circa 49 cm x 39 cm. 72 x 57 cm in frame. Circa 50 cm x 65,5 cm. 72 x 57 cm in frame. Etching. "Self-portrait with pen and fish" (1980). Print 28 of 150. "Woman with Butt" (1979). Print 26 of 40. Signed and dated. Framed under glass.
Lot 640
ALIEN (1979) - H.R. Giger Brass Etching Space Suit DressingA premium laser-cut replica of an etching used as a stencil by Swiss surrealist artist H.R. Giger to create patterns in his paintings. It was also incorporated into designs seen in Ridley Scott's sci-fi horror Alien. This example was scanned directly from an original etching, and these intricate patterns were cut and incorporated into Dallas (Tom Skerritt), Kane (John Hurt) and Lambert's (Veronica Cartwright) spacesuits, which they wore while investigating a possible distress signal. The etching is on brass, and it is stamped "61638". There are signs of discolouration and fingerprint marks on the brass. Dimensions: 22.5 cm x 31 cm (8 3/4" x 12 1/4") Estimate: £400 - 600 †ΔThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
Lot 1146
LUCIFER (T.V. SERIES, 2016 - 2022) - Mazikeen's (Lesley-Ann Brandt) Stunt KarambitMazikeen's (Lesley-Ann Brandt) stunt karambit from the crime drama series Lucifer. Mazikeen used her karambit in hand-to-hand combat when fighting against Lucifer Morningstar's (Tom Ellis) enemies throughout the series.This sickle-shaped cast resin weapon features a pommel ring and a feather-like etching on the flat sides, along with engraved symbols. The blunt concave edge features bamboo-like notching and the convex edge is double-bevelled to appear sharp. Finished with silver-coloured paint, the karambit exhibits some scratching and visible paint lines on the handle from production use. Dimensions: 18.5 cm x 4 cm x 0.75 cm (7.25" x 1.5" x 0.25") Estimate: £400 - 600 ΩThis lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.
Lot 185
FITZGERALD EDWARD (Trans). Rubaiyat of Omar Khayyam. Sesquicentennial Edition limited to 1000. Orig. etching no. 169, signed by the artist, Niroot Puttapipat. Mounted col. plates. Folio. Fine gilt decorated pictorial vellum backed brds. with vellum tips, t.e.g. Orig. solander box. Folio Society, 2009.
Lot 166
Elizabeth Adela STANHOPE-FORBES (1859-1912) Across The Sand Dunes EtchingPlate size: 17 x 11cmNewlyn Orion Gallery label to versoThis very rare dry-point etching has not been examined out of the frame. We are not aware of there being any signed numbered etchings by E Forbes but some are signed in the plate. Indeed there is a version of this etching that has her monogram.This etching was sold through the Newlyn Orion Gallery in 1981 when the respected expert John Halkes was its director. We do not know where the title "Across the Sand Dunes" comes from, perhaps it is inscribed.The etching has overall foxing
Lot 271
Alexander MACKENZIE (1923-2002) Untitled, 1965 Etching/aquatint Signed and dated Jan '65Numbered 4/6Plate size 60 x 44.5cm Provenance - The Estate of John and Gunni Crowther This dramatic etching has not been examined out of the frame, we can see no foxing and no sign of repair or damage. The paper may have browned a little.
Lot 310
Sir Terry FROST (1915-2003) Untitled (Figure) (Kemp 30) Mixed media and linocut, signed. Further work to verso, self-portrait monotype. 20.5 x 29cm.From the collection of Ron Howell."I was introduced to Terry by Allan Freer who had commissioned various things from him during his time with Manchester Education Committee - some of the works are illustrated in the Lewis book. After the initial meeting, we became good friends and I visited Terry and Kath three or four times a year in Newlyn. But we also met in Venice, where I worked regularly, and Terry has a show at the Multigrafia Gallery and the year before his death, they came to the Aldeburgh Festival. The etching ‘On the Edge’ was made for that visit. During that visit, Terry said that he had always wanted to design an opera, and I was able to help him fulfill that with the commission for Opera East’s production of Britten’s ‘Rape of Lucretia’. Unfortunately, Terry was unable to see the production, and although I had it filmed, the editing only finished after his death. The etching ‘Blue Vertical’ came from this commission, and the ‘Spiral for Aldeburgh’ was used at his funeral, with one of his poems printed verso. In 2005, ‘Blue Drowning’, based on Terry’s lost painting Drowning Blue, was performed by the Scottish Strings at the Aldeburgh Festival. This I commissioned from John Woolrich to celebrate the lives of Terry and Kath, and our friendship and collaborations."
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71174 item(s)/page