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Lot 590
William Lionel Wylie RA (1851-1931), H.M.S Victory firing a salute in Portsmouth Harbour with battleship and other craft, signed in pencil, etching on paper, 10cm x 35cm, mounted glazed and framed, together with another Wylie print of barges near a shoreline, 8x16cm, and an etching R.A Thomas, sailing boat passing Tower House and the Round Tower, 13x20cm, (3)
![George Cruikshank (1792-1878), by and after, Drawing - for the Militia_!, Published by George Cruikshank, [London 1834], hand](https://cdn.globalauctionplatform.com/4e6561fc-45d6-4539-919b-a69700c26a90/40e19dc1-9b74-4f25-86de-0f6d4d91f54f/468x382.jpg)
Lot 1402
George Cruikshank (1792-1878), by and after, Drawing - for the Militia_!, Published by George Cruikshank, [London 1834], hand-coloured etching, 18cm x 25cm; Thomas Rowlandson (1756-1827), by and after, Doctor Syntax Drawing After Nature, Published by R. Ackermann, London 1812, hand-coloured aquatint, 12.5cm x 20cm; English School (early 19th century), caricature, Police Inteligence, "There is no appeel (sic), [Sir Robert Peel], [London, c.1829?] hand-coloured etching, 9.9cm x 8.5cm; Punch's Pocket-Book For 1851, four-fold panorama, Preparatory School for Young Ladies, hand-coloured line engraving, 30.5cm x 12.3cm [4]
Lot 782
A. E. Grace, framed and glazed etching titled 'Parish Church & Old Houses Hitchin', dated 1/1/47 and signed in pencil l.r., note to the bck of the frame reads 'Grace A.E. (Mr) Trees, 34 Kingsnorth Gdns, Folkestone, Kent - Etching: 'Parish Church and Old Houses, Hitchin' No.1', some discolouration. Picture size: H.35cm x W.24cm.
Lot 787
A. E. Grace, framed and glazed etching looking out over Winchester, titled 'Winchester' and dated 1945, signed l.r. in pencil, edition 1/80, note to the back of the frame gives the artists name and address 'Mr A. E. Grace 34, Kingsnorth Gardens, Folkestone' while one label states the framers as 'James Bourlet & Sons Ltd., Fine Art Packers, Frame Makers, J14352, 17 & 18, Nassau Street, Mortimer Street, W', while another reads 'Royal Academy Exhibition Tour 1956' with the same James Bourlet & Sons address, some discolouration. Picture size: H.19.5cm x W.36cm.
Lot 807
A 1796 pattern infantry officer’s sword, fullered blade 28½” (slightly shortened), etched on one side with scroll “Warranted” and 1801-16 R Arms, and on the other with crowned GR cypher and infantryman, all with flourishes, regulation copper gilt hilt, double shell guard, the inner turning down, quillon, knucklebow, urn shaped pommel, simulated silver wirebound grip. Basically GC, the hilt retaining approx 60% gilt, traces of gilt to blade etching (obscured by dark patina).
Lot 329
§ Salvador Dali (Spanish, 1904-1989) Taurus, from the artist's series of twelve Signs of the Zodiac numbered 63/250 lower left and signed lower right in pencil etching and aquatint 37½ x 26cm (14 x 10in) Provenance: Galaria Surrealista, Barcelona; The Eton Art Gallery, Eton, Berkshire, where purchased by the present owner in 1987 Other Notes: With letter of authenticity from the Eton Art Gallery verso Condition in general is good. A little surface dirt and fading to the paper, some minor creasing to the lower right corner of paper. Some dirt under the glass. Frame is generally in good condition.
