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Lot 113
Ceiling frescoes.- Audran (Gérard, 1640-1703) La Vigilance avec ses Symboles, et Mercure comme le plus vigilant des Dieux, after Pierre Mignard (1612-1695), etching and engraving, on thick wove paper, platemark 520 x 755 mm. (20 1/2 x 29 3/4 in), thin margins, some small repaired tears, minor surface dirt and even browning, unframed, [1688].
Lot 115
Ceiling frescoes.- Aquila (Francesco Faraone, 1670-1745) Four large plates of frescoes from the Stanze di Raffaello, after Raphael, etching and engravings, with extensive hand-colouring, on thick laid paper, from 485 x 570 mm. (19 1/8 x 22 1/2 in) to 520 x 690 mm. (20 1/2 x 27 1/4 in), central vertical folds, minor surface dirt and even browning, unframed, published by de Rossi, [circa 1710-1720] (4).
Lot 341
§ Norman Stevens (British, 1937-1988) Painswick, Moonlight signed lower right "Norman Stevens '79" , numbered 60/150, and with Christie's blindstamp etching and aquatint 57 x 76cm (22 x 30in) Provenance: Christie's Contemporary Art, London Under glass and corners appear stuck down, with some brown discolouration.
Lot 346
§ Phyllis Ginger (British, 1907-2005) Street scene signed lower right within the print "Phyllis Ginger" colour lithograph 42 x 68cm (16 x 27in) Other Notes: Phyllis Ginger belonged to a generation of women artists whose work is relatively unknown, even though their contribution to English painting was substantial. Born in New Malden, Surrey, she trained at Richmond School of Art under Stanley Roy Badmin. She aspired to become an illustrator but she was more captivated by the medium of etching and portraiture as a subject. She first exhibited at the Royal Academy in 1938. Ginger's skill as a topographical artist led to her involvement in the "Recording Britain" scheme, started in 1939. The V&A Prints and Drawings department holds 19 watercolours belonging to this scheme, her most important commission, completed for the Pilgrim Trust between 1940 and 1942. Condition appears fine.
Lot 350
§ Valerie Thornton, RE (British, 1931-1991) St Euphemia, Spoleto, 60/70; St Aignan, Orléans, 44/45 and another artist's proof; Aachen Interior, artist's proof; Abstract, 2/50; Nedging, 1/75; with a screenprint on tracing paper of a classical building, 7/35, majority measuring approximately 79 x 56 cm (31 x 22in) signed "Valerie Thornton" in pencil etching (6); screenprint (1)
Lot 352
§ Valerie Thornton, RE (British, 1931-1991) San Miniato, 22/100; Esco, artist's proof; St Euphemia, Spoleto, 61/70; St Aignan, Orléans, artist's proof; Abstract (Slabs), 6/35; and Abstract (Rocks) 2/40, measuring approximately 70 x 52 cm (27.5 x 20.5in) signed "Valerie Thornton" in pencil etching (6)
Lot 353
§ Valerie Thornton, RE (British, 1931-1991) Living in Peace, St Benoit sur Loire, 32/45; Esco, 37/50; Casserres, 14/50; Two Venetian Palaces, 14/50; St Euphemia, Spoleto, 70/70; St Benoit sur Loire, 37/45; St Aignan, Orléans, artist's proof; with a screenprint on tracing paper depicting the artist outside a classical façade, largest measuring 90 x 65 cm (35.5 x 25.5in) signed "Valerie Thornton" in pencil etching (7); screenprint (1)
Lot 354
§ Valerie Thornton, RE (British, 1931-1991) Hardham, artist's proof; L'Estany, 2/45; Esco, artist's proof; St Euphemia, Spoleto, 59/70; St Benoit sur Loire, 12/49; St Benoit 43/45; St Aignan, Orléans, artist's proof; stylised landscape screenprint on tracing paper, majority approximately 78 x 56 cm (31 x 22in) signed "Valerie Thornton" in pencil etching (7); screenprint (1)
Lot 360
§ Lettice Sandford (British, 1902-1983) Illustration for "The Golden Bed of Kydno" wood engraving 22 x 14cm (9 x 5in) Literature: Illustration from "The Golden Bed of Kydno", translated from the Modern Greek of Evadne Lascaris by P Mathers and illustrated with twelve line-engravings by Lettice Sandford, pub. The Golden Cockerel Press, 1935 Other Notes: As a girl, Lettice Rate studied at the Byam Shaw and Vicat Cole School of Art, and later, with an interest in book illustration, at the Art Section of the Chelsea Polytechnic. Here she worked under Percy Jowett, who had earlier taught her at her boarding school in north London. She was taught engraving on wood by Robert Day, and etching by Graham Sutherland. On a skiing holiday in Switzerland, she met the printer, Christopher Sandford, and they were married in 1929. Together they ran the Boar's Head Press whose books were printed at the Chiswick Press, of which Christopher Sandford was a Director. Condition is fine.
Lot 361
Norman Lindsay (Australian, 1879-1969) Lesbia signed lower right "Norman Lindsay 1921" and numbered 38/54 etching 17 x 18cm (7 x 7in) Provenance: Private collection, Cambridge Other Notes: Norman Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze. A large body of his work is housed in his former home at Faulconbridge, New South Wales - now the Norman Lindsay Gallery. Today Norman Lindsay etchings, drawings, paintings, books and sculptures are keenly sought after and major pieces rarely come on to the open market. A little browning around the edges but fine.
Lot 372
§ Frank Auerbach (British, b.1931) Reclining Head of Julia signed and dated lower right "Auerbach '07", and numbered 118/150, published by Marlborough Fine Art, London etching printed with tone on Somerset white paper 20 x 24cm (8 x 9in) Provenance: Marlborough Fine Art, London Other Notes: The artist's wife, Julia Auerbach, has been a regular weekly sitter for the artist over a long period. Since her appearance in the first set of etched portrait heads in 1989, she has appeared as a subject in numerous prints. Julia was the main subject of study in Auerbach's etchings in the years 1998-2001, when she was usually drawn in the reclining pose that she adopted to save getting too tired. In some of the prints she is asleep. Condition is fine.
Lot 11
*Gillian Ayres (British, b.1930)SIKAR IIEtching with aquatint and carborundum printed in colours with extensive hand colouring in acrylic paint, 1993, signed, dated and numbered 34/100 in pencil, on heavy wove paper, with full marginsplate 86 x 85.3cm, framed*Artist's Resale Right may apply to this lot.
Lot 138
Édouard Manet (French, 1832-1883)BAUDELAIRE EN PROFIL EN CHAPEAU II (CHARLES BAUDELAIRE IN PROFILE WEARING A HAT II) Etching, 1869, monogrammed upper left, text within print reads 'Peint et Gravé par Manet 1862' and 'Imp. A. Salmon', on laid paper, with full marginsplate 10.5 x 9cm, unframed
Lot 176
*Joan Miró (Spanish, 1893-1983)HOMMAGE A JOAN MIRÓ (Dupin 868)Etching printed in colours with carborundum, 1973, signed and inscribed 'H.C' in pencil, one of 275 hors-commence impressions, for the occasion of the artist's 80th birthday, printed by J J Torralba, Barcelona, published by Sala Gaspar, Barcelona, on wove paper, with full marginssheet 69 x 49.5cm, framed*Artist's Resale Right may apply to this lot.
Lot 196
*Salvador Dalí (Spanish, 1904-1989)RETURN, RETURN, SHULAMITE (MICHLER/LÖPSINGER 479)Etching with stencil coloring and gilding, 1971, signed and numbered 151/250 in pencil, from the series 'The Song of Songs of King Solomon', printed by David and Jacomet, Paris, published by Leon Amiel, New York, on Arches wove paper, with full marginssheet 56.5 x 37.6cm, unframed*Artist's Resale Right may apply to this lot.
Lot 197
*Salvador Dalí (Spanish, 1904-1989)BELOVED IS AS FAIR AS A COMPANY OF HORSES (MICHLER/LÖPSINGER 475)Etching with stencil coloring and gilding, 1971, signed and numbered 50/250 in pencil, from the series 'The Song of Songs of King Solomon', printed by David and Jacomet, Paris, published by Leon Amiel, New York, on Arches wove paper, with full marginssheet 57 x 38cm, unframed*Artist's Resale Right may apply to this lot.
Lot 198
*Salvador Dalí (Spanish, 1904-1989)JEREMIAHEtching with stencil hand-colouring, 1975, from 'Our Historical Heritage', signed and inscribed 'EA' in pencil, an artist's proof aside from the edition of 450 with colour variations (400 numbered, there was also an edition of 300 reserved for South America), published by Léon Amiel, Paris, on Arches wove paper, with full marginssheet 66 x 50cm, unframed*Artist's Resale Right may apply to this lot.