Lot 328
Keiko Minami (Japanese, 1911-2004) Church with steeple by the sea signed lower right "Keiko Minami" and numbered 20/50 etching and aquatint 33 x 31cm (13 x 12in) Other Notes: Keiko Minami was a Japanese artist, aquatint engraver and poet. After the war, Minami moved to Tokyo to create children's books, and it was there that she met her future husband, the mezzotint artist Yozo Hamaguchi. Minami and Hamaguchi moved to Paris in 1953 where Minami began studying under Johnny Friedlaender, a pioneer in aquatint etching. Some browning around the edges.
Lot 454
*Evans (Merlyn Oliver, 1910-1973). Cheiromorph - No. 1, 1966, monochrome etching on thick wove paper, signed lower right, titled and numbered Artist's Proof 2/5, plate size 500 x 600 mm (19.7 x 23.6 ins), sheet size 730 x 820 mm, 28.75 x 32.3 ins, frame and glazed with Redfern Gallery label to verso (1)
Lot 364
*Ploos van Amstel (Cornelis, 1726-1798). Marine Landscape off the Dutch Coast, after P. Cooper, 1777, etching with hand-colouring on laid paper, 110 x 220 mm (4.25 x 8.7 ins), with pencil and monochrome wash vignette to verso and faint early inscription, together with Luyken (Jan, 1649-1712), Feldschlacht der Kaiserlichen mit den Franzosen, copper engraving on laid paper, some marks, plate size 270 x 340 mm (10.7 x 13.5 ins), with narrow margins, mounted on backing card, plus other various Old Master prints & engravings, including an engraving of Christ carried to the tomb, bearing Durer's monogram AD, and the biblical quotation 'sicut in adam omnens moriuntur ita et in Christo omnes vivificabuntur' (not by Durer), an engraving by Marcantonio Raimondi after Raphael, re-issued by Giovanni Giacomo Rossi in 1610, several later impressions of Rembrandt prints, an engraving by Paulus Pontius after Van Dyck, a Bartolozzi stipple engraving after Richard Cosway, a Dighton caricture of Lieutenant-General MacDonald, 1812, etc., various sizes (42)
Lot 508
*Griggs (Frederick Landseer, 1876-1938). Meppershall Chapel, 1915, etching on laid paper, one of 30 impressions of the third state, signed in pencil, some light toning, sheet edges with some tears and loss to edges (caused by previous mounting and glue), encroaching particularly to the lower right corner of the image (but with some margin on all sides), plate size 131 x 116 mm (5.2 x 4.5 ins), sheet size 210 x 185 mm (8.3 x 7.2 ins), with margins shorter in several places Comstock 13, iii/iii. (1)
Lot 491
*Strang (Ian R.E., 1886-1952). The Site of Devonshire House, 1925, etching and drypoint on pale cream laid paper, signed, dated, inscribed to David Strang, and marked Pattern Proof by the artist in pencil, additional signature of David Strang imp., plate size 276 x 340 mm (10.9 x 13.4 ins), framed and glazed with CCA Galleries label to verso (1)
Lot 523
*Robins (William Palmer, 1882-1959). Shoreham, Sussex, 1925, etching on laid paper, signed and dated lower edge, title and edition to lower margin, plate size 158 x 253mm (6.25 x 10ins), sheet size 217 x 319mm (8.5 x 12.5ins), together with The Hundred-Foot Cut, 1928, etching on wove paper, signed, dated and titled in pencil to lower margin, some scattered spotting, plate size 248 x 363mm (9.75 x 14.3ins), sheet size 311 x 433mm (12.25 x 17ins) (2)
Lot 482
*Cameron (David Young, 1865-1945). Cathedral Window, etching with drypoint on thin wove paper, signed in pencil, plate size 392 x 282 mm (15.5 x 11.1 ins) with margins, framed and glazed, together with another signed etching with drypoint by D.Y. Cameron of a panoramic estuary with distant outline of mountains beyond, signed in pencil, plate size 112 x 318 mm (4.4 x 12.5 ins), framed and glazed (2)NB: The Cathedral Window is on fine laid paper, not wove. The width of the plate is 182 mm not 282 mm.
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71174 item(s)/page