Lot 199
*Salvador Dalí (Spanish, 1904-1989)KING SAULEtching with stencil hand-colouring, 1975, from 'Our Historical Heritage', signed and inscribed 'EA' in pencil, an artist’s proof aside from the edition of 450 with colour variations (400 numbered, there was also an edition of 300 reserved for South America), published by Léon Amiel, Paris, on Arches wove paper, with full marginssheet 66 x 50cm, unframed*Artist's Resale Right may apply to this lot.
Lot 200
*Salvador Dalí (Spanish, 1904-1989)BENJAMIN (MICHLER/LÖPSINGER 619)Etching printed in colours, 1973, signed and numbered 122/195 in pencil, from the series 'Twelve Tribes of Israel', published by Trans World Art, Fribourg, Switzerland, on Arches wove paper, with full marginssheet 65.5 x 50cm, framed*Artist's Resale Right may apply to this lot.
Lot 211
*Jean Signovert (French, 1919-1981)RED, ORANGE AND BLACK ABSTRACTIONEtching with aquatint printed in colours, 1970, signed, dated and inscribed ‘epreuve d’atelier’ (Atelier Proof) in ballpoint pen, on Arches wove paper, with full marginssheet 50.2 x 55.5cm, unframed*Artist's Resale Right may apply to this lot.
Lot 232
*Richard Hamilton (British, 1922-2011)UN DES EFFETS DES EAUX DE MIERS (LULLIN 90)Etching and aquatint,1973, signed and numbered 6/100 in pencil, from 'Small Prints', printed by the artist and Maurice Payne at the Petersburg Press, London, published by Bernard Jacobson, London, on Jeyes toilet paper with rag paper backing hand-made by Peter Rowson, Hazelmere, with full marginssheet 15.3 x 21.2cm, framed*Artist's Resale Right may apply to this lot.
Lot 243
*Paula Rego (Portuguese, b.1935)WENDY SEWING ON PETER'S SHADOWEtching with aquatint, 1992, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.8 x 20.3cm, framed*Artist's Resale Right may apply to this lot.
Lot 244
*Paula Rego (Portuguese, b.1935)EMBARKATION (ROSENTHAL 76)Etching with aquatint, 1992, signed and inscribed 'A/P' in pencil, artist's proof aside from the edition of 25, from a portfolio for the Royal College of Art's Printmaking Appeal, published and printed by the Royal College of Art, London, on wove paper, with full marginsimage 45.5 x 34cm, framed*Artist's Resale Right may apply to this lot.
Lot 245
*Paula Rego (Portuguese, b.1935)IN THE PIRATES’ HOLD (ROSENTHAL 100)Etching with aquatint printed in red, 1992, signed and numbered 7/25 in pencil, printed by Culford Press, London, with their blindstamp, published by the artist and Marlborough Graphics, London, on wove paper, with full marginssheet 49 x 32.5cm, framed*Artist's Resale Right may apply to this lot.
Lot 246
*Paula Rego (Portuguese, b.1935)PIRATES TAKING AWAY LOST BOYS (ROSENTHAL 90)Etching with aquatint printed in colours, 1992, signed and inscribed 'A/P' in pencil, an artist’s proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.5 x 19.8cm, framed*Artist's Resale Right may apply to this lot.
Lot 247
*Paula Rego (Portuguese, b.1935)TOOTLES SHOOTS WENDY (ROSENTHAL 85)Etching with aquatint printed in colours, 1992, signed and inscribed 'A/P' in pencil, an artist’s proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.5 x 19.8cm, framed*Artist's Resale Right may apply to this lot.
Lot 264
*David Hockney (British, b.1937)THE ENCHANTRESS IN HER GARDENEtching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'Rapunzel' for 'The Brothers Grimm Fairy Tales', published by Petersburg Press, on Hodgkinson wove paper, with full marginssheet 45 x 40.3cm, unframed*Artist's Resale Right may apply to this lot.
Lot 265
*David Hockney (British, b.1937)THE ENCHANTRESS WITH THE BABY RAPUNZELEtching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'Rapunzel' for 'The Brothers Grimm Fairy Tales', published by Petersburg Press, on Hodgkinson wove paper, with full marginssheet 45 x 40.5cm, unframed*Artist's Resale Right may apply to this lot.
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78388 item(s)/page